Tagged: Avengers

JOHN OSTRANDER: WWKL?

This week marked fifteen years since the death of my sometime writing partner and lovely wife, Kimberly Ann Yale. Since here we talk about pop culture in so many different forms, I thought I would pose myself a question – WWKL? What Would Kim Like? What has come out since her death that she would really have gotten into?

Let’s start right here – on the Internet. First of all, she would have loved ComicMix and probably would have had her own column here. Kim was a terrific essayist – much better at it than me, I think. She was thoughtful, she picked words with care and grammar and punctuation really mattered to her. Me? If it gets past spellchek, I’m good.

In fact, I think Kim would have been all over the Internet. She would have had a blog or two or three, she would have been answering other peoples’ blogs, she would have been Queen of Facebook. Facebook was invented for someone like Kim. She would have had a bazillion friends on FB. I would have had to pry the computer from her.

Kim was also big into monsters and horror, vampires being her especial faves. I think she would have favored True Blood over the others because of the sex and the melodrama and the Southern-fried aspects of it all. (Kim’s mom was Southern and Kim fancied herself as a Southern belle. Kind of hard to do when you’re born up North but her mind worked it around.) The Dark Shadows movie starring Johnny Depp? Eeeeeeeeee! She would be camped out for it right now.

I think both The Walking Dead comic and TV series would have sucked her in but she would have been tickled by Shaun Of The Dead. Kim had a terrific sense of humor and the world’s most infectious laugh. Trust me – if you were a stand-up comic or doing a comedy in the theater, you wanted Kim in the audience.

I wonder what she would have made of Cowboys And Aliens? She was the one who got me started watching westerns and they were among her favorite genre films and, of course, adding sci/fi to it would have really intrigued her but I’m not sure what she would have made of the execution. I only give it two stars and I think she would have agreed (Kim also worked as a movie critic back in Chicago for a small suburban newspaper, so she could really knew how to dissect a movie.)

On the cowboys and spaceships mode, I think she would have been into both Firefly and the movie tie-up, Serenity. And Nathan Fillion would have led her to the Castle TV series (she also loved fun mysteries and strong female characters).

Then there’s Doctor Who. Kim and I met at a Doctor Who con (actually, a combined Doctor Who / Chicago Comic Con) and she would have rejoiced at the Doctor’s return. I think she would have liked David Tennant’s Doctor the best; she would have described him as a “creamie” – as in cream your jeans. However, she would have liked all three incarnations that have come out since the series’ return and, as a writer, would really enjoyed Stephen Moffat’s writing and now running of the franchise. She would have also liked his take on Sherlock Holmes and on Jekyll and Hyde. I stopped watching the latter during its first season; not because it wasn’t good but because it really creeped me out too much.

On movies, she would have been amazed and ecstatic with The Lord of the Rings trilogy and would, as Mary and I are doing, been waiting impatiently for The Hobbit movies coming out. Viggo Mortensen would also have been counted as a creamie.

She would have been fascinated by how CGI made superhero movies possible and what happened as a result. Christopher Nolan’s Batman films, especially The Dark Knight, would have sucked her in and, come Hallowe’en, she would have dressed up as Ledger’s Joker, no question in my mind about it.  I think, however, she would have been even more taken with Inception – Kim had an active dreamscape and tried to spend as much time in it as possible so the movie’s setting would have fascinated her.

She would have liked Robert Downey Jr. as Iron Man (less so the sequel) not only because he was so good (and he was) but because she was also a sucker for redemption stories and Downey’s reclamation of his career would have stirred her. She would also have really liked Chris Hemsworth as Thor (creamie) and the whole Captain America film and she would really be anticipating The Avengers, not the least because Joss Whedon is helming it.

I could go on much longer but I think I’ve tried everyone’s patience enough. I may be just projecting onto Kim what some of my own likes and dislikes are but it refreshes her memory in my own mind and heart, keeping the flame alive. She was full of life and she would have brought that with her into the future. Like all those we treasure, she lives on in me and in all those she loved and loved her.

Memory doesn’t die with the body, and neither does love.

MONDAY: Mindy Newell

 

MARC ALAN FISHMAN: You Better Think

I don’t own a single Spider-Man comic. Wait, scratch that. I own some painted comic released in the mid-aughts… Secret War. Didn’t care for it.

