Tagged: Joe Illidge

Joe Corallo: Meltdown In Los Angeles!


This past week, I went out to LA for the first time. It was primarily to attend fellow ComicMix movie reviewer Arthur Tebbel’s wedding, and he had even movie popcorn as a snack during the cocktail hour.

I flew in on Thursday where I spent most of the day either meeting or hanging out with queer comics creators. They like The Golden Girls out there too. Sidenote: that was also the name of the cheerleader squad where I went to high school. And no, they were not senior citizens.

The second day I was there was the kickoff of Long Beach Comic Expo. While I wasn’t able to go during the show proper, I did have the time this past Friday to attend their first ever Comic Creator Conference organized by Wannabe Press. This was an event for comics professionals and those trying to break in to learn the ropes from professionals. It had an impressive line-up: Joe Illidge gave the keynote speech, and Beth Scorzato from Lion Forge, Amy Reeder and Mark Waid were among the other speakers.

What was equally impressive was the rain. I rode up from West Hollywood with some other comics creators and it took about two and a half hours to get to Long Beach while going over flooded roads and hoping for the best. As a result we missed Joe Illidge’s keynote speech, which was quite disappointing. The harsh rain kept more than a few people at home as well.

Additionally, some people ran late who had every intention of being early and the torrential downpour adversely affected the sound equipment. And to make up for some lost time at the Comic Creator Conference, the panels were cut in half to about 20 minutes or so.

I originally thought it might have been nice if they were the original length, but after talking to The Beat’s Heidi MacDonald, she sold me on how it ended up being a real positive. Having the shorter panels kept them concise and got people the time to see them all if they wanted. As soon as we arrived and got to the panel room myself and most of the attendees stayed until they wrapped up the last panel. While this format was made to accommodate an unforeseen situation, it’s something the organizers should consider repeating next year if they do this.

Before Arthur’s wedding on Saturday I took a trip over to Meltdown Comics. I’ve heard a bunch about it and it wasn’t too far from where I was staying so I felt I owed it to myself. It’s a big shop with a nice, diverse selection. What I was most attracted to was the indie comics and zines from local creators section. I made it a point to pick a few up.

One of them is called Low Light by Tristan Wright. It’s a 28-page oversized comic about a young woman who misses what she thinks is her last train home only to discover a strange train pulling into the lonely station. From there she meets some interesting characters that flesh out a bizarre world that we can only happen upon through the odd hours and happy accidents that ever-so-rarely crash into each other. I definitely recommend you check out Tristan Wright’s work. You can check out a preview of Low Light on the website under Late Night Special in the comics section.

I also picked up one of the Melt-thology zines; number 28 to be exact. This is a series of in house zines made up of one page comics drawn by dozens of creators in one day then made available at Meltdown. The one I picked up was mostly dedicated to sending off 2016, and it was the send off it deserves. I think this is a pretty great idea that other stores like Carmine Street Comics here in New York City should be doing. Or maybe Desert Island.

Another one of the comics I picked up, The Mad Mind Of Anton Sebaum, was drawn by Jude Vigants, one of the creators I rode up with to the Comic Creator Conference. Small world. Check out his stuff.

It was a really nice trip and I’m looking forward to going back and discovering more. Hopefully it will have stopped raining by then.

 

Michael Davis: President’s Day

Today we celebrate the birthdays of two great Americans.

I realize for many celebrating on a day called President’s Day is now just a day to be off work.

The current President of the United States is all the reason some need to never celebrate on President’s day again. How can some support the racist comments and actions coming from the now leader of the free world?

No idea, but many seem embolden by these activities – including the hotel I’d thought was making a change for the better.

Maybe what’s wrong with America is we keep looking for what’s wrong with America.

I try to look at what’s right and work to make what isn’t so.

A bit over a year ago I was thrown out of a Hilton in Orange County California for what can only be a racist reason. I gave them the benefit of the doubt they would do the right thing and they did for a bit.

Then they stopped but before they did for my pain and suffering I got a tin of cookies, but that’s another story and I’m telling it very soon but not today.

Today I am going to celebrate the birthdays of two great Americans.

The first of the two great Americans I speak of is Dwayne Glenn McDuffie born Feb. 20, 1962.

Dwayne lived his life looking for solutions to problems such as what befell me and no doubt others at that Hilton. He was good a writer as anyone and better than most.

He was also a good friend and partner. I’m thinking of Dwayne today… but others as well.

The look of sadness on this man’s face when in 2011 I invited him to sit on the Black Panel at San Diego celebrating the incredible life of an amazing man his best friend Dwayne still brings tears to my eyes.

