Tagged: Buck Rogers

Dennis O’Neil: Invisible Comic Books!

So look: we’re all part of the same whole, right? I mean, we can all trace our origins to the same big bang, between 13,000,000 and 14,000,000 million years ago, give or take a few calendar pages, so I shouldn’t have to perform mental/verbal gymnastics to convince you that radio drama has a relationship with comic book scripting, beyond the obvious, that both are what Stephen King calls story delivery systems.

But there may be a few gnarlys lurking in the crannies of bandwidth who present themselves as doubters. We shall let them continue gnawing on fish bones when I sweep you back some 68 (again giving or taking some of those pesky calendar pages — but much smaller calendar pages this time).

It’s me, there in the kitchen, standing on a chair so I can reach Mom’s white plastic radio which lived atop the refrigerator, also white and sometimes called the “icebox.” I was listening to – I was heeding – my programs. Superman. (Of course, Superman!) Captain Midnight. Buck Rogers. Tom Mix. (He was a cowboy, and of course we made room for cowboys.) These, and others I may be forgetting were after school shows, broadcast on weekdays between four and six.

I heeded them. Oh, yeah.

The radio stuff wasn’t all that was in my post-toddler portfolio. There were also the comic books and some weeks I got only one, largesse from Dad who picked it up along with milk for the family after Sunday Mass. Some weeks, though, I had a lot more than a single paltry comic to read. Every once in a while, often on a sunny afternoon, I collected my used comics, put them in a wagon and visited the homes of the other kid-comics readers in the neighborhood and, sitting on somebody’s porch, we’d trade: their used and maybe slightly torn comics for mine. Our books were never doomed to Mylar bags, to be hoarded like the contents of Uncle Scrooge’s vault. Our comics were only getting started! They were destined to extend their gifts of enchantment and delight into the future, to porches we had never seen and maybe even city blocks that would be new to us.

So, yes, I was a comics nerd before there were such things. But… except for the days when I went a’trading, I had only one new comic in a week. Pretty sparse diet of high adventure. But radio – Monday through Friday, exciting stories – and a bunch of them. Sure, they were continued but I didn’t mind that, and I didn’t know what the characters looked like (unless they also appeared in comics) but that was okay, too.

Better than okay. Not seeing the humans who belonged to the voices, I visualized them – you know, made them up in my head – and while I was at it, I imagined cars and planes and buildings and lots more. I imagined a world.

Pretty good training for a kid who would grow up to be a comic book writer.

MARS McCOY TO THE RESCUE

Cover Art: Michael Youngblood
PRESS RELEASE:
Airship 27 Productions is proud to present the second in our exciting space opera series featuring Captain Mars McCoy, Space Ranger.
When the universe is imperiled, the call goes out to the brave men, women and robots of the Space Rangers; a group of highly skilled pilot/warriors dedicated to the preservation of law and order throughout the known worlds.  Headquartered in the hidden free-floating asteroid station known as the Black Hole, the Space Rangers are ready to respond to any threat traveling the space lanes in their ultra-fast and powerful Black Bird patrol ships.
In this second volume, Captain Mars McCoy, and his gorgeous co-pilot, android Lt. Betty-12 of Black Bird 5 confront two unique and malevolent threats.  In “The Curse of the Star Lance,” by James Palmer, they discover a lost Imperial Space Cruiser and the hidden horror that still dwells within it. 
Next up is Van Allen Plexico novella length adventure, “Mars McCoy and the Chaos Horde.”   A mysterious army of monsters begins materializing at random throughout the Fringe worlds wreaking chaos in their path.  What is their secret origin and how can Mars and Betty-12 put an end to their lethal rampage?
This second volume features a stunning painted cover by Michael Youngblood with interiors by Shannon Hall, designs by Art Directory Rob Davis and edited by Ron Fortier.

Cast in the mold of classic pulp sci-fi heroes ala Flash Gordon and Buck Rogers, Mars McCoy Space Ranger blasts off once more for brand new outer space adventures jammed packed with galaxy spanning suspense and thrills.
AIRSHIP 27 PRODUCITONS – Pulp Fiction for a New Generation!
Available now at Amazon

Pulp Creators at Alabama Phoenix Festival

Bobby Nash & Sean Taylor at Alabama Phoenix Festival

Ruby Files creators Bobby Nash and Sean Taylor were both on hand for the 2013 Alabama Phoenix Festival in Birmingham, Alabama on May 24 – 26. Both creators have shard their thoughts on the event at their respective websites and social media pages, but we wanted to share a few photos of Team Rick Ruby.

