Tagged: Caitlin R. Kiernan

Joe Corallo: Brave No World

This past week was quite busy. President Trump pushed back against a “so-called” judge, Melissa McCarthy nailed Sean Spicer on SNL, the Patriots pulled off a record-breaking upset that would have never happened if they were playing the Giants, and it was announced that Aspen Comics would be creating new comic with Scott Lobdell writing a black trans woman titled No World. As much as I’d like to hit on all of these topics, I’m going to focus on No World.

So let’s get into it. Aspen’s new comic is a team book. It will have characters from Soulfire, Executive Assistant, Dellec, as well as some new characters. Lobdell described one of the new characters as “Former NFL. 6’5. 250lbs. She’s here. She’s trans. She’s gonna kick evil’s ass!” You can see that Tweet here. We still don’t have a name or much of a background to this character outside of her being a former NFL player, but we have some information we can start examining.

Let’s start with former NFL player bit. When we’re dealing with a trans character and one of the only bits of information we get on them is about something from before they came out, that raises a few red flags. There’s a concern that when cis writers tackle trans characters, that there is an unnecessary focus on transitioning. Take a look at Alters where the character of Chalice is in the process of transitioning and we see her as her Charlie persona about as much as we see her as Chalice. If you look at trans writers like Rachel Pollack and Mags Visaggio, we see kick ass trans women without ever having to see them prior to their transition, hearing them go by their dead name or even knowing about it, and so forth. Unfortunately with her being a former NFL player we are likely here this character’s dead name multiple times. Sometimes cis writers do a good job with this like when Gail Simone had Alysia Yeoh come out as trans, but that doesn’t mean we shouldn’t approach this with some caution.

Moving on to her being 6’5 and 250 lbs, Scott follows that up using the hashtags #gnc, short for gender nonconforming, and #nonbinary. There is also an image of her that Scott shared with the line “passing is for footballs.” These elements are a bit more interesting. Trans characters in comics are mostly white and mostly attempt to pass. Trans characters of color, particularly black trans women, have been very rarely seen in comics and are also easily of the most victimized members of the queer community. This type of representation is sorely needed.

It’s also important to note that some people who consider themselves gender nonconforming or nonbinary may be okay with she/her/herself as well as they/them/theirself, so that could end up being just fine.

Scott Lobdell is no stranger to creating a trans character. He created Suzie Su for Red Hood and the Outlaws. This particular trans character was a very unflattering portrayal, a villain, and someone who was more than willing to murder children to get what she wants. It’s worth noting this was his only other portrayal of a trans character in comics that has made it into print and should at very least cause many to wait and see how No World plays out before praising or condemning this representation.

Unlike comics like Alters, No World has no trans representation in its creative team, which seems to be mostly straight cis white men. That’s not inherently a bad thing, but when tackling a character like this one it’s not necessarily comforting either.

Scott has at least stated on February 3rd that he’s consulting with some members of the trans community. You can see that Tweet here. He talks of a few trans friends that helped him as well, including Shakina who plays Lola on Difficult People. One thing you may notice following that link, at least at the time I wrote this, is that Scott Lobdell has yet to responded to Mags Visaggio’s questions and offering to consult with Scott on this character.

For the most part, I’m concerned about how this comic will play out. While there is evidence of talking with some trans women, there isn’t any evidence of Scott Lobdell consulting with people who are gender nonconforming or nonbinary. It seems this will also be a story that involves dealing with the characters life pre-transition. It’s also very possible that this character will not even be featured heavily in this series; it’s a team book.

I do hope that Scott will use his position in comics to help trans creators here on out. For example, Neil Gaiman wrote a trans character in The Sandman which helped get Rachel Pollack and Caitlin R. Kiernan noticed by DC Comics, which in turn lead to them working for thay company for years. While the character has been reexamined and there is valid criticism, by helping trans creators get noticed it shows that Neil genuinely cares about the trans community. Paul Jenkins on Alters got Tamra Bonvillain work on that title.

No matter how this particular title develops, I hope Scott Lobdell’s interest in the trans community goes beyond No World and that we’ll see him help lift up this group of comics creators that are too often overlooked.

Joe Corallo: Babes In Trumpland

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babesintrumpland1As many of you may know, this week is Thanksgiving. That magical time of year where you slave away on a big meal for family and friends or bum around watching The Wizard of Oz and Babes in Toyland on TV while everyone else works. At least those used to be on TV. Or you’re in retail and I apologize.

By now you may have started getting your place ready for guests, packing for a trip, or maybe you’ve already reached your destination. You may be really excited for the holiday. You may also be really stressed out.