That’s why I’m thinking about Matt Wayne today.

When I saw that big and bad ass SUV in the Target parking lot, I had to do a double-take. I couldn’t believe that was Dwayne getting out of the driver’s side. When he first arrived in L.A, for months, I chauffeured that huge mofo around in my two-seater sports car.

Not only did he not have a car in a city you must have a car in he couldn’t drive so I was very surprised he was, but when I saw him open the passenger side door, I was even more surprised.

Stepping down from that monster truck bringing the biggest smile I’d ever seen on the big guy was his new bride.

That’s why I’m thinking about his widow Charlotte Fullerton today.

Because I know they are hurting badly now and will be tomorrow the anniversary of Dwayne’s death I bear no ill will on this day.

That’s why I’m thinking about Derek Dingle and Reggie Hudlin.

What he wrote in Entertainment Weekly was a tribute as great as I’ve ever seen.

That’s why I’m thinking about Joe Illidge today.

Then there’s the man who started it all.

I think how we spent the day of Dwayne’s funeral not bitter but better because we talked about just how Dwayne was more Milestone than all of us. The better wore thin when the pain returned. A pain he tries to hide but can’t, not from me.

That’s why I’m thinking about Denys Cowan today.

The other great American I celebrate today born Feb. 20, 1939, my mother, Jean Davis. Static’s mom, Jean Hawkins, was modeled after my fantastic mother.

With all due respect to the character, I created the comic book and the TV show. Jean has nothing on my mom.

I was eight-years old; it was Christmas Eve, and we were leaving Getz Department store on Jamaica Ave. in Queens New York. This little white girl darts out of the building making a beeline towards the street.

My mother grabbed her coat by the neck right before the bus that would have surely hit and killed her sped by us. The little girl fell on the snow-covered sidewalk and started crying.

My mother was rewarded with a punch to the back of her head. The father hit her and was about to kick her when someone screamed “She stopped her from getting run over by a bus!”

With that, he helped my mother up apologizing over and over.

No.

No, he didn’t.

He bent down took his time fixing his kid’s coat while my mother lay there in the dirty snow while people walked past and over her afraid to stand up.

Later when I finally stop crying, I started yelling how much I hated that man. My mother put me to bed and told me; “Santa won’t come to a house with hate in it.” She would not have me hate anyone.

My mom took the hits when it came to her. When my sister or I were on the receiving end, she cared little for herself and would not let us be harmed or disrespected in any way. In the fourth grade, it seemed I was getting my ass beat daily. My teacher repeatedly told me to turn the other cheek.  My mom said for me to deal with a bully this way; “Michael, the next time that big kid hits you, pick up something and knock him over the head with it. Make him respect you. ”

The something was a metal backed chair. The head belonged to Ronnie Williams. I could have killed that kid, I didn’t, but he stopped fucking with me out of respect.

Jean Davis and Dwayne McDuffie are not here anymore. They would not stand for what’s happening in this country to people of color nor will I.

If I did, that means they can and will do it again. Why not? Cookies are cheap.

Happy Birthday, Jean.

Happy Birthday, Dwayne.

Michael Davis: “I don’t grab pussy. It grabs me.”

motu-tubman-face-on-20-bill

I was so stunned by the election I just couldn’t bring myself to write a damn thing for the last few weeks. Hell, in the case of Bleeding Cool it’s been months that I blame on my depression and trying to figure out how to fix a problem no one sees yet but with depression I couldn’t care less.

Then something magical happened. Call it a Thanksgiving comic book miracle. It was no less than that. So I hope to be reset at Bleeding Cool, ComicMix and my site Michael Davis World. MDW had an outstanding and loyal following.

I messed that up big time a week after I began talks to partner with a massive site. Shit. That was stupid. 

Stupid, stupid, stupid. My depression was/is a motherfucker.

Once I become fixated on something I just kept at it regardless if I’d achieved my goals. I’d change or add new goals. I’m told this allows me to spend less time thinking about putting a bullet to my head.

I haven’t written for my site in almost three years, and one by one lost every columnist except for Martha Thomases. She singlehandedly kept MDW afloat. I haven’t told her thank you. I can’t muster up the balls to call because (it sounds nuts) but as long as Martha is owed my gratitude I’ve got a marker and I never welch on a promise, a bet and especially not a friend.

Or in Martha’s case… family.

