Tagged: Marvel Comics

2010 Eisner Award Nominations

2010 Eisner Award Nominations

The list is out. Pretty straightforward, with a few surprises (No Todd Klein or John Workman for lettering? And was Whatever Happened To The Caped Crusader not eligible?)

Our congratulations to all the nominees. We’ll be starting the betting pools in 3… 2…

Best Short Story
•  “Because I Love You So Much,” by Nikoline Werdelin, in From
Wonderland with Love: Danish Comics in the 3rd Millennium
(Fantagraphics/Aben malen)
•  “Gentleman John,” by Nathan Greno, in What Is Torch Tiger? (Torch
Tiger)
• “How and Why to Bale Hay,” by Nick Bertozzi, in Syncopated (Villard)
• “Hurricane,” interpreted by Gradimir Smudja, in Bob Dylan Revisited
(Norton)
•  “Urgent Request,” by Gene Luen Yang and Derek Kirk Kim, in The
Eternal Smile (First Second) 

Best Single Issue (or One-Shot)
•  Brave & the Bold #28: “Blackhawk and the Flash: Firing Line,” by
J. Michael Straczynski and Jesus Saiz (DC)
•  Captain America #601: “Red, White, and Blue-Blood,” by Ed Brubaker
and Gene Colan (Marvel)
•  Ganges #3, by Kevin Huizenga (Fantagraphics)
•  The Unwritten #5: “How the Whale Became,” by Mike Carey and Peter
Gross (Vertigo/DC)
•  Usagi Yojimbo #123: “The Death of Lord Hikiji” by Stan Sakai (Dark
Horse) 

Best Continuing Series
• Fables, by Bill Willingham, Mark Buckingham, Steve Leialoha, Andrew
Pepoy et al. (Vertigo/DC)
• Irredeemable, by Mark Waid and Peter Krause (BOOM!)
• Naoki Urasawa’s 20th Century Boys, by Naoki Urasawa (VIZ Media)
• The Unwritten, by Mike Carey and Peter Gross (Vertigo/DC)
• The Walking Dead, by Robert Kirkman and Charles Adlard (Image) 

Best Limited Series or Story Arc
• Blackest Night, by Geoff Johns, Ivan Reis, and Oclair Albert (DC)
• Incognito, by Ed Brubaker and Sean Phillips (Marvel Icon)
• Pluto: Urasawa X Tezuka, by Naoki Urasawa and Takashi Nagasaki (VIZ
Media)
• Wolverine #66–72 and Wolverine Giant-Size Special: “Old Man Logan,”
by Mark Millar, Steve McNiven, and Dexter Vines (Marvel)
• The Wonderful Wizard of Oz, by Eric Shanower and Skottie Young
(Marvel) 

Best New Series
• Chew, by John Layman and Rob Guillory (Image)
• Do Androids Dream of Electric Sheep? by Phillip K. Dick, art by Tony
Parker (BOOM!)
• Ireedeemable, by Mark Waid and Peter Krause (BOOM!)
• Sweet Tooth, by Jeff Lemire (Vertigo/DC)
• The Unwritten, by Mike Carey and Peter Gross (Vertigo/DC) 

Best Publication for Kids
• Lunch Lady and the Cyborg Substitute, by Jarrett J. Krosoczeka
(Knopf)
• The Secret Science Alliance and the Copycat Crook, by Eleanor Davis
(Bloomsbury)
• Tiny Tyrant vol. 1: The Ethelbertosaurus, by Lewis Trondheim and
Fabrice Parme (First Second)
• The TOON Treasury of Classic Children’s Comics, edited by Art
Spiegelman and Francoise Mouly (Abrams ComicArts/Toon)
• The Wonderful Wizard of Oz hc, by L. Frank Baum, Eric Shanower, and
Skottie Young (Marvel) 

Best Publication for Teens
• Angora Napkin, by Troy Little (IDW)
• Beasts of Burden, by Evan Dorkin and Jill Thompson (Dark Horse)
• A Family Secret, by Eric Heuvel (Farrar Straus Giroux/Anne Frank
House)
• Far Arden, by Kevin Cannon (Top Shelf)
• I Kill Giants tpb, by Joe Kelly and JM Ken Niimura (Image) 

