Tagged: Eaglemoss

Ed Catto’s Holiday Gift Guide 2017

Yesterday The New York Times devoted a full page to this perplexing moment in Geek Culture we find ourselves in: a time when there are “too many versions” of Batman on the big and little screen. This persnickety topic is worth a deeper dive at a later date, but the big headline for this gift-giving season is that are a cornucopia of options for Geek Culture lovers. I could devote a whole column to Batman stuff available, but instead let me just touch on the Caped Crusader and instead offer up a broad range of Geek Culture gift ideas.

I love just about all of the Titan publications, and their merchandise is quite impressive as well. Their list of new goodies includes everything from The Beatles to Preacher to Pulp Fiction to Kill Bill! Titan’s Yellow Submarine vinyl figures blind box series is especially fun for Beatles fans as it includes obscure and esoteric figures. And each one looks fab.

Eaglemoss creates so many cool products for Doctor Who, Lord of the Rings, DC characters, Marvel characters (via their chess set series), Walking Dead and Alien that it’s hard to choose favorites. But let me spotlight a couple I really like – their new Batman Animated Series figures and their Star Trek starships. One spectacular item is the new 11” classic Enterprise. Each item comes with intensely detailed guides that are produced by professionals who know their fandom.

Dan Gearino educates and entertains in Comic Shop The Retail Mavericks Who Gave Us a New Geek Culture, recently published by Ohio University’s Swallow Press. It’s an engaging read that explains the birth of comics’ direct market and also provides up-to-the-minute profiles of retailers and their comic stores.

In Lady Action: The Sand of Forever, author Ron Fortier delivered a thriller cocktail that’s one part Modesty Blaise, one part 007 and one part Indiana Jones. It gets even better, as Airship 27 just released the audio book version. I think Kalinda Little does a superb job reading it, but find out for yourself here.

Michael Eury’s Back Issue Magazine celebrates comics of the 70s, 80s and today with insightful articles and columns. Sometimes I’m afraid to pick up an issue because I can never put it down! An annual subscription http://tinyurl.com/BackIssueSub makes an enduring gift that fans will appreciate throughout the year.

FanSets is a company run by fans for fans – and it shows. They have created gorgeous enamel pins featuring characters from Star Trek, Valiant, DC, Harry Potter, Firefly and more. I am in awe of their choices for DC characters pins like the Golden Age Sandman, Saturn Girl, and the grown-up Robin of Earth Two. It’s hard not to agree with Star Trek fans that this series of pin, including Discovery, look incredible too. Available at your local comic shop (look for their new displays!) or FanSets.com.

John Siuntres’ Word Balloon Podcast offers one-on-one interviews with the industry’s most interesting creators. Siuntres, a longtime radio professional, knows how to get folks talking. I listen to this show to find out more from creators I like and to learn about new things from creators with whom I’m less familiar. The podcast is free, but you could make someone a part of the League of Word Balloon Listeners with a gift donation. Find out more at http://wordballoon.blogspot.com.

This fall, I bought a copy of Classic Comics Press’ Kelly Green: The Complete Collection by Stan Drake and Leonard Starr from Emil Novak at Queen City Comics. I promptly wrote about how much I enjoyed it. Classic Comics Press Publisher Charles Pelto does a great job with all his books and you can’t go wrong with any of them for gifting.

I haven’t completely finished Craig Yoe’s Super Weird Heroes even though I wrote about it earlier this year. That’s because it’s so much fun that I just don’t want it end. Another Yoe book, Behaving MADly is a refreshing read for hard core and casual fans. It’s a wonderful book all about the many MAD magazine knockoffs. I gifted a copy to my pal Walshy (who is completely nuts too) and he was thrilled.

The Overstreet Comic Book Price Guide always seemed like a “must have,” but each year publisher J.C.Vaughn and his merry band make it even more and more “must have-ier”! I especially liked Jim Steranko’s Batman cover on this year’s edition. Oh wait, it’s another version of Batman!

All the best to you and yours this Yuletide Season!

Ed Catto: These are the Voyages…

Eaglemoss, a UK based fan-facing company, is best known for creating detailed replicas of Batmobiles, miniature starships from various incarnations of Star Trek and figurines from the mythologies of Marvel, DC Comics and the Walking Dead. They are all of high quality and lovingly rendered.

Each figure or vehicle they sell comes with a booklet developed by experts in each fan-focused field. So when you buy the miniature replica of the Flying Batcave (if you don’t know what this is you really need to find out fast!) you’ll also get a thorough, yet concise, history of the Flying Batcave.