She’ll read this and think it’s a thank you. In a way it is, but to me it’s a promissory note. I’m not 100% well and never will be, but I know I can do a bit better and besides it’s almost Christmas…

I do know that Martha does love a ridiculous MOTU story and Lord knows in three years there has been few. Well, thanks to Joe Illidge here’s one just for you Martha consider it a down payment.

Thanks Joe. BTW – My New Boo, Lois Lane copyright Michael Davis 2016

Joe asked this question on Facebook: As a writer, name one thing you would do with Lois Lane in the comics, if you could do anything.

So here’s my answer:

MY NEW BOO, LOIS LANE

…or how I gots me a white woman

Lois is pissed. Instead of date night with her, Superman choose to save Donald Trump from a crowd of angry maids upset because he said “Cleaning is for losers; those domestics chicks are ugly, fat, most likely Mexican rapist criminals who are responsible for the one missing sock from the dryer. I mean who else could it be?”

Lois would be hurt and Michael Davis the black new owner-publisher of the renamed Mostly Daily Planet (remember, black new owner-publisher) would be there for her.

Then one night listening to her sob stories I would give her the real skinny…

“Why, oh, why didn’t he do what any sane person would do? Let those maids tear his little hands to bits? I mean miss date night??” Lois said this while sipping on what she thought was a wine cooler. It wasn’t. It was 100 proof down right up right Colt 45 I kept next to the wine coolers. She’d been crying, so it was apparent to me with bleary eyes she may mistake one for the other.

No, I didn’t tell her when she did and when asked why it tasted like beer, I said I didn’t know and I don’t. Do I look like a damn brew master?? No idea WTF barley is and if it there is no hip in front of it I could give a fish what a hop is.

“He’s just not into you Lois.” I began while refilling her class with Mad Dog 20 20, the wine cooler of the hood. I continued “I hear, not that I have a problem with it. I just like pussy; he’s into men. I’m convinced he’s doing Clark Kent. I can’t tell you how many times I’ve seen Clark running into a closet tugging at his belt and tie while unzipping his pants. I’m a man Lois, only two give or take situations make us run like that while taking off our clothes it’s the ole S and P index someone gotta take a shit or someone giving up some pussy…or in Clark’s case…well you know.

What? Were you were expecting Standard and Poor’s? You foolish reader, this is a Michael Davis article. There are no standards because I grew up poor.

Yeahhhhhh, that was a pretty broad reach for that yuk.

But I digress. Yeah Peter, I used it. So what?  You killed Jean Dewolf, so what?  Denys Cowan and I killed Jason Todd. Robin! Not only that we did it from a phone in DC’s offices. Gangsta.

But I Digress… Lois inched closer…because I was slowly pulling her now drunk ass towards me. Keep your mind out of the gutter if not she would have fallen on the floor.

I proceeded. “Now, I’ve come close to shiting in a closet only once in my life. Then I decided the hell with that. She said her husband wouldn’t be home, but there he was. I ask you, Lois, why should I have to crap like an animal in a cage when she got his schedule wrong? I simply opened the closet door, picked up my Black and Decker condoms from under her pillow said, “Send me some of those photos,” smiled at her husband and left. I’m not an animal, so unless Clark is one filthy nasty mother sucker, then he and ‘Kal-El’ be knocking them red boots because guess who comes flying out the closet fixing his belt?”

“Yep, the man of ‘steal.’ Yes, Lois. Steal. Why? Because he’s out the door maybe two seconds after Clark runs in. Clark comes out of the closet sometimes minutes sometimes hours later looking like he’s been in a fight and seems like he carrying a weight of massive, dare I say, super load of tension with him.”

“Why can’t I be in love with Batman?” Lois slurred as I poured her some vintage Thunderbird an extraordinarily expensive and rare wine made by Hindu monks but drank only when lighting hits a bird on Budda’s Birthday.

Most of you won’t get that. I wrote it for my boys in the hood. So just assume it’s true. I mean y’all idiots think Donald Trump is fit to be President so what the hell do you have to lose if you don’t get the joke?

“Batman??” I said not believing my luck; I’ve waited years for this moment!

I reached under the couch for a copy of Seduction Of The Innocent. I kept one there as well as under my bed I have a travel copy also.

I found the page where Batman had Robin locked in a deep French kiss (What?? So I took it upon myself to illustrate the damn thing). I then looked at Lois with sad eyes and told her “Oh Bats is ooooh sooooo gay. Not that there is anything wrong with that; I just like a side order of tits to go with my main course of well you know.”

“Oh poo!” Lois spits out while looking at my closet. “Pussy, Lois, not poo, pussy,” I said.  But just in case she meant poo I spoke while pointing to the bathroom and front door simultaneously not taking any chances she was not one filthy nasty mother sucker.

