Tagged: Moonstone

MORE SKY RANGER FROM LANCE STAR AUTHOR NASH!

From http://www.lance-star.com/

The Lance Star: Sky Ranger Interviews Continue – Author Bobby Nash

Bobby Nash

With the announcement of Lance Star: Sky Ranger joining the iPulp Fiction Library, we wanted to introduce readers to some of the Honorary Sky Rangers involved with making these stories happen. Next up is Lance Star: Sky Ranger Author Bobby Nash.

LSSR: Tell us a little about yourself and where readers can find out more about you and your work?

One Shot! Art by James Burns

BN: I’m a writer of novels, comic books, novellas, short stories, graphic novels, and the occasional screenplay. My novels include Evil Ways and Fantastix. My comic book work includes Fuzzy Bunnies From Hell, Demonslayer, Lance Star: Sky Ranger “One Shot”, and the upcoming Domino Lady vs. Mummy. My short prose includes A Fistful of Legends, Full Throttle Space Tales Vol. 2: Space Sirens, and the upcoming Green Hornet Case Files and Yours Truly, Johnny Dollar. My novellas include Lance Star: Sky Ranger, Ravenwood: Stepson of Mystery, Domino Lady; plus the upcoming Secret Agent X and The Avenger titles. My graphic novels include Yin Yang; I Am Googol: The Great Invasion, and Fantastix. You can see a full list of credits on my website, www.bobbynash.com. I also regularly post at www.lance-star.com, www.facebook.com/bobbyenash, and www.twitter.com/bobbynash.

LSSR: How did you become involved with the Lance Star: Sky Ranger series?

Space Ranger Art By Jeff Austin

BN: It’s all Ron Fortier’s fault. Ron my table neighbor at the 2005 Dragon Con convention in Atlanta in 2005. At least I think that’s the right year. The cons start to run together after awhile. Anyway, Ron and I had corresponded via message boards and email before, but this was the first time we’d met in person. Ron picked up my novel, Evil Ways, and reviewed it at his Pulp Fiction Reviews site. When he started up what eventually became Airship 27, he invited me to work on an anthology featuring a pulp aviator hero. That book became Lance Star: Sky Ranger. The rest, as they say, is history.

LSSR: Who is Lance Star? What makes pulp characters like Lance and the Sky Rangers appeal to you as a writer and a reader?

Lance Star Vol. 2 Cover by Shane Evans

BN: Lance Star embodies the best aspects of a pulp hero. He’s smart, inventive, courageous, fearless, and not afraid to do what’s necessary to stop the bad guys. Lance is also a nice guy. You want to be his friend, and if you are his friend you know he’s got your back. He’s a little bit John Wayne, a little bit Jimmy Stewart, and a little bit Indiana Jones. As a writer and reader, that’s a lot of fun.

LSSR: Digital content has changed the publishing landscape. As a creator, what excites you about digital content? As a reader?

BN: The digital frontier is an exciting undiscovered country for me. I’ve not read many eBooks, but that’s mainly because I spend all day writing and doing edits on computer so when I read for enjoyment it’s to get away from the computer. I like the idea of electronic books. Imagine the possibilities when you can have your entire library at your fingertips wherever you are. That’s pretty amazing.

The Adventure Continues…

As a writer, I think that eBooks, because of their easy access and generally lower prices, make it easier for readers to try something new. Someone who has never read my work may be more willing to give it a try for $1 as opposed to buying an entire novel or anthology. Digital content helps make that happen.

LSSR: Your Lance Star: Sky Ranger story, “Where The Sea Meets The Sky” is currently available in print and as an eBook from Airship 27, and is soon to be released individually at iPulp Fiction. What can you tell us about this story? (plug it, tease it)

Where The Sea Meets The Sky. Cover art: Rich Woodall

BN: “Where The Sea Meets The Sky” was the first pulp story I ever wrote and I am quite proud of it. Lance Star flies his newest creation, a specialized seaplane called “The Nessie” to Hawaii where he intends to present it to the US Navy. Lance looked on this trip as a working vacation. The last thing he expected to find waiting for him was a sunken treasure, pirates, mobsters, and a rival pilot with a massive chip on his shoulder. If Lance isn’t careful, this adventure could be his last.

From the back cover of the anthology: Somewhere in the Pacific Ocean, off the shores of Tropical Hawaii, a hidden treasure has been discovered. Now a band of sky pirates is out to steal it no matter how many innocent lives must be sacrificed in the process. Only Lance Star and the Sky Rangers can end their bloody assault.

LSSR: Airship 27 currently has two Lance Star: Sky Ranger anthologies in print and available as eBooks with several of those stories soon to be released individually at iPulp Fiction as well as a Lance Star comic book. What’s next for these pulp heroes?

Still flying high…

BN: Volume 3 of the pulp anthology series from Airship 27 is in the works now. All four stories are in and the artist is currently busy working on the interior illustrations. Volume 3 features Lance Star: Sky Ranger stories from Bernadette Johnson, Sean Taylor, Van Allen Plexico, and myself. Interior art is by Shannon Hall. I’ll wait on the cover artist until the publisher announces it first.

In addition to volume 3, there are more comic book stories in the works, as well as some digital comic book offerings as well. Plus, the Lance Star: Sky Ranger novel, “Cold Snap!” is in production. I’ve had to set it aside for some other work, but it will be completed in 2011 to come out in 2012.

GH Cover Art: Reuben Procopio

LSSR: Any upcoming projects you would like to plug?

BN: July will see the release of two anthologies featuring stories by me. The Green Hornet Casefiles and Tales From The Zero Hour Vol. 4: Weird Tales. There are several other anthology tales in production, but I don’t know release dates as yet. On the comic book side of things, I wrote a Secret Agent X story (with Jeremy McHugh on art) for All-Star Pulp Comics, a one-shot comic anthology that should be out sometime this year. In October, Domino Lady Vs. Mummy will be out from Moonstone. Co-written by Nancy Holder and myself, this one-shot story is part of Moonstone’s Return Of The Monsters Halloween event and features gorgeous art by Rock Baker and Jeff Austin. Keep checking in at www.bobbynash.com for more information and release dates.

ZH Cover Art: Dirk Shearer

LSSR: Thanks, Bobby.