Best Humor Publication
•  Drinky Crow’s Maakies Treasury, by Tony Millionaire (Fantagraphics)
•  Everybody Is Stupid Except for Me, And Other Astute Observations, by
Peter Bagge (Fantagraphics)
• Little Lulu, vols. 19–21, by John Stanley and Irving Tripp (Dark
Horse Books)
•  The Muppet Show Comic Book: Meet the Muppets, by Roger Langridge
(BOOM Kids!)
•  Scott Pilgrim vol. 5: Scott Pilgrm vs. the Universe, by Brian Lee
O’Malley (Oni) 

Best Anthology
•  Abstract Comics, edited by Andrei Molotiu (Fantagraphics)
•  Bob Dylan Revisited, edited by Bob Weill (Norton)
•  Flight 6, edited by Kazu Kibuishi (Villard)
•  Popgun vol. 3, edited by Mark Andrew Smith, D. J. Kirkbride, and Joe
Keatinge (Image)
•  Syncopated: An Anthology of Nonfiction Picto-Essays, edited by
Brendan Burford (Villard)
•  What Is Torch Tiger? edited by Paul Briggs (Torch Tiger) 

Best Digital Comic
• The Abominable Charles Christopher, by Karl Kerschl, www.abominable.cc
• Bayou, by Jeremy Love, http://zudacomics.com/bayou
• The Guns of Shadow Valley, by David Wachter and James Andrew Clark,
www.gunsofshadowvalley.com
•  Power Out, by Nathan Schreiber, www.act-i-vate.com/67.comic
•  Sin Titulo, by Cameron Stewart, www.sintitulocomic.com/ 

Best Reality-Based Work
• A Drifting Life, by Yoshihiro Tatsumi (Drawn & Quarterly)
• Footnotes in Gaza, by Joe Sacco (Metropolitan/Holt)
• The Imposter’s Daughter, by Laurie Sandell (Little, Brown)
• Monsters, by Ken Dahl (Secret Acres)
• The Photographer, by Emmanuel Guibert, Didier Lefèvre, and Frédéric
Lemerier (First Second)
• Stitches, by David Small (Norton) 

Best Adaptation from Another Work
•  The Book of Genesis Illustrated, by R. Crumb (Norton)
• Charles Darwin’s On the Origin of Species: A Graphic Adaptation,
adapted by Michael Keller and Nicolle Rager Fuller (Rodale)
•  Fahrenheit 451, by Ray Bradbury, adapted by Tim Hamilton (Hill &
Wang)
•  Richard Stark’s Parker: The Hunter, adapted by Darwyn Cooke (IDW)
• West Coast Blues, by Jean-Patrick Manchette, adapted by Jacques Tardi
(Fantagraphics) 

Best Graphic Album—New
• Asterios Polyp, by David Mazzuccheilli (Pantheon)
• A Distant Neighborhood (2 vols.), by Jiro Taniguchi (Fanfare/Ponent
Mon)
• The Book of Genesis Illustrated, by R. Crumb (Norton)
• My mommy is in America and she met Buffalo Bill, by Jean Regnaud and
Émile Bravo (Fanfare/Ponent Mon)
• The Photographer, by Emmanuel Guibert, Didier Lefèvre, and Frédéric
Lemerier (First Second)
• Richard Stark’s Parker: The Hunter, adapted by Darwyn Cooke (IDW) 

Best Graphic Album—Reprint
•  Absolute Justice, by Alex Ross, Jim Krueger, and Doug Braithewaite
(DC)
•  A.D.: New Orleans After the Deluge, by Josh Neufeld (Pantheon)
•  Alec: The Years Have Pants, by Eddie Campbell (Top Shelf)
• Essex County Collected, by Jeff Lemire (Top Shelf)
•  Map of My Heart: The Best of King-Cat Comics & Stories,
1996–2002, by John Porcellino (Drawn & Quarterly) 

