Tagged: Genre

Divergent Blu-ray Release Scores August 5 Release Date

0612176BTr1SANTA MONICA, CA (May 20, 2014) – Lionsgate (NYSE: LGF), the premier next generation global content leader, will release the electrifying first installment of t
he blockbuster action adventure franchise Divergent on Blu-ray Combo Pack (plus DVD and Digital HD), DVD (plus Digital), Video on Demand and Pay-Per-View on August 5, the Company announced today. The film will be available on Digital HD two weeks early on July 22.

A new trailer for the home video release was also announced.

Based on Veronica Roth’s #1 New York Times best-selling book series which has sold nearly 22 million copies worldwide, the film features an all-star cast including Shailene Woodley, Theo James, Academy Award® winner Kate Winslet and Ashley Judd. To date,

Divergent has grossed nearly $150 million at the domestic box office and more than $250 million worldwide in its theatrical release on Lionsgate’s Summit Entertainment label, getting the new franchise off to a fast start.  The next three installments — Insurgent and Allegiant Parts 1 & 2 — will be released theatrically on March 20, 2015, March 18, 2016 and March 24, 2017, respectively.

There is a new clip, “Bringing Divergent to Life”, that’s worth a look.

Packed with bonus material, the Blu-ray Combo Pack includes the documentary “Bringing Divergent to Life,” an in-depth look at the making of the film plus the exclusive featurette “Faction Before Blood,” detailing the film’s future world. The Blu-ray Combo Pack and DVD both feature deleted scenes and two audio commentaries – one with director Neil Burger and one with producers Douglas Wick and Lucy Fisher. The Divergent Blu-ray Combo Pack will be available for the suggested retail price of $39.99 and the DVD for $29.95. 

Divergent stars Shailene Woodley (upcoming The Fault in Our Stars), Theo James (Underworld: Awakening), Ashley Judd (Double Jeopardy), Jai Courtney (A Good Day to Die Hard), Ray Stevenson (Thor), Zoё Kravitz (X-Men: First Class), Miles Teller (The Spectacular Now), Tony Goldwyn (TV’s Scandal), Ansel Elgort (upcoming The Fault in Our Stars), Maggie Q (TV’s Nikita), Mekhi Phifer (Torchwood) and Academy Award® winner Kate Winslet (Best Actress, The Reader,2008). The film is directed by Neil Burger (The Illusionist, Limitless) from a screenplay by Evan Daugherty (Snow White and the Huntsman) and Vanessa Taylor (HBO’s Game of Thrones).

Divergent is a thrilling action adventure set in a future world where society has been divided into five distinct factions. But Tris will never fit into any one group-she is Divergent, and what makes her different makes her dangerous. Targeted by a faction leader determined to eliminate all Divergents, Tris turns to the one person she believes she can trust: Four, an instructor for the militant Dauntless faction, and a man full of dark secrets. Together, Tris and Four uncover a mind-bending conspiracy that will put their courage to the ultimate test…and forever link their destinies.


  • “Bringing Divergent to Life” Documentary
  • “Faction Before Blood” Featurette
  • Deleted Scenes
  • Audio Commentary with Director Neil Burger
  • Audio Commentary with Producers Douglas Wick and Lucy Fisher

*Subject to change


  • Deleted Scenes
  • Audio Commentary with Director Neil Burger
  • Audio Commentary with Producers Douglas Wick and Lucy Fisher

*Subject to change


Street Date: August 5, 2014
Price: $39.99 Blu-ray / $29.95 DVD
Title Copyright: Divergent © 2014, Artwork & Supplementary Materials ™ & © 2014 Summit Entertainment, LLC. All Rights Reserved
Rating: PG-13 for Intense Violence and Action, Thematic Elements and Some Sensuality
Feature Run Time: 139 Minutes
Type: Theatrical Release
Genre: Action/Adventure
Closed Captioned: NA
Subtitles: English SDH and Spanish
Blu-ray Format: 1080P High Definition 16×9 Widescreen (2.40:1)
DVD Format: 16×9 Widescreen (2.40:1)
Blu-ray Audio Status: English 7.1 DTS-HD Master Audio, Spanish 5.1 Dolby Digital, English 2.0 Dolby Digital Optimized for Late-Night Listening and English Descriptive Audio
DVD Audio Status: English and Spanish 5.1 Dolby Digital, English Descriptive Audio

