Tagged: comics

MICHAEL DAVIS: The Davis List

MICHAEL DAVIS: The Davis List

There seems to be a whole lot of people who get to tell us what they think we should see, what they think we should buy what is the best, worst, the must haves and the stay away froms. Most of these experts put out a list so that we can revel in their genius. How many lists are we subjected to? Let’s see, off the top of my head…

David Letterman’s Top Ten List, the only list I pay any attention to

The Top Ten Movie List

The Hollywood Power List

The richest people in the world list

Blackwell’s worst dress list

The Sexiest Man List (I can’t believe that I have not made that one)

Joan Rivers best / worst dress list

The New York Times Best Seller list

AFI greatest movies of all time list

Rolling Stones greatest albums ever list

These are just the ones I can think of while waiting at LAX for a flight to Chicago. There are a multitude of lists out there. Everybody has a list, every magazine, every TV news show, every critic, every commentator, every Tom, Dick and Harry has a list. Well why can’t we have a list? You, me everybody? What makes Rex Reed’s list better than yours or mine?  With all due respect to Mr. Reed, I seem to remember he hated Close Encounters of the Third Kind. Need I remind everybody that that film is one of the greatest Sci-Fi films of all time. Well I think that it’s time we all have a list. Let’s start with mine.  My list will not be a Top Ten list. Nope. I’m twice as cool, so mine will be a top 20!

Comics:

1. The greatest comic book ever: Avengers #66 (My first comic!)

2. The greatest superhero ever: Batman

3. The second greatest superhero ever: Captain Marvel (Shazam!)

4. The greatest super team: 60’s Teen Titans

5. The greatest superhero fight ever: Hulk vs. Thing

6. The second greatest superhero fight ever: Hulk vs. Sub-Mariner

7. The greatest team up ever: Spider-Man and Superman (the first one)

8. The greatest graphic novel ever: Watchmen

9. The second greatest graphic novel ever: The Killing Joke

10. The third greatest graphic novel ever: The Death Of Captain Marvel

11. The fourth greatest graphic novel ever: Marvels

12. The saddest event in comic books: The death of Gwen Stacy

13. The saddest event in the comics industry: The death of Jack Kirby

14. The greatest writer in comics: Denny O’ Neal

15. The greatest artist in comics: Jack Kirby (DUH!)

16. The greatest publisher in comics: Milestone

17. The second greatest publisher in comics: DC (love them or hate them, they do great books)

18. The smartest man in comics: Mike Richardson

19. The guy with the best job in comics: Paul Levitz

20. The sexiest man in comics: Michael Davis (finally!)

Movies:

1. The greatest movie ever (Tie): My Best Friend’s Wedding / Team America (long story)

2. The greatest movie superhero ever: Batman

3. The second greatest movie superhero ever: Superman

4. The greatest movie team: The Magnificent 7

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JOHN OSTRANDER: Fire-bombing Dresden

I’m a big fan of The Dresden Files. Which is why I can’t take The Dresden Files.

Maybe I should explain.

About a year ago or so I picked up a novel by Jim Butcher about a wizard-for-hire working out of modern day Chicago. It meshes the hard-boiled detective genre with the wizard and fantasy genre. If you know me, then you know I’m already into what I’ve called narrative alloys – the blending of genres. And I’m still a Chicago boy at heart so of course I was drawn to the book series. Butcher, not a Chicago native, sometimes gets his Chicago geography wrong – one book refers to what is obviously Hyde Park as Lincoln Park which is a very different neighborhood – but he generally gets the feel right.

As the series has progressed, the world of his hero – Harry Dresden – gets richer. He has an army of wonderful supporting characters and an overall interlocking story has emerged. While each book can be read on its own (I read them way out of order); they’re all connected and events in one book have ramifications in later books. Butcher has thought out his magic pretty well, its consistent and believable. In short, he’s created not only a wonderfully interesting main character but his own world that just happens to intersect the real world in a city that I love a lot.

