Tagged: Disney

MATT RAUB: The Pirates 3peat

MATT RAUB: The Pirates 3peat

So here we are, smack-dab in the middle of the unforgiving Summer Blockbuster Land of 2007, we’ve already got 300 Spartans, a few talking turtles, a spider, an ogre, and a whiney Kurt Russell under our collective belts, and we still have so much more to get to. But here we are with the culmination of the summer in Disney’s third installment to their Pirates of the Caribbean franchise entitled World’s End.

Now, going into this film I had pretty high expectations, which I normally don’t, but this film had enough build up in the first two films to get just about anybody excited for an outcome. So with that said, I had a few issues with the movie as a whole, but before we get to that, so as not to ruin tradition, lets break down the film into the specified categories.

Starting off with the best element of the film, the acting, I was more than pleased with the performances of the cast. Geoffrey Rush returns as Captain Barbosa and did an amazing job playing off of Depp’s Captain Jack. His performance is full of creepy glances and pirate lingo which I had completely no idea what it meant, but it still sounded awesome. Knightley was impressive in stark comparison to her role in the first film, this film was meant as the “all grown up” point in her life where she’s no longer the dainty, naïve Governor’s daughter, and has embraced the pirate way of life. Orlando Blooms role, while large in the last 20 minutes of the film, was somewhat lacking in the other 2 hours and 40 minutes. There seemed to be way too many different parties to give enough screen time to each of them. Bill Nighy did an amazing job, of course.

Which brings us to the final member of our massive leading cast, Captain Jack Sparrow. I only had two major problems with this film, we’ll get to number two later, but the biggest one was the unnecessary, force fed comic relief in this film. It isn’t even considered to be comic relief because it consumes 90% of the movie, which just makes the other 10% well needed dramatic relief. I was happy in the first two films where our comedy came mostly from our two would be pirates Pantel and Ragetti, and the occasional wackiness from Depp’s Sparrow, but in this film, Captain Jack ends up going crazy in Davey Jones’ locker, which apparently makes everything, yes everything he says sound like it was written by Larry David. Now normally I’m the first one to complain that a movie is taking itself too seriously, but this became ridiculous after three hours of zany one liners and slapstick visual jokes. I was rooting for the major death at the end of the movie, only because the audience needed a shellshock to help us realize that it wasn’t a Night at the Apollo.

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Happy Anniversary, Mickey’s voice!

Happy Anniversary, Mickey’s voice!

Seventy-eight years ago today, Mickey Mosue uttered his first words, "Hot Dog!", in the short The Karnival Kid. Although it was Mickey’s ninth short, it was the first in which he actually spoke.

Mickey’s voice, of course, was that of his creator, Walt Disney.

Breaking: 2007 Nebula awards announced

Breaking: 2007 Nebula awards announced

And people complained about how late the Oscars go– this ceremony finished up at 12:30 AM. I can only assume toastmaster Ronald D. Moore was still on Los Angeles time.

Anyway, the winners of the 2007 Nebulas, presented by the Science Fiction and Fantasy Writers of America, drumroll please…

Novels: Seeker, by Jack McDevitt

(Ace Books)

Novellas: "Burn," by James Patrick Kelly (podcast version)

(Tachyon Publications, Dec05)

Novelettes: "Two Hearts," by Peter S. Beagle

(F&SF, Oct/Nov05)

Short Stories: "Echo," by Elizabeth Hand

(F&SF, Oct/Nov05)

Scripts: Howl’s Moving Castle, by Hayao Miyazaki, Cindy Davis Hewitt, and Donald H. Hewitt

(Studio Ghibli and Walt Disney Pictures, U.S. Premier 10 Jun05. Based on the novel by Diana Wynne Jones.)

Andre Norton Award (Young Adult): Magic Or Madness, by Justine Larbalestier

(Penguin Razorbill, May05)

Congratulations to all the winners and nominees. More coverage later after some much needed sleep.

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Mickey Mouse Welcomed Back to School

Mickey Mouse Welcomed Back to School

Comic books have had a love/hate relationship with teachers ever since the first titles were published 70 years ago.  These days, with graphic novels and manga filling school and public libraries, they have become a staple in children’s reading.

As a result, Maryland is now formally bringing them back into the classroom.  Superintendent of Schools Nancy Grasmick entered into a relationship with Disney Publishing Worldwide publishing’s education division to craft teaching aids using Mickey Mouse and friends.  Activities include creating their own comic books, something that has captured the kids’ imaginations.

