Author: Vinnie Bartilucci

Unlock Kate Stewart in Doctor Who: Legacy

Unlock Kate Stewart in Doctor Who: Legacy

Are you playing Doctor Who: Legacy? Would you like to try the new special levels with an extra friend by your side? SPLENDID!

Just take a look at our recap of the Doctor Season finale Death in Heaven to find a special code to automatically download Kate Stewart, Chief Scientific Officer of UNIT.

If you’re new to the game, you can also use the code 1212-1212-1212-1212 to get  a care package of bonuses to get you started properly

Doctor Who: Legacy is free for AppleAndroid and Kindle devices, as well as playable online via Facebook.

New Who Review – “Death in Heaven”

When there’s no more room in Hell, the dead will walk the Earth.  As Cybermen.  See what he did there?  The Master is back, and has been working on this plot for QUITE a long time. Some old friends return for the fight, we say goodbye (for now, anyway) to some others, and oh goodness, were there still surprises.  I don’t know why you’d be reading this recap before you saw the episode, but if you are, don’t.  Because it makes much more sense to know about the…

DEATH IN HEAVEN
By  Steven Moffat
Directed by Rachel Talalay

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New Who Review – “Dark Water”

Some will say they knew all along, and some are still scraping their jaws off the floor  A big surprise, a BIG surprise.

DARK WATER
By  Steven Moffat
Directed by Rachel Talalay

Deciding to come clean with her boyfriend Danny, Clara begins to bear all to him over the phone, only to have the call, and his life, cut short as Danny is struck fatally by a passing car.  Clara passes through the five stages of grief off camera, and advances to step six – Plan To Get Him Back.  She attempts to threaten The Doctor into saving him, but learns quickly that it’s not necessary.  As they arrive in a bizarre mausoleum, Danny awakens on the other side of the equation, in the same office where we’ve seen several people arrive, having it explained to him that he’s dead.  The Doctor and Clara are told a wild story – a discovery about the afterlife that has caused a change in the mortuary industry.  But in fact, the bodies are not being protected from harm, but harvested for organic base materials by the Cybermen.  But it turns out there’s not one old foe to face, there’s two – the enigmatic Missy is in fact The Doctor’s old foe The Master, back again, in a new form, and clearly playing the long game.

As thrilling as the reveals were in the episode (especially the final one), not a great deal happens. We finally learn about the background of Danny Pink, in a series of very good scenes, played well by Samuel Anderson.  But largely, the episode is set-up for next week’s finale – we learn who the foe is (are), we learn about the plot, and that’s about it.  Lots of good acting between Capaldi and Coleman, not to mention a welcome return from Sheila Reid as Clara’s Gran.

Given the nature of this story, we must note the SPOILER ALERT. Proceed with caution.

GUEST STAR REPORT –

Rachel Talalay (Director) started her genre career right at the start, directing the Nightmare on Elm Street sequel Freddy’s Dead: The Final Nightmare, a title that managed to lie twice.  She directed the…divisive…Tank Girl, and Ghost in the Machine, a film with a story somewhat thematically linked to this one.  The majority of her career has been in television, both here in the US and the UK.  She directed two episodes of Randall and Hopkirk (Deceased), some Ally McBeal, and more recently Kyle XY and the…divisive…Flash Gordon series from Syfy.

THE MONSTER FILES – The Cybermen have had quite a few appearances in the new series,  most recently in this new design in Neil Gaiman’s Nightmare in Silver. Our universe’s version of the cyborg monsters came from the planet Mondas, a tenth planet in the solar system that was ripped from orbit.  The denizens of the world slowly replaced their body parts to survive, and eventually became a race that saw what we call the Singularity as the logical progression of life.  The version of the Cybermen we’ve seen in the new series are from a parallel dimension colloquially known as Pete’s World, after Rose Tyler’s father.  Inventor John Lumic created them as a new step in evolution, but as happens, his invention got out of hand.  There’s been a question all along of whether the Cybermen we’ve seen in recent years are some amalgamation of the Pete’s World and Mondasian Cybermen.  Considering one of the promo shots for this adventure featured The Doctor holding the head of a classic series Cyberman, we may finally see the question at least addressed.

The Master was created simply to be the Moriarty to The Doctor’s Sherlock.  Played originally by the late Roger Delgado, The Master remained a threat to the universe through the original and new series, and even the TV movie, played by Eric Roberts.  His history kept under wraps, it’s known that he and The Doctor knew each other from the Time Lord Academy, being members of the student think tank The Deca.  Rumors have bubbled about that before Delgado’s passing, there was to be an adventure where it would be revealed The Doctor and The Master were brothers – of course, since it was never written, one could claim it never happened.  The Master has always had a habit of working in the background, often behind the thin veil of a play on words pseudonym.  Even the name used when John Simm played him, “Mister Saxon” was an anagram of “Master No. Six”, as in the sixth actor to play the role.