In short, I’ve become a fan and I was really excited when I learned that it was going to be made into a series on the SciFi network. I remained excited – up until I started watching it.

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DENNIS O’NEIL: On Arnold Drake

DENNIS O’NEIL: On Arnold Drake

For a lot of years I didn’t know much about Arnold Drake beyond some minimal biography: he was a first-generation comic book writer, he had written a movie or two. Then, last summer, we were thrown together for a public conversation at a small convention and for an hour I found Arnold to be charming, witty, a good raconteur, a treasury of information about the history of our medium, and way younger than his years. When we parted, Arnold gave me his card and we made vague noises about getting together in Manhattan, some time or other. We never did, and last week an email from Danny Fingeroth informed me that Arnold had died.

When I think about guys like Arnold, I’m reminded of the final scene of Herman Wouk’s play The Caine Mutiny Court Martial. You may remember it: Defense lawyer Barney Greenwald, having just cleared his Navy officer client of a charge of mutiny and, in the process, humiliated a career Navy man named Captain Queeg, arrives at the victory party and, bitterly, eloquently, regrets what he has done. Queeg and his ilk, Greenwald says, kept the Navy going during the years between wars, when there was no opportunity for glory, maintained the infrastructure so there was something to build on when the country was threatened.

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Carmine Infantino talks!

Carmine Infantino talks!

Jimmy Gimli gives us a first look for Free Comic Day, Carmine Infantino says there’s too much sex in comics, and the Isley Brothers riff on Bruce Willis — all this, plus validated parking in this edition of the ComicMix podcast.

Click here to listen:

What’s up this weekend

What’s up this weekend

While some of us in the New York area are starting off I-CON weekend by listening to live streaming of The Comic Book Novice tonight at 9 PM Eastern (penciller and Dreamchilde Press head honcho James Rodriguez is the guest), we understand that things are actually happening in the rest of the world.  I don’t quite believe it, but I’ll take these people’s word for it:

At 5:30 PM today, you can catch cartoonist Keith Knight at the University of Florida in Gainesville.  Hey, Michael Davis is black, why wasn’t he invited to this?

Seeing Things: The Art of Jim Woodring opens tomorrow at Seattle’s Fantagraphics Bookstore & Gallery.

In addition to TMNT, the kids movie The Last Mimzy bows today nationwide (Matt Raub reviews it on ComicMix Podcast; scroll down), and Jenna Fischer assures folks "It is a very cute kid’s movie…better than most in the sense that it isn’t cut and paced like a rock video.  It is actually sweet and magical and interesting.  Oh…and you get to see Rainn’s ass.  Well, you see him in his undies bending over at the fridge.  Angela and I were giggling like schoolgirls.  Were were like, ‘Woah!  There is Rainn’s ass on a giant movie screen!’  (I’m sure the boys from The Office will be saying something similar about my ‘ladies’ when we see Blades of Glory next week.)"  Glenn can have his Sopranos; I’m just loving that The Office actors all seem so much like their characters.  Cool Office cast photos accompany that blog entry, by the way.

Cory Doctorow at BoingBoing (who’s just discovered American Born Chinese, so congrats Gene Yang, you’ve been BoingBoinged!) mentions that artists Rob Sato (Burying Sandwiches) and Ako Castuera have a new show going up at the LA comic shop The Secret Headquarters starting next Friday.  By the way, Cory also mentions he’s signed a deal with IDW to sell comics based on his stories, and had his agent write a clause spelling out that "those stories are already under Creative Commons Attribution/ShareAlike/Noncommercial licenses that allow fans to make non-commercial comics," so it’s whatever the opposite of an "exclusive" is.  ("Loss leader," perhaps?)

And although it’s slightly past rather than upcoming, I wanted to mention Trina Robbins’ astounding news that "comics are alive and well in Scandinavia, and women are drawing them," as she reviews her lecture tour through Malmo, Copenhagen and Stockholm.  Brr, Scandinavia in March, glad someone looks happy in those photos!