Thanks to all who came out to the show and said hello.

Other pulp creators on hand included Sentinels author, Van Allen Plexico, Gil (Buck Rogers) Gerard, and author Charis Taylor.

Visit http://rickruby.blogspot.com/ for more, including photos.
Learn more about The Alabama Phoenix Fest at http://www.alabamaphoenixfestival.com.

Additional photos (and video) from the event have been posted at www.lance-star.com and www.bobbynash.com

The Buck Starts Here!

Cover Art: Howard Chaykin
Art: Howard Chaykin

Hermes Press has released the first cover for Buck Rogers in the 25th Century, a four-issue mini-series written and drawn by Howard Chaykin premiering August 2013.

Here’s how Hermes Press describes the book:

“Before Star Trek and Star Wars, Buck Rogers captivated audiences around the world and made science fiction a national obsession. Now, over 80 years after the creation of the newspaper strip that became a household word, Howard Chaykin has returned the character and his universe back to basics: Buck Rogers, former World War I ace is accidentally suspended in time only to awaken to a new and different earth, 500 years in the future, fragmented by war and ruled by an omnipotent force — the Chinese. Now, Buck along with Colonel Wilma Deering, begin a new fight, to free the United States!”

Earth Station One Episode 159 – Exploring the 25th Century with Buck Rogers

Buck Rogers season 2

On this episode, the ESO podcast crew wake up to find themselves in the 25th century! Mike Faber, Mike Gordon, the award-winning New Pulp Author Bobby Nash, and special guest Joe Crowe (RevolutionSF.com) discuss the pulpy futuristic world of Buck Rogers. Joe also is this week’s victim in The Geek Seat and cries for Col. Wilma Deering to save him! All this, plus the usual Rants, Raves, Khan Report, and Shout Outs!

Bobby also gives a shout out to the winners of the 2013 Pulp Factory Awards and The Scribe Award nominees.

Join us for yet another episode of The Earth Station One Podcast we like to call: Exploring the 25th Century with Buck Rogers at www.esopodcast.com
Direct link: http://erthstationone.wordpress.com/2013/04/17/earth-station-one-episode-159-exploring-the-25th-century-with-buck-rogers/

Next on Earth Station One…

Pulp Factory Awards

The Earth Station One crew continues their director spotlight series with a look at the career of writer, director, producer, the Award-Winning Stanley Kubrick.

ESO wants to hear from you. What are your favorite Stanley Kubrick movies and why? Let us know at www.esopodcast.com, Facebook, Twitter, or Google+. We just might read yours on the show.

GO HERO ANNOUNCES DOC SAVAGE ACTION FIGURE

He knows if you’ve been naughty.

Toy company, Go Hero, has announced via their Facebook page that Doc Savage will be getting the 1:6th scale action figure treatment, joining the company’s similar version of The Shadow. Go Hero also features popular characters, Buck Rogers, Flash Gordon, The Claw, The Spider, and more.

Check out some sneak peeks of Go Hero’s pulpy projects in the works for 2013 here.

About Go Hero:
Go Hero is at the forefront of the vanguard movement in designer toys.  Go Hero endeavors to re-imagine classic entertainment and lifestyle products for collectors by combining creative vision, industry knowledge, artistry, and a love for pop-culture.  We want to do justice to justice doers and evoke the experiences of our collective childhoods!
Follow Go Hero on Facebook for the latest news and updates.
Click on images for a larger view.
Doc Savage Sneak Peek #1

Doc Savage Sneak Peek #2

Doc Savage Sneak Peek #3

FORTIER TAKES ON ‘HAWK:HAND OF THE MACHINE!