#####

Release schedule for Lance Star: Sky Ranger tales on iPulp:
06/17: Lance Star: Sky Ranger – Vol.1 #1: Attack of the Bird Man by Frank Dirsherl (now available)
07/07: Lance Star: Sky Ranger – Vol.1 #2: Where the Sea Meets the Sky by Bobby Nash
07/27: Lance Star: Sky Ranger – Vol.1 #3: Talons of the Red Condors by Bill Spangler

DL Cover Art: Dan Brereton

Visit the official Lance Star: Sky Ranger iPulp Library at http://www.ipulpfiction.com/bookstore.php?sort=Title
For more information on iPulp Fiction’s offerings, please visit http://www.ipulpfiction.com/
For more information on Airship 27 Productions’ offerings, please visit http://www.gopulp.info/
For more information on Lance Star: Sky Ranger, please visit http://www.lance-star.com/
For more information on Bobby Nash, please visit http://www.bobbynash.com/

 
MOONSTONE MONDAY-CHILLS AND THRILLS IN OCTOBER!

MOONSTONE MONDAY-CHILLS AND THRILLS IN OCTOBER!

OCT ’11 releases
RETURN OF THE MONSTERS: The Spider vs Werewolf
Story: Martin Powell
Art: Jay Piscopo
Cover: Dan Brereton
40pgs, grayscale, $3.99
A Return of the Originals event!
A seething, ferocious nightmare from the Spider’s dark past invades New York City, preying upon the innocent and the helpless. Mutilated victims are strewn in the blood-slick streets, and once normal men have become murderous monsters. The Master of Men must face the deadly demons alone. Not even his beloved Nita Van Sloan can be trusted when everyone—including the Spider himself—may not be what they seem.
_______________________________________
RETURN OF THE MONSTERS: BLACK BAT vs Dracula
Story: Mike Bullock
Art: Eric Johns
Cover: Dan Brereton
40pgs, grayscale, $3.99
A Return of the Originals event!
For the first time in history three eras collide in one place as Pulp Fiction’s newest heroine, Death Angel joins forces with Pulp’s enduring vigilante The Black Bat to battle the eternal face of horror, Dracula. Mike (The Phantom) Bullock and rising star Eric Johns bring this spine-tingling tale of darkness, lust and fear to you, wrapped in a visceral cover crafted by horror comic legend Dan Brereton.
______________________________________________________
RETURN OF THE MONSTERS: DOMINO LADY vs Mummy
Story: Nancy Holder, Bobby Nash
Art: Rock Baker, Jeff Austin
Cover: Dan Brereton
40pgs, grayscale, $3.99
A Return of the Originals event!
The Egyptian sorceress Nephthys has promised to build her mummified mistress the perfect mate. Together, they cut a bloody swath across 1930’s Hollywood in search of the last few perfect bodies to harvest to complete the process. The last thing Nepthys or the mummy expected to run across was The Domino Lady, a perfect body that fights back.
______________________________________________
RETURN OF THE MONSTERS: PHANTOM DETECTIVE vs Frankenstein
Story: Aaron Shaps
Art: Andrew Froedge
Cover: Dan Brereton
40pgs, grayscale, $3.99
A Return of the Originals event!
“THE PHANTOM DETECTIVE: THE BLOOD OF FRANKENSTEIN”
One of the greatest crimefighters in pulp history crosses paths with the most iconic monster in all of pop culture! Frankenstein’s monster is on a rampage in New York, leaving a trail of destruction—and dead bodies—in his wake, but before the Phantom Detective can stop him, the World’s Greatest Sleuth must contend with the insidious, occult Nazi brotherhood known as the Order of the Black Sun!
_____________________________________________________
Justice Machine #2
Writer: Mark Ellis
Art: David Enebral/Mar Degano
Cover: Jeff Slemons
32 Pages, color, $3.99
The Justice Machine: Object of Power #2 (of 3)
DARKFORCE RISING!
As The Justice Machine battles to survive in a shocking new reality, they are torn by personal horrors and tragedies…but the countdown to enslave all of humanity has begun and the Machine must face their most implacable foe—Darkforce! Their demonic arch-enemy has returned for a deadly confrontation that will remake the Earth or ensure its final destruction!
The saga of the legendary super-team continues!
___________________________________________________
Airboy presents the Airfighters
Story: Jeff Limke
Art: Giovanni Timpano
Cover: Tom Grindberg
40pgs, grayscale, $3.99
Air Fighters: Insurrection.
Starring Airboy, Sky Wolf, Flying Dutchman, Black Angel, and Flying Fool!
A botched mission forces the Air Fighters into a standoff against
Vichy soldiers, leaving the fate of concentration camp prisoners
teetering in the balance.
______________________________________________________
ZOMBIES vs CHEERLEADERS #5
(W) Steven L Frank and Pals (A) Various
32pgs, color, $3.99
Each issue features killer stories by some of the top indie writers and artists out there. This anthology, and the awesome covers that showcase it, is a read not to be missed if you enjoy horror or humor, or both (humror?)! See what all the buzz is about in the pages of ZvC!
Bill McKay (50%) Ryan Kincaid/Jason Worthington (20%) Pasquale Qualano (20%) Ben Hansen (10%)
_____________________________________________
Vampire, PA: Pittsburgh Noir Limited HC
J.C. Vaughn, Brendon Fraim, Brian Fraim
Full Color / 104 Pages / Hardcover, $34.95
ISBN: 978-1-936814-13-8
Vampires in suburbia? Dean Marklin didn’t believe in vampires until a beautiful one tried to kill him! Now he’s a vampire hunter trying to hold onto what’s left of normal life. How do you think that’s working out for him? This new limited edition hardcover collects Moonstone’s three-issue Vampire, PA mini-series, bonus story pages, and the prose short story that inspired it, from the writer of Zombie-Proof and Bedtime Stories for Impressionable Children. Visit Western Pennsylvania’s oddly vampire-rich environment! Cover by Mark Wheatley.
*Note: All copies ordered on initial orders come with a signed bookplate.
­­­­­­­­­­­­
CAPTAIN ACTION: Season 2 HC
Story: Steven Grant
Art: Reno Maniquis, Manual Martin
Cover: Art Thibert
120pgs, Color, 7” x 10”, HC, $36.95
978-1-936814-12-1
The new adventures of the original super-hero action figure continue as the original Captain Action, and his son Cole, the new Captain Action, face the insidious challenges of the Red Crawl. And along the way they encounter Lady Action, Patriot Power, Crescent and…Dr. Eville! The full story arc from “Season 2” including the epilogue is collected here.
______________________________________________
OMEGA PARADOX #1
(story) Ian Ng
(Art) Mark Sparacio
(Colors) Abe Melendez
32pgs, color, $2.99

