Tagged: Handmaid’s Tale

Mindy Newell – Dread

As I mentioned last week, the adaptation of Margaret Atwood’s The Handmaid’s Tale is now available on Hulu. The streaming site offered the first three episodes at once, and is now releasing the rest of the 10-part series on a weekly basis every Wednesday.

I decided to binge on all four episodes when I got home from work on Friday night. Don’t do this. Really, don’t. Unless you want to be haunted by the too many and too close parallels between a fictional world and this one. Unless you want your optimism hollowed out and replaced with dread when you realize that the show is goddamn too real. From the Washington Post, February 14, 2017:

“‘I believe one of the breakdowns in our society is that we have excluded the man out of all of these types of decisions,’ he said. ‘I understand that they feel like that is their body,’ he said of women. ‘I feel like it is separate – what I call them is, is you’re a ‘host.’ And you know when you enter into a relationship you’re going to be that host and so, you know, if you pre-know that then take all precautions and don’t get pregnant,’ he explained. ‘So that’s where I’m at. I’m like, hey, your body is your body and be responsible with it. But after you’re irresponsible then don’t claim, well, I can just go and do this with another body, when you’re the host and you invited that in.’”

These are the words of Representative Justin Humphrey, a Republican freshman in the Oklahoma state legislature, who has introduced a bill which would require that a woman get the written permission of the father – who would also have to be identified in writing to the healthcare provider – before having an abortion. The individual identified as the father would also have the right to demand a paternity test.

Note the word “host” as a description of a pregnant woman. This is exactly the same word and mind-think that is used to describe the Handmaid’s function in the world of the Tale. Elizabeth Moss, who stars in the series as the Handmaid known as Offred, told Rolling Stone magazine “that hits a little too close to home.” Amen, Elizabeth.

Another bill was introduced in that same session of the Oklahoma Legislature by Representative George Faught for a second time – House Bill 1549 would force a woman to go through a pregnancy despite the fetus having, or being suspected to have, a genetic abnormality, no matter how early the woman sought an abortion. Both bills passed out of committee, but have languished in the state’s Senate.)

Among the absolutely abhorrent and despicable and disgusting and shameful things that the Republican “American Health Care Act” – what a fucking oxymoron!!! – does is defund Planned Parenthood. And then we and the rest of the world were treated to a bunch of white men celebrating and downing brewskis in the Rose Garden.

To get the putrid taste of vomit out of my mouth and to, at least temporarily, displace the dread that had (and has) overtaken my optimism, I watched the pilot of Star Trek: Voyager (“Caretaker”), which, in an odd juxtaposition, Hulu automatically started playing after I finished my binge of Handmaid’s Tale.

Was it enough to make me feel better?

For a little while.

And then the dread came back.

 

Mindy Newell: Summertime Movietime — Already?

This week’s Entertainment Weekly (a “double issue” dated April 29/May 5, 2017) is its big “Summer Movie Preview” release, one that I usually really look forward to reading over my breakfast tea. But after doing that this very morning – which was yesterday by now – I realized that, in all honesty, there’s very little coming out on the big screen that warrants my plunking down my hard-earned dollars.

There’s Guardians of the Galaxy, Vol. 2, in theaters in just 12 days from now as I write this. (Btw, isn’t May 5th a little early to be calling it a “summer movie?”) Maybe I’m not taking much of a leap here when I say it will be the big blockbuster hit of the season. It’s classic “superhero space fantasy” and, of course, there’s Rocky. Not to mention Baby Groot. Then again, im-not-so-ho, there’s not much competition.

Though there is Wonder Woman, premiering June 2. This is the one I’m really rooting for, which should be understandable to anyone who knows my history with the character. Though… I’m baffled as to why the film is set during World War I; a strange choice. I’m a history buff, and I understand the significance of that war and how it birthed the geopolitical landscape in which we live today, but as a backdrop to the Amazonian’s first cinematic venture? I dunno. I just don’t know if it will sell. Though – and I admit this is incredibly sexist of me – Gal Gadot in an armored swimsuit will undoubtedly bring in lots of those coveted male teenage and young adult dollars. But, although Ms. Gadot has legs that don’t stop, will Wonder Woman have legs past the opening weekend? We’ll see.