ALL PULP REVIEWS by Ron Fortier
HAWK
Hand of the Machine
By Van Allen Plexico
White Rocket Books
350 pages
Space Operas have been around since Flash Gordon and Buck Rogers first burst forth in America’s funny pages. They certainly had their pulp counterparts from E.E. Smith’s Lensmen series to Edmond Hamilton’s Captain Future series and many others.  Then with the advent of television American children were inundated with such TV series as Tom Corbett – Space Cadet, Space Patrol and dozens of others all culminating in the 1960s with Gene Roddenberry’s “wagon train in space,” Star Trek.  Of course the eventual jump to the big screen was never far off.  Sci-fi space operas had been around since the serials but none were so audacious and clearly proud of their comic and pulp roots as George Lucas’ Star Wars franchise.
Which brings us full circle to the advent of New Pulp Fiction and a classic genre that never really went away thanks to likes of Frank Hebert, Jack Vance and E.C. Tubb.  Now you can add another name to that list of extraordinary space opera creators in Van Allen Plexico.  From his ground breaking comic inspired Sentinels series to the Vance inspired, “Lucian – The Dark God’s Homecoming,” this writer has jumped into the deep end of the imagination pool with no hesitation as this new novel proves.
Long ago, in a galaxy far, far away (sorry, I just couldn’t stop myself) the known universe was looked after by a computer intellect that spanned space and was called The Machine.  To enforce justice and order it created, via cloning, a small group of unique warriors to command its military forces.  They were known as the Hands and chief amongst these were Eagle, Falcon, Condor, Raven and Hawk.  When an insidious evil appeared from nowhere to threaten the peace and security of the universe, the Hands were deployed to battle this mysterious foe known simply as the Adversary. Although the Hands were successful in thwarting their enemy, they did so at a tremendous cost none of them could have foreseen.  One day The Machine suddenly went silent and the elite members of the Hand were found cut off and isolated for the first time in their existence.  Some were betrayed, captured and destroyed while others vanished without a trace.
The universal empires began to collapse and a new Dark Ages descended throughout the realms of mankind.  Thus it would remain for nearly a thousand years until one day, on a distant space station, a new Hawk was awakened.  Unfortunately the process was interrupted before all memories could be downloaded and the revived warrior found himself suffering from amnesia while at the same time thrust into combat on a space station combating bug-like alien invaders.
Hawk manages to escape aboard a small space programmed to respond to his commands and during his flight the craft’s artificial intelligence attempts to fill-in the missing gaps to his actual identity.  As if doesn’t wasn’t trouble enough, Hawk’s travels soon bring him to the aid of yet another awakened Hand; this one a Falcon whose damaged body has been augmented with cybernetic parts.  Upon being rescued by Hawk, Falcon is at first suspicious of his savior unwilling to believe a “new” Hawk has been allowed to be cloned.  This particular attitude only piques Hawk’s curiosity all the more and he begins to pester his former ally about his mysterious past.
Soon the two become aware that Hawk’s rebirth is tied to various alien confrontations throughout this sector of the space all indicative that the once defeated Adversary is back and once again and eager to pick up with his quest for domination.  Mysteries continue to pile on while our duo attempt to piece together the secrets of the past in hopes they will somehow provide a solution to the threats now facing them.
Plexico’s ability to drive a narrative at light-speeds is unquestioned and even though the book comes in at a whopping page count, its pacing moves the reader along fluidly with each new chapter adding to both the plot and its inherent suspense all leading to a very satisfying climax.  An ending, by the way, with ample potential for sequels starring this great cast of characters. 
Still, the amnesia-plagued-hero seeking his identity is a plot Plexico has now used in several of his titles and is quite frankly becoming a bit too familiar.  As much as I admire his work and look forward to each new book, it is this reviewer’s hope that his next protagonist won’t be saddled with this same repetitive ploy.  That would be a real misstep in a stellar writing career thus far.  That said, “HAWK – Hand of the Machine,” is a solid space opera that is guaranteed to entertain you.

FLASH GORDON AND THE HEROES OF THE UNIVERSE GATHER IN STAMFORD CONNECTICUT

Visit http://stamfordmuseum.org/upcoming-exhibit.html for details.

The Stamford Museum & Nature Center in Stamford, Connecticut has announced that it is hosting an exhibit called Flash Gordon and the Heroes of the Universe from September 22 – November 4, 2012.