Julian and Solarra face off against mercenaries to rescue a man from their grasp, leading to a tenuous partnership. The enigmatic man leads them into the bowels of antiquity in search of a fearful artifact.
Moonstone introduces a creator-owned effort from Mark
Sparacio (Captain Action, Jonah Hex) and newcomer Ian Ng, in full color.
Two Covers (75/25 split)

______________________________________________
Moonstone’s Modern Myths – The Blackest Terror #1
(W) Eric M Esquivel (A) Ander Sarabia
32pgs, B&W, $2.99
The Blackest Terror is a pioneer in what sociologists have dubbed “the super hero subculture”, a collection of racial and social minorities who feel underserved by the mainstream legal system and have decided to take matters into their own costumed hands.
How will the world react to these benevolent outlaws? Will they become celebrated symbols of humankind’s capacity for good or hated catalysts of a bloody revolution? This is a new breakout series not to be missed.
Reviews from the 86th Floor: Barry Reese looks at The Last Phantom

Reviews from the 86th Floor: Barry Reese looks at The Last Phantom


THE LAST PHANTOM VOLUME ONE:
GHOSTWALK
Beatty/Ferigato
Dynamite Entertainment
ISBN 1-60690-201-6

Like many hardcore Phantom fans, I was disappointed when Moonstone lost the comics license. They had handled the character very well over the years, managing to both pay respect to his origins while also updating him to the 21st Century. When images began to filter out about the Dynamite version, complete with a new look, a more violent tone and a potentially revised origin, I was not pleased. So now I’ve finally gotten around to reading the first trade… and I have to say, it’s not bad.

In this story, the 22nd Phantom (not the 21st who is seen in most Phantom materials) has decided to retire the family business. He still plans to save the world but he’s doing it through philanthropy, not firearms. But someone close to him has motives that aren’t so pure and they arrange for Kit Walker to die in a plane crash, at the same time as his wife and son are murdered. Kit survives, learning that his family’s legacy of death isn’t one that can easily be broken. The bizarre look featured on the cover and in promotional images is actually a temporary one, used while Kit is recovering his Phantom gear. He does update the suit, using one now that can bend light around it so he appears to be a literal ghost. From the point at which Kit returns to the suit, things are much more traditional, though the violence is still raised a notch over the usual Phantom fare.

The art ranges from great to simply serviceable but for the most part it’s dynamic and tells the story well. The story is good and actually seems like a good way to update The Phantom to a modern audience: it wouldn’t make a bad movie. I hated to see Kit’s wife and son die (it’s so cliche) but it certainly sets the tone and explains the title (though Kit looks young enough that there could be more heirs in his future).

Was this so good that it makes up for losing the Moonstone versions? No… but I do wish we could have somehow had both on the stands. This is a smart updating of the mythos and if it hadn’t been mismarketed to fans at the beginning, I think it would have been embraced more.

I give it 4 out of 5 stars.

MOONSTONE MONDAY-BULLOCK ANNOUNCES ORIGINAL NOVEL

MIKE BULLOCK-NEW PULP AUTHOR/CREATOR
AP:  Mike, Welcome once more to ALL PULP.  Catch us up on what you’ve been doing since the last time you sat in the interview chair.
Mike Bullock: Hi, thanks for having me back. Let’s see, since last time we met I’ve pitched four New Pulp ideas and I can thank God that all four have been accepted by the publishers I pitched ‘em too. That ‘depths of the gut’ feeling I get when waiting for a publisher to reply to a pitch really sucks… even more so when they don’t come back with a “yes”. One pitch I was even able to blow wide open and turn it into four new books, by yours truly and three other writers far more talented than myself, that will pit some enduring pulp heroes against some equally enduring monsters in this Octobers RETURN OF THE MONSTERS from Moonstone Books. I’ve also plotted out four short stories for my original New Pulp character Totem’s new anthology coming in 2012 from Pro Se and written the first five thousand-ish words for my first full-length novel, coming in 2012 from Airship 27 featuring my original New Pulp hero Runemaster. Somewhere in all that, I’ve proofed the first Black Bat graphic novel (yes, it’s the first of many to come, never fear!), worked on my all-ages series Lions, Tigers and Bears and a few other comic projects I have going. Somewhere in all that, I’ve found time to hang with my beautiful wife and awesome son as we prepare to move cross country once again in June.
AP:  You have a very special project coming up for Moonstone that deals with one of your original characters.  What is that?
MB: One of the aforementioned pitches was for the first ever full-length Death Angel novel, coming in the new Moonstone Books New Pulp novel line. I plotted out the story a few weeks back and just ironed out the agreement with Moonstone last week. Hopefully, this time next year, I’ll have three prose books featuring Runemaster, Totem and Death Angel sitting on my bookshelf… and hopefully on your bookshelf, too.
AP:  For readers who don’t know, can you share some background on Death Angel, who she is, what inspired you, the whole kit and caboodle?
MB: Death Angel is my take on the dark vigilante type, with a twist. Years ago I developed a slightly different character I’d dubbed Revenant. He was pretty much just a vehicle for me to tell stories I would rather tell while writing Moon Knight comics, I’m ashamed to admit. Sadly, doing that meant Revenant wasn’t really fully-fleshed out as his own man, so to speak. I worked with an artist to try to pitch some Revenant comics, but it just didn’t work out. I shelved the character for a bit, then brought him back to insert into a team of heroes I was commissioned to develop for an upstart comic publisher in 2005 that never got off the ground. Once again, Revenant was put back on the shelf.
Then, when I’d convinced Moonstone to roll with the pulp stuff, I revisited Revenant, scrapped just about everything I’d developed about him except the mask, belt and cape and reinvented him as Death Angel. However, Death Angel was anything but a Moon Knight clone, as I found myself in one of those writing modes where I could barely type fast enough to keep up with all the ideas for the character that sprang up from a show I watched on science fiction technology and some recent world news I’d read. I gave DA a suit that enhanced strength, based on technology first dreamed up in the 1940s and finally proven to work in the early years of the 21st century. Then, I spent some time studying photon and aural pulse effects and how they could create hypnotic states in living things – another “fringe science” thing brought up by a sci-fi writer in the early 20th century and proven to work at the end of the millennia.
Once I had all that worked out, Rebekah Killian came to life, battered soul and all. Revenant had gone from a two-dimensional guy beating up goons in a dark alley to a fully fleshed out female bringer of vengeance striking terror into the entire underworld.
Death Angel debuted in the back of Phantom: KGB Noir #1 and the fan response was overwhelming. The amount of comments I received stating people wanted more of Death Angel actually outweighed the amount of feedback I received for the Phantom part of that issue, which blew me away.
That’s when Moonstone agreed to let Death Angel be the flip-side of the Black Bat coin in the Return of the Originals books. I wrote a five-part story, the first four parts from each hero’s point of view and the fifth, the story’s climax, would bring the two together. The first three chapters in that saga appear in the Black Bat graphic novel #1 with the remaining chapters coming in #2.
But, all that is just a build-up to putting Death Angel in a spotlight all her own, which is the goal of the new novel.
AP:  Death Angel has graced the pages of both comics as well as some text/image based widevision fiction, but what made you want to bring her to life in a novel?  What about that medium compliments the character and her story?
MB: Well, the New Pulp movement has really excited me. I’ve been reading pulps since I was an adolescent and that style of story-telling has always cranked up my adrenaline levels. Several people I know, most notably my lovely wife, have been pushing me for years to concentrate more on writing prose than comics. The people who know me best think I’m better suited to write prose than comics, so the thought has intrigued me. I dabbled in prose with a handful of Phantom stories, then I did the wide-vision tales for the Pulp Fiction magazine starring Black Bat, Captain Future and Death Angel. It seemed a natural progression from there to start doing novels. I’ve ghost written a few so far and I really wanted to sit down, now that I have the confidence I can do it, and write my own characters in my own stories. I’m feeling really honored that Airship 27, Pro Se and Moonstone all have the confidence in my ability to let me write these tales, too.
AP:  Does the fact that Death Angel is a female underneath all the costume and weapons change how you approach writing her?
MB: Absolutely. I mean, anyone who writes a female character the same way they write a male character shouldn’t be writing. Rebekah Killian is a tough woman, but underneath the wings, fangs and claws of Death Angel is a battered young girl who drives all of Angel’s decisions and actions. She is at once a mother tigress, defending her young and an intelligent woman seeking to make the world a safer place for those she cares about. Unfortunately (for the bad guys at least), somewhere in there is a little mental instability brought on by years of child abuse.


