Tagged: comedy

HANCOCK TIPS HIS HAT TO MONOGRAM’S THIRD ‘SHADOW’!

TIPPIN’ HANCOCK’S HAT-Reviews of All Things Pulp by Tommy Hancock

“THE MISSING LADY”
Monogram Pictures
Starring Kane Richmond, Barbara Reed, George Chandler, et al.
Directed by Phil  Karlson
Written by George Callahan
Based on THE SHADOW stories by Walter Gibson from THE SHADOW Magazine
1946

Yes, Virginia, there was a SHADOW movie before Alec Baldwin (which, by the way, I enjoyed although many did not). Actually, there were three, all B movies turned out by Monogram Pictures in the 1940s.   ‘The Missing Lady’ is the third entry in the series, but the first that I watched, so hence the review.  

Now, for those not familiar with most movie adaptations of our beloved pulp types, they often usually go far askew of what we as fans are familiar with and enjoy.  This was true oftentimes in the days of early Hollywood, due in part to the inability to mimic many of the things that occurred in the written word, but also to often fit trends that were present in the movies at the time.  Not so different from today, this practice seems to be more prevalent in the 1930sand 40s, a period where ‘film series’ short 60-75 minutes movies were produced rather rapidly focusing on a central character.  The Saint, The Falcon, and The Lone Wolf are probably the best examples of ‘detective/hero/playboy’ types that dominated movie screens in the 1940s.   Monogram had an opportunity to jump into this genre with a totally different twist when it took on dramatizing Gibson’s THE SHADOW stories.  Unfortunately, this ended up being a very much missed opportunity.

‘THE MISSING LADY’ opens with the murder of an art collector and the theft of a Jade figurine of a lady, the absent diva of the title.  It jumps immediately to a month later, and I mean immediately with the use of a newspaper headline saying the murder we’d just watched was a month ago, and a whole host of people searching for the statue.  Included in this cast of characters is playboy and amateur detective Lamont Cranston, the only person seemingly investigating the murder.  Cranston and his cab driving roommate Shrevvie, along with their vapid bumbling girlfriends Margo Lane (yes, Margo is a jealous goofball throughout the movie) and Jenny Delaney, feel that the series of murders following the first one in the film, are all tied into the ‘Missing Lady.’  Throw in a police investigator that Cranston spars with for comedy, a list of two dimensional 1940 mystery stereotypes, and two kooky spinster sister elevator operators who have races in ‘Upsadaisy’ and ‘Downsadaisy’, their named elevator car and you have this movie.

Oh yeah, and Cranston becomes The Shadow twice and is the only person to ever mention his alter ego.

The acting was average for the most part for a B Movie from this period.  The storyline was convoluted, confusing, and way too crowded.   It was obvious that some characters, including the artist who lived in Cranston’s building, were simply thrown in so there would be more suspects.  The attempts at comedy fell flat for the standards of the period and due to that, are particularly dated for modern viewers.   The resolution of the murders was pretty good concerning the very first murder, although it was telegraphed five minutes into the movie.  The resolution for the others, however, was just as throwaway as most of the characters.

I did enjoy the way that they portrayed The Shadow the few times he was shown.  He was literally that, a black shadow in a fedora and something covering his face.  For the period, one particular effect was really cool.  The Shadow accosts a bad guy and grabs hold of him and the guy is pulled off screen.  The fight seen only in shadow added a little weight to the portrayal and had this continued in various ways, would have made this much more enjoyable.   Kane Richmond definitely fit the look for Lamont Cranston, but what was missing were many of the Shadow trademarks, like the creepiness and the laugh.   And let’s not even talk about the waste of both Barbara Reed and Margo Lane.  Reed shows promise to be a good Margo in a couple of scenes, but the writing makes Margo more ‘Lucy’ than ‘Lane’ and it just doesn’t work.

TWO OUT OF FIVE TIPS OF THE HAT-If you’re a Shadow fan who feels like you need to see, read, or hear everything THE SHADOW is in, then you need to see this.  Or if you have no idea who the character is, but you want to point and laugh at the old movie, then this is also for you.  Other than that, go watch Alec Baldwin.

RADIO ARCHIVES LATEST AND GREATEST!


Welcome to Another Weekly Newsletter from RadioArchives.com!

