Tagged: Aubrey Sitterson

Joe Corallo: Mine @ NYCC & #ComicsGate

This past week or so has been about getting ready for NYCC. ComicMix has a panel for our successfully funded comics collection, Mine!, which benefits Planned Parenthood. I’ll be there with fellow ComicMix team members Molly Jackson, Mike Gold and Mindy Newell as well as Mine! contributors Tee Franklin, Gabby Rivera and moderator Sheilah Villari. We’ll be at room 1A02 from 1:30 pm to 2:30 pm on Saturday, October 8 at the Javits Center on Manhattan’s mid-town west side. If you’re at NYCC, please come on by – we’ll have a sneak peek at some new art from the book!

This past week or so, there has also been more than a little turmoil in the comics community.

Since I wrote my piece about the Aubrey Sitterson incident a couple of weeks ago, events surrounding #ComicsGate have escalated. From blocking and doxxing to accusations and deplatforming, things are really intensifying in the lead-up to NYCC as followers and subscribers keep going up after these conservative comics critics involved. Because of everything that’s been going on I feel that it’s important to discuss this further.

As I stated last time, part of what’s been going on has been that comics critics on YouTube and social media who lean conservative (or libertarian, in this instance) are calling out specific creators for their content; being Social Justice Warriors (SJWs); and are, in some cases using direct and targeting language that attacks a creator for their minority status. Often in cases like this, and #ComicsGate is no exception, some followers end up taking things to the next level and using even more divisive and hurtful language and carrying out acts of targeted harassment and doxxing.

A video one comics critic released last week specifically targeted one comics journalist. The video ended up being flagged, then deleted by the uploader. Not long after, more videos were flagged on this comics critic’s YouTube account, leading to the account in question being suspended. Tensions have risen as accusations of attempted deplatforming of comics critics by comics journalists are being raised. As in #GamerGate, we are seeing similar arguments of “It’s about ethics in journalism,” whether or not that’s the actual issue.

Whenever issues like these come up or any other divisive politically driven issues arise you often hear the same things. You hear people talk about how the other side is horrible, how we shouldn’t even attempt to understand them and how we need to focus on beating them back and diminishing them. But in my case, I usually like to at least understand how things have come to be how they are.

Many of these conservative-leaning comics critics do more than provoke harassment of comics professionals to whom they are opposed: They’ve built a community. Like-minded comics fans who have similar issues with the direction that mainstream comics are going in get together for online hangouts, talk about the comics and creators they like, and more. Some of what they talk about I can even get behind, like how Black Bolt is one of my favorite books that Marvel is putting out right now. It’s easy to paint everyone involved as a troll, and that’s not to say there aren’t any trolls involved, but there are a lot of others who are fans of comics that want to see changes made and get riled up and moved to action when they can rally against perceived hypocrisy and calls to violence from the left.

Look, I’m an unapologetic liberal and political activist — I’m working on a Planned Parenthood benefit anthology, after all. That said, comics is not an exclusively liberal or conservative space and we have to exist without this level of conflict. There are plenty of conservative voices in comics who have put out quality work over the years including Chuck Dixon, Mike Baron, and Frank Miller. I (and others) am not advocating for an eradication of conservative thought from the comics medium.

With that in mind, there are things that cannot be tolerated. Transphobic language and personal attacks targeted at comics professionals and journalists cannot be tolerated. Using a creator’s’ background and minority status to attack them and their work cannot be tolerated. Allowing followers to go unchecked in their further attacks on comics professionals cannot be tolerated. Creators are getting death threats. We need comics professionals to feel safe.

Conservative voices in comics aren’t ever going to go away. If these comics critics, or anyone for that matter, want to be taken seriously by the comics industry that they’re criticizing then they need to drop the bigoted language and personal targeted attacks, and lead by example and call out the increasingly abusive behaviors of some their followers.

 

Joe Corallo: Diversity, Comics, and the Culture War

There are so many things that have happened in the past week that I’d love to talk about. I’d love to talk about our successful Kickstarter campaign for Mine! which raised $9,360 over our goal. I’d love to talk about what I thought of Runaways #1. Unfortunately, what I need to talk about is Aubrey Sitterson and Diversity and Comics.