AP:  You’re obviously a writer and creator influenced by the whole ‘Pulp’ style.  What aspects of that style have had the most impact on you, maybe favorite authors and/or characters from the classic days of Pulp?
MB: I’m an adrenalin junkie. Period. Always have been. Princess of Mars from Edgar Rice Burroughs, all the Conan tales from Robert E. Howard, the original Phantom, Black Bat and Captain Future stories and all the rest are all adrenalin charged story-telling at its best. A roller coaster never lets up until the ride is over and the same can be said for just about every pulp tale I’ve ever read. Once I hit the words “The End” I’m a little worn out, but in a good way. If a story can actually make me feel a little physical exhaustion when I’m finished with it, then it sticks with me. A well written pulp scene leaves me with clenched shoulder muscles and a quickened pulse. Those are the kinds of stories I aspire to write, the kind that make the reader respond on levels much deeper than surface consciousness. I realize I still have a really long way to go before I can write something at the elevation of the John Carter or Black Bat or Conan tales, but I’m having fun trying.
AP:  Noting the influences of classic Pulp on you, You’re also one of the movers and shakers behind what has recently become termed The New Pulp Movement.   What, in your view, does that term actually mean and why are you throwing your hat into the movement concept?
MB: For me, New Pulp is just modern day talent creating stories with the same adrenalin-charged story telling that the original pulps exuded. I feel honored to be named alongside guys like Ron Fortier, Barry Reese, Scott Eckert, Martin Powell and so many other extremely talented minds and that feeling brings with it a sense of responsibility to hold up my end. So, it only seems like the right thing to do to toss my hat full in and do whatever I can to push this thing up the hill. I’ve always been an all or nothing kinda guy, and pulp has been “all-in” in me since I was watching black and white Flash Gordon serials on Saturday afternoon when I was five. It’s just who I am…
AP:  Some may have concern that New Pulp’s intent is to change the basic structure and classic ways Pulp is written.  It’s been made clear by others that that isn’t the case at all.  What is your thought on this and if not change, what does New Pulp bring to the table that can’t be found in reprints of old pulp magazines?
MB: To me, if what’s created veers from the basic structure, it’s no longer pulp. I mean, if I write a heavily character development laden romance story that has zero action and takes place entirely within the confines of a bedroom, then I call it New Pulp, I’m only fooling myself. I can’t create something that’s not pulp and make it pulp anymore than I can write a horror story and call it a comedy. It just won’t happen and I’ll look delusional when I’m done. That being said, if men like Burroughs, Doc Smith and Howard never wrote anything, instead satisfying themselves with re-reading The Curse of Capistrano forever, we wouldn’t have John Carter and Conan. The same can be said for authors from Lester Dent and Edmond Hamilton to Barry Reese and Van Allen Pelixco. I love the old stuff, but there’s only so many times I can ride the same ride before I know it so well it loses a little luster and I start wanting to take a new ride. But, that new ride has to thrill me the same way the old one did, or it just isn’t worth it.
AP:  You are a very religious man.  How, if at all, do your beliefs influence your creative process and most notably, how did your religious convictions influence your creation of Death Angel?
MB: I’m not religious at all. Religion is a set of rules and edicts created by men to control one another. I do, however, firmly believe in Jesus Christ, the Holy Spirit and God Almighty. I have a personal relationship with them that no amount of rules and regulations can equal. One thing that boils my blood is supposed religious people doing acts of evil under the guise of religion, as we’ve seen in growing frequency lately, most notably the number of priests found guilty of child abuse. To me, that’s a whole new form of evil that’s not just plain wrong, but duplicitous and deceitful, bringing harm to far more than just the immediate victims and their families. When religion goes wrong, bad things happen every time without fail.
Death Angel is a product of religion gone wrong. A young girl raised in a religious orphanage, under the auspices of being protected by pious men and women who actually took advantage of the children in every way imaginable, and some unimaginable. The disconnect between Rebekah’s spiritual belief and her childhood experiences is what birthed Death Angel. While the character in no way is meant as a vehicle to voice socio-political views, those views do shape who she is and where she’s going.