About Flash Gordon and the Heroes of the Universe:
Flash Gordon and the Heroes of the Universe showcases artwork by two of the finest Flash Gordon illustrators, Alex Raymond and Al Williamson, as well as numerous other science fiction cartoonists. The artwork and memorabilia on display, representing space adventure creations from Buck Rogers to Star Wars, provides evidence of the significant impact that these heroes of the universe have had on American culture. Flash Gordon, which first appeared in 1934, was created by Alex Raymond (New Rochelle, 1909 – Stamford, 1956) and has impacted countless science fiction creators including George Lucas, director of “Star Wars.” Lucas claims, “Had it not been for Alex Raymond and Flash Gordon, there might not have been a Star Wars.”

One of the most influential artists in the history of his genre, Raymond is credited with having created “the visual standard by which all such comic strips would henceforth be measured.” The exhibition will also include original artwork by Al Williamson, who continued Raymond’s creation and put his own imprint on the way the character was drawn and presented. Writer and cartoonist Brian Walker, who served as curator for Fifty Years of Bailey Bailey at the Museum in 2001, is serving as the guest curator for this exhibition. He has been the curator of more than seventy exhibitions and is the author of numerous books on cartoon history.

Flash Gordon and the Heroes of the Universe is made possible, in part, by support from King Features Syndicate, A Unit of Hearst Corporation, as well as the annual support of Premier Partners: Aquarion Water Company, First County Bank and Purdue Pharma. The Stamford Museum & Nature Center would like to thank Cori Williamson, Peter Maresca, Jim Keefe, Bill Janocha, Steve Kammer, Bob Fujitani, Brian Walker and the Strong Museum for lending artwork and artifacts to this exhibition.

About the Stamford Museum & Nature Center:
Stamford Museum & Nature Center is a 501(c) (3) not-for-profit organization dedicated to the preservation and interpretation of art, the natural and agricultural sciences, and history. The Museum is a vital cultural and educational resource for the community, and a focal point for family activity and interaction, seeking to inspire creativity, foster self-discovery, and nurture an appreciation for lifelong learning through exhibitions, educational programs, and special events that enhance the visitor’s experience of our unique site.

Learn more about the Stamford Museum & Nature Center at http://stamfordmuseum.org.

If you stop by the exhibit, tell them All Pulp sent ya!

Baltimore Comic-Con Debuts Major Pulp Collection

At the 2012 Baltimore Comic-Con, Basement Comics began offering for the first time a new-to-market, original owner 1920s-1950s science fiction pulp collection.

“This collection is literally farm – or should I say, barn-stored fresh,” said Basement Comics’ Al Stoltz.

“We recently purchased over five hundred pulps with lots of bed sheet size and regular pulp size great reads. Fantastic early sci fi and rocket covers and some of the best writers ever presenting in some cases their first published work like Ray Bradbury, L Ron Hubbard, Alfred Bester and more,” he said.

One pulp even features a letter to the editor from a then-17-year-old Jerry Siegel, co-creator of Superman, Stoltz said. “This is really a piece of comic history!”

Also included in the offerings are the second appearance of Buck Rogers and even some John Carter covers and stories.

“We are pricing and getting ready as many as we can for the show and we hope pulp collectors will be pleased with the selection,” he said.

Thanks to SCOOP for the scoop.

‘Buck Rogers’ returns with Howard Chaykin

Anthony Warde seems to have Buster Crabbe at a...

Howard Chaykin will revive Buck Rogers. The veteran cartoonist has been announced as writer and artist on a new Hermes Press comic book series.

Best known for its reprints – including some of the legendary pulp hero – the publisher has promised an “all new take” on the character by the American Flagg! creator.

“When [Hermes publisher Dan Herman] casually asked me whether I had any interest in reviving Buck Rogers, my reaction was first physical – genuine goose bumps – followed by complete delight at the thought of paying back a concept that was so utterly seminal in my thinking about our medium and our field,” said Chaykin.

The science fiction hero first appeared in Armageddon 2419 AD in the pages of the August 1928 issue of Amazing Stories, written by Philip Francis Nowlan.

The comic will be unveiled at the “Buck Rogers, Past, Present and Future” panel at 6pm on Friday, July 13 at San Diego Comic-Con International.