Now she was lit, and I was looking for some matches to do the same in case she was with fart. She looked at me and said “I can’t have Batman?”  Well, she literally said, “Eyes clamp clad atman” but I speak drunk.

“Cope bults dew cam clad blazman.” (Nope but you can have Blackman). I told her and she smiled.

“Clump fluLks zee bigger!” She screamed.

I won’t insult you with the translation. I responded “Oh, shit! You must be out of your damn mind you crazy drunk ass female puppy dog!”

I said that but she heard “I love you and always will.” That’s advanced drunk. It’s harder than Japanese and you have to have game to begin with so no. No fan by, no. So far only Joe Illidge and I have mastered it, so you have no chance nor a girl so you really don’t need it remotes don’t speak drunk.

No, I didn’t take advantage of her that night. Only a punk ass bitch would ply a woman with drinks or regale them with tales of wealth to pry their way into their undergarments, flip a tick tack into their mouth, or kiss a woman without her permission.

I don’t grab pussy. It grabs me.

However telling her someone is gay is perfectly acceptable as is inventing a wife and family he deserted. I don’t use those tactics but Joe Illidge…

Lois and I are doing very well. But damn if that sister, the new Iron Woman don’t be looking kinda foxy. That could be the kind of gal that will make a brother an egg sandwich or Clark some … Martha wait for it… wait for it … wait… for… it

… you know

The End

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What Peter? You feel strong? Bring it!

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Applesauce.

 

Joe Corallo: Animals. Mostly Young.

young-animal

As much as I would like to spend this column and all of my writings for the foreseeable future on what happened this election and its consequences, I’ll be returning to comics this week as this is what I and everyone at ComicMix signed up for. If I feel it’s applicable down the line, you better believe I’ll be writing about it here.

Moving on.

stcg_cv1_fegredo_varI’ve dedicated more than a few of my columns to the new Doom Patrol and to DC’s Young Animal imprint. Everything I had written about prior to today has been speculative regarding Young Animal as a whole. Now that at least one issue of all four series under the Young Animal banner have been released, I’d like to discuss my thoughts on the imprint so far.

For those less familiar, DC’s Young Animal imprint is “curated” by musician and Eisner Award winning writer Gerard Way, those titles being Doom Patrol, Shade The Changing Girl, Cave Carson Has A Cybernetic Eye, and Mother Panic. Doom Patrol is the flagship title and what Gerard Way had originally pitched. Shade is an update of Peter Milligan’s Shade The Changing Man at Vertigo, which was an update of Steve Ditko’s original concept in the late 1970s. Cave Carson is an obscure DC side character who’s never had his own series before. Mother Panic is a new character created by Gerard Way, Jody Houser, and Tommy Lee Edwards.

After reading three issues of Doom Patrol, two issues of Shade, and one of both Cave Carson and Mother Panic a few things have become very clear. These comics are all character pieces. They’re very much driven by one character in each series, with Doom Patrol’s focus shifting somewhat while keeping Space Case in primary focus.

Some of this works. In a lot of ways this approach is also necessary. These are characters most comic readers aren’t as keenly aware of. Mother Panic is entirely new, though taking place firmly in Gotham.

doom-patrolMy problem with the stories so far is they lack strong antagonists. There is no singular villain that shakes me to my core. The stakes in a lot of what I’ve read so far haven’t really been fleshed out. Space Case has some vague danger and weirdness following her, but we don’t really know to what extent and what’s at stake. Shade had aliens that seem to kind of be looking for her, but we aren’t really all that sure yet how that’s going. Cave Carson’s eye is causing him problems, but, again, there is no clear antagonist. The closest we get to a clear antagonist is in Mother Panic, and even then little time is spent on her.

Now to be clear, I do really like strong character pieces where other elements of the story become secondary. This is only a problem for me as this is prevalent in all four titles. If I feel like I’m getting more of the same across four titles, it’s easier for me to be willing to drop one as time goes on.

We are also getting more of the same across all these titles in that they are all about straight cis white women – with the exception of Cave Carson, who is a straight cis white man. This by itself isn’t inherently bad. However, DC Comics has been trying to expand its readership and I’m not entirely sure I’m seeing how this will end up doing so in the long run. They’ve been doing a good job in terms of pumping out plenty of comics with straight cis white women or now some bi cis white women with Wonder Woman and Harley Quinn. I don’t see how creating another white hero in Gotham is a step forward or a tool to garner new readers.

