Hidden behind the defaced campaign site of Harvey Dent is an image that appears to be the first released image of Heath Ledger as the Joker in The Dark Knight. We’ll put it behind the jump for spoiler reasons, so please click the "continued" button:
By the time this posts I should be nearing my comic shop (which I’m visiting for the first time in ages) to pick up the last couple weeks’ worth of comics, so why not treat y’all to the last week of ComicMix columns first?:
And crank up that MP3 player for Mellifluous Mike Raub‘s most recent podcasts:
That should keep us all pretty busy for awhile!
Oh, you lucky consumers. This week, all the benefits of DVD watching have come to the fore with four classics that come in four different varieties. First, celebrate all ye cinema-of-the-fantastic fans, for two of the greatest science fiction and fantasy films of the 21st century are now out on disc but only one in a way that shows how superior the DVD format is to virtually every other medium.
I love fantasy. My first non-pseudonyminous novel was a fantasy, Cry of the Beast. My latest novel is a fantasy, Murder in Halruua. My first non-fiction book was The World of Fantasy Films. So it’s a great pleasure to now write about Pan’s Labyrinth, probably the best fantasy film since, well, the director’s previous mixing of monsters and Spanish history, The Devil’s Backbone (2001).
Even after directing Blade II and Hellboy, Hollywood still gave Guillermo del Toro’s extraordinary Oscar-winning new film its due, and New Line Home Entertainment is no exception, crafting one of the great DVDs to showcase it (and they’ve had some practice, considering they also backed the Lord of the Rings special editions). There is a single disc DVD, which only sports the director’s loving audio commentary, but let’s pretend that doesn’t exist (along with the fullscreen version).
Instead, go right to the Two Disc Platinum Series, which envelops the already magical, monstrous, mystical, and majestic film with gobs of film-enhancing extras. All too often, even when a DVD has loads of extras, they’re not really film-enhancing. They may be film-promoting, film-marketing, film-indulging, or even film-smoke-blowing, but it only takes a few of those to know the real deal when it comes around. Each of the documentaries included on the Platinum Edition make successive viewings of the film all the more enriching and enjoyable.
There’s a discourse on the movie’s use of fairy tale mythology, an examination of the colors and textures del Toro uses to deepen his work, a behind-the-scenes look at the creation of the movie’s creatures (spotlighting Doug Jones, the director’s favorite go-to man for these roles), multiple “director’s notebook” interactive menu pages, and, not surprisingly, considering del Toro’s avowed love for comic books, animated prequels establishing back-stories for four of the film’s fantasy favorites.
They’ve also added the memorable episode of PBS’ Charlie Rose Show, which interviewed the friends now known as cinema’s “Three Amigos” – del Toro, Babel director Alejandro Gonzalez Inarritu, and the next man on our DVD hit parade, Alfonso Cuaron. Using the clout he acquired after directing Harry Potter and the Prisoner of Azkaban, Cuaron threw it all into his remarkable adaptation of famed mystery writer P.D. James’ recent science-fiction novel Children of Men.
I love science fiction. My second non-pseudonyminous novel (Doomstar) and non-fiction book (The Great Science Fiction Films) were science fiction. I didn’t feel there was a huge difference between SF and fantasy, but apparently tinseltown disagrees. For, while New Line gave Pan’s Labyrinth its due, Universal treated the bleak yet exhilarating Children of Men like a red-headed stepchild.
Even though most movie theaters haven’t opened yet, nor sold Sunday tickets, Variety is already reporting that Shrek the Third will rule the charts this weekend. They do this because Friday ticket sales were $38.8 million, in 4,122 theaters. That comes out to a per venue average of $9,423 — just for Friday.
Spider-Man 3, on the otherhand, earned $7.98 million, down 54% from last week.
UPDATE: Variety now says that, for the weekend, Shrek sold $122.9 million. Spider-Man 3 came in second at $28.5 mil, down 51& over last weekend. And 28 Weeks Later was third, with $5.1 million this weekend.
And I believe I know what storyline they’re going to be using in The Dark Knight. But I suppose in these days of compressed primaries, it’s never too early to start campaining, or even to set up a campaign website. Here’s hoping he’s not going to be just another two-faced politician.
Hmm. Looks like some joker also believes in Harvey Dent too…
He’s got a chauffeur that’s a genuine dinosaur…
And he can knuckle yo’ head before you count to four.