Best Archival Collection/Project—Strips
• Bloom County: The Complete Library, vol. 1, by Berkeley Breathed,
edited by Scott Dunbier (IDW)
• Bringing Up Father, vol. 1: From Sea to Shining Sea, by George
McManus and Zeke Zekley, edited by Dean Mullaney (IDW)
• The Brinkley Girls: The Best of Nell Brinkley’s Cartoons 1913–1940,
edited by Trina Robbins (Fantagraphics)
• Gahan Wilson: 50 Years of Playboy Cartoons, by Gahan Wilson, edited
by Gary Groth (Fantagraphics)
• Prince Valiant, vol. 1: 1937–1938, by Hal Foster, edited by Kim
Thompson (Fantagraphics)
• Queer Visitors from the Marvelous Land of Oz, by L. Frank Baum, Walt
McDougall, and W. W. Denslow (Sunday Press) 

Best Archival Collection/Project—Comic Books
• The Best of Simon & Kirby, by Joe Simon and Jack Kirby, edited by
Steve Saffel (Titan Books)
• Blazing Combat, by Archie Goodwin et al., edited by Gary Groth
(Fantagraphics)
• Humbug, by Harvey Kurtzman et al., edited by Gary Groth
(Fantagraphics)
• The Rocketeer: The Complete Adventures deluxe edition, by Dave
Stevens, edited by Scott Dunbier (IDW)
• The TOON Treasury of Classic Children’s Comics, edited by Art
Spiegelman and Francoise Mouly (Abrams ComicArts/Toon) 

Best U.S. Edition of International Material
• My mommy is in America and she met Buffalo Bill, by Jean Regnaud and
Émile Bravo (Fanfare/Ponent Mon)
• The Photographer, by Emmanuel Guibert, Didier Lefèvre, and Frédéric
Lemerier (First Second)
• Tiny Tyrant vol. 1: The Ethelbertosaurus, by Lewis Trondheim and
Fabrice Parme (First Second)
• West Coast Blues, by Jean-Patrick Manchette, adapted by Jacques Tardi
(Fantagraphics)
• Years of the Elephant, by Willy Linthout (Fanfare/Ponent Mon) 

Best U.S. Edition of International Material—Asia
• The Color Trilogy, by Kim Dong Haw (First Second) 
• A Distant Neighborhood (2 vols.), by Jiro Taniguchi (Fanfare/Ponent
Mon)
• A Drifting Life, by Yoshihiro Tatsumi (Drawn & Quarterly)
• Oishinbo a la Carte, written by Tetsu Kariya and illustrated by Akira
Hanasaki (VIZ Media)
• Pluto: Urasawa X Tezuka, by Naoki Urasawa and Takashi Nagasaki (VIZ
Media)
• Naoki Urasawa’s 20th Century Boys, by Naoki Urasawa (VIZ Media) 

Best Writer
• Ed Brubaker, Captain America, Daredevil, Marvels Project (Marvel)
Criminal, Incognito (Marvel Icon)
• Geoff Johns, Adventure Comics, Blackest Night, The Flash: Rebirth,
Superman: Secret Origin (DC)
• James Robinson, Justice League: Cry for Justice (DC)
• Mark Waid, Irredeemable, The Incredibles (BOOM!)
• Bill Willingham, Fables (Vertigo/DC) 

Best Writer/Artist
• Darwyn Cooke, Richard Stark’s Parker: The Hunter (IDW)
• R. Crumb, The Book of Genesis Illustrated (Norton)
• David Mazzuccheilli, Asterios Polyp (Pantheon)
• Terry Moore, Echo (Abstract Books)
• Naoki Urasawa, Naoki Urasawa’s 20th Century Boys, Pluto: Urasawa X
Tezuka (VIZ Media) 

Best Writer/Artist–Nonfiction
• Reinhard Kleist, Johnny Cash: I See a Darkness (Abrams ComicArts)
• Willy Linthout, Years of the Elephant (Fanfare/Ponent Mon)
• Joe Sacco, Footnotes in Gaza (Metropolitan/Holt)
• David Small, Stitches (Norton)
• Carol Tyler, You’ll Never Know: A Good and Decent Man
(Fantagraphics) 