MICHAEL DAVIS: What’s your problem?

MICHAEL DAVIS: What’s your problem?

For the past few years I have hosted a panel at various conventions called The Black Panel. Before that, every so often I used to be a part of a Blacks in Comics panel.

I started the Black Panel to try and avoid all the “Marvel and DC are racist” dialogue that seemed to be the theme of some of the “Blacks in Comics” panels.

As you can see from the stunning photo that accompanies this column, I am a black man. I am a black man but I do not speak for all black people. Nor do I expect any other black person to speak for me. My views are my views and I am solely responsible for what I say. To that end I have a question to ask some of my fellow black creators:

What’s your problem?

I am very proud to be a black man and I hope by my work I have done my race proud. But here’s what I try not to do. I try not to diminish by words or actions anything that other black creators are trying to do. In other words I don’t talk bad about other black projects regardless of if I think their projects are any good or not. I am proud and glad that other black creators are doing some great work in this field. But they are responsible for what they do, not me.

That said, I have been hearing quite a bit of rumblings about my Black Panel. The complaint I hear the most is that my panel is exclusive. Some black creators have been complaining about not being represented. Well, yes it is exclusive. I put the panel together; I bring it to the con. I am responsible.

Here’s a reality check. If I don’t know you (or your work) how am I to include you? And frankly why should I? Should I include you just because you are black? Just because I drive a sports car, should I be able to race in the Indy 500?

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Bouncing about

Bouncing about

The idea of sports comics has always appealed to me.  I wish we had more of them.  Okay, any of them.  Sports is such a great method of portraying action without having the characters fight each other (by only having them metaphorically fight).

But Japan, with its vast array of comics subject matter, has the flare to not only pull off a sports manga but make it innovative and cutting-edge.  And now that the live-action version of Ping Pong is coming out, many are doubtless eager to see how it lives up to the original.

Folks in New York, Chicago and Seattle will get that chance, as Viz Pictures will be screening the comedic sports film for limited runs in those cities over the next couple of months. In New York, you can catch it at the ImaginAsian starting on April 6; in Chicago it debuts at Facets Cinematheque on April 27; and in Seattle it’ll be at the Grand Illusion Cinema beginning May 25 (which is a bit far in the future so no info is available yet on their site).

GLENN HAUMAN: On scurrilous rumors and other omens

GLENN HAUMAN: On scurrilous rumors and other omens

Man – make one offhand comment, and everybody gets all suspicious. Heidi MacDonald comments:

"Over at ComicMix, it’s been teased and speculated that co-owner Mike Gold and partners will be rolling out a “Phase 2 for the site. Given that Gold is the founder of First Comics, properties and creators associated with that line has been part of that speculation. Today Glenn Hauman pulls a tease…. Eclipse was of course the OTHER early 80s indie comics company that published many fondly remembered books like the original ZOT! and Miracleman and all that kind of stuff. Dean Mullaney was the publisher, the same Dean Mullaney who has now reappeared in comics editing comic strip reprints for IDW. Is is all a coincidence? Or a tease? Or just something to fill column space?"

Heidi, while I’m always happy to tease you and give you plenty of inches to fill holes in your column, you missed a few other possibilities why I used the word eclipse:

  • I couldn’t come up with a good pun for Comico;
  • I wanted to tweak Todd McFarlane, always a worthwhile activity;
  • Dean Mullaney and Mike Gold were the same person, and couldn’t admit it before because of anti-trust worries in the 80s. And if that’s true, Dean, you got Martin Short’s costumer beat by a mile.

Quoting Tim Curry as Cardinal Richelieu: "But really, Your Majesty, why stop there. I have heard much more festive variations. I make oaths with pagan gods, seduce the queen in her own chamber, teach pigs to dance and horses to fly, and keep the moon carefully hidden within the folds of my robe. Have I forgotten anything?"