I know it may sound like I can’t be enjoying these books if I’m being critical about them. That’s not the case; I have been enjoying these comics overall. If anything, I wish more of the main DC titles took up some elements of these books. They’re often weird and deal with alienation and other feelings that either aren’t tackled in other DC Comics. The art is expressive at best and different at worst. The characters do all stand out and were fleshed out well from their debut issues. I do plan on continuing to read them for the foreseeable future.

That being said, DC Comics and others need to be more considerate about the future. I know I said I wasn’t going to talk about the election and its aftermath, but this does feel applicable. Now more than ever comics are going to need to step up. We have elected a bigot to the highest office in the land who has already appointed a bigger bigot as his top adviser. We need imprints that aren’t as white. Imprints with more diverse characters and more diverse creators. Outside of Tamra Bonvillain, nearly everyone involved with Young Animal is straight cis and white. And while I do commend them on the amount of women working on the imprint and the amount of women that are leads in the comics they’re putting out, we need more than that. We need not just white women, but people of color, queer people, and non-Christians feeling welcome and accepted. Feeling they can be superheroes too.

catalyst-primeThere are plenty of places to start. DC Comics controls the characters and universe from Milestone Media and doesn’t seem to be doing anything with that. Now is the time to do something. Marvel Comics seems to be onto something having Ta-Nehisi Coates help to bring people in to expand their Black Panther universe. Joe Illidge has been working hard over at Lion Forge to start Catalyst Prime, a series of superhero titles with both diverse characters and creators set to debut next year. We can only hope other comic publishers will be able to learn a thing or two from what Catalyst Prime will be and I hope for their success.

I’d be more than happy for more pop up imprints like Young Animal. I do think Gerard Way is doing something good. We just need more and different things as well. We need comics important to other audiences.

Here’s an idea: give Grace Jones a pop up imprint. I don’t know what she’d do, but I can tell you right now I’d read it.

Michael Davis: Dream Killer 4 – Publish or Perish

dreamkiller4From last week:

That, boys and girl, is called knowing the game. Those who don’t shouldn’t play. So despite being blackballed by one of the big two how was I able to thrive?

Alternative means of finding distribution, budget and happiness.

The vast majority of top tier creators in the industry use one option.

There are numerous more, and I’ll touch on those next time.

As well I will break down what option was preferred and why for the project I’m using for this series. I’ve been in the game for a long time. What I use as examples are not intended as a ‘how to’ to get into the comics biz. If so the series would be named ‘how to ruin your career.’

The underlying point is to look at the big picture when entering this field. I believe with every fiber of my being one should always look to do the right thing. Comics are a very small industry and to have a real shot, it’s counterproductive working on how well you write or draw without working on your relationships skills.

Put another way, when people tell who they are and what they are about, trust but verify.

“The vast majority of top tier creators in the industry use one option.There are numerous more, and I’ll touch on those next time.”

It’s next time.

When I wrote about numerous other options, there certainly are. The four I list are ones I can speak about from a personal perspective.

Publishing Options:

  1. Find a major publisher
  2. Crowd Fund
  3. Fund Yourself
  4. Go outside the box.

The vast majority of top tier creators in the industry use option number one. Presentation to publishers differs from creator to creator. My process varies depending on the entity I’m pitching to.

The Comic Book Companies: Who & Why?

I’m not an idiot. This is a pop culture site heavy into comics. As such a significant amount of this, many readers will know. That’s great, but those who know will be surprised to learn many and by many a mean most of the newbies looking to get into the business have clue zero regarding the publishers in the industry.

There are well over two hundred publishers in the United States and thousands worldwide. For our purposes, we should know the players that meet your criteria for your project. The competitive rules are distribution, brand recognition, and marketing clout. What follows are the current major power brokers of the industry in my opinion.

Marvel Comics

Marvel Comics is one of the big two. Marvel has a lineup of some of the world’s greatest comics. They include The X-Men, Fantastic Four, The Hulk, and of course, Spider-Man. When Disney acquired Marvel, the industry thought the mouse would destroy Marvel. Nope Marvel did change but for the better. Marvel is the undisputed superhero king in the mainstream because of the Marvel Cinematic Universe. DC has yet to catch the kind of fire Marvel has on the screen.

DC Comics

DC Comics is the other half of the big two and despite my rocky history with them still my choice universe. Time/Warner owns DC, but as of this writing, the noise is AT&T is about to buy Time Warner.