* New in Old Time Radio: The Jimmy Durante Show, Volume 2
* New in Pulp Fiction: The Spider Volume 19, The Shadow Volume 48, and Doc Savage Volume 47
* The Best Deals are in the Radio Archives Treasure Chest
* Also New in Old Time Radio: The Adventures of Archie Andrews
* Coming Soon: Pulp Audiobooks from RadioArchives.com

New in Old Time Radio: The Jimmy Durante Show, Volume 2 The first half of the 20th century was a great time for entertainment, with amazingly talented performers dominating the Broadway stage, vaudeville, and nightclubs. But, in the annals of show business, few entertainers achieved the lengthy and enduring career claimed by Jimmy Durante.

Nicknamed “Schnozzola” for his oversized nose, Jimmy Durante first came to prominence as a teenager, playing New York’s restaurant and nightclub circuit as Ragtime Jimmy. Bitten by the show-biz bug, he dropped out of school in the eighth grade and soon teamed up with fellow entertainers Lou Clayton and Eddie Jackson to form a musical comedy trio that wowed nightclub audiences with its boisterous unpredictability, Durante’s aggressive interaction with the musicians, and his penchant for destroying pianos in mock frustration. Clayton, Jackson, and Durante quickly gained a reputation as one of the most hilarious acts in town – and, by the mid-1920s, the team was being featured in vaudeville, culminating in a lengthy run at New York’s Palace Theater. In 1929, Broadway called them for a featured spot in “Show Girl” and, by the time Cole Porter’s “The New Yorkers” opened in 1930, Durante was a star.

Jimmy continued his Broadway success in a string of popular shows and revues throughout the 1930s, but it was his role in “Jumbo” that brought him the most acclaim, playing the brash owner of a circus in an extravaganza that brought all of the delights of the Big Top to New York’s massive Hippodrome Theater. But he didn’t limit himself solely to the Great White Way; thanks to appearances in a series of films for Metro-Goldwyn-Mayer and a guest star spot on Rudy Vallee’s Fleischmann Hour, by 1933, Durante had taken over for Eddie Cantor as the host of radio’s “Chase and Sanborn Hour”. On the air, Durante’s broad delivery, overwhelming personality, and penchant for mangling his words only increased his popularity with laugh-hungry Depression-era audiences and his next radio series – “Jumbo”, based partially on the Broadway show – kept him a welcome visitor in American homes.

For a time, aside from an occasional radio guest appearance, Durante devoted himself solely to the stage and nightclubs. But, in 1943, Hollywood beckoned once again with the offer of comedic roles in a series of motion pictures. For this opportunity, Durante relocated to Hollywood, where he was also signed to headline a CBS series titled “The Camel Caravan”. The new series found the Schnozz co-starred with a fresh voiced young comedian named Garry Moore in what initially seemed to be an odd and highly unlikely pairing. As so often happens, however, the mismatched duo instantly clicked as a team, ratings went through the roof, and Durante’s patented brand of language mangling and outraged interaction with the orchestra introduced him to radio audiences all over again. Durante and Moore enjoyed four successful seasons together until Moore decided to pursue a solo career at the end of the 1946/47 season.

With Moore’s departure, in the fall of 1947, Jimmy Durante signed a contract to host a new series on NBC for the Rexall Drug Company, costarring vocalist Peggy Lee and character actor Victor Moore. Loud, boisterous, and wildly entertaining, “The Jimmy Durante Show” proved just as popular as its predecessor – so much so, in fact, that the following season found Durante back on CBS and back with Camel Cigarettes for another two years before the Schnozz finally moved full-time to television in the early 1950s.

The ten shows in this second compact disc collection, priced at just $14.98, showcase Jimmy Durante at his bigger-than-life best, complete with the fractured English, gravel voiced musical numbers, and warmhearted buffoonery that made him a show business legend. As an added bonus, this set includes two shows broadcast while Jimmy was in the hospital recovering from surgery – and it’s a mark of his reputation among show people that the personalities filling in for him include the Wizard of Oz himself, Frank Morgan, as well as the World’s Greatest Entertainer, Al Jolson. Taken directly from original master recordings and fully restored for sparkling audio fidelity, this second volume of “The Jimmy Durante Show” offers an additional selection of shows that are just as fresh, alive, and vibrant as they were when they were first aired over sixty years ago. If you love a good belly laugh, you’ll want to stop by RadioArchives.com and pick up your copy right away.
New in Pulp Fiction: The Spider Volume 19, The Shadow Volume 48, and Doc Savage Volume 47