AP:  What does the future hold for Mike Bullock? More than one Death Angel novel?  Anything else?
MB: Well, Eric Johns is already turning in some pretty sweet pages for the RETURN OF THE MONSTERS tale starring Black Bat and Death Angel versus Dracula entitled ANGELS AND THE UNDEAD. I’m also working on the Runemaster novel, a new comic book series that should be announced real soon with Fernando “KGB Noir” Peniche doing the line art and three novels at once. I found out the other day that Doug Klauba will be painting the cover for the Death Angel novel, which really excites me as not only am I huge fan of Doug’s work, but I consider him to be one of my indispensably great friends. Going forward, I have a handful of other New Pulp and comic works coming including a Black Bat/Spider crossover from Moonstone I just finished up last week. Next month brings the release of Black Bat graphic novel #1 and Lions, Tigers and Bears volume III. Oh, and in all that I’m also penning a Black Bat novel for Moonstone that I don’t think has been announced yet, so there’s the All Pulp exclusive for the day. And, I’m also in talks to take the writing lead on an massive story created by a popular musician that can only be described as utterly epic in scale. Look for news on that in July.
AP: Mike, it’s been a pleasure as always!
MB: Right back atcha!

PULP ARK DAY ONE-ALL PULP PANEL!

Friday, May 13th, 5-6:00 PM

From Left-Barry Reese, Ron Fortier, Derrick Ferguson, Tommy Hancock, Bobby Nash

The first panel of the first ever Pulp Ark was hosted and manned by six of the seven men behind the first full blown news site dedicated to Pulp.  Six of the Spectacled Seven (You were missed, Sarge Portera!) made up this panel and shared news from various New Pulp publishers, a lot of which they were involved in in some way or another…..Taking one at a time, we’ll start with…

Art Sippo watching (from left) Derrick Ferguson, Tommy Hancock, Bobby Nash, Van Plexico

Barry Reese-



Barry Reese (on right) with Ron Fortier

 Has stories in The Green Hornet Casefiles and The Avenger Justice Inc. Files from Moonstone.

Rook Volume Six is coming out in late May- Early June, 2011 from Pro Se Productions

The Family Grace Collection, focusing on the adventuring family that is the backbone of the Rook Universe, is coming out later this year from Pro Se Productions.

Lazarus Gray vol. 1, a collection of Reese’s Sovereign City Project stories, will be out in September, 2011 and his first full length Lazarus Gray novel, DIE GLOCKE, is in progress.

Bobby Nash-


Bobby Nash (on right) with Wayne Reinagel



Bobby has a few anthologies and comic books coming out featuring stories in the next several months. Theose include The Green Hornet Casefiles (Moonstone), Tales From The Zero Hour Vol. 4: Weird Tales (Blinding Force Productions), Lance Star: Sky Ranger Vol. 3 (Airship 27), Secret Agent X Vol. 4 (Airship 27), The Danger People (New Babel Books), Aym Geronimo and the Post Modern Pioneers: Tall Tales, The Ruby Files (Airship 27), Yours Truly, Johnny Dollar (Moonstone), The Wraith (Airship 27), The Avenger (Moonstone), Domino Lady Vs. The Mummy (Moonstone), untitled Abyss Walker Universe anthology, Frontier (BEN Books), and more.
Van Plexico-


Van Plexico (on right) with Bobby Nash

  Van’s new Sentinels novel, STELLARAX, from White Rocket Books, will be in stores by mid-June.  It is the seventh volume in the series overall, and completes the big, cosmic “Rivals” trilogy.

A story (“Thunder Over China”) in LANCE STAR: SKY RANGER, Vol. 3, coming soon from Airship 27.

Van is involved in Bobby Nash’s and Sean Taylor’s upcoming SF action anthology.

Van’s 45,000-word novella is featured in the second MARS McCOY: SPACE RANGER anthology from Airship 27, coming possibly later this year.
Van created and is editing an SF action-adventure anthology for White Rocket Books:  BLACKTHORN: THUNDER ON MARS.  It’s a sort of John Carter – meets – Thundarr deal.  Look for that one toward the end of the year.
Derrick Ferguson-



Derrick Ferguson (on right) with Art Sippo



A Fortune McCall collection, part of the Sovereign City Project, later this year (October) from Pro Se Productions
A special project with Joshua Reynolds forAirship 27 Productions.
A collection of Dillon stories later this year from Pulpwork Press.
Ron Fortier-
KALUTA  BOARDS AIRSHIP 27
Ron Fortier (on left) with Barry Reese
World famous graphic artist, Michael Kaluta has signed on to provide both cover art and interior illustrations for Airship 27 Productions forthcoming title, CHALLENGER STORM, Isle of Blood; the first in a new pulp series by writer Don Gates.
Kaluta’s comics work began in the 1970s working on such titles as “House of Secrets” and “Web of Horror.”  It was during this time he created fortune teller Madam Xanadu for Editor Joe Orlando.  His work on DC’s Shadow comics is considered the best graphic portrayal of that classic pulp hero ever produced.  He also illustrated Edgar Rice Burroughs’ Carson of Venus for that same company.  From 1975 to 1979, he was a member of “The Studio” along with Barry Windsor-Smith, Bernie Wrightson and Jeff Jones.  He’s an award winning painter and illustrator who had contributed to role playing games and illustrated numerous music album covers.  In 2003 he was named a Spectrum Grand Master in recognition of his vast and influential body of work.
“We, at Airship 27 Productions are extremely thrilled and honored to be working with a true living legend of American art,” said Ron Fortier, Managing Editor.  Airship 27 Productions is one of the leading producers of new pulp fiction novels and anthologies, their titles being published by Cornerstone Book Publishers of New Orleans. 
Challenger Storm is a rollicking, old fashion pulp adventure in the grand tradition of Doc Savage and Captain Hazzard and is Gates’ first book in a planned series.  “We hope to have the book out by the end of the year,” Fortier went on to add.  “Mr. Kaluta is always much in demand and we are not about to rush such beautiful artwork.”  Kaluta’s latest foray into pulp prose will soon be seen on the cover of Moonstone’s Green Hornet Casefiles due out in few weeks.
PHANTOM  SCRIBE  TACKLES  S & S  NOVEL
Airship 27 Table at PULP ARK!
Airship 27 Productions is pleased to announce that well known Phantom comic writer, Mike Bullock, has agreed to write a new sword & sorcery novel for the company titled THE RUNEMASTER.
Bullock is an award winning fiction writer, poet and former professional musician. Born in WashingtonDC, Bullock grew up reading comic books, comic strips and pulp fiction. He’s translated this love of fast-paced imaginative story-telling into a successful career as a comic book and prose author. Having worked on enduring characters from Black Bat and Captain Future to Sonic the Hedgehog and Zorro, Bullock cemented his place in the annals of speculative fiction by authoring more Phantom stories than any other American author aside from Lee Falk. His original works include Lions, Tigers and Bears, The Gimoles, Death Angel and more. Bullock’s Lions, Tigers and Bears was optioned by Paramount Pictures in 2010 as a feature film.
The Runemaster marks Bullock’s first foray into novel writing and tells the story of  Skarl Kirwall, a man born during the Last Great War and destined to lead his clan as the next Runemaster. When he is betrayed by a friend, Skarl is banished from his village and later learns of its destruction at the hands of their bitter enemies, the Ysling clan.
While mourning the loss of his family and clan, Skarl discovers the woman he loves has been dragged off to be sacrificed to Ysfang, the World Serpent. Armed with only his mighty sword and cunning, Skarl sets off across the frozen wastes to rescue her and somehow regain his rightful role as the Runemaster. 
Forged in the fires of Conan, Beowulf and Braveheart, steeped in Norse legendry and baptized in the blood of those who would oppose him comes the Runemaster.
Tommy Hancock –
 From Moonstone Entertainment-
Moonstone at PULP ARK!
 RETURN OF THE MONSTERS!
Moonstone Announces Halloween Pulps