Shailene Woodley’s First Kiss

Shailene Woodley’s First Kiss

Since Shailene Woodley got trimmed out of next year’s Amazing Spider-Man 2, we thought you might want to take a peek at her current work, next month’s The Spectacular Now. The clip features the first kiss between Aimee (Shailene Woodley) and Sutter (Miles Teller), highlighting the end of a sequence filmed in one long take. Below, director James Ponsoldt provides a quote about shooting one of his favorite scenes in the film.


“This is one of my favorite scenes in the entire movie. I always knew I wanted to film in it one long, continuous, unedited take, walking and talking with Aimee and Sutter, feeling like we — the audience — are part of a natural conversation that ebbs and flows from goofy and awkward to serious to emotional to flirtatious and nervous to…a first kiss. I wanted the scene to feel as natural as life. Of course, it meant that the burden was on Shailene and Miles to nail the scene (in a long take, everything has to come together perfectly — or else the shot is useless) — and our camera operator had to back-pedal for 5 minutes on a muddy, slippery path,” explained director James Ponsoldt.

“What Shailene and Miles ultimately did in this scene is so casual and unguarded and spontaneous that some people think the scene was improvised. It wasn’t. Shailene and Miles are just that great as actors — so present, so connected to their roles, and so willing to embrace whatever happens in the moment (bumping into a tree branch or swatting a pesky mosquito, hearing rumbling storm clouds, etc.).

“To put it simply, here’s why this scene is one of my favorites: it actually feels like two people falling for each other.

“I’ve seen this scene over a thousand times and I still get chills when Miles and Shailene kiss. I’m so, so inspired by their beautiful work.”

SYNOPSIS: With sly humor and an intensity of feeling, THE SPECTACULAR NOW (directed by James Ponsoldt) creates a vivid, three-dimensional portrait of youth confronting the funny, thrilling and perilous business of modern love and adulthood. This is the tale of Sutter Keely (Miles Teller), a high school senior and effortless charmer, and of how he unexpectedly falls in love with “the good girl” Aimee Finecky (Shailene Woodley). What starts as an unlikely romance becomes a sharp-eyed, straight-up snapshot of the heady confusion and haunting passion of youth – one that doesn’t look for tidy truths. The film was written by Scott Neustadter and Michael Weber (500) DAYS OF SUMMER and also features wonderful supporting turns from Brie Larson, Kyle Chandler, Jennifer Jason Leigh, and Mary Elizabeth Winstead.

Distributor: A24

Release Date: August 2nd (NY/LA), August 9 (Expands), August 23 (Nationwide)

Director: James Ponsoldt

Writers: Scott Neustadter & Michael H. Weber

Starring: Miles Teller, Shailene Woodley, Brie Larson, Mary Elizabeth Winstead, Jennifer Jason Leigh and Kyle Chandler