At RadioArchives.com, we love the thrills, chills, and excitement that only a great pulp fiction story can provide. That’s why we’re excited to announce that three brand new reprints featuring the top heroes from the 1930s and 1940s are now available from RadioArchives.com:

Pulp fiction’s legendary Master of Men returns in “The Spider Volume 19”, featuring two classic novels written by Norvell Page under the pseudonym of Grant Stockbridge. First, in “Slaves of the Dragon”, white slavery is stripping America of its wives, sisters and sweethearts. Richard Wentworth, valiant champion of human rights, knows that an Oriental master criminal is captaining the slavery syndicate and has guessed the unspeakable purpose behind these wholesale abductions. Can the Spider outwit his most formidable foe and save America’s doomed womanhood? Then, in “The Spider and his Hobo Army”, murder and destruction has stupefied the nation. The zero hour has come and the vast and insidious Order of the Double Cross is ready to blast America from the face of the earth. Can The Spider crush the minions of the Double Cross, with only a handful of ragged hobos to aid him? This beautifully reformatted double-novel version of these two pulp classics, priced at just $14.95, features the original cover art and interior illustrations that accompany each story.

Next, in “The Shadow Volume 48”, the Dark Avenger continues the celebration of his 80th anniversary in an extra-length issue that pairs his explosive second adventure with a gripping novel of international intrigue. In “The Eyes of The Shadow”, the Knight of Darkness assumes the identity of Lamont Cranston to investigate a series of baffling serial murders in a groundbreaking novel that introduced the Shadow’s famous alter ego and his enigmatic agent, Burbank. Then, can The Shadow stop “The Money Master” before his financial machinations destroy the global economy? This instant collectors’ item, priced at just $14.95, showcases the classic cover paintings by George Rozen and John A. Coughlin, the original interior illustrations by George H. Wert and Paul Orban, two never-before-published articles by the Shadow’s creator Walter B. Gibson, and historical commentary by Will Murray.

Finally, in “Doc Savage Volume 47”, pulp fiction’s legendary Man of Bronze returns in three action-packed thrillers by Lester Dent, writing as Kenneth Robeson. First, when a man claiming to have found the secret of eternal life is murdered, Doc Savage journeys to Mexico searching for an answer in the remote “Weird Valley”. Then, only the Man of Bronze can provide a beautiful con artist with an antidote for murder in “Let’s Kill Ames”. Finally, a lost city of Incas battles over the strange power of “The Green Master”. This classic pulp reprint, priced at just $14.95, features the original color pulp covers by George Rozen, Modest Stein, and Walter Swenson, plus Paul Orban’s classic interior illustrations and historical commentary by Will Murray.

If you’ve been collecting these beautifully reformatted issues as they are released, you’ll want to place your order for these new books right away. And if you’ve never read a pulp novel – well, you’re in for a real treat! Be sure to stop by RadioArchives.com today and check out our pulp fiction section, where you’ll find more of the exciting and engrossing tales of Doc Savage, The Shadow, The Spider, the Whisperer, and The Avenger.
The Best Deals are in the Radio Archives Treasure Chest
If you’re a regular visitor to our website at RadioArchives.com, we don’t have to tell you about our Treasure Chest Bonus Deals. They’re right there on our home page, with new ones posted all the time, and they give you the chance to add something very special to each and every one of your orders with us.

But if you’ve never heard about our Treasure Chest, well, it’s high time that you did! You see, when you submit an order for $35.00 or more at RadioArchives.com, you get the chance to add a Treasure Chest Bonus Deal to your order. On the weekends following their release, you’ll find our newest compact disc collection there – and it will be priced at just 99 Cents! During the week, you’ll find other great deals, including pulp fiction reprints, books, DVD sets, and other CD collections containing hours of great sounding radio entertainment. But no matter what day you happen to stop by, you’ll find a great deal waiting for you on the home page of RadioArchives.com.

This week, for example, you’ll want to circle the dates on your calendar to remember to take advantage of these great deals:

* Today through Monday May 23rd, you can get our newest CD set – “The Jimmy Durante Show, Volume 2”, a $14.98 value – for Just 99 Cents when you submit an order of $35.00 or more.