Coming this October from Moonstone Books – Four pulp horror books sure to frighten and delight you.

In ANGELS AND THE UNDEAD writer Mike Bullock and artist  Eric Johns tell a tale of spine-chilling fear as Death Angel and Black Bat team up to face none other than the Lord of Vampires: Dracula in the
haunted halls of the historic Phaidor Hotel.

THE WEREWOLF WAR MASSACRES written by Martin Powell and illustrated by Jay Piscopo asks the question “Has the Master of Men finally met his Monstrous Match?”

From the mind of Aaron Shaps comes the third book, PHANTOM DETECTIVE: THE BLOOD OF FRANKENSTEIN the monster enjoys a new lease on life, illustrated by Kalman Andrasofszky and Jim McKern.

The fourth Halloween horror from Moonstone was announced at PULP ARK by author Bobby Nash.  Bobby recently completed and submitted to Tombstone a script entitled THE PERFECT MATE pitting The Domino Lady against The Mummy!  Art will be handled by Rock Baker and Jeff Austin.

Covers for at least three of these pulp terror tales brought to you by Dan Brereton.

Look for these and more in October, only from Moonstone Books.

Decoder Ring Theater



Tommy Hancock



Tommy is penning a new six episode series for Decoder Ring Theater.  Known for its audio drama podcasts starring fan favorites The Red Panda and Black Jack Justice, DRT, headed up by Gregg Taylor, is the home for great modern pulp audio.  Hancock’s new series, THE WEIRD WEST ADVENTURES OF HUNT AND PECK, is based on characters created by Taylor for a recent episode of DRT’s RED PANDA where The Panda and his sidekick The Flying Squirrel go back in time to the Old West.  Hancock’s six episodes will pick up where THE WILD WEST episode leaves off.
Pro Se Productions



Nancy Hansen and Ken Janssens with Pro Se at PULP ARK

 Pro Se is moving into audio!! Tommy Hancock announced that in partnership with Broken Sea Audio, Pro Se would be releasing audio book versions of some of its product this year, including issues of its three magazine titles, Hancock’s own novel, YESTERYEAR, and Barry Reese’s THE ROOK, VOLUME SIX.

Tommy reviewed upcoming publications from Pro Se Productions, including works by Nancy Hansen, Lee Houston, Jr., Ken Janssens and others.

BULLOCK BRINGS TOTEM TO PRO SE!

 Pro Se Productions was also proud to reveal that Mike Bullock, noted author of Moonstone’s THE PHANTOM, writer of comics such as SAVAGE BEAUTY, and an upcoming BLACK BAT Original Graphic Novel as well as his own original work, including LIONS, TIGERS, AND BEARS, will be joining the ranks of Pro Se for his first every prose short story collection!

Bullock brings an original character like none other to Pro Se’s stellar cast of characters.  Bullock’s TOTEM, VOLUME ONE will feature four stories focused on the title character, one rich in both history and tied to the supernatural!  Expect TOTEM VOLUME ONE by Mike Bullock to be out early next year from Pro Se Productions and stay tuned to http://www.pulpmachine.blogspot.com/ for more information on this fantastic creation by one of today’s best New Pulp writers as it becomes available!

MOONSTONE MONDAY CLIFFHANGER FICTION-AN YET UNPUBLISHED PREVIEW!