Runtime: 95 minutes

Rating: R

Genre: Comedy, Drama


Pro Se Productions, a leader in Genre and New Pulp Fiction, announces today that as of April 1, 2013, no further unsolicited novel or collection submissions will be set for publication in 2013. 
“The reason is,” Tommy Hancock, Partner in and Editor in Chief of Pro Se Productions explained, “we simply have more than enough Genre goodness scheduled to come out this year.  Pro Se has truly become a force as an independent press and a large part of that has to do with the writers and staff that have already had work published and/or developed with Pro Se.     The quality of work that Pro Se puts out has brought an unprecedented amount of submissions to our door, many of those from authors, both established and new, who know of Pro Se’s reputation and want their work with us.  We definitely want the best in Genre Fiction under our banner as well, but there comes a point to where you have to be fair to everyone involved, including the company itself.  So, Pro Se is not closing submissions, but we are not scheduling any other unsolicited works for publication in 2013.”
“As for 2014,” Hancock stated, “that calendar is filling up quickly as well, both with new works as well as follow up novels to existing Pro Se material.   We intend to publish an unprecedented amount of books this year, but do not intend to repeat that next year necessarily.  So, although space is open for 2014, we also already have books on our 2015 schedule as well.”
Hancock states that this is not a typical closing of submissions.  “We’ve had a lot of inquiries,” he stated, “as many as two a week in the last two months.  And it’s simply come up that we feel it necessary to establish that although we’re very much interested in reviewing your novel or collection for publication with Pro Se, we also have to be honest and up front about when your book will likely see print.”
Any projects accepted prior to April 1, 2013, Hancock stated, are still scheduled for dates provided in private correspondence, if such dates have been set.  This announcement does not affect any project that has been accepted by Pro Se prior to April 1, 2013.
Hancock also emphasized that this does not include stories for the now quarterly PRO SE PRESENTS Magazine.  “You can send in stories if you’re seeking publication in the magazine and they will, upon acceptance, be send to Lee Houston, Jr., the managing editor of the magazine, and then scheduled for inclusion.”
“This also,” Hancock maintained, “does not include calls for submissions made by Pro Se for anthologies or future works.   If we put out the call, most definitely we seek submissions for that specific work.”
All submissions as of April 1, 2013 will need to be sent to Morgan Minor, Director of Corporate Operations for Pro Se at Tommyhancockpulp@yahoo.com.  Morgan then will start each proposal/manuscript through the submission process within Pro Se.
Pro Se reminds all potential authors that submission standards are as follows-
Story must be Pulp in Style, regardless of Genre
Single Spaced, Double Between Paragraphs
Times New Roman, 12 point type
No paragraph indentions
Five Asterisks (*****) between scene breaks
Submissions must include Name, Contact information, and Word Count.
For any questions concerning submissions, please email Morgan Minor at Tommyhancockpulp@yahoo.com.

Watch the Snitch Super Bowl Ad Now

Snitch_c19_tsr1ht_fin4Brev2Summit Entertainment is getting in on the Super Bowl fun with an ad for their film, Snitch, opening in a few weeks.

The studio describes the film, starring the odd combination of the Rock and Susan Sarandon, this way: In this fast-paced action thriller inspired by true events, Dwayne Johnson stars as a father whose teenage son is wrongly accused of a drug distribution crime and is looking at a mandatory minimum prison sentence of 10 years.  Desperate and determined to rescue his son at all costs, he makes a deal with the U.S. attorney to work as an undercover informant and infiltrate a drug cartel on a dangerous mission — risking everything, including his family and his own life.

For those of you not inclined to watch, we have the spot below.

Studio: Summit Entertainment

Genre: Action/Thriller

Rating: PG-13

Release date: February 22, 2013

Director: Ric Roman Waugh

Writers: Justin Haythe and Ric Roman Waugh

Cast: Dwayne Johnson, Susan Sarandon, Benjamin Bratt and Barry Pepper


New Pulp’s Table Talk: Label Me This!

This week, New Pulp authors Barry Reese, Bobby Nash, and Mike Bullock return to the table to discuss author labels and untapped genres.

New Pulp’s Table Talk – Label Me This is now available at www.newpulpfiction.com or at the direct link: www.newpulpfiction.com/2012/04/table-talk-label-me-this.html

Join the conversation. Leave us a comment on the blog and let us know your thoughts on this topic. We’d love to hear your thoughts and questions.