According to reports from Associated Press, the pilot program was begun last year and is being used in eight third grade classes in the state.  Disney was presented Maryland’s reading standards for the grade and then tailored comic book material to meet the guidelines. The program includes lesson plans for the teachers and comic book activities for the students.  Mickey’s adventures will now help children learn how to craft a plot and understand characterization.

"Reading is such an important activity for all children, and using comic book-related lessons offers teachers an important new tool to draw students into the world of words," Grasmick said in a statement. "This project enhances other work that goes on in the reading class. Comic books and graphic novels cannot replace other forms of literature, but they can be an entry point for some reluctant readers."

Teachers interviewed have been supportive and with the program now underway, Disney and Maryland are looking at more modern characters and materials to supplement the curriculum.

"I don’t think that is where I want my 9- or 10-year-old child spending their time in school," Timothy Shanahan, president of the International Reading Association told Maryland’s The Daily Times. "It might be a choice of reading 1,000 words versus 300 words. You don’t want it to replace more substantial reading."

With Disney now owning the CrossGen properties, including Abadazad and Meridian, there are plenty of age-appropriate characters beyond the legendary Mouseketeers to pick from.  It’s also interesting to note that the program is being launched in Maryland, home to Diamond Comics and owner Steve Geppi, who holds the domestic license for the classic Disney comic books.

(Artwork copyright Disney Corporation. All Rights Reserved.)

Optimus Prime speaks

Optimus Prime speaks

If John Wayne were a giant robot with a gun, he would be Optimus Prime.

Now Peter Cullen, the voice of Optimus Prime from the original Transformers Generation One cartoon series (as well as the voice of Eeyore, Monterey Jack from Disney’s Rescue Rangers and Murky Dismal from Rainbow Brite) has given an interview on tformers.com . For those who don’t want to read the entire interview, Alan Kistler sent us the major highlights.

On deciding to audition for the new movies:

Cullen: "[I thought,] okay, what the heck. I’m going to go in and fand out what they want … Had they asked me to do changes in the character, I would have declined.

"It was interesting. I didn’t have any problem trying to find him … it was like riding a bike and he came right back … And he still stands for the qualities the writers gave him from the get go.

"The qualities of [all the Transformers] are still there. It’s like an elastic band and stretching it, but it’s still the eastic band and the strength of the characters are still there.

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Blades of More Box Office Gold

Blades of More Box Office Gold

For the second week in a row  Will Ferrell is the top box-office draw as Blades of Glory remained the highest-grossing picture of the holiday weekend, according to the Associated Press.  The film took in $23 million, followed by Disney’s animated Meet the Robinsons with $17 million.  Ice Cube’s Are We Done Yet was third, with $15 million.

Grindhouse, the hilarious send-up of B-movies made by Quentin Tarantino and Robert Rodriguez, earned $11.6 million, according to early estimates.  This is considered to be a disappointing showing, as it was expected to top the box office with grosses in the $27 million range. 

"With these two filmmakers’ pedigree and the overall cool factor that this film had going for it, you would have figured it would have done a lot more business," said Paul Dergarabedian, president of box-office tracker Media By Numbers.  However, with a three-hour-plus length, the movie could be shown only half as often as the other films.

Grindhouse played to big crowds on the East and West coasts but failed to click with audiences in the Midwest and South, Weinstein said.

With theatrical receipts, overseas sales, television and home-video revenues, Grindhouse"will turn a profit on its $53 million budget, Weinstein said. The company hoped that word of mouth from those who did see it would sustain it at theaters in coming weeks, he said.

Movie Auction sets record

Movie Auction sets record

The auction we told you last Friday (http://www.comicmix.com//news/2007/03/30/to-do-april-5-buy-superman-oz-props/) is over,and sold more than $2 million in props.  Among the highlights of interest to ComicMix:

— SOLD $ 31,625.00  Lot 376.  Original car from Mr. Toad’s Wild Ride at Disneyland.

— SOLD $ 34,500.00  Lot 384.  Illuminating model of the Nautilus submarine from 20,000 Leagues Under the Sea.

— SOLD $ 23,000.00  Lot 413.  Hero costume w/rocket pack from The Rocketeer.

— SOLD $ 31,625.00  Lot 525.  Yvonne Blake costume sketch of Superman from Superman: The Movie.

— SOLD $115,000.00  Lot 537.  Christopher Reeve hero ‘Superman’ costume from Superman:  The Movie.

— SOLD $ 26,560.00  Lot 545.  Screen-used Kryptonite crystal from   Superman III.