Best Penciller/Inker or Penciller/Inker Team
• Michael Kaluta, Madame Xanadu #11–15: “Exodus Noir” (Vertigo/DC)
• Steve McNiven/Dexter Vines, Wolverine: Old Man Logan (Marvel)
• Fiona Staples, North 40 (WildStorm)
• J. H. Williams III, Detective Comics (DC)
• Danijel Zezelj, Luna Park (Vertigo/DC) 

Best Painter/Multimedia Artist (interior art)
• Émile Bravo, My mommy is in America and she met Buffalo Bill
(Fanfare/Ponent Mon)
• Mauro Cascioli, Justice League: Cry for Justice (DC)
• Nicolle Rager Fuller, Charles Darwin on the Origin of Species: A
Graphic Adaptation (Rodale Books)
• Jill Thompson, Beasts of Burden (Dark Horse); Magic Trixie and the
Dragon (HarperCollins Children’s Books)
• Carol Tyler, You’ll Never Know: A Good and Decent Man
(Fantagraphics) 

Best Cover Artist
• John Cassaday, Irredeemable (BOOM!); Lone Ranger (Dynamite)
• Salvador Larocca, Invincible Iron Man (Marvel)
• Sean Phillips, Criminal, Incognito (Marvel Icon); 28 Days Later
(BOOM!)
• Alex Ross, Astro City: The Dark Age (WildStorm/DC); Project
Superpowers  (Dynamite)
• J. H. Williams III, Detective Comics (DC) 

Best Coloring
• Steve Hamaker, Bone: Crown of Thorns (Scholastic); Little Mouse Gets
Ready (Toon)
• Laura Martin, The Rocketeer: The Complete Adventures (IDW); Thor, The
Stand: American Nightmares (Marvel)
• David Mazzuccheilli, Asterios Polyp (Pantheon)
• Alex Sinclair, Blackest Night, Batman and Robin (DC)
• Dave Stewart, Abe Sapien, BPRD, The Goon, Hellboy, Solomon Kane,
Umbrella Academy, Zero Killer (Dark Horse); Detective Comics (DC);
Northlanders, Luna Park (Vertigo) 

Best Lettering
• Brian Fies, Whatever Happened to the World of Tomorrow? (Abrams
ComicArts)
• David Mazzuccheilli, Asterios Polyp (Pantheon)
• Tom Orzechowski, Savage Dragon (Image); X-Men Forever (Marvel)
• Richard Sala, Cat Burglar Black (First Second); Delphine
(Fantagraphics)
• Adrian Tomine, A Drifting Life (Drawn & Quarterly) 

Best Comics-Related Periodical/Journalism
• Alter Ego, edited by Roy Thomas (TwoMorrows)
• ComicsAlliance, www.comicsalliance.com
• Comics Comics, edited by Timothy Hodler and Dan Nadel
(www.comicscomicsmag.com) (PictureBox)
• The Comics Journal, edited by Gary Groth, Michael Dean, and Kristy
Valenti (Fantagraphics)
• The Comics Reporter, produced by Tom Spurgeon
(www.comicsreporter.com) 

Best Comics-Related Book
• Alan Moore: Comics as Performance, Fiction as Scalpel, by Annalisa Di
Liddo (University Press of Mississippi)
• The Art of Harvey Kurtzman: The Mad Genius of Comics, by Denis
Kitchen and Paul Buhle (Abrams ComicArts)
• The Art of Osamu Tezuka: God of Manga, by Helen McCarthy (Abrams
ComicArts)
• Manga Kamishibai: The Art of Japanese Paper Theater, by Eric P. Nash
(Abrams ComicArts)
• Will Eisner and PS Magazine, by Paul E. Fitzgerald (Fitzworld.US) 

Best Publication Design
• Absolute Justice, designed by Curtis King and Josh Beatman (DC)
• The Brinkley Girls, designed by Adam Grano (Fantagraphics)
• Gahan Wilson: 50 Years of Playboy Cartoons, designed by Jacob Covey
(Fantagraphics)
• Life and Times of Martha Washington, designed by David Nestelle (Dark
Horse Books)
• Queer Visitors from the Marvelous Land of Oz, designed by Philippe
Ghielmetti (Sunday Press)
• Whatever Happened to the World of Tomorrow? designed by Neil Egan and
Brian Fies (Abrams ComicArts)