* On Tuesday May 24th, the Man of Bronze and his Fabulous Five are featured in “Doc Savage Volume 16”, featuring two exciting adventures from pulp fiction’s Golden Age. First, in “The Secret in the Sky”, Doc journeys to Oklahoma to investigate the murder of a Nobel Prize-winning scientist. Then, in “The Giggling Ghosts,” a toxic outbreak of uncontrollable hilarity is causing New Jersey residents to literally laugh themselves to death. This beautifully reformatted double-novel reprint, chock full of special features, is normally priced at $12.95 – but you can enjoy these two exciting adventures for Just 99 Cents when you submit an order of $35.00 or more.

* On Wednesday May 25th, you’ll laugh along with one of radio’s most hilarious and innovative comedy teams in “Matinee with Bob and Ray, Volume 1”, an hilarious ten-CD set featuring 20 rare broadcasts from Bob Elliott and Ray Goulding’s earliest days at radio station WHDH in Boston, Massachusetts. This ten-hour collection of improvisational entertainment, transferred from the original one-of-kind transcriptions and fully restored for impressive audio fidelity, normally sells for $29.98 – but it can be yours for Just 99 Cents when you submit an order of $35.00 or more.

* In the 1930s, nobody combined high style, romantic comedy, and drama better than Carole Lombard. A talented comedic actress with the face of an angel, Lombard illuminated the silver screen with her sparkling wit and dazzling beauty. Now you have the chance to enjoy six of her most hilarious and heartwarming films in “Carole Lombard – The Glamour Collection”, featuring such top name costars as Clark Gable, Bing Crosby, Fred MacMurray, William Powell, John Barrymore, and Ralph Bellamy. This set, offering two double-sided DVDs, normally sells for $26.98 – but on Thursday, May 26th, it can be yours for Just $3.99 when you place an order of $35.00 or more.

We’re sorry but, at these low prices, multiple orders cannot be combined into single shipments. Each separate order must be placed on the days on which the specials are offered and no early or late orders will be accepted.

Make it a habit to visit RadioArchives.com often and see what’s waiting for you in the Treasure Chest. It’s great way to stretch your entertainment budget and add to your personal library of radio, pulp, and movie favorites.

New in Old Time Radio: The Adventures of Archie Andrews When we look back at American family life in the late 1930s, many of us view it not through the eyes of reality but, instead, thru the rose colored glasses of popular culture. If you were young yourself at that time, you have a more realistic memory of those years – but, if you’re a baby boomer and beyond, you’re more likely to imagine a typical American home, circa 1940, as being in Carvel where a teenager named Andy Hardy lives: clean, pleasant, prosperous, and where every challenge, crisis, or misadventure is resolved in time for a happy ending – complete with the occasional musical number.

It’s not surprising that we have this rosy vision of the past; after all, every entertainment medium did its best to create and sustain this image. Hollywood gave us a seemingly endless series of Andy Hardy movies, the Broadway stage gave us “What a Life!” which introduced the perpetually teenaged Henry Aldrich, and radio quickly turned Henry and his friend Homer into comedy characters that would endure for over a decade. As the 1940s progressed, the trend continued: perky teenager Corliss Archer came to radio in 1943, as did “A Date with Judy” – both sit-coms featuring a typical teenage girl dealing with her boyfriends, her often baffled parents, and the overwhelming dramas of high school social life. But it wasn’t the stage, screen, or radio that would bring us our most enduring and innocent image of teenaged life; it was, instead, the comics.

In December of 1941, just two weeks after Pearl Harbor, Pep Comics introduced a new character that continues to entertain readers to this very day – and his name is Archie Andrews. From the beginning, Archie was the epitome of the American teenager of the 1940s: dressed in a polka dot bow tie with a letterman’s sweater that proclaimed his loyalty to Riverdale High, he drove a souped-up jalopy, hung out with the perpetually lazy Jughead Jones, and spent most of his time in a lovesick haze. Aside from occasional crushes on movie goddesses, Archie divided his affection between two teenaged beauties: Betty Cooper, a bright and down-to-earth blonde, and Veronica Lodge, a wealthy brunette who loved to toy with Archie’s affections. Hitting just the right mix of familiarity, slapstick comedy, and small-town warmth, Archie and his pals were an instant hit with teen readers – and, in less than a year, the characters had made their way from comic books to a daily newspaper comic strip and to radio.