There are already plenty of hints out there in various places, all waiting for a good prowler to scout about on the internet and find the nuggets of truth in all the verbal crossfire on the internet and solve the whodunit – in fact, I’ll give you a hint and suggest you research our tech ace. And while we are on the crest of a new wave in comics and being coy is in our DNA, gents like us would never do something like that just to get a surge in traffic, and only a cynical man would say such a thing. After all, we have a particular, shall we say, image we want to present.

So just keep reading ComicMix, and all the ms. tree and twisted tales will be brought to light. And Heidi – my, you’re a psychic girl, but what you’re hoping for would take a miracle, man.

Adolescent Radioactive Black Belt Hamsters in 3-D.

Sorry, I had to get that in somewhere.

Mimzy gets the early word…

Mimzy gets the early word…

The Turtles‘ director Kevin Monroe gets himself interviewed, The Last Mimzy gets itself reviewed, Team America goes to the tube, more on Jimmy Olsen, this Friday’s Anime Awards telecast, the Top 10 best-selling comics, and the latest in television and movie stuff.

All this to be found on the very latest ComicMix Podcast, which you can listen to in all its glory by clicking right here:

JOHN OSTRANDER: Scattershot – TV Spots

When I and Mary, my sweetie, sit around doing the couch potato thing, it’s always best to head for the commercial free stuff because it’s guaranteed that a high percentage of the commercials are going to offend her to the point of a rant. Not that the rants aren’t entertaining but I have to keep reminding her, “It isn’t supposed to make sense; it’s trying to sell something.” Or “It doesn’t work for you because you’re not the target audience.”

Generally, I try to let the commercials just wash over me without really registering them but every so often some do. On rare occasion, such as with the Mac/PC commercials, it’s because I genuinely enjoy them. More often, something sticks like tar in my mind because either a) it is incomparably stupid and/or b) my brain, warped by years of pop culture, does something with it the makers of the commercial never intended. Such as our first scattershot target.

LUNESTRA. It’s a prescription sleep aid and, in the commercial, restless people in their beds at night are visited by a luminescent green luna moths after which they close their eyes. The ad-makers, of course, want us to interpret this as Lunestra bringing gentle, natural sleep. Given the moths’ glowing green nature, however, I’ve become convinced it’s stealing their souls and that the people shown are dying. To Mary’s vast amusement (and my own) I’ve taken to screaming at the TV when these commercials come on as if it were a horror film. “LOOK OUT! IT’S STEALING YOUR SOUUUUUULLLL! FOR GOD’S SAKE – WAKE UP! OH NO! IT GOT THAT WOMAN, TOO! CAN NOTHING STOP IT?!?” Try it the next time you see the commercial; great fun.

THE CLONE OF ORVILLE REDENBACHER. When Orville Redenbacher first brought out his own line of popcorn decades ago, he also made himself the company spokesman, always telling us his popcorn was better than these others yadda yadda yadda “. . . or my name isn’t Orville Redenbacher.” Well, Orville was no spring chicken when this all started and eventually died. Recently, they brought back some of the old commercials and that was all right. Kind of a nice retro feel; I thought they worked nicely. That evolved, however, so that they got somebody made up to look like him with a make-up job that makes him look more like a Disney animatronic. And they use the same tag – “. . . or my name isn’t Orville Redenbacher.” It isn’t. We know it isn’t. This Orville has an embalmed look that makes him really creepy.

THE BURGER KING. The only creepier company spokesman on TV right now is the Burger King. You’ve seen him. Human body and an oversized plastic head that seems modeled after a young Henry VIII. The effect is like one of these licensed characters you see walking in a parade or in a theme park. Then they put him into situations that frankly make my flesh crawl. One of the commercials for BK’s breakfast line-up had a guy waking up in the morning and the Burger King was there in bed with him. The tag was “Have breakfast with the King.” The only thing I could think of was, “Dude, I don’t care how much you drank last night or how late their late night window is open, this is just wrong.” Not because the BK might be gay; it’s because he’s not human. Note to commercial makers: I don’t buy products where the commercials creep me out.

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