Given the premium quality of these booklets, it makes sense that Eaglemoss would also be a mindful and creative publisher.
Their new Star Trek Graphic Novel Collection is premium quality in spades. Produced with IDW, this is the type of project (I almost typed the word ‘enterprise’ instead of ‘project’) that both long-time fans and casual collectors will respect and enjoy. Its a regularly published collection of hardcover Star Trek comics. But there’s an interesting wrinkle to it all.

Eaglemoss encourages fans to order the first volume at a discounted price: $4.95. Then fans can sign up for an ongoing program, as each month two more volumes are sent to their home. It costs about twenty bucks each month. (The monthly fee is $14.95 and shipping is $2.45 for each book.) If fans continue in the program, they will receive special gifts. But they make it easy so that fans can cancel at anytime.

It’s nice to get our reading delivered on a monthly schedule. Longtime comic fans understand the gleeful attraction of episodic storytelling. Modern fans might prefer reading trade paperback collections and binge watching entire seasons of TV shows. They may be less inclined to enjoy twice-a-month reading engagements. But It is interesting to note that there is a whole new type of fan who’s enjoying regular, episodic fiction. In fact, The New York Times ran a story on this very topic last week.

These are the voyages…

Each Eagelmoss hardcover showcases one long story from assembles several issues of various Star Trek comic incarnations. The first volumes seem to hop and skip amongst the many different Star Trek series; a little original series here, a little TNG there.

Of course, the success of each volume hinges on the stories chosen. IDW and Eaglemoss seem to be choosing wisely, selecting innovative stories by strong creators with good tales to tell.

For a fussy fan like me, it’s really important that the art is up to snuff. I have high standards for comic art. On a licensed property like Star Trek where the likenesses must be spot-on, it’s especially important.

Each volume is a hardcover book with glossy pages and meaty introductions. There’s a heft and an importance to it all.

Star Trek has been published by many comic publishers over the years. For this graphic novel reprint series, Eaglemoss is launching the series by showcasing IDW comics. In the near future, I’m really looking forward enjoying some early DC stories in this slick format. I’m also looking forward like to those Captain Pike adventures from Marvel’s “Paramount Comics” imprint. I missed them the first time around.

Comic on the Edge of Forever

The second Eaglemoss volume reprints IDW’s recent City on The Edge of Forever mini-series. It was a fantastic story that could only be told in Star Trek comics.

As you may know, one of the best-loved episodes of the original Star Trek series was Harlan Ellison’s City on the Edge of Forever. But the televised version differed significantly from the teleplay that Ellison originally wrote. For almost 50 years, fans wondered “What if the television episode had been filmed as Ellison originally conceived it?”

The IDW team decided to do just that. They created a Star Trek series based on the original screenplay. The painted artwork by JK Woodward captured the actors’ 1960s likenesses with an urgent dynamism.

“Doing Harlan’s original City on the Edge of Forever teleplay as a comic will forever be a highlight of anything I do in comics,” said IDW’s Chris Ryall, CCO and Editor-in-Chief. “Seeing Harlan get choked up, finally seeing his story come to visual life as he intended only made it sweeter, but this was one of those special projects, where all the talent involved, from Harlan on down to Scott and David Tipton adapting it and JK Woodward doing the best work of his career on those painted pages… all of that just made this something far beyond a typical licensed comic. I’m thrilled with the events that led up to this finally being able to happen after a half-century of it not even being a remote possibility and I’m even more happy with the finished book.”

The Just Dessert

At the end of each volume is a reprint from sixties Gold Key comics. They are essentially a back-up story, and each one brings so much to the party. It is kind of like when you’re in a restaurant devouring a dessert that you didn’t plan on ordering, but are so glad you did.

Starting in 1967, Gold Key was the first comics publisher to create Star Trek comics. It was so early on in the process, that it’s clear that they didn’t do their homework. They really weren’t familiar with the Star Trek TV show. Legend has it that when it all started, the writer and artist had not even watched a single episode. They based the comics on reference sheets supplied by the network.

But you know what? Each story is a joy to behold.

Dick Wood was the writer. He worked on so many comics over the years, from the Plastic Man to the golden age Daredevil to The Man From U.N.C.L.E. Today, he is often remembered for his “unique” interjections, and he doesn’t disappoint in these Star Trek stories. In these adventures, you’ll find the Enterprise crew exclaiming:

Howling Asteroids!

Suffering Solar Showers!

Great Novas! (which is often stuttered as “Gr-Great Novas!”)

Was he purposefully trying to make list of “Things Star Trek characters would never really say”? We may never know the truth.