– Dallas Frazier
“Alley Oop” (1960)
The formidable dinosaur-replica standing guard at the entrance to the Museum of Science & History in Fort Worth, Texas is a native Southwesterner in more ways than one. The creature goes by the academic name of Acrocanthosaurus atokensis, and as such it was not discovered until around 1950.
But a Fort Worth cartoonist named Vincent T. Hamlin had in fact discovered that unknown monster in the fertile substrata of his imagination – almost a generation’s span before the first Real World unearthing of any fossil remains. Hamlin called the creature by less of a mouthful of a name, and he made Dinny the Dinosaur a prominent player in a rip-snorting comic strip called Alley Oop, about a prehistoric Everyman. Dinny’s resemblance to the Acrocanthosaurus, or high-spined lizard, is uncannily prophetic.
This tidbit of provincial history took on a manifold relevance a couple of years ago with a smart accident of timing. No sooner had the Museum of Science & History opened its epic-caliber Lone Star Dinosaurs gallery, than Fort Worth’s Hip Pocket Theatre launched a stage adaptation of Alley Oop, in August of 2005. The bold juxtaposition of provocative science-fact with adventurous science-fantasy is one of those nowhere-but-Texas coincidences that would leave Vince Hamlin beaming with pride. If he were still around to do any beaming, that is.
In the interest of B.F.D. (Belated Full Disclosure), I should mention that I hold a stake in all these developments. I composed the musical score for Hip Pocket’s Alley Oop. My own book of prehistorical lore, a restoration of the late George E. Turner’s 1950s dinosaur comic strip The Ancient Southwest (TCU Press), had its rollout at the Science & History Museum. And V.T. Hamlin (1900-1993) was my first major-league mentor in the cartooning profession. Sooner or later, everything comes full-circle.
After all, it was the West Texas landscape, with its outcroppings of prehistoric remains and its air of primeval antiquity, that had given the Iowa-born Hamlin an inspiration for Alley Oop, ’way back during the 1920s. He was working as a newsroom cartoonist for the Fort Worth Star-Telegram at the time, producing a comics-panel series called The Panther Kitten, a chronicle of the ups and downs of a tenacious baseball team called the Fort Worth Cats. And Hamlin’s nearness to the natural history of West Texas became a springboard to Alley Oop.
“Y’know, I really created the blueprint for Alley Oop there at the Fort Worth Star-Telegram,” Hamlin told me in 1990. The occasion involved Frank Stack’s and my efforts to compile and annotate a set of Alley Oop reprints at Kitchen Sink Press. Hamlin added: “Well, I suppose I had been drawing the guy who would become Oop ever since I was a kid.
Even if you have a pretty new computer these days, you might be out of luck when it comes to new diversions.
A brand-new web-only science fiction series called Sanctuary has debuted, and I couldn’t even get the preview to play on my new Macbook without it freezing and reloading four times in two minutes. And that’s with the most updated version of Flash.
And Blizzard has just announced StarCraft II — which also freezes up the machine when we try to play the trailer.
Heck, I can’t even grab any artwork to show you, it’s all Flash and fancy stuff. If you think your machine can take it, you now have the links.
Have I mentioned there are tons of computer users (like my mom) still on dial-up?
He may be a bad, bad man, but he’s a good, good comic.
Derek McCulloch and Shepherd Hendrix’s Stagger Lee garnered four trophies at last night’s Glyph Comic Awards, which signalled the opening of the East Coast Black Age of Comics Convention (ECBACC) in Philadelphia.
The list of nominees is here; the winners appear below. Congratulations to everyone!
The Big ComicMix Broadcast slides into the weekend with a wrap up of the big week of TV News, the scoop on a few new variant covers to hunt down, more things to watch on the web and the return of two popular indy comics. Plus we sit down with former DC superstar DAN MISHKIN and get the story on a new line of young reader books done by some very familiar comic pros.
And if that wasn’t enough, The Big ComicMix Broadcast digs up – Tony Danza! All you have to do is (all together now) PRESS THE BUTTON!
It’s been a while since I’ve seen truly interesting Saturday morning cartoons, so when I came across this, I thought I’d share it with you. This is a clip from Tex Avery’s Droopy’s Good Deed and is prefaced with a WARNING: NOT SAFE FOR WORK.
l can understand why this was cut from the versions of the cartoons I was raised on as a kid (cut right after the explosion) but it amazes me that it took me this long to even know that this existed.
We’re including the full cartoon after the jump, which has a few other snippets that seem unfamiliar to me. Enjoy.
Columns / Glenn Hauman / News
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