MOONSTONE MONDAY-SPECIAL CLIFFHANGER FICTION!!!
Usually Moonstone Monday and ALL PULP give you previously published stories from MOONSTONE in CLIFFHANGER FICTION!  This week, though, we share with you a COMPLETE tale from the upcoming MOONSTONE anthology MORE TALES OF ZORRO!  This story, and the others featured in the collection, star that sword wielding masked hero of California and the Early West!  And remember, go to http://www.moonstonebooks.com/ when the book debuts in the next 2-4 weeks and order your copy as soon as its available!  And pick up the first MOONSTONE collection of Zorro tales while you wait!
Letter from Guadalajara
The Story of CapitánMonastario
by Keith R.A. DeCandido
Capitán Enriqué Sanchez Monastario loathed Spring.
One of the few things he liked about his assignment to this appalling
desert wasteland of Alta California was that, he imagined, he could escape his
twin weaknesses to damp and pollen. However, he did not reckon with the settlement’s
wealthier denizens (of which he was one, of course) having large
gardens filled with flowers both local and transplanted from the motherland.
And so for one week out of every year, generally around late March, the
flowers would bloom, the landscape would grow pretty, and Monastario was
not permitted to breathe.
The pounding in his head was only made worse by the arrival of his second,
Sergeant Garcia. “Er, Capitán?”
“What is it, Sergeant?”
“Er, well, you see, Capitán—the mail has arrived.”
Glancing out the window of his well-appointed office, Monastario saw
that the sun was at its zenith. “It is midday, Sergeant.”
“Yes, sir.”
“Correct me if I’m wrong, but the mail always arrives at midday on
Wednesday, yes?”
“Well, yes, sir, but—”
Monastario let out a long sigh that quickly modulated into a snarl.
“Sergeant, at present I feel as if my skull has been filled end to end with gunpowder,
waiting only a lit fuse that it might explode. The mere act of inhalation
causes me misery on a scale that would make a leper weep. You would
therefore be well to explain, and quickly, why you have gone to the effort of
carrying your corpulent form all the way to my office simply to inform me
that an event that happens at this time every week has, in fact, happened at this
time this week.”
Garcia shifted his great weight back and forth from one foot to the other,
an action that made the rotund officer look as if he’d teeter over at any minute.
“Ah, well, sir, you see, there are two letters here for you that I thought required
your immediate attention. One is from General de la Nueva in Santa
Barbara.”
Another verbal skewering of the sergeant died on Monastario’s lips. De
la Nueva was the one whose signature adorned the bottom of orders that sent
him to the Pueblo of Los Angeles almost a year ago—and was also the recipient
of the letter Monastario had sent to Santa Barbara a fortnight ago.
“And the other?” he asked, rubbing his temples in a failed attempt to get them
to stop throbbing.
“There is no name, but it comes from Guadalajara.”
Monastario’s hands dropped to his desk, and he looked up at Garcia.
“Guadalajara…” He shook his head, an action he immediately regretted, and
asked, “Sergeant, is the J in the city name adorned with an unusual flourish,
and is it dotted with an X?”
As Monastario watched, Garcia’s face took on several expressions at
once, no doubt borne of the confusion engendered both by the capitán’s asking
of the question, and of the fact that the answer was apparently “yes.”
“How did you know, Capitán?”
Returning to the rubbing of his temples, Monastario said, “Read me the
letter from the general.”
“Sir?”
“The request was clear, was it not, Sergeant?”
“Yes, sir, but—”
“You haven’t lost your facility for Spanish in the past minute, have you?”
“No, sir, but—”
“Then read the letter, if you please.”
“But, sir—I am not fit to see such documents!”
Monastario smiled bitterly. “Please, Sergeant, do not sell yourself short.
The list of things for which you are not fit is a lengthy one, and one I would
be happy to enumerate in detail were I in better health. In fact, I would grant
‘being a sergeant’ primacy on that list. Nonetheless, I am currently suffering
from pain in my head that would stop a bull in its tracks, and attempting to
decipher the general’s secretary’s hand will only exacerbate an already mis-
18
MORE TALES OF ZORRO
erable situation. I therefore, as your commanding officer, hereby give you
leave to read the general’s letter aloud to me.”
Garcia cleared his throat several times before finally saying, “Yes, sir, of
course, sir.” Fumbling with the envelope with his pudgy fingers—to the point
where Monastario was tempted to loan the sergeant his own dagger, and only
didn’t for fear of Garcia slicing open a vein and making a mess in his office—
Garcia eventually managed to tear it open and liberate the one-page item inside.
Unfolding the paper, he opened his mouth to speak, but Monastario, recalling
Garcia’s literal-minded tendencies, quickly said, “Skip to the important
part, please, Sergeant.”
Hesitating, Garcia said, “So you don’t wish me to inquire as to your
health?”
Monastario snorted, an action that felt as if it expanded his nose to the size
of Garcia. He spit some phlegm into the spittoon next to his desk, and then
said, “Correct.”
Again, Garcia cleared his throat. “‘Regarding your request for a transfer,
Capitán, I’m afraid that approving the request is, of course, out of the question,
and I am surprised that you would even have the effrontery to ask.’”
This time Garcia’s clearing of the throat had nothing to do with preparing to
speak. “Is the capitán sure that—”
“Go on,” Monastario said through clenched teeth.
“But, sir, I don’t think it’s right that I should see this—”
Slamming a fist on his wooden desk, Monastario bellowed, “Sergeant, the
only consideration I have ever given to what you think is to comment on the
extreme rarity of such an event. Go on.”
“Yes, sir. ‘You were told the conditions under which your term at your
current post would end. Those conditions have yet to be met. Until they are,
you shall remain assigned there. The subject is closed.’ Er, then he wishes
you well, signs it, and, ah, and whatnot.”
“I see.” Monastario leaned back in his chair.
Garcia stammered. “I’m, ah—I’m sorry sir.”
“Well, Sergeant, I must thank you—after all, my life is a quagmire of
misery, and my one hope has just been dashed. But that’s all right, because
Sergeant Demetrio López Garcia has pity for me! That makes everything better!”
19
LETTER FROM GUADALAJARA
“Sir—”
Cutting off yet another pathetic exhortation, the capitán said, “Set that, and
the other letter, on my desk.”
“Er, uh—yes, sir.”
As Garcia moved to do so, Monastario added, “Unless King Ferdinand
himself enters the compound, I am not to be disturbed for the rest of the day.”
“Yes, sir. Uh—what about Zorro?”
“What about Zorro?”
“What if he enters the compound? Should I disturb you, then?”
Giving Garcia as foul-tempered a look as he could manage—which was
quite considerable at present—Monastario said, “Not then, either. If Zorro
comes today, he can have me.”
After Garcia’s hasty departure, Monastario slowly rose to his feet. His
reaction to the flowers made him somewhat dizzy, so he had to steady his
stance for a moment before continuing to the ornate wooden cabinet.
Like virtually everything in this office, it was scarred with the triplesword-
slash pattern in the shape of a letter Z that the Fox tended to leave behind
before departing a room. There were so many of those scars among the
furnishings that Monastario barely noticed them anymore.
Fishing a key from his uniform pocket, he unlocked the small door on the
cabinet’s bottom left-most corner, swinging it open to reveal a cubbyhole that
could hold far more than its actual contents: a thick-bottomed clear bottle of
an equally clear liquid that sat alone in the center of the cubbyhole.
He had yet to crack open the Tequila since he brought it here from his last
post.
But he suspected he would need to imbibe some—if not all—of it before
he worked up the strength to actually read the second letter.