The vintage reprints also reinforce one important idea: Star Trek was very different from anything else on TV at that time. One can presume that Gold Key management said, “Oh, another one of those rocket ship shows. All we need is few laser guns, a space monster and we’re off the races.” It’s fascinating to see how these stories presume what they thought Star Trek would be in contrast to what it became.

These daft tales offer no continuity or consistency. On the other hand, each story can be enjoyed all on its own. For hardcore Star Trek fans, it’s a rare glimpse backward to understand what the general public thought of science fiction adventures before the innovative conventions of Star Trek become standard conventions.

And because they are so wacky, it’s nice that each volume of this Eaglemoss/IDW series reprints just one Gold Key story. I worry that reading more than one of these Gold Key stories at one time would cause fans brains to melt.

Coming Distractions

Way back when, coming attractions for TV shows were a thing. “Next week on…” was marketing hype that we’d eagerly gobble up. Star Trek’s original series routinely ended with just such a teaser, so it’s fitting that each volume in this graphic novel collection has a coming attractions page. These pages are fun, appropriate and gets readers to anticipating exactly which version of Trek will be featured in the new volume.

•     •     •     •     •

For more information on this, you can check it out here. And if you also get that Flying Batcave, let me know how you like it.

Ed Catto: The Mission of Star Trek – Mission New York

star-trek-mission-pix-3-cosplayers-atb

idw-john-bryne-stmnyFans, creators, actors, historians, licensees, NASA and even the United States Post Office celebrated Star Trek’s 50th Anniversary last week at Manhattan’s Javits Center during Star Trek: Mission New York. This convention was a triumph of Geek Culture and how one man’s vision inspired so many others to create one of the most successful and enduring entertainment franchises.

Star Trek fandom has always been passionate and vocal. They’ve banded together to keep the Enterprise flying and have been holding conventions since the 70s. This convention, created by Reed Elsevier’s ReedPop division, was held in the same location as their New York Comic Con. That’s become such a behemoth that, by comparison, Star Trek: Mission New York seemed to embrace a more intimate vibe.

There are benefits to a smaller convention. This was so much easier to navigate than New York Comic Con. There were shorter lines and no crushing crowds. Fans were in a better mood. But try as I might, my observations of this show are undoubtedly influenced by other trade shows and fan-focused shows. And there were a lot of shows this past weekend. Convention expert Rob Salkowitz analyzed the “so many nerds, so little time” phenomenon for Forbes.

star-trek-con-4lPanels: Where the Fans Are

The heart and soul of the convention seemed to be in the panel rooms, even more so than at a conventional trade show or comic con. These panels allowed fans the opportunity to explore the many niches of Star Trek in intense and personal ways, despite sitting in a room with 400 other people.

When I left for college, my dad suggested that it would be wise to join a group or team as a way to break down the overwhelming scope of the university. He was right – and the advice would have been appropriate for Star Trek fans that weekend.

A few of the most fascinating panels included:

  • The Women of Star Trek Reflect on 50 Years – Star Trek actresses candidly discussing the difficult choices they were, and are, often forced to make
  • The Lost Years: Treks that Never Were A panel that explored the strange but unproduced worlds of scripts, movie concepts and series that never made it onto the screen
  • Writing for Star Trek, where David Gerrold, you may know him as the writer of the classic episode, The Trouble with Tribbles (now back in print through ComicMix), passionately encouraged would-be Star Trek writers to create their own books, with their own characters and their own universes
  • Leonard Nimoy: A Tribute provided great history, including photos of Nimoy with Adam West and in costume as the Grand Marshall of a local parade
  • Star Trek: The Roddenberry Vault panel, teasing unseen footage. More on this in a bit
  • A stage reading of Star Trek IV, which I enjoyed more than the actual movie… and I like the movie

gerrold-chekov-stmnyCosplay

Creative and clever cosplay clearly was a theme at this show. Pattern manufacturer Simplicity’s booth spotlighted their licensed Star Trek patterns, but the real creativity was with the fans. Some highlights:

  • A medical student designed and sewed an elegant starship dress
  • One clever fan appeared as an animated Nurse Christine Chapel, who’s arm was miscolored for just a few frames in the Star Trek Animated Series episode The Lorelei Signal
  • A fan dressed as Lt. Uhuru in the toga-esque outfit worn for TV’s first interracial kiss

The cosplay contest on Saturday night also included brilliant pop culture mashups like Khan-ye West, Kim Cardassian, and Ensign Trump, complete with his “Make the Federation Great Again” political sign.

vulcanThe Show Floor

The exhibition floor offered an eclectic group of booths and activities. On one end, NASA’s huge booth helped fans understand upcoming space exploration, (like the Tess satellite) while on the other end, the U.S. Post Office sold the new Star Trek stamps.