Let’s see, what else? Pirates of the Caribbean: Dead Men Tell No Tales? It’s been 14 years since last we saw Johnny Depp as Captain Jack Sparrow, so the hunger just might be there. It could give Guardians a run for its money. It could also tank, big time. Either way, I’ll pass. If I feel like a pirate movie, it’s Errol Flynn in Captain Blood.

Aliens: Covenant? Ridley Scott’s follow-up to Prometheus (which I never saw), takes place a decade after the later, and 20 years before Alien. To be fair, I will have to stream Prometheus before I decide on whether or not I want to go to the movie theater. But I have a feeling – unless word of mouth and critics lure me in – that this one is going to be either a cable watch or a streamer, too.

Baywatch? Never saw the television show, ain’t gonna watch this one. Not even on cable or streaming.

Then there’s Spider-Man: Homecoming (July 7). I really, really, really liked Tom Holland’s Peter Parker/Spidey in Captain America: Civil War – he almost makes me forget Tobey Maguire –and the trailer for Homecoming is incredibly fun and enticing. Plus, my not-so-secret crush, Robert Downey, Jr. as Tony Stark/Iron Man.  But I still like Singer’s take on the webslinger’s ability to, uh, sling that web. Sure, it’s not canon, but it always made more sense to me that it was part and parcel of that radioactive spider’s bite’s effect on Peter.

And since I’m a sucker for World War II movies – which may be part of the antipathy I feel towards a Wonder Woman movie set in 1918 – I am looking forward to Dunkirk, out on July 21. The evacuation of the Allied forces – more than 300,000 soldiers – over eight days (May 26 to June 4) in 1940 from the beaches at Dunkirk, France is an event that could have had a very, very different outcome.

All in all, EW covers 110 movies that will premiere over the summer. Quite possibly at least one of them could turn out to be a sleeper hit. But right now the summer entertainment I’m most looking forward to is the adaptation of Margaret Atwood’s The Handmaid’s Tale, starting April 26 on Hulu – okay, it’s not technically a movie – and Neil Gaiman’s American Gods – okay it’s not technically a movie, either – on Starz as of April 30.

In other news, daughter Alixandra has started watching Doctor Who, beginning with Christopher Eccleston.

 

Molly Jackson: Pulp, Puns, and Groans


Out yesterday was Angel Catbird: To Castle Catula Vol. 2. Now, you might recall that I mentioned this series once. OK, twice. Well, maybe three times. OK, I may have gone overboard. In case you forgot, the Angel Catbird series is by the genius writer Margaret Atwood, who is behind the ever-relevant The Handmaid’s Tale and fantabulous artist Johnnie Christmas.

At this point in the story, Strig (a.k.a. Angel Catbird) and his friends are moving to regroup at Catula’s castle (hence the title). As they walk, they tell stories about their past, and meet up with some new friends. We also get to see the dastardly plans of the evil Dr. Muroid and his rat army.

The pulpy nature of this story just makes you feel good when you read it. Plus, it gave me a great opportunity to use the word “dastardly” to boot. It’s got its own dark moments, to be sure, but overall it is a lovely break from the dystopian stories that have become more popular. Like for example, the nightly news. It reminds me of reading old school comics as a kid. This is something that feels more like old school Batman or Spider-Man. Plus the puns!! You laugh and groan at the same time for all the puns!

Through all the pulp, puns, and groans, Atwood builds a new universe that we only glimpsed in Volume 1. This time, we get a nice sized history on some of Angel’s companions, while meeting new friends like the half-owl community. The owls and cats, two communities on opposite sides, untrusting but willing to come together to protect each other. It sounds so important to today’s time, two different groups getting along.

A valuable but overlooked part is the fundraising and awareness aspect of this series. It continues to share cat and bird facts to enlighten the readers to the struggles of the animal population. All proceeds are still going to Nature Canada, a preservation organization in Canada. Today’s society is filled with causes, all deserving of attention and funding. It is important for comics to be a part of that. Using this platform to educate and help others, whether human, feathered, or feline is important.

I believe that comics are a great educational tool that appeals to all ages. Everyone should take a moment to learn, and learning can be educational too. But when learning also contains a 1000-year old vampire half cat, half human, it’s f*cking fantastic.
Until next time, same bird time, same cat channel!