That being said, I love Spider-Man. I loved his cartoon in the 90s. I loved the Sensational Spider-Man cartoon even more. I owned Maximum Carnage for the Super Nintendo. I played about 8000 hours worth of Spider-Man 2 for the original Xbox. So, with all the love I have for the character, why don’t I subscribe to a single web-headed book? Well, consider it a barrier to entry. Never found the right jumping on point.

Until now. Dan Slott’s upcoming in-book epic “Ends of the Earth” looks to be as good a point as ever to jump on. Given my recent love affair with the Fantastic Four… I figure why not roll the dice on the House of Mouse one more time. You see, deep down my love of the character stems from the fact that he’s generally been written to think his way out of problems – and that’s something I’m finding more and more keeps me reading comics.

“With great power comes great responsibility.” This we know. When I think of other classic (and current) comic book heroes… their books always come down to the best use of a super power. It’s akin to the ‘85 Bears victory in the Super Bowl: it’s all about brute strength. In Blackest Night? It was collection of rainbow raiders and a deus ex machina in the form of “It was Black Hand all along! Now shoot him!” In Fear Itself? Solved by a ton of punching, and Odin getting off his ass. Even in the non-epic books, I see too many stories solving their problems with mindless fighting, and sheer force-of yelling. Hell, Avengers Vs. X-Men is essentially based on that entire 13-year-old wet dream of a concept. And frankly… it’s really old hat.

When I was first getting into comics, no doubt it was all about the fighting, and punching, and super powers. A grand excuse for violence and gratuitous action sequences. And the books at that time gave in to the gluttony. Spawn was belched out of the machine that demanded insane amounts of gore, and detail, and splash pages… And the reason why his stock (and its four-barreled-thigh-pouch kin) sits somewhere a thimble above “wait, that’s still a thing?” is because the book never grasped for more than a climax built on banality.

When a movie, a book, even a song reaches for the middle, our brains turn off. The reason why Karate Kid is better than Sidekicks (aside from the obvious….)? Because Danny Larusso defeats Johnny with his mind more than his body. Yes it was about perseverance, but I contest that it was that moment when he realized the crane kick could win him the match… we as an audience collectively feel like the win is earned. It’s the reason why Batman is always better than Superman. Because nine times out of ten, Batman saves the day because he figures a way out to do so. Superman, nine times out of ten, uses one of his 1,000,000 powers.

I recently reviewed Blue Beetle #6 over on MichaelDavisWorld. In said review I was elated by the book’s choice to have their azure-hued bug boy save the day not by commanding his alien armor to make a bigger-better-bug-zapper… but by out thinking his opponent. The whole reason I’m looking forward to this Sinister Six arc in Spider-Man is because my first thought is “in this modern take on Spidey, how is he going to think his way out of being pummeled by sextet of sinister sleeze-bags?” Don’t get me wrong, I want to see plenty of quips, punches, web-shooty-balls-of-justice, and kicks-to-the-mush – I just want the day to be saved by Peter Parker’s greatest power… his mind.

In comics, we build up an antagonist – an alien race, a long lost angry god, a crazy man with a gun and a diaper – and pit our titular heroes in combat with them. Whether the Avengers are fighting the Kree, the Skrulls, Ultron, Enron, or the X-Men… only those with a short attention span and a “most-posted” badge on a message board are truly salivating on just the outcome of a fight. As a reader, I genuinely feel like the best stories give us an arc that introduces us to something we didn’t think of in the first place. When the only thing that stands in the way of a happy ending is a well placed punch we end up with Michael Bay’s Transformers… pretty to look at, and not much else.

That being said, I’m going to go look at my script for the Samurnauts. My original page of notes for the climax literally says “use some mega-super move… lots of photoshoppery.” Looks like I better get thinking…

SUNDAY: John Ostrander 

 

MARC ALAN FISHMAN: Fantastic Flop – How I’d Reboot Marvel’s First Family

So I found myself with a bit of time to kill while my wife and mother-in-law went out and about for lunch. My week-old son and I decided it was time to enjoy a bit of cable TV goodness. A quick surf left with me few options. Food Network was showing yet-another cupcake show… USA was playing that episode of Everybody Loves Raymond where his wife is a shrew and his mother annoys him, and TBS was on Tyler Perry’s Black People Watch Everything I Put Out, Not That It’s Good. And FX? Callooh-Callay! They had on the Fantastic Four movie from a few years back. Given that I was still sporting half a nerd-boner for the Super Bowl Avengers spot, and the recent web-release of The Amazing Spider-Man trailer, FF seemed like the perfect way to wet my whistle for a bit of comic goodness.