BACKGROUND BITS AND BOBS

DWDarkWater3PLEASING PETER TO PLAY PAUL’S – The scene of the Cybermen streaming out of St. Paul’s is a clear hat-tip to the iconic scene from the lost Troughton adventure The Invasion, which featured among other things, the first appearance of UNIT, who will feature heavily in the next episode.

“Shut up – stay Shut Up” – More examples of Clara becoming more like The Doctor – this is is a reflection of how The Doctor asked everyone for a bit of shush in Time Heist.

“All of the stuff that I did wrong” – The Post-Its all over Clara’s bookshelves have references to adventures from this season, with a couple of interesting unseen references – I don’t recall an adventure with a “Miniature Clara,” and there’s only on Jenny I can recall, and if she’s shown up again off camera, a lot of people are going to demand we go back and get a look.

“The car – it just came out of nowhere” – This is a very good description of how Pete Tyler was killed in Father’s Day. After Rose brashly decides to save him, thus bollixing up the time line the car that was to have hit him keeps passing the same point on the road, giving Pete the chance to put thins right by letting happen what has happened already.

“I am owed” – Clara has literally saved The Doctor’s life an incalculable number of times by stepping into his timeline and fixing the havoc wrought by The Great Intelligence.  It’s not clear exactly how much time has passed since the accident, but it can’t be more than a couple days – the flowers are still fresh in her kitchen.  It’s hard to know how long she’s been planning this little gambit of hers, or how long she’s been letting that phone ring.

“You told me what it would take to destroy a TARDIS key” – Let the mash-ups between this scene and the end of Lord of the Rings commence.

“All seven” – Between the Pertwee and Baker years, there was a stage play called Doctor Who and the Daleks in Seven Keys to Doomsday, for which the number of keys is surely a hat-tip. And in case you missed it, one of the keys was hidden in a copy of The Time Traveler’s Wife.

“If I change the events that brought you you here, you will never COME here and  ask me to change those events” – This is a textbook description of the Grandfather Paradox.  As Isaac Asimov explained it once on Cosmos, “If I go back and kill my grandfather, I will never be born, which means I will never go back to kill him, which means he’s not dead, which means I CAN go back and kill him”.  While every sci-fi fan can think of dozens of ways to get around that little catch-22, it always seems inviolate in the context of a story…until it isn’t, of course.

A big question might be why Clara saw the need to go straight to threats and chicanery to get this sorted.  Likely she’s seen The Doctor go on about the laws of time so many times she knew what he’d say, but as we see, she’s clearly and obviously wrong.

“Remember we did this before” – Clara found Danny accidentally in Listen – here they’re doing it again, but on purpose. And once again, they show up at a moment important to Danny’s life, namely the bit at the end.  There’s a question of exactly when they’ve arrived, though.  Based on what we’ve seen in past episodes, people’s exit interviews, for lack of a better term, seem to occur immediately after passing.  This would mean they are in fact a few days in Clara’s past, immediately after the accident.  But if there’s the chance that the process of scanning and encoding of the mind onto the Nethersphere takes some time, they may be in her present, or a bit more.

“White Noise off the telly” – in the world of parapsychology, this is known as Electronic voice phenomenon, the idea that the background noise on broadcasts and recording are supernatural in nature.  The movement also sparked a horror film starring Michael Keaton.  The idea of voices coming out of the TV was also touched on in modern Clara’s first adventure, The Bells of St. John.

“I feel like I’m missing something…obvious” – Well, yes, but it’s hardly the first time.  He failed utterly to recall the Madame DePompadour in Deep Breath (although in fairness, he didn’t actually learn the name of the ship) and he completely forgot the existence of the Great Intelligence a year before that.  Well, you have a couple thousand years of memories, a few are going to slip through the cracks.  That’s surely why he keeps a diary.  And BTW, as fun as the moment was then the penny dropped, I can only imagine how great it would have been if we hadn’t all already known the Cybermen were in the episode.

“My Birthday, when is it?”  – November 23 is not only Clara Oswald’s Birthday, it’s the birthday of Clara Oswin Oswald from The Snowmen, and presumably that of Oswin Oswald in Asylum of the Daleks. And yes, it’s the date that Doctor Who was first broadcast in 1963.

That’s a Matrix dataslice – a Gallifreyan hard drive” – The Matrix, also referred to as the APC net, was a massive repository of the memories and personalities of past and passed Time Lords.  The Doctor entered the Net in The Deadly Assassin, and experienced it as a virtual world.  So yes, there was a computer-based virtual world called The Matrix several decades before those two fellows decided to put Keanu Reeves in one.

“Imagine you could upload dying minds into that – edit them, re-arrange them” – Oh, you mean like The Library did for CAL in Silence in the Library / Forest of the Dead? A computer that houses the mind of River Song? A story written by Steven Moffat? Odd that there’s a similarity there, eh?