(more…)

2010 Hugo Nominees Announced

2010 Hugo Nominees Announced

Science fiction followers take note: The 2010 Hugo nominee list is out. For those not so in-the-know, the Hugo awards (named for Amazing Stories’ creator Hugo Gernsback) have been recognizing great work in Science Fiction or Fantasy since 1955, and have recently added comic books to their categories under consideration. This year’s nominees are an amazing bunch; Allow us to share some highlights.

In the fight for comic book supremacy this year, fan favorite Neil Gaiman leads off in the “Best Graphic Story” category with his Batman: Whatever Happened to the Caped Crusader? Going toe-to-toe with Neil though comes a bevvy of other hot comic talent including Bill Willingham (with, among other folks, Simone & Ajax‘s Andrew Pepoy) for Fables Vol. 12: The Dark Ages, as well as Paul Cornell for Captain Britain And MI13 Volume 3: Vampire State, and Kaja and Phil Foglio for their Girl Genius Volume 9. Rounding out the nominees comes Howard Taylor for Schlock Mercenary.

Also interesting this year will be the fight for “Best Dramatic Presentation – Long Form”. Where Peter Jackson’s Oscar winning Lord Of The Rings: The Return of the King was once crowned with this Hugo, 2010 pits James Cameron’s 3D epic Avatar against District 9, the Star Trek reboot, Pixar’s Up, as well as Moon by Duncan Jones. Without his ex to steal his thunder, will Cameron walk away with the award? Only attending and supporting members of the AussieCon could tell you. The awards will be given September 5th.

For a complete listing of nominees, simply check it out after the jump.

(more…)

Ghost Rider Rides To Broadway!

Ghost Rider Rides To Broadway!

In a move some consider surprising, Disney announced their first musical to hit Broadway since acquiring Marvel Comics will be Ghost Rider, complete with motorcycle, flames, and song and dance.

Moreover, teevee’s Craig Ferguson will be cast in the lead. Ferguson, a former punk rock musician, has long professed his love for the character. “I’m only disappointed that Nic Cage wasn’t able to take the role. Nic’s an even bigger Ghost Rider fan than I am, and I would have been thrilled to play the villain. That would have been ooh-la-la-ing awesome.”

It isn’t known if Ferguson will be moving his show out to New York during his run, or if he’ll simply leave CBS and Dave Letterman for the Great White Way. “I don’t have a clue; I just know I can’t pass this aye-carumbaing opportunity up!” Ferguson noted.

As one would expect, Sir Elton John will be writing the original music and Randy Newman will be orchestrating the less important bits. The show is expected to open on Times Square sometime shortly after Labor Day.

Merchandising deals are in progress.

iPad preview has Marvel app, but what does it do?

iPad preview has Marvel app, but what does it do?

This picture by Stephen Fry, who got his hands on an iPad before the rest of us (he does that sort of thing; he got the second ever Macintosh in England, Douglas Adams got the first) shows an icon for a Marvel application, which may or may not come standard with every iPad install.

If so, it means the long-surmised Marvel-Disney-Apple synergy is about to bear fruit in a BIG way.

No word on whether this will be instead of or in addition to any display space Marvel may get in the iBookstore.

Marvel Announces Marvelman’s Return in June

Marvel Announces Marvelman’s Return in June

After announcing the acquisition of the British hero Marvelman last summer, Marvel Comics finally has scheduled their initial offerings. In a press release, the company said they would be celebrate the rich history and reprint material from the beginning.

Once Fawcett ceased publishing Captain Marvel stories in the 1950s, the British publisher of the comics chose to convert the hero, supporting cast, and villains into original characters under the similar name Marvelman. Under the guidance of artist Mick Anglo, the characters lasted until the 1960s then vanished. Dez Skinn resurrected the character for Warrior magazine and has been a source of fascination ever since.

