Tagged: Sharon Davis

Michael Davis: It’s 25, Without a Bullet

Fair warning: little in this article has a thing to do with pop culture.  So, if your intention is to bitch about that after reading this let me do it for you:

Clueless Cow writes: Why is this in Bleeding Cool? Rich, can’t you get a writer to write what matters? He surely does not.

Live with parents at 50 writes: Davis writes an opinion column. Has anyone noticed all the views are his? Who is this guy anyway? I’d like to see my point of view expressed on ComicMix and so would my mom.

Do yourself a favor: stop reading now.

I’m writing this solely for my fans. I may joke I only have two, but I’ve got thousands all over the world. Spare me the “I’ve never heard of you” bullshit. Really? I’m the guy writing this. And you are..?

So, if you’re not a fan and are just going to bitch save your bandwidth, I’m sure you can find a Spiderman: Red or Black debate on the net somewhere.

Dear Fans Of The MOTU, I thank you for soooo many wonderful birthday wishes!  I’m all at once overjoyed humbled and as always sexy!  It’s hard to believe that I’m just 25.

25! Yeah, that’s a two and a five, as in 25!!!

Were you there? Are you my daddy? Well, if you are, where you been for 25 years? Oh, wait you’re black.

As you know – if you don’t pretend you do – people who suffer from severe depression are more likely to experience melancholy around the holidays birthdays any event where family and friends gather to celebrate.

Me? I’m only susceptible to bouts of sadness on days ending in y.

Often a small event, irrelevant to most people, triggers my downward spiral. The occurrence may not even have anything to do with me directly.

Let’s say that a racist, homophobic, women-hating straight up evil man becomes the President of the United States. That would make me crazy. What? All right damn it – that would make me crazier.

Tequila.

But let’s say the anniversary of his one-hundredth day in office is the focus all over the world and hard as I try I can’t turn the world off with a smirk like Mary Richards could with a smile.

Pills

But wait there’s more…

It’s also the anniversary of the beat down of Rodney King which triggers a “niggermoment.” A niggermoment is memories of times in my life regardless of what I’ve accomplished schools attended, or accolades heaped on me to some I’m seen as just a nigger.

Loaded gun.

Unfortunately, a great many of the “some” include the criminal justice system. Such memories like when the Anaheim Hilton threatened me with arrest because I dared utter the words “lower Alabama” and LAPD falsely arresting me twice come soaring back.

One arrest was for chasing my drunk former girlfriend out of her mind to stop her from driving. She was loaded but seeing LAPD jump out of a passing cruiser with guns leveled at my head sobered her up enough to tell them I’d done nothing but try and get the car keys. As I laid on the ground with a shotgun pointed at the back of my head all I could think was “they don’t care” and the last sound I would hear was KAPOW!

The second time I was treated to a ride in a police car two people ran across a crowded bar and attacked me while I was walking out the door. All captured on video. Every moment proving my innocent caught on tape. While I sat in jail waiting for my lawyer, all I could think was even with video cell phones, and a high-priced lawyer don’t go to trail.

I’m black, people who attacked me and white ex-girlfriend. Find an Asian person and have them do the math.

Oh, my.

Tequila

and

pills

and

gun

Oh, my!

Sooooooo I’m off to see my maker, the wonderful maker of me.

But wait there’s more!

The Trump and King anniversary could easily be more than enough to trigger a trip to the laptop to begin a new article with the title Goodbye Cruel World.

But wait, there’s more.

Both events trigger happened on the same day. Yep, the 100 days of Trump’s reign and the 25 anniversary of the L.A. riots came to a head-on April 29th 2017.

If I was in a bad mental state that, a perfect shit storm could do some significant damage.

But wait there’s more. It was also my birthday. Remember people who suffer from severe depression are more likely to experience melancholy around the holidays birthdays etc.

I’m not whole but at no time over my birthday weekend did let my heart sink my resolve fade or my hope leave.

But I did cry. Crying now, but not for me.

I cry for the young bullied gay teenager about to hang himself. The sweet Muslim girl preparing to down a bottle of sleeping pills also bullied. The talented Latina model who sits by her husband’s hospital bed every day holding his hand. Alone in a room filled with his family who continues to pull rank on her. Her family?