In its first incarnation, “The Adventures of Archie Andrews” was a daily fifteen-minute radio series, aired over the Blue Network. Ratings were respectable and, after a brief move to a half-hour weekly slot, the five-a-week format returned on Mutual in 1944. But the series really hit its stride in June of 1945, when a largely new cast was introduced and it premiered over NBC in a Saturday morning slot that it would happily occupy for eight years. For the majority of the Saturday morning run, Archie was played by Bob Hastings, a talented young actor who had already made his reputation playing juveniles on dramatic programs. Woman-hating food-loving Jughead was played by Harlan Stone, perky Betty was played by Rosemary Rice, and the honey-voiced Veronica was played by Gloria Mann. If you were looking for subtlety or teenaged angst, you were never going to find it on “The Adventures of Archie Andrews”; in typical sit-com fashion, the plots usually revolved around some simple misunderstanding that quickly turned into bedlam. Aimed straight at a pre-teen audience, the programs were designed to be nothing more than loud, goofy, and fun – and, from the reactions of the studio audience that attended each live broadcast, the show was clearly adored by its listeners.

Priced at just $20.98, “The Adventures of Archie Andrews” offers fourteen original NBC broadcasts, taken from the original network master recordings and fully restored for sparkling audio fidelity. If you’ve enjoyed the other comedy collections released by RadioArchives.com – and especially if Archie and his pals were a big part of your youth – this is a collection you simply won’t want to miss.
Coming Soon: Pulp Audiobooks from Radio Archives

You’ve thrilled to their exciting adventures in print! Now enjoy your favorite pulp stories in a whole new way in a brand new series of audiobooks, coming soon from RadioArchives.com!

For decades, the novels of Doc Savage, The Spider, and other classic heroes have occupied a special place in the hearts of readers everywhere. Now, by special arrangement with the authors, owners, and publishers of these thrill-packed adventures, Radio Archives.com will soon be offering full length unabridged audiobook adaptations of these timeless tales.

The first series of audiobooks, scheduled for release in the late Spring of 2011, will be the Doc Savage novels written by renowned writer Will Murray – starting with his classic adventure story, “Python Isle”. Future series will include the exploits of The Spider, the Master of Men, and Secret Agent “X”, as well as other well-known crimefighters from pulp fiction’s Golden Age. These new audio productions will feature the talents of some of the top voice actors in the country and will be produced and directed by Roger Rittner, who created the “Adventures of Doc Savage” full-cast radio series, now available from RadioArchives.com.

For more information on these exciting new releases, click here: Audiobooks from RadioArchives.com

Be watching for updates on our website and also special features in our weekly newsletters as we begin the “Countdown to Adventure” with pulp audiobooks, coming to you soon from RadioArchives.com!

The Point Radio: Christmas On COMMUNITY

The Point Radio: Christmas On COMMUNITY


There’s no argument that NBC’s COMMUNITY isn’t your traditional comedy. So it is a surprise that when they do a Christmas Episode – it isn’t quite traditional? Series regular Danny Pudi explains the episode you’ll be talking about next week, plus a sneak peek at Free Comic Book Day 2011 and good news for the heirs to the Jack Kirby estate.

And be sure to stay on The Point via iTunes - ComicMix, RSS, MyPodcast.Comor Podbean!

Follow us now on and !

Don’t forget that you can now enjoy THE POINT 24 hours a Day – 7 Days a week!. Updates on all parts of pop culture, special programming by some of your favorite personalities and the biggest variety of contemporary music on the net – plus there is a great round of new programs on the air including classic radio each night at 12mid (Eastern) on RETRO RADIO COMICMIX’s Mark Wheatley hitting the FREQUENCY every Saturday at 9pm and even the Editor-In-Chief of COMICMIX, Mike Gold, with his daily WEIRD SCENES and two full hours of insanity every Sunday (7pm ET) with WEIRD SOUNDS!

CLICK HERE TO LISTEN LIVE
FOR FREE or go to GetThePointRadio for more including a connection for mobile phones including iPhone & Blackberrys.

National Graphic Novel Writing Month, Day #6: Four-color, true grit, or somewhere in between?