Here’s the release:

Marvel is proud to announce the return of Marvelman to shelves everywhere with the release of Marvelman Classic Primer #1 in June! Who is the mysterious Marvelman? And just why is he one of the most enduring super heroes of all time? The answers arrives in this commemorative one-shot featuring interviews with creator Mick Anglo, superstar Neil Gaiman and more who contributed to this character’s history over the years! Plus, get all-new pin ups of key Marvelman characters by superstar artists Mike Perkins, Doug Braithwaite, Miguel Angel Sepulveda, Jae Lee, Khoi Pham and Ben Oliver! This landmark issue features two covers—one with the timeless art of Mick Anglo and another with the now-iconic rendition of Marvelman by Marvel Editor-In-Chief—and superstar artist—Joe Quesada!

Then, in July, thrill to the debut of Marvelman Family’s Finest #1, a new ongoing series reprinting Marvelman’s greatest adventures for the first time in the US! Plus, no comics fan can miss Marvelman Classic Vol.1 Premiere HC, reprinting Marvelman’s earliest adventures in chronological order!

Now’s your chance to learn just why Marvelman is one of the most important characters in comic book history—it all begins in Marvelman Classic Primer #1, this June!

MARVELMAN CLASSIC PRIMER #1
Written by JOHN RHETT THOMAS
Cover by JOE QUESADA
Variant by MICK ANGLO
Rated A …$3.99

(more…)

The Point Radio: PSYCH According To James Roday

The Point Radio: PSYCH According To James Roday

WE’RE BAAAACK! A massive rain and windstorm took out our power and internet for nearly a week, but we’ve bounced right into our pop culture routine with a look at the best episodes of USA Network’s PSYCH, at least according to series star James Roday. And will The Human Torch really become Captain America, plus Marvel covers IRON MAN in a cool new way!

And be sure to stay on The Point via iTunes - ComicMix, RSS, MyPodcast.Com or Podbean!

Follow us now on and !

Don’t forget that you can now enjoy THE POINT 24 hours a Day – 7 Days a week!. Updates on all parts of pop culture, special programming by some of your favorite personalities and the biggest variety of contemporary music on the net – plus there is a great round of new programs on the air including classic radio each night at 12mid (Eastern) on RETRO RADIO COMICMIX’s Mark Wheatley hitting the FREQUENCY every Saturday ay 9pm and even the Editor-In-Chief of COMICMIX, Mike Gold, with his daily WEIRD SCENES and two full hours of insanity every Sunday (7pm ET) with WEIRD SOUNDS!

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Human Torch Cast As Captain America?

Human Torch Cast As Captain America?

According to the Hollywood

Reporter, Chris Evans has been offered the lead in The First Avenger: Captain America. Evans is perhaps best known in these circles as Johnny Storm, a.k.a. The Human Torch, in the two Fantastic Four movies.

Evans would be signing for what has been reported to be a nine picture deal: at least two sequels and appearance(s) in The Avengers movie(s) as well as in other Marvel superhero films. Nice steady work for an actor who isn’t afraid to get typecast.

The First Avenger is to be directed by Joe “Wolfman” Johnston; Hugo Weaving (Lord of the Rings, V For Vendetta) has been cast as The Red Skull. The movie is presently set for a July 22, 2011 release, with The Avengers following on May 4, 2012.

There’s probably no chance of a cross-over, as Marvel’s doing a complete reboot on The Fantastic Four movie franchise.

Neither Marvel Films nor Evans’ people have confirmed or denied as of yet this weekend.

DC Hauls Out Its Big (Legal) Gun Over Superman

DC Hauls Out Its Big (Legal) Gun Over Superman

In the never-ending battle with the Jerry Siegel estate over the rights and ownership of Superman, DC has fired its old law firm and replaced him with a big, scary guy.

Well, Warner Bros. did the hiring. DC no longer has any distance from their parent company and therefore no longer steers the ship.

The new guy is Daniel Petrocelli. With respect to the current Superman situation, this is the guy who hammered the estate of literary
agent
Stephen Slesinger on behalf of the Disney empire. Slesinger was the man who initially propelled Winnie the Pooh into the hearts and souls of Americans. Petrocelli got the suit tossed not on its merits but because the Slesingers’ lawyers illegally obtained documents by
trespassing on Disney property. Hey, a win’s a win.