They had other shit to do so they did not even show up.

I cry for Malcolm Jones. Retrieving a memory of that magic Thanksgiving dinner at my Aunt’s house a thousand years ago. Denys Cowan, Malcolm, my BFF Lee Speller my mentor and cousin William T, Williams all together in a place so filled with love and happiness I’d swear Al Green was hiding in the corner so he could steal a song title.

I cry for Paige who survived a brutal gang-rape, and like those, above choose me to confide in and then she did the bravest thing I’ve ever witness, she went public.

I cry for my cousin who could not be any closer to my heart if she was my daughter. Once she was as close to leaving this earth as I was.  Another cousin who came home one day went out to buy milk and has not been seen since. That was over 20 years ago.

She would never have left her kids. I know she’s dead. Everyone knows she’s dead.

There may have been a chance to find and save her. But back then lost black women did not appear on milk cartons. There was no 20/20 or Dateline episode on them.  Has it changed today?

Oh sure, if 20 or so black women go missing that gets a mention, and no, that is not a joke. So, I cry for Deedee.

Regina, Doris I tried to write about her a million times, but a million times I couldn’t get through it. However, she’s about to be celebrated by a character inspired by her as are you both on something wonderful you will see very soon.

Lastly, I weep for my sister Sharon.

The inspiration for Static’s sister Sharon Hawkins was my sister Sharon Davis. Left for dead in a vacant lot while people walked pass all night concerned more with the shortcut the lot provided than the girl laying there slowly bleeding out.

I didn’t know the teenagers who were bullied. They both read my Middleman column and reached out to me too – get this – tell me I wasn’t alone. My Latina friend kept me up all night with words of support on a day I was feeling sorry for myself.

Years before I did the same for her when she was fighting her demons. But, she did what she did while her husband was fighting for his life. That is gangster I talk a lot of shit, but I don’t know if I could have done that.

I saved nobody. Those above in a very real way helped to save me.

Depression doesn’t change you. It reveals you and those around you.

Suicide may not mean you want to die. It may mean you just don’t want to live.

Believe me – there’s a difference.

Thank you, my friends, for a wonderful birthday.

Next: Milestone is still dead.

The first person who gets what I just did with the above teaser I’ll give a prize, seriously.

Michael Davis: No Respect. No Wonder. Part 2

Part 1 of this series can be read at BleedingCool.com

static comicmixHollywood, I’m sorry. I’ve been wrong.

You’re not responsible for the overwhelming opinion the general public has of my industry being just for kids. Yes, SDCC is our house, but our house is all fucked up. We deserve to be viewed as nothing but geeks, nerds, and children. We are not ready to play at your level, not even close.

We’re selfish, shortsighted, and stupid. Not all the time, but so often we’ve become a joke to the French and Japanese comics industries. Comics, one of the few original American art forms, are recognized as such by a country whose ass we had to save and a country whose ass we nuked. Yet we’re the joke.

And we deserve to be.

As an example, in about two weeks it will be a year since I sent an email to Variant Comics. It was my tongue-in-cheek attempt to be funny while addressing an important issue. The fantastic video they produced featured wrong “created by” credits.

The response I received wasn’t exactly what I expected. They said they would correct the issue: “We have already added a correction in our next episode to explain that we missed you and Denys as additional creators.”

But they did not think I was funny:

“I have not responded (quicker) because I do my best to steer clear of rude or aggressive correspondence.”

They thought I was being a heavy-handed bastard. Not my intention, and I immediately apologized with the following:

I bear you no ill will. I was being sarcastic, and if you read my Bleeding Cool piece, you will see I underscored time and time again how much I admire what you are doing. My goal was to show how a great piece with wrong information could do some injustice, but in no way did I ever think you guys would take to heart my FB email. I “liked” your page, I took every chance I got to say just how good your stuff and site is.

Clearly you don’t remember we met some time ago, and as such I thought you would get the joke.

My bad.

Really. My bad.

On the real, I meant to do nothing but poke fun and draw attention to the credits; it was never my intention to insult (except in jest) you or your people. Please accept my apology. It pains me (really) to think my attempt at satire fell short.

If need be, I will say what I just said to you privately in public.

I have no problem with that.