After a grueling year-and-one-half the 2016 Presidential election has come and gone, and the outcome was shocking to many. Now many of us, particularly white people and those with white relatives, have to face conservative or Trump supporting relatives face to face for the first time at the dinner table since he won the election.

babesintrumpland2This will be the first time since 2004 that they’ll have Presidential election bragging rights. Let’s face it, twelve years is a long time and you’re probably out of practice. Maybe you laughed at them last Thanksgiving when you said Trump might surprise us all. Maybe you chimed in on Facebook to rain on their parade. You might have even gleefully gave them a call after the debates to let them know how woefully unprepared Trump was. Now you’re having to get ready to eat some bird on Thursday, and this year it’s crow.

babesintrumpland4What can be done to make this experience even slightly less miserable, you ask? Well, maybe steering away from politics would be a good call this year for your own well being. Plenty of fun and interesting things have been going on in comics and nerd culture, so let’s talk about that instead.

Doctor Strange is still in theaters. Myself and fellow ComicMix columnist Molly Jackson saw it back when the world was still young and innocent. You still have time to go see it before Thanksgiving and make conversation out of it. Personally, I thought it was middle of the road for Marvel movies. Not the best, and far from the worst. You could also talk about the dated and problematic nature of white man turns to the east to find enlightenment and be a better Asian than actual Asians story if you’re up for it. You could also mention how they couldn’t have the Ancient One be from Tibet because it could have affected the revenue in the Chinese market. Maybe you and your Trump friends and relatives at Thanksgiving can agree that’s nonsense.

babesintrumpland3Fantastic Beasts and Where to Find Them came out as well, but I’m not really a Harry Potter guy so you’re on your own there. I’ve seen the first three movies (yes, I know they’re books), and I only saw them because of a guy I was interested in back in college who I imagine probably doesn’t read these. If he does though, sorry John, but I wasn’t that into Harry Potter.

When it comes to comics, you may have to reiterate that yes you’re still into comics and no they aren’t just for kids. You could talk about some of the great moves in comics over the last year. Maybe talk about Tom King, the man with comic writing aspirations who put them all aside for over a decade when joining the CIA after the 9/11 attacks, who’s been knocking it out of the park lately on series like The Vision and Batman.

See? You like patriots too.

You could talk about rising star Mags Visaggio and how she’s gone from little known comic writer to creator of Black Mask Studios’ Kim and Kim and getting to write a backup for DC Young Animal’s Shade The Changing Girl #4. To my knowledge she will be the first trans writer to work on a DC comic since Caitlin R. Kiernan’s last issue of The Dreaming back in May of 2001. This is a positive step not only for diversity in the writers freelancing at DC, but also a victory for anyone that wants to see good writers being given a chance. It could also be an opportunity to discuss with relatives how the LGBTQ community and in particular the trans community are more than what conservative outlets might lead one to believe. They’re actually people, just like them.

We’re at a point now where openly queer writers, Steve Orlando and James Tynion IV, are tackling Supergirl in her new ongoing series and Batman in Detective Comics, respectively. And despite all that happening this year, hell has not opened up and engulfed the world.

Actually… scratch that last sentence.

Also talk to your family about Ta-Nehisi Coates, the national correspondent for The Atlantic and well respected social and political commentator turned comic book writer whose debut issue of Black Panther this year was one of the highest selling comics in over a decade. He perfectly blends politics into a superhero story. Maybe you can impress some of your relatives talking about the intricate, intelligent political thriller Ta-Nehisi Coates is telling in his comics. Maybe some of them, even the Trump supporters, will appreciate Coates’ musings on how corporations take advantage of people and how leaders need to put the needs of their citizens over their own needs. If those Trump supporters do agree with you on that, try to restrain yourself.

You could also talk about Demolition Man coming out as gay in Marvel Comics, but why would you? I can only care so much about retconning obscure characters as queer for some backdoor representation.

And we can all come together to complain about how Star Trek: Discovery got pushed back.

It might be stressful and it might be tough, but we can get through this. Try to open up some of their minds with what’s going on in comics and nerd culture. Try to humanize the world around them. It’s too late to change their votes, but it might not be too late to put their values in perspective.

Joe Corallo: Love Is… Complicated

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Last week DC Comics and IDW announced will join together to publish a 144 page graphic novel titled Love Is Love to raise money for Equality Florida to help the victims of the Pulse Nightclub shooting in Orlando, FL on June 12th. This groundbreaking venture between two comic book publishers and a nonprofit was organized by writer Marc Andreyko and will be retailing for $9.99.