Petrocelli is defending Jeffrey Skilling, the Enron CEO who was convicted of the massive swindle that cost so many Americans their life savings, their jobs, and/or their retirement. And by “convicted,” I mean the case is presently before the Supreme Court in an attempt to free the convict instead of letting him roast in a well-deserved living hell. But that’s just my opinion, and I like the guy’s brother.

This is not to say the Siegel estate doesn’t have its own heavy-hitter. Marc Toberoff, who already won some major innings in this particular dispute, is well-known in media circles and is also representing the Jack Kirby estate in a similar action against Marvel and their parent company, Marvel Comics. Toberoff’s involvement mitigates against the philosophy that Petrocelli was hired simply to intimidate the Siegel estate.

The people out of a job are the firm of Weissmann Wolff Bergman, who successfully defended DC Comics and our pals Timothy Truman and Joe R. Lansdale when the faded rock stars Johnny Winter and Edgar Winter gracelessly sued the bunch over a tribute in a Jonah Hex miniseries.

Who Watches The X-Men?

Who Watches The X-Men?

On the right, the well-known Watchmen icon. Trademarked and in use since 1986.

On the left, Marvel Comics’ ad for their new X-Men summer event, “We Are The X-Men.”

Coincidence? Really?

Worse still, if there are any walruses in the storyline, Marvel could have Yoko Ono up their ass.

Captain America Goes Rogue!

Captain America Goes Rogue!

Though covered point-by-point by Marvel’s EIC here, faithful followers of Ed Brubaker’s amazing run in the pages of Captain America
saw a wee bit of controversy spring up and out of the pages of issue #602 recently.

For those not in the know (*SPOILER ALERT*) the issue in question features the current Cap, Bucky Barnes, and former Cap Sidekick, Sam Wilson (Falcon) on an undercover mission in Idaho. As they make their way through the state that’s truly ‘More Than Just Potatoes‘, they happen to come across a group of protestors. Bucky makes a comment that the rally appears to be an “Anti-Tax thing”, and Sam remarks that he (“A black man from Harlem”) wouldn’t fit it with “a bunch of angry white folks.” And, due largely to a tight deadline, and slight error on the letterer’s part… the rally signs declared things like “Tea Bag Libs Before They Tea Bag You!” and “Stop the Socialists!”… This in turn ruffled the feathers of members in Nationwide Tea Party Coalition; and the anger-inducing Kool-Aid was thus passed out for the national media circus.

As explained by Joe Quesada, this wasn’t an intentional jab at a political entity, rather, it was a simple mistake. As the books’ deadline loomed, the editor noted missing slogans on the final press ready art. Marvel asked the letterer to quickly photoshop in some slogans to make it in before deadline. Quickly googling protest signs to add a ‘layer of reality’ to the book led to the aforementioned slogans being dumped into the artwork, which was quickly green-lit for the presses. When the error was eventually caught, Marvel apologized, and fixed the art files; ensuring reprints of the issue, as well the eventual printing of the trade paperback, would not perpetuate the mistake. This of course did not stop ‘Tea Drinker’ Warner Todd Huston from starting a flame war. Of course it didn’t.

But, gentle Comicmixers… this begs the question to be asked. While both Ed Brubaker and Marvel Comics have made it clear they opt to stay away from being overtly political in their books… what if they decided not to be. Comic books, especially of the Marvel or DC sort, are fiction. Doesn’t fiction (even starring widely recognized figures like Captain America and Superman) have the right to be as political as they want to be? While Joey Q. made the admission of guilt, and has done his job to quell the issues raised by the Hulk-like Tea Party Gang… What could they do, if the next issue did feature the Tea Party? What it Sam Wilson decided to join the Black Panthers? What if Bucky decided he was a Socialist (I mean they did save his butt from obliteration, no?)… The question really is: what right does any group have to say when it comes to works of fiction, comic or not?

Consider this an invitation to tell us how you feel.