Tagged: Friends of Lulu

Martha Thomases: Trapped In A Room Reading Comics!

Imagine that you find yourself far away from home. You’re in a room with six other people, five of whom are strangers to you. Also in the room are enormous piles of books and magazines.

All of them comics.

You have three and a half days to read all the books and magazines and establish some kind of hierarchy to evaluate them and the people who made them.

Sounds pretty sweet, doesn’t it? But, just like sweets, a diet of just these things, force-fed over 80 hours, gets kind of nauseating.

This is what it was like to be an Eisner judge. It was exhausting. My head hurts from wearing my glasses so long, and from my eyes focusing on so many different styles of lettering. My back hurts from sitting in chairs. My stomach rebels at the truly awesome amounts of junk food I consumed.

Being an Eisner judge trapped in that room was also pretty amazing. I’d done as much reading as I could in advance, but I was delighted to find more things I didn’t know about that were fabulous. Best of all, I found some books I would have dismissed as not my type that turned out to be gorgeous. I love it when my expectations are confounded.

It was delightful to meet the other judges. Dawn, the two Robs, Jamie and Alan each had much different tastes than I did (and from each other), but that made our deliberations much more interesting. We were a librarian, a critic, a retailer, an academic and me, the marketing person, so we all looked at comics differently. It also meant that when I recommended something that someone else really liked, I had a sense of triumph something like making a successful soufflé.

In the first day and a half, we eliminated all the books that we felt were average or worse. A lot of things I kind of liked were included here, perhaps because my appreciation of minor idiosyncrasies far exceeds that of the marketplace.

The much harder part was getting that list down to five (sometimes four, sometimes six) nominees in each category. We used a rating system of one through five, five being the highest, and weren’t allowed to give more than five fives in any category. For me, this caused a lot of heartache, because often there were seven or more books I thought deserved fives.

This is where Jackie Estrada really shone. I’ve known Jackie more than 25 years. We were part of the founding team of Friends of Lulu. She’s married to Batton Lash, one of my favorite people. Still, I was profoundly impressed by how well she runs the Eisners. She kept us on a schedule. She encouraged our laughter and banter while also keeping us reading.  She fed us very well. Hardest of all, she made it look like doing all those things was easy.

We promised to keep the nominations confidential until the nominees could be contacted, so I can’t talk about that. I can say that none of us got all of our first choices, but all of us got some of them. There were a few (very few) books on which we all agreed. I think you’ll be able to figure those out when the lists are announced. If there is any news you can use in this column, it’s that you run out and read those titles.

It’s been a day and a half since I left the Eisner judging room. I’ve taken a few long walks. I’ve started to eat vegetables again. Soon, I hope, I will be able to read another comic book.

Martha Thomases: Comics Read Women?

lumberjanes

Sunday is the longest day of the year. If the rain holds off, we will enjoy the most sunlight possible.

I was thinking about this when I read a few recent news stories about our beloved comic book industry. The most amazing was a group of articles in the Arts and Leisure section of the Sunday New York Times, celebrating the 25th anniversary of Canadian publisher Drawn & Quarterly. From the front-page placement in the section to the double-spread jump (including this profile of D&Q’s greatest and most promising creators, it was the most attention to the graphic story-telling medium I can remember in the so-called “newspaper of record.”

The reason the Times thought the publisher had survived and thrived? By publishing works that appeal to women readers, including books by women.

In other news …

Comixology is using San Diego Comic-Con exclusives to promote comics to women readers.

And because subscription boxes are apparently a thing (I have one for my cat) another company is using SDCC to draw in female customers.

When I started to work in comics, I would never have been able to imagine a time when women would make up so much of the comics industry, nor could I imagine we would be courted to become more. Twenty years ago, when we started Friends of Lulu, I don’t think any of us thought this day would come. Both Marvel and DC trumpet their still tentative attempts at inclusion.

At this rate, any day now we’ll see panels on conventions on the topic of “Men in Comics.” Audience members will ask panelists how they juggle work with home life, and panelists will complain that others presume their success comes from the way they strut around in revealing outfits, or because the women editors they’re sleeping with give them work..

Because I’m a Jewish New Yorker, I find myself unable to completely enjoy this moment. I worry it can’t last. I’m afraid that any dip in the market will be blamed on the new female audience. Already, among the more paranoid fanboys, there is the suggestion that women are only getting work because of some feminist mafia that controls American capitalism.

The way we’re going to get more books that appeal to women is to buy more books that appeal to women. Fortunately, that isn’t just one kind of book. Women have as many different favorite books as men do. Sometimes they are even the same.

Next week, it will start to get dark again. Be sure to start storing comics for the later. Winter is coming.