Let’s let that one sink in. This is an important moment in comics history. Of all the causes over the years that comics have tried to benefit, this is the first time that mainstream comics publishers have stepped up to benefit members of the LGBT community in need. This is also the second time an anthology has come out to benefit victims of the Pulse Nightclub shooting as Margins Publishing put out two issues of a digital zine titled Our Hearts Still Beat where 100% of the proceeds were donated to The Center in Orlando to directly benefit the queer community.

batwoman-flagIt fills me with pride that comic publishers are working to benefit the queer community. I’m proud of all the creators that have gotten involved and have given their time and talent to help others and I’m thrilled that mainstream comics is standing by the queer community. Despite all the positives and how proud we should be of DC Comics and IDW for standing with victims of the Pulse Nightclub shooting, we need to demand more for the queer community and the other less privileged and underrepresented groups.

Though DC Comics is helping with Love Is Love, they haven’t had a trans writer pen a story for them in fifteen years. Of all the work that trans writers have done for DC, only Caitlin R. Kiernan has had any of her work collected, and it was only a fraction of her work on The Dreaming that she shares with other writers in the collection.

While DC Comics is helping support queer people of color who were disproportionately affected by the Pulse Nightclub shooting, DC has very few queer people of color working for them in a creative capacity. Phil Jimenez has done great work at DC and has been given opportunities to work with writers like Grant Morrison and on important titles like Infinite Crisis. Ivan Velez, Jr. penned stories at DC for some time as well, but not in the past decade. Beyond that, few have had similar opportunities.

Women creators are still not being represented in comics at DC as well as they were before the New 52. For the New 52, Gail Simone was one of the only women writing stories at first. Currently, the only all women creative team is for Batgirl and The Birds of Prey. All male creative teams are the overwhelming majority.

DC Comics still has an Eddie Berganza problem. While talk of his repeated sexual harassment of employees and freelancers has died down, he still holds the position of group editor of the Superman family books. They have yet to hire a woman to work on that editorial team since he took that position back after stepping down as executive editor.

They recently announced the people selected for their Writer’s Talent Workshop. For the purposes of full disclosure I did apply and was rejected. I was happy to see that the majority of the people selected were not straight cis white men, and that people of color including a Native American man were selected. That’s really great and that should be applauded. It was discouraging to see that out of the eight selected, only two were women and they were selected as a pair and all the men are solo writers. At a time when women in comics in particular are a focus of discussion to see a selection like this does come off as tone deaf.

love-is-love_57e1dbbcdf65d4-07770525Newsarama went on to say “Curiously, DC describes this group as “aspiring” writers in their press release, despite each have significant credentials inside and outside of comic books – including some which have done work for DC previously.” Using the term aspiring is certainly misleading when you have award winning writers and people working in the TV biz being selected. It seems like the high caliber of talent selected could have easily been found by traditional methods of editors scouting out talent. Women and people of color shouldn’t have to be incredibly talented award winners in their field to be extended an opportunity to take a class to one day possibly write for DC Comics (or write for them again). What makes this tone deaf is it comes off like these talents need DC Comics. The exact opposite is true.

That’s not to say DC Comics hasn’t done some great things and taken some risks recently beyond Love Is Love. Openly queer creator Steve Orlando was able to write a solo Midnighter series, the first openly gay mainstream solo superhero comic, for 12 issues. Though it was cancelled due to low sales, DC has taken another risk by bringing the comic back as Midnighter and Apollo which will be the first mainstream comic about a gay superhero couple. James Tynion IV, another openly queer creator, is writing Detective Comics, one of the biggest titles at DC Comics, with the openly gay Batwoman as an important character in the cast. Tamra Bonvillain, an openly trans colorist and rising star in comics, is on the reboot of Doom Patrol with heavy hitters like Gerard Way and Todd Klein. And Harley Quinn, an openly queer anti-hero, was the highest selling comic in the month of August selling upwards of 400,000 copies, written by the team of Jimmy Palmiotti and Amanda Conner with Chad Hardin on art. Dan Didio has even been cited by creators like Gail Simone as caring about LGBT issues, and all of this is powerful evidence that is the case.

Love Is Love is a great project and I’m proud of everyone involved and DC Comics as well as IDW stepping up and taking a stand here when it would have been much easier to not bother. And I really do love DC Comics. I love quite a lot of their properties, they have some great people that have worked for them in the past and currently, and they’ve worked on some great progressive things like Milestone Comics. That doesn’t mean more can’t be done, and it should be done.

There needs to be more intersectionality. We need more queer people of color and women of color. We need DC to use these Milestone characters and to reprint and make available the original runs. We need the works of Rachel Pollack, Maddie Blaustein and Caitlin R. Kiernan reprinted and trans writers new and old to be brought in. And we need less privileged people to rise through the ranks and be decision makers to help secure a future for comics in an ever changing market.

I can support DC Comics and praise the good work they do while also wanting more and wanting better. I love DC Comics, but… it’s complicated.