Aubrey Sitterson is currently writing one of the G.I. Joe comics over at IDW. He has a reputation for poking the bear when it comes to those on the right who are upset about decisions he’s made in changing characters and the roles of said characters in order to create a more diverse book that will appeal to new audiences; something that properties like G.I. Joe could always use. Last week on September 11th, Aubrey sent off a couple of tweets regarding 9/11. He talked about who has a right to be upset about what happened on that day and questioned the sincerity of some people expressing anger and grief over what happened.

While I agree with Aubrey’s politics in terms of pushing for wider diversity in comics, in comments regarding 9/11 were very inappropriate. They were not comments made to friends in private, or even on a private Facebook page; they were public statements made on his public Twitter account. I have every right to be offended by what he said as do many other people.

Freedom of speech is not freedom from consequences. I’ve been disappointed to see some reporting on the left side of comics politics that make it out as if Aubrey Sitterson’s comments didn’t mean what he said they mean, and that by being upset with his words that we are somehow allowing those on the right side of comics politics to score some sort of victory. While I don’t feel that he needs to be fired or anything like that, we don’t have to act like what he said was great and unworthy of criticism either. No one wants to hear your hot edgy take about 9/11 on 9/11. No one.

That being said, if the reason you’re calling for the firing of Aubrey Sitterson is because of Diversity and Comics, then we need to talk about that.

Diversity and Comics is the equivalent of a right-wing pundit for the comics industry; think Alex Jones’ Info Wars. He came to the scene earlier this year and his following has been growing massively on Twitter and YouTube. I hadn’t been paying too much attention to what he was doing, but over time he began to make very personal attacks towards writers I admire like Kwanza Osajyefo as well as personal friends and Mine! contributors Sina Grace, Gabby Rivera, and Mags Visaggio. He has stated that he wants a Comics Culture War. This is a problem that needs to be addressed.

What Diversity and Comics does, similar to what Trump and the far right often do, is to take a universally recognized problem and spin things to find a scapegoat they can rally around using bigotry and guttural emotions. Many people would agree that the comic industry could be doing better, or at least we would like to see it do better. Diversity and Comics takes those who are looking for an answer to why comics aren’t doing better and offers up a solution; it’s SJWs, the far left, women, queer and minority creators. This results in targeting specific creators and vile, personal attacks fueled by bigotry and hate being thrown around in an effort to try to force people out of comics that they don’t like. I don’t care to share any of those attacks in this piece.

People often talk about leaving trolls alone and they’ll just disappear. In this instance, Diversity and Comics has been growing his following this whole year. He has more Twitter followers than ComicMix, a Patreon where he brings in several hundred dollars a month, YouTube channel with over 37k subscribers and over 9 million video views, with many videos over 10k views a piece with hundreds of comments. I don’t see him going away anytime soon, and his followers and subscribers have grown between this past weekend and me writing this. Many people were wrong about how much support a candidate like Trump would have, and you may be wrong about how much support Diversity and Comics has too.

This is a sizeable group of people that exist. They want comics for them; them being cishet white guys and some outliers. In their effort to do so despite having the majority of mainstream comics already catering to them, they have made many creators at best feel unwelcome and at worst feel unsafe. It’s not a sustainable way to operate in a fandom the size of comics.

Some of the people involved will never change the way they feel or operate, and that’s how it is. Some of them got caught up in the rhetoric and maybe don’t truly believe the horribly sexist, racist, homophobic, transphobic and Islamophobic words used to promote the ideals of Diversity and Comics, but rather found his answers about the industry to be plausible on the surface. Those people may come back around one day as they see he does not have the real answers to the woes of the comics industry, but rather an agenda to craft a comics fan base in his own image.

Targeted creators do not want you to look at what Diversity and Comics is saying about them and reporting back. Don’t do that. It just hurts people. What you can do is if you see inappropriate behavior, nasty personal attacks, or threats to report them to Twitter or whichever platform you are using and see it on. The comics community is small, but we need to step up and help creators to feel safe and welcome.

Please help all of us to have a safer, more welcoming community for creators now and well into the future.