Again – I’m sorry. Try as I might, sometimes I just don’t see what others do. Truth be told most times I care not. This time I do.

The Bleeding Cool article I was referring to foreshadowed possible future events and the real damage that short film could do. That article was not the only article I wrote about this over the year – there were several. Some here on ComicMix, some on Bleeding Cool, and some on my Facebook page, and yes, they were tagged.

Occasionally, I wrote another lighthearted appeal that ended when the “possible” became reality, and the damage sure as hell followed. Since then, I’ve been that Nigga.

Variant has changed nothing on the Static Shock film, and they have had a year to do it. The credits are still wrong. If they added Denys and I to the “next episode” explaining the oversight, how the fuck would anybody know? Those watching an episode of what may be a totally unrelated “History Of” may not even give a fuck.

Anyone going to the History of Static Shock video will see what I’ve asked to be rectified for over a year: the wrong credits. Nothing has changed there.

Nothing.

In that same year, plenty has changed with Static Shock.

Static’s getting a live action television show; Milestone 2.0 was announced; my mother, Jean Davis, the real life inspiration for Static’s mom Jean Hawkins, died. In death Jean (that’s what I called my mom) joins my sister, Sharon Davis, the real life inspiration for Static’s sister, Sharon Hawkins.

As I predicted, the credits cited for Static Shock when the two major media announcements were made are exactly the credits cited in Variant’s film.

I predicted this. The film was so damn good people assumed it was the official version put out by Milestone. The Static live action show and the Milestone announcements went all over the world.

The death of Static’s real life mom?

Nope. No one knew. Not even some young Static fans, cousins of mine from North Carolina who I met for the first time at my mom’s funeral. I’m not naïve enough to think my mom would have gotten a “Static” mention when she died. She wouldn’t have. But it sure would have been nice if my newfound cousins knew who she was before I met them.

Not caring about getting a creator’s credit right is just one example of the unprofessional, childish antics that are commonplace in comics. Missing deadlines, missing shipping, quitting books, taking advances and not delivering work.

Some publishers paying established talent page rates far below what they are worth while using any excuse they can to justify it. Some creators having no choice but to take pennies on the dollar. Artists and writers blackballed on someone’s personal whim regardless of what work they have produced or what they bring to the industry. Been there, had that done.

Hollywood fires and/or sues people who pull what’s routine in comics. Try pulling that missed deadline dead grandmother bullshit at DreamWorks. You’re gone. Take an advance from Disney and decide not to do the work. Rumor has it Tupac and Biggie did that. Yeah, that’s a joke, but once Disney gets done with you, you may well wish you were dead.

Hollywood does not play our games. Disney wouldn’t wait a week after the initial letter sent to you to fix some something that was wrong. Ignoring them, just like I’ve been ignored, (not a word since my apology almost 12 months ago) would just make them increase the level of legal pain they will inflict on you.

And if they think you fucked with their brand, costing them revenue? Wow. Just wow.

Despite our flaws, I love the comic book industry. I love this business even though some in the industry have not loved me back. On a few occasions some serious power players have tried killing me in the industry.

I roll like a boss; people are always trying to kill a boss. They try. I survive and grow stronger. I don’t go public when these things happen – what good would that do? Give Hollywood another thing to look at, point and say, “Look what these children do to their own kind.”

But sometimes … sometimes, there is no other choice.

I don’t want to hurt or hinder Variant in any way. I don’t want to sue or threaten to sue. They do great work, are good for the industry, and I really do like their site.

However, they have done serious damage to my brand. Repeatedly over the course of a year they have been reminded that they were doing so. I’m not alone in being ignored. Those who posted comments echoing me were treated the same.

I’d very much like them to correct the credits on their Static Shock film. I’d like the same credits that appear in every episode of Static Shock and Milestone comics, with one exception: add Christopher Priest. He was a creator and he deserves credit.

Variant, I’m asking you once again, make this right and at least in this instance prove Hollywood wrong. Static was created by Dwayne McDuffie, Derek Dingle, Denys Cowan, Christopher Priest, and Michael Davis.

Let’s show the world we know how to act in matters like this. I’m sorry to say that if no action is taken, you leave me just one option.

End, Part 2. Part 3 can be read on Bleeding Cool and ComicMix next week.