Joe Corallo: Caitlin R. Kiernan and the Rising Stars

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img_0085Last week I interviewed Rachel Pollack in this space. In my introduction I mentioned that only two trans women have written for DC before. That’s somewhat true, and somewhat not true. It would be true to say that only one trans woman had written for DC, and it would also be true to say that number is three. Rachel Pollack is the only one who has written for DC proper. The late Maddie Blaustein wrote for Milestone Comics, for which DC had (and has) the publishing and distribution rights. Rachel had created a trans character for comics. Today, I’d like to talk about Caitlin R. Kiernan.

In 1996, prior to becoming an accomplished and award-winning author, Caitlin R. Kiernan was an award-nominated author of short stories shopping around a novel. She was fronting a band called Death’s Little Sister, in reference to the character Delirium from Neil Gaiman’s Sandman. In that year of 1996 she would be approached by the very same Neil Gaiman to write for The Dreaming, a Sandman spinoff, for DC’s Vertigo imprint. Caitlin R. Kiernan would go on to say yes, becoming the second and last trans woman to write for the Vertigo imprint.

For those of you keeping track at home, that means Neil Gaiman has played a crucial role in hiring 100% of the trans writing talent that has freelanced at Vertigo. If we add Maddie Blaustein to the mix, that’s still a sizeable 66.6%. Either way, not too shabby.

caitlin_r-_kiernan_by_kyle_cassidy2I don’t mean any of that to sound like a knock against Neil either. Quite the opposite. It’s great knowing that trans and queer representation was important to Neil at a time where the majority of Americans felt that it wasn’t even okay that we exist at all. It makes me more sympathetic towards his handling of the character of Wanda in Sandman as well considering the time that story had come out. You can see some of what Neil has to say on Wanda towards the end of this fairly recent article here.

Now back to Caitlin R. Kiernan, she would go on to write thirty-five issues, over half of The Dreaming. Working with people at Vertigo including Neil himself, she crafted stories in the dreaming with many characters we already know, like the Corinthian, as well as her own creations like Echo.

On earth Echo had been a male transvestite, but upon entering the dreaming she became a woman. Unlike Rachel Pollack’s Coagula and Maddie Blaustein’s Marisa Rahm, Echo isn’t trans in the same way. It’s through a sort of magic that Echo goes from being a male transvestite to becoming a woman in The Dreaming. That’s not to diminish the importance of Caitlin R. Kiernan’s contributions to comics or to imply that it makes Echo’s stories inherently less important than Coagula’s or Marisa Rahm’s, but Echo’s story and her journey as a character is certainly different, and it’s a story that does fit well into The Dreaming.

img_0084After The Dreaming ended with issue #60, Caitlin R. Kiernan would leave comics for the next decade before returning to the medium at Dark Horse, most notably with Alabaster: Wolves. Unlike Kiernan’s peers at DC Comics, she’s had six of her issues of The Dreaming collected in The Dreaming: Through The Gates of Horn & Ivory. This of course is just a fraction of her work on the title, and three of the issues in the collection are written by other writers. Any readers getting a chance to meet Echo in this collection will be disappointed to find that the rest of her journey remains uncollected.

While yes, many other comics at DC have not been collected (I’m still waiting for volume three of John Ostrander and Tom Mandrake’s The Spectre) the fact that the only three trans women that have written at one DC imprint or another have had nearly zero success at getting their comics collected and in print beyond their initial release is troubling.

If DC Comics is going to talk about the importance of diversity, push characters like Supergirl, Cyborg, Wonder Woman, Midnighter, and the new Superman, then I see no reason why they wouldn’t want to celebrate how they were ahead of the curve decades ago. They’ve solely been working up to this by reprinting Tony Isabella’s Black Lightning, but reprinting the works of Rachel Pollack, Maddie Blaustein, and Caitlin R. Kiernan is an important part of that. Reprinting Milestone Comics instead of sitting on them is important.

img_008320That’s not to say this is just a DC Comics problem. Trans representation at other comics publishers is lacking as well. We’ve seen Sophie Campbell and Tamra Bonvillain getting more recognition for their contributions to comics, and that’s a step in the right direction. We’re seeing Mags Visaggio becoming a rising star with her comic Kim and Kim over at Black Mask Studios. However, we are not seeing enough trans and queer representation overall.

Hopefully we’ll see more trans writers telling their stories in comics. Not only people like Caitlin R. Kiernan or Rachel Pollack, but people like Sophie Campbell who have gotten greater name recognition as of late, rising stars like Mags Visaggio, Lawrence Gullo and Fyodor Pavlov, and the countless others out there around the world. Some of whom I’ve heard of and some I haven’t had the pleasure of seeing their work yet.

And maybe Marvel could hire one of them to write a story… as they’ve yet to do.