When Disney purchased Marvel, I was one of the few voices that thought this was a good thing and it was. They were smart enough to let Axel Alonzo and other key playa’s stay and soon fear turned into faith. I also correctly predicted DC would oust Paul Levitz and move operations to the West Coast. This is not to say Paul was an obstacle to DC; he wasn’t. He was problematic. His influence spanned three decades and for better or worse Time Warner knew for DC to compete with Marvel Paul had to go.

In my opinion, and I do so hope I am wrong, if AT&T buys Time Warner and DC Comics is part of that deal (it may not be) then DC Comics may be fucked.

Disney is in the content creation business, and even James Bond can tell you nobody does it better. AT&T is in the telecommunication business and realizes within the high stake arena of telecommunication, they are far from the only game in town. What AT&T has is the ability to deliver content better than anyone. What they don’t have is content they own outright. If they buy Time Warner, they get the mother of all content and instantly become the biggest pimp in town. So big Comcast becomes their bitch, and even Disney had better recognize.

As most of you know, the DC lineup includes Batman, Superman, Wonder Woman and the Flash. DC further has a mature reader line of books called Vertigo. The Vertigo books have a suspense and horror tilt. Recently DC entirely rebooted their entire 78-year continuity with a revamping and retelling of all their major characters twice. The New 52 did not do the kind of numbers DC was hoping for but Rebirth is very strong and the talk of the industry. Outside comics Marvel may be king in the movies, but on TV it’s all DC.

All good right? No. Not really. If this deal happens all it takes is one high powered mofo to say; “What do we need comic books for?” Remember Disney got Marvel because of its superheroes.

Look at all AT&T gets:

HBO

TBS

TNT

Cartoon Network

Adult Swim

CNN

The CW

Warner Bros. Pictures

DC Entertainment

New Line Cinema

Warner Bros. Interactive Entertainment

You see comics on that list? Nope. DC Entertainment, yes. Comics, nope. You don’t need comics if you own the property already. Far-fetched? Maybe, but so was AT&T buying Time Warner a month ago.

Image Comics

Image Comics started in the early nineties. They quickly rose to the number three position in the industry. They have a consortium of studios that all contribute to the publishing line. Many creators do creator owned books under the Image banner. Their publishing deal is as follows authors deliver the book Image manages the publishing distribution and marketing.

When I ran Motown Animation & Filmworks, my comic book division had its publishing deal with Image.

Dark Horse Comics

Dark Horse Comics have lots of success with taking their comics to movies. The Mask, Time Cop, Barb Wire, Mystery Men, and Hellboy to name a few. All of those movies were Dark Horse comics first. Their CEO and publisher also owns a chain of comic book stores. They have the most “Hollywood” take on the comic book business. Dark Horse has a history of working with maverick creators and Mike Richardson publisher is one of the smartest men in the industry.

IDW Publishing

Idea + Design Works (IDW) was formed in 1999 by four entertainment executives and artists, Ted Adams, Alex Garner, Kris Oprisko and Robbie Robbins. They decided to create a company that would allow them to work with a variety of clients on the things they liked: video games, movies, TV, collectible card games, comic books and trading cards. They have produced some of the best-looking books in comics.

NBM Publishing

NBM is a graphic album publisher. They rarely do superheroes but do science fiction, fantasy, horror and what they call Eurotica. They are more of a mainline publisher in the way they conduct business. NBM has published many graphic novels in comics stores with a second window in mainstream bookstores such as Barnes and Noble. Smart people run NBM, and they don’t suffer fools on any level so before you pitch to them, or any publisher make it a point to know what they do.

Dynamite Entertainment

Dynamite Entertainment focuses primarily on comic book adaptations of existing properties, with most of their original holdings being new interpretations of the classics. They hold or have held the rights to publish titles based on films (Army of Darkness, Darkman, The Good, the Bad and the Ugly, RoboCop, and Highlander), television series (Xena: Warrior Princess) and literature (Sherlock Holmes, Alice in Wonderland, Dracula, and Zorro). Other properties include Buck Rogers and Sherlock Holmes.

Lion Forge Comics

When Lion Forge added Joe Illidge as senior editor they changed the game. That move should put a certain landmark publisher on notice. Or put another way, you slow you blow.

Crowdfunding

Crowd funding the second option was at one time something I was not at all interested in attempting. I thought there was no formula to speak of and I don’t do maybe or hit and miss in business.

What many people fail to realize is once funded they assume all the roles that go along with a crowdfunding gig. It’s true that some notable people (Spike Lee for one) have crowd funded projects. It’s easy with that kind of name recognition and people at that level have an existing infrastructure.

Funding must cover marketing creative, printing, and fulfillment of whatever incentives promised those who chip in. That alone is a massive undertaking. To reach a mass market would in my estimate take funding of between $30,000-$70.000.