Granted, I’ve seen the movie a few times. Saw it opening weekend, and didn’t hate it. Didn’t love it either, but somehow, it was one of those guilty “Hey, if it’s on, it’s really not that bad is it?” pleasures. A few hours later, my favorite ladies returned to a house with both their boys rife with a case of the cranky pants. I’m pretty sure my son Bennett had pooped himself. I didn’t have a mess in my trousers, but I had a tear in my eye. Seems I crossed that threshold where the movie stopped being “worth” the free cable viewing, and slid right into “Good lord, people paid money for this crap?” zone.

I could spend the remainder of this column dissecting how putrid the FF movie ended up being. But it’s old-hat, right? So, why not make this a turn for the positive. I’d like to outline four things Marvel can do to reboot the familial franchise into something… dare I say… more fantastic.

1. Explore the emotional origins as well as the basic plot points. We all know the bullet points by now, don’t we? On an outer space adventure… they got hit by cosmic rays. And that moment changed forever… in the most fantastic ways. No need to fear, their here… just call the four! Sorry, it was a damn catchy theme song. Suffice to say, the rocket ride with Kirby dots isn’t ALL that the origin of the FF is. You have romance between Sue and Reed. You have Ben, the stalwart pilot. Johnny, the joker, and comic relief. While these points were hit on in the last iteration, we miss the history. Use flashbacks (ala Batman Begins) to enhance our emotional ties to the characters. It’s not a race to the whiz-bang-special effects, when you have solid characterization. And each of the Four present a solid opportunity for fun beats.

2. Ditch the “We’re learning to use our powers until it matters at the end” montage. Face it. What killed Green Lantern (OK, one of the things that killed it…) was the age-old power development plot line. A solid 45 minutes of the last FF movie spent time building the revolvers it would later shoot at the movie’s climax. It’s just not needed. When you cross over into the sci-fi, plausibility takes a backseat to adventure. If we took time to dissect the fact that Luke Skywalker was able to get a shot into a teeny hole on a battle station that decimated nearly all of his backup (who were all far more experienced fighter pilots)… we’d go mad. Once you accept that “Comic Rays” can turn one man into a walking pilot light, and another into silly putty, you don’t need to spend an hour back-peddling to make us “believe” they’ll know what to do when it’s clobbering time.

3. The big villain? Mole Man. Follow me down the rabbit hole if you will. Batman Begins took a venerable B-Lister in Ra’s Al Ghul as its first antagonist. It was a smart choice. As Nolan said in countless interviews, the villain suits the arc the hero takes across the movie. In Spider-Man 2 (easily the best of Raimi’s Marvel contributions), we got a brilliant update on a pretty mort-worthy villain. And because Peter was learning to have balance in his life during the course of the movie, Doc Oc was a perfect foil. The Fantastic Four have a pretty decent rogues gallery. It’s easy to want to jump immediately to Doom or Galactus. But the first in a franchise needn’t aim so high. In both cases, those villains would outshine the stars of the film. First and foremost, it’s the FF that people should be ooohing and aaahing over. With Mole Man you have an obvious foe who will test the Four and their ability to become this odd family unit of world-savers. The villain fits the arc, as it were. Plus, it gives us a chance to recreate that iconic first issue cover on the big screen. And you know that’d be the bee’s knees.

4. Casting. Most every comic book film lands an amazing cast… even if they don’t get utilized properly. I didn’t hate anyone in the last FF iteration per say, but let’s be honest – Ioan Gruffudd looked OK but lacked the cockiness-by-way-of-supreme-intelligence. Jessica Alba was there for eye-candy only. Chris Evans stole the show, Michael Chiklis looked the part, but had no Yancy Street swagger. Ole’ Blue Eyes needs have a definitive balance between boisterous banter and tragic pathos. Some of this could easily be the scripting, but let’s say I was a casting agent? I’d cast accordingly: Jon Hamm as Mr. Fantastic. Uma Thurman as Sue Storm. Breaking Bad’s Aaron Paul as Johnny Storm. And Brendan Fraser as Ben Grimm. Hamm can pull off “the smartest man in the room, with ease. Thurman is equally weighted when on screen (and can pull off shorter hair, and heroic). Paul can sling insults, and certainly could look the part… And Fraser, who I know most would say is a stretch, is built big, can pull off a New York accent, and has more potential than most nerds give him credit for. And as my Mole Man? Paul Giamatti. He’s damn good in everything.