— SOLD $ 63,250.00  Lot 560.  Val Kilmer ‘Batman’ costume from Batman Forever.

— SOLD $ 48,875.00  Lot 561.  Alicia Silverstone ‘Batgirl’ costume from  the Ice Cave battle in Batman Forever.

— SOLD $ 40,250.00  Lot 566.  Wolverine hero claws worn by Hugh Jackman in X2: X-Men United.

— SOLD $ 34,500.00  Lot 591.  Early Leonard Nimoy "Spock" tunic from the first season of Star Trek.

— SOLD $126,500.00  Lot 631.  H.R. Giger Alien creature suit on display from Alien.

— SOLD $ 40,250.00  Lot 640.  Jedi Master stunt fighting lightsaber from SW: Episode II – Attack of the Clones.

— SOLD $ 69,000.00  Lot 641.  Golden headpiece of "Staff of Ra" from Raiders of the Lost Ark.

Depp’s daddy Disney disaster?

Depp’s daddy Disney disaster?

As you may have heard, earlier this week rock legend Keith Richards acknowledged snorting the ashen remains of his father. Within 24 hours, his publicist issued a retraction. April Fools, she said, a few days late.

O.K. Fine. I believed the former, I don’t want to believe the latter, but what the hell it wasn’t my dad.

But it was said by Johnny Depp’s dad – as in, "Keith Richards plays Johnny Depp’s father in Pirates of the Caribbean At World’s End."

There’s a wonderful opportunity for an exciting new ending here. Otherwise, Disney’s spin-meisters are going to have quite a tangled web to weave.

Pirates of the Caribbean At World’s End opens May 25th.

MATT RAUB loved 1/2 of Grindhouse!

MATT RAUB loved 1/2 of Grindhouse!

Matt Raub, back again with more faux knowledge about moving pictures and the land that makes them. I wish this visit could be more joyful, seeing as how I my summer was based around seeing Grindhouse, but sadly, I’m only half as excited as I had hoped to be.

Before we start, a little background on what the grindhouse is really all about. I’ve come across too many people in the past few months that haven’t a clue about the title, and I only fear the punch line will only go over those peoples’ heads. The idea of a grindhouse is when local theaters would screen cheap B movie pictures or exploitation films together in order to gain a larger audience. Such films had low-budget special effects, lack of plot, and amateur acting all summed up with a catchy, yet impressively bad title. Titles like Assault of the Killer Bimbos, Lobster Man from Mars, and I Dismember Mama.

Now Quentin Tarantino and Robert Rodriguez, two modern cult-cinema directors decided to take sort of a low blow at exploitation movies. Taking $50 million, they both wrote and directed two 90-minute exploitation films: Rodriguez’s Planet Terror and Tarantino’s Death Proof. They slapped them both together in a big chunk, including a handful of fake b-movie trailers by guest directors Rob Zombie, Eli Roth, and Edgar Wright.

Now because this is essentially two films, I will give them both the respect they demand and review them separately, starting with Robert Rodriguez’s Planet Terror. This film held everything I wanted it to. The emotion, the cheesiness, and the random, unnecessary deaths. From titles to credits, I was either laughing, cringing in a good way, or both.

The premise of the film is that an evil army general (Bruce Willis) and a nutty biochemist (are there any other kind?) unleash a toxic gas on an unsuspecting Texas town, killing some and turning the rest into crazed infected cannibals, not zombies! There are only a few who are immune to the gas: a one-legged stripper (Rose McGowan) and her ex-boyfriend with a mysterious past (Freddy Rodriguez) and a handful of others.

The film is action packed with random explosions and ultra violence. But while it keeps the content very similar to classic exploitation films, the most important element is that the style is done to replicate the gritty, cheap, film stock that was what gave original grindhouse movies their flavor. This includes but is not limited to: poor voice dubbing, gritty, unfocused shots, missing frames, and even entire missing reels. By far, this was the one thing that kept the film together and kept the audience entertained.

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Blades of Box Office Gold

Blades of Box Office Gold

Blades of Glory was the number one film for the April Fool’s weekend, with an estimated take of $33 million.  Disney’s Meet The Robinsons came in second, with $25.1 million.

300 came in next, with $11.2 million, followed by TMNT with $9.2 million.  If  Hollywood realizes that both films owe their existance to Frank Miller (whose graphic novel, Ronin, was the inspiration to Eastman and Laird back in the 1980s), no one admits it.

Wild Hogs, Shooter, Premonition, The Last Mimzy, The Hills Have Eyes 2 and Reign Over Me rounded out the list.