Tagged: Mark Millar

Review: ‘Wanted’

Review: ‘Wanted’

Reviewing Wanted, the film based on the Top Cow miniseries by Mark Millar and J.G. Jones, is a difficult request. Directed by Timur Bekmambetov, the film is enjoyable, but solely on a puerile level, and undoubtedly not for the reasons that Bekmambetov intended. This movie is exactly what would happen if a hyperactive 16-year-old was given free range to write a script; it features an Angelina Jolie butt-shot, bullets that don’t travel at normal speed or in a straight line, and the euphoria of telling off your boss and all the jerks at work. But when asked if this film is actually any good, or even a good comic adaptation, the answer is a strong “No.”

Those of you who remember the comic series remember a truly raunchy adventure about an assassin named Fox who recruits a cubical jockey to take his father’s place in a secret society of supervillains known as The Fraternity. From there, we get a few twists and turns thrown our way, but primarily, this was a comic book about all things comic books: superheroes, villains with puffy capes, a cannibal baddie, and even a few digs on other genre flops like Adam West’s Batman.

With that in mind, the movie takes its own liberties, and generously at that. Replace “supervillains” with “assassins,” “puffy capes” with “bullets that curve,” and “cannibal” with Morgan Freeman. It is totally understandable how this movie was sold, because people are so afraid of doing superhero films that don’t have names like “[[[Iron Man]]]” or “[[[Batman]]]” attached to them, so instead they were going for a Matrix redux, and failed miserably.

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Mark Millar, Steve McNiven and Grandpa Wolverine

Mark Millar, Steve McNiven and Grandpa Wolverine

Marvel recently announced plans to reunite Civil War writer Mark Millar and artist Steve McNiven on an upcoming arc of Wolverine that takes the "ol’ Canuknucklehead" years into the future to a post-Apocalyptic Marvel Universe.

In this interview with IGN, Millar discusses the connections between Clint Eastwood, John Constantine, Hulk and Wolverine that influence his upcoming eight-issue storyline.

According to Millar, the arc begins with a Wolverine that has sheathed his claws and sworn off violence, but quickly becomes one of the bloodiest tales he’s ever scripted – quite the claim, given the page-after-page killing spree of Millar’s last turn on Wolverine, the ultra-violent "Enemy of the State" storyline.

I do have a theory on this. It’s that the guys that tend to do the funny animal comics in real life are really, really creepy. –laughs- They’re always really creepy! You feel uneasy around them like they’re undressing you with their eyes or something, you know? Whereas the guys that do the really violent stuff are always quite normal and quite nice. So I think we get it out whereas those guys that sit around drawing Bugs Bunny all day, you just end up a pervert. –laughs-

Millar goes on to hint at some of the current and future-born characters that will be making cameos in the arc, including Hawkeye, Bruce Banner and… Spider-Bitch?

Millar explains:

You see Spider-Man’s granddaughter in it. She’s called Spider-Bitch.

Check out IGN for the rest of the interview, as well as several pages of interior art.

 

Mark Millar not doing Superman movie

Mark Millar not doing Superman movie

When Michael Dougherty and Dan Harris (screenwriters for X-2: X-Men United and Superman Returns) stated that they would NOT be writing the new live-action Superman sequel, Warner Bros. Pictures announced they would be looking at new pitches. Mark Millar (Ultimates, Civil War) was immediately vocal in his desire to take on the task. “I want to revamp Superman like Hillary wants thin ankles. Revamping this franchise is what I as given fingers for and so, invited or not, I’m putting my plan together now. I’ve been asked to work on half a dozen screenplays lately, but this is the only one I have ever truly wanted. As most here know, I have literally hundreds of pages of notes and sketches just waiting for this opportunity. This would be my dream gig and, as a fan, I know exactly what this project needs to work. This has to be Superman for the 21st Century, keeping everything we adore, but starting from scratch and making the kids love it as much as the 30-somethings. I would honestly write this thing for free.”

Sadly for Millar, it looks like it’s not going to happen. A couple of days later, he made the following statement: “I spoke to some friends at DC and they explained this has happened with a couple of big Marvel writers in the last couple of years and I absolutely respect that. It’s a business after all and to have a guy writing ‘Fantastic Four’ … which would be mentioned in every article about a Superman movie is not only an insult to their own writers, but makes bad business sense. I have nothing but respect for the DC high-ups and, though obviously disappointed, can absolutely appreciate their position. They’re the custodians of these properties and they obviously know what they’re doing.”

Who will write the new film and whether or not he’ll be an established comic book writer remains to be seen.

Today’s Smoky Comics Links

Today’s Smoky Comics Links

Marvel editor Tom Brevoort posts Mark Millar’s original memo/pitch for Civil War.

Comic Book Resources presents the third part of their look at Homosexuality in Comics.

Blogcritics reviews a pile of DC and Image comics, starting with Dynamo 5 #3.

Blogcritics also has a Marvel comics review, and is particularly fond of Nova #4.

Forbidden Planet International reviews a couple of Marvel Comics from years past..

Comics Reporter reviews Ted May’s Injury #1.

Chris’s Invincible Super-Blog reviews the saga of the Mighty Marvel MegaMorphs.

Hannibal Tabu reviews his purchases this week for Comic Book Resources.

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