There is a growing number of companies that will handle the undertaking for you. Some for a small fee some for a huge stake in your creation. I’m rethinking crowd funding mainly because I found a gem of a project which wasn’t moving. Taking a chance, I funded it all myself then brokered a deal for the property at a mainstream publisher. I don’t own it, didn’t create it but the creator can now think about just doing the work and let someone else do the heavy lifting selling.

What do I get? Right now nothing but the future isn’t built on right now.

Next week I’ll break down funding yourself and try and get you out of the box.

 

Michael Davis: Milestone 2.0 – I Was There, I Didn’t Get It.

There’s much more to this story at Bleeding Cool.

On January 21st of this year, the Washington Post broke the story of the return of Milestone. Missing from the Post and every article since about the new Milestone 2.0 was any mention of me. I’m a founder and co-creator of the original Milestone’s best-known property, Static Shock.

There was to be a statement from Milestone explaining my absence, but in the three weeks since the story broke, Milestone 2.0 has not issued any statement.

Because there was no statement, comic book fans, Milestone fans, and my fan (I had two, one died) took to social media speculating as to why I was missing. Missing from news stories and missing from interviews, which was curious. I was no longer a part of the new venture, but in all the interviews, I was missing from the history of Milestone 2.0.

When I did begin showing up in the news about Milestone 2.0, the articles were about me…missing.

I assumed I was left out because when interviews took place I was no longer involved with Milestone 2.0, even if I didn’t know that. Deciding not to mention me at all was a mistake. If consulted, I would have pointed that out. I did point out what a mistake it would be not to issue a statement once the story broke. I was told they would, but they didn’t. As it turns out, I was right.

I should clarify “right” in this instance. I think not mentioning an original founder, more active than all of the partners combined in keeping the Milestone brand in the public eye in the four years since we decided to re-launch, was a bad idea. It became a distraction, which could have and should have been avoided.

Milestone just may not see things the way I do, and “may” is a bit of a stretch. I think it’s safe to say “does” in place of “may” – all things considered. For their purposes, perhaps it was a good idea. Although what purpose that could be is beyond me. I freely admit I’m a different type of bird. Three weeks ago for a bit I wished I wasn’t – I wished I could just go with the flow. I did this wishing while crying like a little bitch. I actually started to wonder whether or not I’d made a mistake.

Before I continue, I think it’s wise to address my new readers I know are out there. I know this because of the massive amount of emails being forwarded to me since this started.

I write with few inhibitions – I am who I am. I cry when in pain. My favorite movie is My Best Friend’s Wedding. I collect Barbie dolls. When I met Barbara Streisand, my first words were “Now I can die.” She gave me this huge hug and I wept.

Yes, I’m gay. I’m a lesbian. I like women.

I also grew up in what’s now considered, one of, if not the worst housing project in New York City. Two of four of my immediate family were murdered. My sister Sharon Davis, the real life inspiration for Static’s sister Sharon Hawkins among the two. The last two people who stepped to me regretted it instantly and I ended up in jail, see theme song below.

My life can be summed by my motto: Each One, Teach One, and my theme song is Ice Cube’s, “Wrong Nigga to Fuck With.”

But I digress. Peter David owns that line. I stole it; I had to – look where I’m from. Many people think my bravado is from the hood I came from. It’s not. I get that from my mother. It was because of my mother that I thought for a few days that perhaps I should adapt my outlook.

And it was because of my mother I was crying so fucking hard. The Milestone decision piggybacked onto her death, still as fresh as the day it happened. Don’t misunderstand me, I was crying over the Milestone decision, but the severity of my outburst had much more to do with pain I was already in.

Otherwise, it never would have hit so hard because I saw it coming.

I knew years ago it might turn out like this. In fact, I documented my thoughts in writing and in person. I shared my apprehension with some of the biggest names in the industry.

In emails, phone calls and face-to-face meetings, I’ve had the, “It seems the way this is moving may prevent my involvement” talk with 10 people. If ever something I claim is questioned I’m not going out like some bitch, I’m providing proof. Brian Williams, I am not. If I say a bomb hit me, out comes the videotape.

And a bomb did hit me. Believe that. I keep telling people I see the future, but no one listens. Pity.

I’ve wanted this (Milestone 2.0) and worked towards it for 16 years. On Bleeding Cool I wrote 15 years, but that was wrong – I double-checked and it was 16. Yeah, I keep everything, and I keep it forever.