“We can help with all these difficult feelings” – Have you caught the similarity for all the people who’ve appeared in the Nethersphere?  They’re all military – The half-faced man was in charge of his ship, Gretchen was a soldier, the policeman had at least regimental police training, and Danny served in the Middle East.  Perfect fodder for warriors, once you get rid of the emotions.  The goal for the minds in the Nethersphere is to be downloaded into Cybermen.  In the past, an emotional inhibitor would prevent the human portions of the system from going mad from the experience.  Similarly, the trauma of having the emotions forcibly erased would likely damage the psyche, rendering them unusable.  But if you could get the person to delete the emotions willingly, a la Eternal Sunshine of the Spotless Mind, that would result in a clean slate to build on the trained military base mind.  Chilling and efficient.

“I’m Missy…short for Mistress” – As in his appearance in The Sound of Drums, The Master has clearly been setting up this plan for a long time, enough to set up the fake “white noise” discovery, get the multiple 3W institutes built, no to mention harvest the dying minds.  Indeed, considering the first ones we saw collected were from the Victorian era and centuries in the future, one wonders if she’s been grabbing minds for centuries, or somehow able to pluck them from across time. And if you want to have one more recurring idea, The master is once again taking the human race, putting them in metal casings, and using them as an army.  Last time he was doing it to living humans and calling them the Toclafane, and now it’s with dead ones and making them Cybermen, but largely it’s a very similar plan.

“You know the key strategic weakness of the Human Race…the dead outnumber the living” – So yeah, basically this is a zombie movie with sci-fi trappings.  We got a mummy a few weeks back, we’ve had vampires and werewolves, so why not?

BIG BAD WOLF REPORT

LORDS AND LADIES – People have clamored for a female Doctor for years; surely a female Master is progress?  After a few teasing mentions that it was possible for a Time Lord to switch gender during regeneration, this is the first time we’ve seen it on screen.

The last time we saw The Master was at the end of The End of Time, being sent back into the time lock with the rest of Gallifrey and the high council of the Time Lords.  Since then we have learned that the entire planet Gallifrey was spun sideways out of the universe entirely, giving the impression that it had been destroyed in the Time War with the Daleks (who of course have not been seen since).  The Time Lords were able to slip enough energy to reset The Doctor’s regeneration cycle, so one must presume that there might have been enough space to let one Time Lord pass through as well.  One must hope we’ll here more about how he came back, and became a she, in the coming week.

“Clearly you have not received the official 3W greetings package” – Theories about the exact relationship between The Doctor and The Master are manifold.  But considering Missy described The Doctor as “my boyfriend” at the beginning of the season, and the fervor of the Louisiana Lip Lock she slaps on him here, one could be forgiven for suggesting that this new gender permutation affords The Master some latitude in her attitude.

“Have you ever killed anybody?” – One of Danny’s students asks him this in the first scene we meet him, and here the question is at the end of the series getting answered.  The event is clearly something that affected him seriously – it’s likely the event that made him leave the military.

“Be strong, even if it breaks your heart” – Surely the latest lesson in How To Be The Doctor.

DWDarkWater2“I love you” – Some are claiming that this is a clue that this isn’t really Danny, or an incomplete simulation of him.  I think it’s more obvious than that – Danny is sacrificing himself for Clara.  It’s not that he can’t remember the little details about their life, he just can’t believe she’s testing him at this very stressful moment. So when she threatens to end the call if all he can say is “I love you”, he’s pushing her away so she won’t come to this horrific place and risk getting trapped there.

NEXT TIME ON DOCTOR WHO – UNIT fights the Cybermen again, and The Doctor has a great fall.  Death in Heaven is a week away.

The Quest is Ended: Tom Baker joins Doctor Who Legacy

Collectors love completing a set.  So imagine the joy of players of Doctor Who: Legacy when it was announced that Tom Baker, a.k.a. “Four,” had been approved for addition to the game, thus giving a full set of Doctors. The download code for Tom Baker was released earlier today via Kotaku.

img_0026-300x400-6832809The free-to-play game has gained a steady stream of additional content since its release last December– dozens of new  Companions, costumes for both friends and Doctors alike, new levels based on past episodes and seasons of the show, and a plethora of enemies new and old.

With the new season, new content has kicked into high gear. Levels and characters based on each new episode have been added every week shortly after their broadcast.

By keeping in touch via the game’s Facebook page or their newsletter, players can receive free download codes for the new content, as well as being able to receive alternate versions of the characters by playing special expert levels, or via the fan area. The fan area opens up once a player buys five time crystals, the game’s premium currency, and is well worth the minor expense.

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Special black and white editions of The Brigadier and the First and Second Doctors give a clue as the depth and detail the game offers.