National Graphic Novel Writing Month, Day #6: Four-color, true grit, or somewhere in between?

By now, you should have an idea for a story, and you might even know who some of the characters are. Your next question: how are you going to present the story?

To quote the greatest criminal mastermind of our time: “Some people can read War And Peace and come away thinking it’s a simple adventure story.” How you present the story is very important.

Let’s say you were writing a Batman story… why not, everybody else has. What type of Batman story are you going to tell?

Remember, this is a character who’s a cheery Saturday morning cartoon on The Brave and the Bold but he’s also beating people to a pulp in The Dark Knight, a film that pushed the limits of PG-13. He’s a toy for toddlers, a sociopath in Frank Miller’s work, and sometimes just flipping weird in Grant Morrison books. And it all works.

But more on point, the tone of your story has to be considered. It’s easy to contemplate a noir Batman story, but you could just as easily write a science fiction Batman story. Or a comedy. Or a spy story. Or a fable. Or horror. Or musical comedy– okay, it’s tough to do musical comedy in comics, but it’s been done in other media.

And more importantly, you can tell the same sequence of events, but you can frame it in different ways. You can look at your buddy’s romantic troubles as tragic or hilarious– or both, if they’re like my friends.

This will also affect who your choice of artist will be. Granted, you may or may not have control of who will end up drawing your story, but you can write as if you are picking the artist. A Batman story drawn by Jack Kirby will feel much different than one drawn by Neal Adams, and that will feel different than a story drawn by Timothy Truman. But again, you can use that to your advantage. No one will expect a story drawn by, say, Gene Colan to be a laugh riot. And yet, there were a few funny Batman stories that he drew.

Tone is your secret weapon– people expect a comic book story to be told a certain way. Surprise them.

Remember: you can follow all the NaGraNoWriMo posts here!

The Point Radio: Broken Lizard Breaks Out

The Point Radio: Broken Lizard Breaks Out

Come on, admit it. SUPER TROOPERS is probably on your guilty pleasures list (it’s on our’s). KEVIN HEFFERNAN from Broken Lizard previews his newest project plus talks about life in the comedy fast lane – plus who will (or won’t be) The Hulk and another animated winner at the Box Office.

And be sure to stay on The Point via iTunes - ComicMix, RSS, MyPodcast.Comor Podbean!

Follow us now on and !

Don’t forget that you can now enjoy THE POINT 24 hours a Day – 7 Days a week!. Updates on all parts of pop culture, special programming by some of your favorite personalities and the biggest variety of contemporary music on the net – plus there is a great round of new programs on the air including classic radio each night at 12mid (Eastern) on RETRO RADIO COMICMIX’s Mark Wheatley hitting the FREQUENCY every Saturday at 9pm and even the Editor-In-Chief of COMICMIX, Mike Gold, with his daily WEIRD SCENES and two full hours of insanity every Sunday (7pm ET) with WEIRD SOUNDS!

CLICK HERE TO LISTEN LIVE
FOR FREE or go to GetThePointRadio for more including a connection for mobile phones including iPhone & Blackberrys.

 

 

Review: ‘The Mary Tyler Moore Show – The Complete Sixth Season’

Review: ‘The Mary Tyler Moore Show – The Complete Sixth Season’

There were many groundbreaking television series as the 1970s arrived and most have been extensively written about because of their casting or long-term cultural impact. Norman Lear made the sitcoms more relevant by making his characters more like us and Larry Gelbart helped make sitcoms comment on issues of the day by adding an edge to the humor. But James L. Brooks, Allan Burns and company helped bring about a revolution in character-based comedy with [[[The Mary Tyler Moore Show]]].

Running from the 1970-71 season through the 1976-77 season, the series was built around Mary, a single, independent working girl. Initially, she was to be divorced but CBS wasn’t ready for that but she still broke ground. She had friends at home and at work, she dated, she gave terrible parties, but was exceptionally competent at her job, producing the evening news at WJM.

20th Century Fox Home Entertainment finally released the penultimate season this month and as with the best of comedy, it’s all in the timing. One of the show’s best writers, David Lloyd, died recently and just about every obituary singled out his episode “Chuckles Bites the Dust”, which is included in The Complete Sixth Season three-disc set so now we can see it once more.