Have a question you want the Table Talk Trio to answer? Send it to newpulpfiction@gmail.com with “Table Talk Question” in the subject line. Also, let us know if you want attribution for the question, or you’d rather remain anonymous. Please, keep the questions pertinent to the creation of New Pulp and/or writing speculative fiction in general. We’ll get the questions worked into future columns.

Follow the Table Talk Trio on Twitter @BarryReesePulp @BobbyNash @MikeABullock and Facebook.


Pro Se Productions, a Publisher known to be on the cutting edge of New Pulp, announces an ambitious new project today that, if successful in 2012, will lead to a new imprint from Pro Se in 2013.

According to Tommy Hancock, Editor-in Chief and Partner in Pro Se, “Being a Publisher of both books and magazines, Pro Se obviously gets quite a few queries.  One of the very first we got upon announcing we would be publishing Pulp magazines back in 2010 concerned whether or not we were interested in something described as ‘Pulp, but poetry instead of prose.’   At the time, we weren’t, but that hasn’t stopped the queries from coming in, at least one every week to two weeks about whether or not we’ll accept crime poetry, space poetry, fantasy poetry, and so on.   Well, after a year and a half of requests as well as research and study, Pro Se has decided to test the waters via our magazine, PRO SE PRESENTS, by having an all Pulp Poetry volume.”

When asked to define Pulp Poetry, Hancock stated, “Well, if there’s a definition out there that is clear cut as to what it is, I haven’t found it. Pulp writers, most notably Robert E. Howard, have been known for their poetry as well.  Defining Pulp is subjective often anyway and that is something it has in common with Poetry.  Basically what we’re looking for is poetry that deals with subjects and genres that are a part of Pulp.  So, action, adventure, heroes and villains, conflict, and genre.  Genre is important in determining Pulp Poetry.  Pulp is all about genre, be it western, crime, fantasy, and so on.   So, Pulp Poetry definitely has to be something that deals in a particular genre that is a part of Pulp.”

As far as other requirements for Pulp Poetry, there are no requirements that it rhyme or be a certain length. Hancock stated that submissions would be open from January 2nd to March 1st 2012 for poems to be included in this volume.

The May 2012 issue of PRO SE PRESENTS, the tenth issue of the magazine, will be an all Pulp Poetry issue, edited by newly appointed Pulp Poetry Editor for Pro Se, Megan Smith. 

“I have been writing Poetry,” Smith explained, “since I was little. I can’t remember a time when I didn’t enjoy writing it or reading it.  There has always been an interest in Poetry and with the increase in the interest in Pulp in the last several years, it seems the perfect time to show the world what Pulp Poetry can be.”

Currently the only Pulp Poetry title on the Pro Se Schedule is the special magazine issue scheduled for May 2012.  Smith will serve as editor of Pulp Poetry regardless of the form it continues in, either as a continual part of the magazine format on a monthly basis or as its own line with Pulp Poetry collections in 2013.

“This,” Hancock pointed out, “is an experiment, but it’s one we have full faith in.  Pulp is known for being speculative and a field of literature where anything can happen.  The concept of Pulp Poetry fits perfectly and just wait and see what Pro Se does with it.”

Submissions for the Pulp Poetry volume can be made to Smith at pulppoetryeditor@yahoo.com or to Hancock at proseproductions@earthlink.net.  Submissions must be made by March 1, 2011.

To follow what Pro Se has coming check out www.prosepulp.com and www.pulpmachine.blogspot.com.
“John Carter” Trailer Convinces Us

“John Carter” Trailer Convinces Us

We admit it, we’re hooked by this trailer. Edgar Rice Burroughs’ John Carter of Mars has a look and feel that separates it from our previous visual incarnations while remaining faithful to the source material. With this and The Hunger Games in March, suddenly that month is starting to feel like summer.