In between there was a mix:

  • Comic publisher IDW was there with creatives who were signing comics. The legendary John Byrne made a rare convention appearance to sign copies of his recent photoplay Star Trek
  • Eaglemoss was selling individual Starships and Starship Dedication Plaques from their Star Trek Starships collection. Many sold out quickly. The steady crowd of fans at the booth kept me from speaking to my friends at Eaglemoss crew too much.
  • Likewise, rabid fans kept the Titan booth busy, as they also sold out of many of their products. Their new coffee table book Star Trek: 50 Artists 50 Years, was gorgeous. I had loved the exhibit that the book is based upon when I saw it in downtown San Diego during July’s Comic-Con.
  • The Smithsonian touted their Star Trek documentary, but somehow that seemed like an assignment a teacher would give you, rather than something fun you’d find on your own. But I’m clearly not giving it a chance and I haven’t seen the documentary yet (it debuted September 4th).
  • Microsoft’s Star Trek: Bridge Crew offers an amazing virtual reality experience for fans. The reality of the long line, however, discouraged me from taking part of it.
  • Star Trek Timelines is an immersive game that spans the many Trek franchises and, for the vast majority of users, is free. A very patient but energized (I mean that in the non-Trek sense of the word) staff helped fans play the game on the mounted iPhones and tablets – and gave away a lot of prizes.

reliant-eaglemossThe Son of….

Rod Roddenberry is the son of Star Trek Creator Rod Roddenberry. Rod carries on the business side of the work that was established years ago as his father, with prescient insight, kept many of the licensing rights.

Rod’s an affable guy. He’s warm, humble and friendly. And he announced an astounding project. It turns out that his father maintained a warehouse full of dailies and outtakes from the original series. Gene Roddenberry had gathered up everything that was on the metaphorical cutting room floor and preserved it. Working with Roger Lay, Jr., Rod and the new team have assembled these treasures in the Star Trek: The Roddenberry Vault, on sale later this year.

star-trek-con-3rA Few Stumbles

For every Wrath of Khan or ST:TNG, there’s a Nemesis or a Star Trek: Enterprise. There were some shortcomings with this convention too.

After 50 years of merchandise, collectibles, comics and books, I was disappointed that there weren’t any dealers selling those treasures in any meaningful way. I had gone into the show on the lookout for vintage Trek comics and books but left empty handed. I wanted to see things like Topps cards, Ben Cooper Halloween outfits and 70s Star Trek guns that fired little plastic disks. I hadn’t planned on buying any of those things… but you never know.

My frustration was compounded when I asked the woman in the information booth if there were any dealers or back issue sellers. She informed me that she “had no idea” but that I “was welcome to wander around the exhibition floor” to try and find what I needed. I was, quite frankly, stung by the impoliteness and uselessness of that suggestion. That’s not the Reed Expo Customer Service that I remember.

The whole exhibition floor was a bit underwhelming, but on the other hand, it seems that companies with product designed for fans sold a lot this weekend. There wasn’t a crushing competition for consumer dollars.

Years ago, I had enjoyed a Star Trek novel now and again, so I was really surprised how unwelcoming the Simon and Schuster booth was to new or in my case, lapsed, readers. I went to that booth planning to purchase a book, but after a sour experience, I decided against it. My to-read pile is tall enough, anyways.

And there’s so much more going on in the “world” of Star Trek fandom that I wish was front and center at this convention. I wanted to learn more about the many Trek podcasts, the high quality fan-films and the boom in impressive fan artwork.

star-trek-con-2Box Office? What Box Office?

Last week, The New York Times had a front-page article on changing movie going habits and this summer’s box office sequels that didn’t become hits. I was surprised to see Star Trek: Beyond on that list. I had thought it made its money back and I had enjoyed the picture. But maybe I shouldn’t have been surprised – the faithful superfans at Star Trek: Mission New York had all but ignored that movie.

The Next Frontier: 50 More Years

What’s the real magic of Star Trek? Is it the hope for an optimistic future? Is it the smart science fiction? Is it the ripping yarns? Is it really just the story of a guy and his buddies? Who knows? I’ll leave it to deeper thinkers to sort that all out. All I know is that Star Trek fan culture is thriving. It’s a robust intersection of fandom, commerce & entrepreneurialism. And that a good time was had by most at Star Trek: Mission New York.