Martha Thomases: Criticizing Criticism
This isn’t what I wanted to write about. I would much prefer to tell you about some hidden gem in the world of comics. Instead, once again, we’re going to slog through the mud.
A while ago, a writer, Janelle Asselin, wrote a critique of a Teen Titans cover for Comic Book Resources. The cover is an incoherent piece of art, and she described her problems with it. Her comments included art criticism (mostly centering on the lack of anatomical reality of the depiction of Wonder Girl, a teenager), sociopolitical criticism and observations on marketing. She suggested that sexualizing characters who are supposed to be minors was more than a little bit creepy. She pointed out is that Teen Titans is a book that has a great deal of potential to reach outside of the typical comics market because it was a popular cartoon series, one with a lot of female fans, and, from a marketing perspective, there was a lot of money to be made by doing a comic that might draw in some of that audience.
So, of course, all hell broke loose.
I didn’t read all 40 windows of comments. Life is too short. After I read a few screens, I got the drift. For one thing, many people don’t understand the difference between marketing and editorial. More to the point, guys don’t like it when you notice they’re being creepy. Especially when they’ve been bragging about the creepiness up until this point.
Example? Here’s a comment from someone code-named Rakzo: “It seems like we can’t enjoy sexy superheroes anymore.” Did you see what he did there? He said that because Asselin criticized the (unnatural and/or surgically enhanced) depiction of a teenage girl, somehow this became an authoritarian edict that was actively prohibiting him from doing something.
Now, there are a lot of things that people do sexually that aren’t my thing. If they announce this in a public forum, I will, if asked, admit to the occasional icks. Obviously, this varies with the fetish. Shoes? Not my thing, but have fun. Scat? Not my thing, please don’t tell me about it and clean up after yourself. Your list may be different from mine. That’s what makes being humans interesting.
Being sexually aroused by under-age girls? Please stop talking before I wonder if you’re a registered sex offender.
A few other commentators called Ravko on this, and replied, “Maybe, but that’s not my point, it seems like the comic community has become a place where being a prude is considered ‘cool’.” Because there is no one more oppressed than the poor pedophile.
While this was happening on CBR, there was a parallel nightmare on Twitter. In her Tumblr. Asselin describes how she was ridiculed and hassled. Her professionalism was called into question. So was her safety. She not only was dismissed as a “disgruntled former employee,” but she was also threatened with rape.
Yeah, that’s right. The proper response, when someone has a different opinion about a work of comic book cover art is to threaten that person with physical violence.
My pal Heidi MacDonald wrote a wonderful piece on her blog, in which she wonders why more men don’t speak out against this kind of hate speech. She’s not asking for censorship, just peer pressure. When a man demeans a woman in our profession simply because she is a woman, other men should call him out. That’s not radical. That’s good manners.
On a related note, I’m going to Awesome Con this weekend, an event I’ve never attended before. (Stop by and say hello!) In keeping with my obsession, I’ve noted that, of the 52 guests announced in the comics and literary field, only eight are women. This is a better percentage than lots of other shows, but still woefully non-representative of the number of women actually working in our industry.
And when I went to see what kind of programming they had, including the number of panels that included women as experts, I was struck by this one: “Part Time Writer, Full Time World. The panelists are all women (Lindsay Smith, Jean Marie Ward, and Janine K. Spendlove). The subject: “How do you balance a full time job, parenting, writing, and *perish the thought* actually having some hobbies or perhaps even a social life? Everyone handles it differently; come to find out tips and advice as to how.”
Gee, I wonder why there are no men on that panel. Obviously, they’ve got the full-time job/parenting/writing/hobby balance worked out. It would be really swell if they’d enlighten us ignorant women about how they do it.
Still slow going around these parts, but have these tidbits to keep you warm during the cold season:
While they had nothing quite as surprising to announce as the Marvelman announcement yesterday, the DC Universe panel at SDCC had some interesting tidbits come out of it. The highlights, 
The streets have erupted in violence and the safe haven that mutants thought they’d found is in turmoil. The Dark Avengers have put Daken in Wolverine’s place, and there’s an all-out war tearing through space and time with a certain red-haired green-eyed girl at the center of it. In other words, it’s another Wednesday in the life of the X-Men.
We knew they wouldn’t be gone long, the only question was where they’d end up and how quickly they’d return. And now we know– Kevin Melrose, JK Parkin, Lisa Fortuner, Tom Bondurant, Michael May, Melissa Krause, Stephanie Chan, Tim O’Shea, Chris Mautner, Jennifer de Guzman and Larry Young are now all over at CBR, under the brand 
Over at CBR, David Press recently spoke with the creators of the Eisner-nominated Atomic Robo about the origins of the series, their checks-and-balances creative process and the surprise nomination they received at this year’s Eisner Awards. The series chronicles the adventures of a self-aware robot created by Nikolai Tesla and commissioned to combat supernatural threats to the U.S.
Boom! Studios has announced they’ll be publishing comic book adaptations of Pixar cartoon properties, with the first announced being an Incredibles project.
series, featuring covert art from Darwyn Cooke.