[youtube]http://www.youtube.com/watch?v=nlvYKl1fjBI [/youtube] (more…)

Video Game Review: “Ace Combat: Assault Horizon”

Video Game Review: “Ace Combat: Assault Horizon”

Ace Combat: Assault Horizon

I’ve never been very good at playing flight simulators. Invariably, I always end up crashing into the ground or a mountain as I’m trying to swing the camera around to follow the bogey on my six. However, the most recent entry in the Ace Combat series has made me a fan all over again, and its new cinematic approach is a good reason as to why. Taking cues from the Call of Duty series, as well as listening to critic and fan reviews of previous titles, [[[Ace Combat: Assault Horizon]]] is the most diverse and fun title I’ve played in the series yet.

The game starts you off in a dream sequence taking out enemy planes over Miami. It’s here that you’ll first utilize the game’s star feature, DFM, or Dog Fight Mode. When tailing an enemy, pressing both shoulder buttons locks you onto your target and gives you a cinematic behind-the-plane view with a focused targeting reticule on the ship in front of you. Since most enemies are fairly adept at maneuvering out of missile locks, this is the ideal way to lock-on to foes to take them out. While in a lock, you also have to watch out for foes putting a lock on you, and the dogfights can get pretty harried in the skies above. Luckily, there are awesome-looking counter attacks you can perform if locked on to, which has your plane looping around after lining up arrows on screen and pressing the appropriate buttons on the controller. However, there tends to be a LOT going on on screen, so attention to details is a must.


DC Universe Online MMO becomes Free-To-Play

DC Universe Online MMO becomes Free-To-Play

DC Universe Online

DC Universe Online, available for both PC and PS3, is switching to the free-to-play model that many other Massively Multiplayer Online (MMO) titles are adapting in the genre. During a live webcast last Thursday, it was announced that the transition is coming today.

There will be three subscription levels available, each with varying types of access to the game’s content. Legendary status is for those who still wish to pay the standard $15 a month to play DCUO and grants you all of the Downloadable Content (DLC) for no additional cost. The following membership level, Premium, is awarded after you spend at least $5 on the in-game store and will never expire once purchased. Finally, the completely free-to-play status has the obvious least cost but most restrictions on just about every aspect of the game, including chat functions.

There is a complete layout of all the subscriber listings on the DCUO website and you can check out the FAQ there as well.

Henry’s Crime

No doubt this has happened to you. Despite being voted “Most Nicest Guy” in high school, you’re in your 30s, stuck at dead end job, with no prospects in sight. Suddenly you get life’s wakeup call when you accidentally get involved in a failed bank heist thanks to Fisher Stevens. Then, when you refuse to name the real criminals, despite your pleading wife (Judy Greer) you wind up in jail for your transgression. You lose your wife and want her only to be happy. Then you meet some really offbeat folk that awaken you.

No? Well, that’s what happens to Keanu Reeves in Henry’s Crime, an offbeat and underrated little film that is now out on DVD from 20th Century Home Entertainment. There Keanu sits in prison, still wondering how he got there, when he is befriended by Max (James Caan), a long-term convict who teaches Henry that every man needs a dream and then to make his life about obtaining that dream. Of course, it’s hard to pursue a dream from behind bars. It takes Henry a year, but he gets out and takes those precious first steps towards something, perhaps for the first time in his life, real.

Henry’s dream? To rob the bank again but this time get it right. He recruits Max and his fellow cellmate to use an abandoned bootlegger’s tunnel to reach the bank. To get to the tunnel, though, Henry winds the lead in a theatrical company staging Chekhov’s, The Cherry Orchard. As the scheme develops, life tosses Henry a curveball when he falls in love with his leading lady (Vera Farmiga).

Keanu hasn’t been this charming and funny since the Bill & Ted movies, displaying a fresh side to his persona and a welcome one at that. This movie is more screwball comedy from an earlier era than a real crime drama. Director Malcolm Venville takes things slowly, probably too slowly, a vastly different tempo than you expect from the genre but he coaxes fun performances from his cast.

In other hands, this could have been a stronger film, with sharper performances and a tighter structure but it is still entertaining enough and worth a look. The DVD transfer is clean and the disc comes with no extras.