16 years ago I met with Bob Johnson, then CEO and owner of Black Entertainment Television (BET), and one of outcomes of that meeting was BET’s interest in funding Milestone. Also present in that meeting was Debra Lee, who is now CEO of BET, and my producing partner E. Van Lowe. The meeting took place at Mr. Johnson’s suite at the Four Seasons Hotel in Beverly Hills.

That night I was on the phone with all three Milestone founders, but not together.

I talked to two on one call and spoke to another separately. We were all to sleep on it and decide whether or not to pursue it. Founders were knee deep in their own careers, so it wasn’t an easy decision.

The next day I was again on the phone, first with two founders, then with the other. On one of those calls, the idea was floated to do the BET deal without one of the original founders. This was a business decision, for whatever reason.

I said no.

It was my deal; once I said I wouldn’t do it unless we all did, the deal was dead. For a long time I was conflicted on whether I’d made the right choice.

Nah. I wasn’t. I was fine with it.

16 years later, here we are again, kinda. Dwayne’s gone. The big guy was more Milestone than all of us put together. There’s some talk that Dwayne and I were on the outs when he died and that’s just bullshit. I’ll be addressing that in an article fairly soon. Like I said, I keep everything, and there’s a lot of history Dwayne and I shared few people know of.

Dwayne’s gone and Reggie Hudlin has joined Milestone. There’s talk that Reggie is replacing Dwayne. More bullshit. Reggie has been interested in being a part of Milestone for as long as I can remember. In fact, Reggie was on our short list when Denys and I went over names to invite in. That was the very weekend when Denys came up with the idea for Milestone at the San Diego Comic-Con 22 years ago.

I don’t remember if we asked him and he said no, or we didn’t think he’d be interested because even then Reggie was making big movies. Whatever it was, it does not change and no one can deny that Reggie has always been a major supporter and fan of Milestone. Thinking anyone could replace Dwayne is as stupid as thinking Reggie would even try. Before Dwayne died there was talk of Reggie becoming a part of Milestone.

That would have been something – really, really, something.

Denys Cowan and Reggie Hudlin have been a team on a few projects, all great. Partnering to do Milestone is a motherfucking throw down to the rest of the industry to look the fuck out. Yes, the rest of the industry. Not just those who do Black Comics.

Milestone never did “black” comics. Milestone is and has always been a black-owned company, yes, but producing comics that feature but is not limited to people of color.

Three weeks ago, I was sad at first. Then I was livid. Livid because of things that were said to me and how they were said. Now? Now, I’ve moved past all of that. I can do that because I see the future and I can prove it. Remember how I was left out of the Milestone 2.0 announcement?

Kinda like this:

All the Milestone partners, save one, will receive credit. 

Let the name of Davis be stricken from every book and tablet

Stricken from all press and news

Stricken from every mention of Static.

Let the name of Davis be unheard and unspoken,

Erased from the memory of Milestone, for all time.

So let it be written, so let it be done.

I wrote that for a ComicMix article last November. Scary eh?

Like I said, I’ve moved past anger and sadness, like Jay Z: I’m off that. 

I’m off that, but I’m on a path, both creative in practice and righteous in my mind. It was right for me to make a stand for all four founders in 1999. To me that wasn’t business, that was the right thing to do. That was my mother’s influence and I’m my mother’s son.

I’ve gotten quite a few emails from people telling me they won’t support Milestone without me.

No. Wrong. Don’t do that. The world needs Milestone 2.0.

The world needs Darryl to keep on making comics, DMC, Mad Square Enterprises, Boondocks, Aaron McGruder, The East Coast Black Age Of Comics, Brandon M. Easton, N. Steven Harris, Watson and Holmes, Paige Tibbs, The World Of Black Superheroes, Ryan Fraser, Erika Alexander, Tony Puryear, Concrete Park, Joe Illidge, Walter McDaniel, David Walker, Shaft, Maia Crown Williams, MECCAcon, Reggie Hudlin, Denys Cowan and Derek Dingle. Hell, the world needs Ania and Big City Comics. The former did horrible books and hated me then; the latter does fantastic books and hates me now.

And the world even needs Tyrone Cash, if, for no other reason, than to show how not to do a black character. We need as many African American comics, creators, and publishers as we can get. We cannot let anger, righteous or not, keep our eyes off that prize. Although there are some who don’t think so, they need Michael Davis. They will find that out soon enough. I do big things and what I’m about to do is the biggest.

Like I keep saying, I see the future. To be fair, I was wrong, once. Nah. That’s bullshit. I’m never wrong.

Those who are interested, watch this space. Those who doubt me, watch me work.