By the sixth season, neighbor Rhoda Morgenstern (Valerie Harper) had been spun off into her show as was her landlady Phyllis (Cloris Leachman) so the series focused more on the newsroom. By now, the relationships and inter-personal dynamics between Mary, her boss Lou (Ed Asner), the news writer Murray (Gavin McLeod), and anchor Ted (Ted Knight) had been sharpened. The ensemble worked well together and their comic timing is strongly evident here, especially when they’re all together such as at Chuckles’ funeral. The supporting cast had been broadened allowing Betty White’s salacious Su Ann Nivens and Georgia Engels’ innocent Georgette to gain more screen time and each get showcased during the 24 episode season. It may have been MTM’s name in the title, but she graciously allowed everyone to take their turn.

The season opens and closes interestingly on characters not Mary. “Edie gets Married” is a terrific spotlight for Asner as he watches his ex remarry while “Ted and the Kid” shows how Ted and Georgette struggle to conceive only to wind up adopting (spoiling the episode was the pat pregnancy at the end). In between, we see Mary date and fall in love, only to have her heart snapped in two. She meets new neighbors, recurring characters played by Mary Kay Place and Penny Marshall (just as she gained fame as Laverne). Place, by the way, also wrote for the series so her contributions were strongly felt.

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The Point Radio: Why Tom Arnold Is Funny – Again

The Point Radio: Why Tom Arnold Is Funny – Again

He’s an accomplished comedy writer, the movie’s favorite sidekick (and then there was that Roseanne thing). Tom Arnold is known for a number of things and now he’s taking his funny back on stage and he tells us why. Plus Saul Rubinek gives us a WAREHOUSE 13 exclusive, LOBO goes PG 13 and guess what is the Number One Most Downloaded Comic!  It’s a three day weekend and we put out the Pop Culture spread early.

Meanwhile be SURE to join us on Monday for our EXCLUSIVE talk with JAMES CAMERON on what we can expect from AVATAR!

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And be sure to stay on The Point via iTunes - ComicMix, RSS, MyPodcast.Com or Podbean!

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Don’t forget that you can now enjoy THE POINT 24/7. Updates on all parts of pop culture, special programming by some of your favorite personalities and the biggest variety of contemporary music on the net.

CLICK HERE TO LISTEN LIVEFOR FREE or go to GetThePointRadio for more including a connection for mobile phones including iPhone & Blackberrys



The Point Radio: Must See BBC!

The Point Radio: Must See BBC!

There’s some great TV on BBC America – a new series called BEING HUMAN that mixes a vampire, werewolf and ghosts all with the one goal of surviving in society. Meet the cast and creator and hear first hand how difficult the road was to get the show on the air. Plus, director Lauren Montgomery and actress Juliet Landau relate how much fun it was to work on GREEN LANTERN:FIRST FLIGHT. Plus, comedy in comics – what a concept, and The JSA might be moving to SMALLVILLE.

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And be sure to stay on The Point via iTunes - ComicMix, RSS, MyPodcast.Com or Podbean!

Follow us now on and !

Don’t forget that you can now enjoy THE POINT 24/7. Updates on all parts of pop culture, special progarmming by some of your favorite personalities and the biggest variety of contemporary music on the net.

CLICK HERE TO LISTEN LIVE FOR FREE or go to GetThePointRadio for more including a connection for mobile phones including iPhone & Blackberrys



#SDCC: ComicMix Six: The must-see videos from San Diego Comic-Con

#SDCC: ComicMix Six: The must-see videos from San Diego Comic-Con

If you’re like us, you couldn’t possibly have seen everything going on at the San Diego Comic-Con– but luckily, enough people with cameras did see everything (almost) and are willing to share.Here are the must-see videos from last week:

Kevin Smith on Twilight fans: You may have heard it got a bit ugly at the Convention this year with all the Twilight girls and Twilight moms. Kevin Smith puts it all in perspective as only he can… (dear god no, of course it’s not safe for work, it’s Kevin Smith on a convention stage.)

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Comedy Tonight: The State, Stella, and Victor Von Doom

Comedy Tonight: The State, Stella, and Victor Von Doom

Tonight at 1 AM Eastern, Comedy Central is running episodes of The State, the 90’s sketch comedy show from MTV featuring the comedy group from NYU, and Stella, with three alumni from The State.

And just for the heck of it, the comedy stylings of Victor “Boom-Boom” Van Doom.