Monastario took a glass from the sideboard where he kept the drinks he
was willing to share with the superior officers, Dons, high-ranking priests,
and others of equal or greater station who visited his office and then poured
himself some of the Mexican liquor.
The memories prompted by the lovely, intense odor that emanated from
the bottle were almost palpable…
20
MORE TALES OF ZORRO
…you’re eight years old, riding with your older brothers Pablo and Juan, your
older sister María Esperanza, and Mother and Father to a dinner party. The
carriage passes a building that looks horribly damaged.
Ever inquisitive, you ask, “What happened to that building?”
Pablo looks down on you, as Pablo always does to everyone except for
Father. “It burned, stupid!”
Out of habit more than rebuke, Mother says, “Pablo, don’t speak to
Quiqué that way!”
Father adds, “That house belonged to the del Gados. Both the owner and
his two sons died in the fire, which is why it still stands empty a year later.”
“I don’t understand,” you say honestly.
“Of course you don’t,” Pablo says.
“Shut up, Pablo!” Juan says.
You shut up, Juancito!”
You ignore your brothers and look out the carriage window again. You see
children wearing too little clothing and covered in too much dirt. They seem
to be searching for something in the building. “Why are those children there?”
Father sighs. “Who knows why the peasants do as they do? Perhaps they
think they can find money there.”
“Peasants don’t have money?”
“No, stupid,” Pablo says, expectedly.
“God is very careful, Quiqué,” Father says before anyone can castigate
Pablo again. “He only gives money to those who are able to handle it. People
who are born poor are born such because God knows that money would
cause them evil.”
“I see,” you say, even though you really don’t…
…you sneak out to the building a week later. It’s easy: the house staff is too
busy trying to break up Pablo and Juan’s endless quarrelling, and to cater to
María Esperanza’s every whim, so no one ever pays attention to the littlest
one.
When you arrive, there are three young boys there again. You’re not sure
if they’re the same ones, but they look similar enough. They are wearing
21
LETTER FROM GUADALAJARA
clothes that are in just dreadful condition, their hair is a mess, they’re filthy,
some of them have no shoes, and they’re all so—so skinny. You’re appalled.
“Who are you?” one of them asks.
“My name is Enriqué. What’s yours?”
Another one cuts off the first one. “We’re not supposed to talk to you.”
This confuses you. “Why not?”
“You’re one of the upper classes. If we talk to you, we’ll get whipped.”
“That’s crazy!” you say, meaning it. “Why are you in this building? You
could get hurt!”
“If we’re lucky we’ll find some money—or something we can sell. If we
do, then we can eat today.”
You gulp in shock at that. Eat “today”? Your eight years has never contained
a day that didn’t have at least three meals. “All you need is money in
order to eat?”
“Yes,” the boy says slowly.
Reaching into your pocket, you pull out some coins. You’re not sure how
much—sums were never your strong suit—but it’s an amount you can spare
easily.
The boys’ eyes all go wide. You realize that they’ve never seen this much
money before. “Go ahead,” you say as they hesitate. “Take it. You need it
more than I do.”
Eventually, they grab hungrily at the coins…
…you make regular trips to the house after that. Each time you go, you bring
more coins. Each time you go, there are more boys. You can’t bring enough
coins for everyone.
They start to get angry.
One time, you go, and you’ve only been able to scrape together a small
pile of coins—but there are a dozen boys at the burned-out building, and one
of them is bigger than Father.
The big one says, “That’s all you got?”
“I—I’m sorry, I just—”
Turning to another boy, the big one says, “You said he had money.”
22
MORE TALES OF ZORRO
“He does. He’s probably holding out on us.”
“Filthy traitor, leading us on!”
“Yeah, just like all the other rich people—trying to make us look stupid!”
Before you know what’s happening, the boys are all yelling at you, and
the big one starts to hit you. In eight years of life, your only direct experience
with violence has been the occasional spanking as a baby—until now. The
boy hits you and there’s blood and the pain is just awful
…Father is yelling at you while the doctor treats your injuries. “What were
you thinking, Quiqué? Did I not tell you that God wishes the peasants to be
poor? If He wished otherwise, He would have made them be born of our
class.”
“I’m—I’m sorry, Father.”
“Your heart was in the right place, Quiqué, but you cannot simply give to
the poor. If you do, they will only ask for more until you have nothing—and
then they turn on you like the beasts they are.”
“It wasn’t all of them,” you insist. After all, the first three boys were nice.
“It was just the one!”
After the doctor is done, Father takes you into the city to find the boy in
question. It’s not as difficult as you think at first, since this boy is so much bigger
than the others, and he makes no effort to hide himself.
When the soldiers seize him at Father’s orders, the large boy does not
deny what he has done. “He provoked me!” the large boy insists. “I was just
defending myself!”
You watch the boy get whipped fifty times, see him break down into tears
by the tenth lash, and you enjoy watching him suffer as you did…
…you revel in the melodious laugh of Marisela de los Santos as you walk
through her family’s beautiful garden in Guadalajara. You’re even willing to
suffer the stuffing-up of your nose that results from being among the blooming
flowers, only so you can hear that laugh again.
23
LETTER FROM GUADALAJARA
“I must return to the house,” she says, clutching the parasol that shields
her porcelain features from the violence of the sun. “Thank you, Quiqué, for
the company.”
You kiss her white-gloved hand the way your tutors instructed you, and
then watch her navigate slowly through the garden back to the house, casting
several glances behind her.
“That’s a fine form you cut in that uniform, Quiqué,” comes a voice from
behind you.
You wince as you turn to face Pablo. At seventeen, only two people call
you “Quiqué.” From Marisela it’s an endearment; from Pablo, it’s an unsubtle
reminder of which of you is Father’s eldest, and therefore his heir.
As the third son, your only option is the military, where you are placed in
the officer corps immediately. Your training will begin soon, but you already
have been issued the uniform of a cadet.
The compliment on how you look in that uniform is a rare one from
Pablo, so you thank him. Of course, such an occasion often precedes a favor.
“I was wondering, Quiqué, what you think of Señorita de los Santos as a
wife?”
Your eyes go wide; your stomach starts to churn like mad. There is nothing,
nothing that would please you more than to make this angel yours.
But before you can reply, Pablo continues: “I can think of no one better
suited to be my bride, can you?”
And then you realize—this is why the Monastarios and the de los Santoses
have spent so much time together of late. The intention was to merge the
families’ fortunes through a union between Father’s oldest son and the de los
Santos’s only daughter.
Marisela will never be yours…
…Padre Esteban has been very generous in allowing you to see Marisela in
the days leading up to the wedding. It is difficult to arrange meetings—she is
awash in preparations for marriage to Pablo, and you are enmeshed in officer
training—but with the help of the priest, you are able to steal precious
time with your lady love.
READ THE REST IN MOONSTONE’S MORE TALES OF ZORRO!

MOONSTONE MONDAYS-TAKE A PEEK AT SOME PAGES!

MOONSTONE MONDAY  PEEK PAGES!!!!
That’s right, ALL PULPSTERS, Moonstone is providing ALL PULP with preview pages for YOU to take a peek at from its line of great line of pulp influenced comics!!!  Thrill today and forever more to just a hint of the comicy pulpy goodness that is Moonstone every Monday as ALL PULP gives you PEEK PAGES!!!

NATIONAL GUARD #2