So there you have it. I know a new FF movie is already in the works… here’s hoping someone over at Marvel is trolling my articles, and a few of my hopes and dreams gets swept into the pre-production fracas. What do you think? Voice your opinion below, true believers!

SUNDAY: John Ostrander

Watch the “Avengers” Super Bowl Commercial Teaser

Watch the “Avengers” Super Bowl Commercial Teaser

Here’s a 10-second peek at the Game Day spot for Marvel’s “The Avengers”. You can watch the commercial during Super Bowl XLVI this Sunday as a break from watching the Patriots get pounded on. (Ahem.)

[youtube]http://www.youtube.com/watch?v=fZsu3sbWnAU[/youtube]

avengers-25-aaa-gabrieledellotto-300x431-9158708

Avengers Art Appreciation Covers In April To Help You Appreciate The Movie In May

avengers-25-aaa-gabrieledellotto-300x431-9158708Ever imagine what the Avengers would look like if Van Gogh painted them? Hey, he wouldn’t be the moodiest guy to work in comics…

Marvel unveils Avengers Art Appreciation Variant Covers, which will be available throughout all of April. With everyone on the edge of their seats for Marvel Studio’s The Avengers in May, fans will have the opportunity to see their favorite super hero team in the styles of the world’s greatest artists like Rembrandt, Michelangelo, Monet, Pollock, Schielle, and Al Hirschfeld.

(What? Marvel ripping off talented artists to increase their profits on the Avengers? That would never happen…)

Disney XD Launches Marvel Universe Block on April 1

Disney XD will launch Marvel Universe, a dedicated Marvel programming block, with the new series Ultimate Spider-Man as its centerpiece, on SUNDAY, APRIL 1, it was announced today by Gary Marsh, President and Chief Creative Officer, Disney Channels Worldwide at the Television Critics Association Press Tour in Pasadena, California. Marvel Universe on Disney XD will be the ultimate place for fans to find exclusive Marvel content, including new animated short-form series, live-action interstitials and the series return of The Avengers: Earth’s Mightiest Heroes.  The block will be home to Marvel’s biggest superstars, such as Spider-Man, Iron Man, Hulk, Thor, Captain America and many more to introduce dynamic stories of action, adventure and heroism to a whole new generation.

Marsh said, “Iconic Marvel heroes and villains and stories with core values of accomplishment, discovery and growth make Marvel Universe a perfect complement to Disney XD and a destination for parents and kids to experience together.” (more…)

Tim Bruckner To Create Superhero Looks for Round 2’s 2012 Captain Action Lineup

SOUTH BEND, Indiana – 1/04/2012 – Captain Action Enterprises and Round 2 are pleased to announce that sculptor Tim Bruckner will be developing superhero action figure sculpts for the 2012 Captain Action toy line.Captain Action, the popular super hero toy from the 1960s, will return to toy shelves along with new costume sets, including Marvel Comics’ heroes such as Spider-Man, Thor and Captain America. New toys will debut in March 2012, with additional waves every three months.

Bruckner is a highly regarded sculptor, best known for creating dozens of statues and over 140 action figures for DC Direct. His 40-year career has included a variety of clients: Mattel, Sideshow, Dark Horse, Hasbro, Toy Biz, Hallmark, Gentle Giant, the Danbury Mint, Enesco and many others. Tim’s work has been featured in several museum shows and was recently seen in Blue Canvas magazine. He co-authored the book Pop Sculpture: How to Create Action Figures and Collectible Statues and has appeared in several issues of China’s most popular magazine dedicated to fantasy art.

“We’re thrilled to have Tim on board. We’ve been big fans of his for years, and know that he’ll help us provide great looking product that both collectors and casual toy fans will love,” said Joe Ahearn of Captain Action Enterprises, LLC.

Bruckner has begun working on the new mask sculpt for Hawkeye, the Marvel Comics character who appears in the Avengers comics, animated series and the upcoming theatrical release. “I’m excited to be part of the action, and really excited to work on some iconic Marvel characters too!” said Bruckner.