Doctor Who has been steadily increasing his footprint in the videogame world.  Official Minecraft skins were released recently for the Xbox version of the game, and the BBC has just unveiled a new game for the CBBC website, The Doctor and the Dalek, an educational game that teaches programming skills by allowing the player to take control of a malfunctioning Dalek.

Doctor Who: Legacy is free for AppleAndroid and Kindle devices, as well as playable online via Facebook.

Marvel Reveals Movie Slate: It’s… Amazing!

At a special event in Hollywood today, Marvel Studios officially announced its film schedule for the next four years.  Confirming rumors, the Doctor Strange film was announced, as well as pleasant surprise announcements for Captain Marvel and Black Panther

MarvelMoviesAfter an initial tease that it would be “Serpent Society”, the real subtitle for the next Captain America film was confirmed: Civil War.  The plot would be the cinematic version of the story, following up from the events of Winter Soldier and Age of Ultron.

Guardians of the Galaxy 2, written and directed again by James Gunn, has been moved up for a release date of May 5, 2017.  As soon as Gunn returns from Japan (he appeared via video) they’ll begin asking the hard questions, like the status of Cosmo, not to mention that odd looking fellow who looked, walked and sounded like a duck.

GotG2 was moved up to make room for Thor: Ragnarok. Featuring a return of both Chris Hemsworth and Tom Hiddleston, the film will follow the events of Avengers 2: Age of Ultron, and will serve to revitalize the character”.

Casting for the role of Doctor Strange with Buttercream Crinklebort had not been finalized “Otherwise we would have announced it today”, but assured it will be announced “some time before the release of the movie”, which has been scheduled for November 4, 2016.  the film will open the door not only to the world of the supernatural, but to the world or parallel dimensions, a statement which will certain raise interest and eyebrows.

Black Panther is scheduled for November 17, 2017.  Producer Kevin Feige announced that T’challa would appear, in costume in Captain America: Civil War, which meant that casting had already been decided.  This was verified by the introduction of the actor, Chadwick Boseman, who came onto to stage amid thunderous applause.

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Not bad, eh?

Captain Marvel was another unexpected surprise, scheduled for June 6, 2018. No casting was announced for Captain Marvel, though is was confirmed it would indeed be the adventures of Carol Danvers, an adventure that would span Earth and space.  Announcements for the writer and director for the film would preced any casting announcements, with no timeframe set.

Marvel’s twentieth film will be Inhumans, scheduled for Nov. 2, 2018. The Kirby/Lee creation has long been theorized to be a potential replacement for Marvel’s mutant populace, unavailable for the studio’s use as the X-Men rights remain in the hands of 20th Century Fox.  It was teased we might find out more about the Inhumans’ place in the MCU “sooner than you think”, suggesting teases in more imminent films.

And confirming the suspicions that started with the cameo of Thanos in the first Avengers film, Marvel announced that the plots in the films have been leading to the assembly of the Infinity Gauntlet, culminating in a two-part film, Avengers 2: Infinity War.

Noted omissions included no Hulk solo film, nor on for Black Widow. Marvel confirmed that both characters will appear in several of the Phase Three films, and while there’s a desire for more there are no specific plans.  However, Feige did point out that there were plans where black Widow would play a “key, key role”, opening the door for more hopeful hoping by fans.

Making a passing mention of the upcoming Netflix series, Feige verified that unlike DC/Warner Brothers’ choice to keep the TV and film world separate, all of Marvel Studios’ productions take place in the same world, however on the outskirts some may be.  We’ve already see connections between Agents of S.H.I.E.L.D. and the Cinematic Universe, so the door appears open for the web series as well.

To summarize Marvel’s Phase 3 release schedule:

  • Captain America 3: Civil War – May 6, 2016
  • Doctor Strange – Nov. 6, 2016
  • Guardians of the Galaxy 2 – May 5, 2017
  • Thor: Ragnarok – July 28, 2018
  • Black Panther – Nov. 3, 2017
  • The Avengers 3 – Infinity War: Part 1 – May 4, 2018
  • Captain Marvel – July 6, 2018
  • Inhumans – Nov. 2, 2018
  • The Avengers 3 – Infinity War: Part 2 – 2019

New Who Review: “In the Forest of the Night”

A great actor once said “never work with children or animals.”  This episode features both, and once again, the axiom proves true.  The students of Coal Hill School have a sleepover in the museum of natural history, and wake up…

IN THE FOREST OF THE NIGHT
By  Frank Cottrell-Boyce
Directed by Sheree Folkson

London, and indeed the whole world, ha been engulfed by dense, fireproof forests overnight.  The Doctor assumes it’s an act of aggression, but with the help of the kids of Coal Hill School, including one very sensitive girl, the real threat to Earth is identified.  But are they too late to realize they’ve been attacking the wrong side?

DoctorJungleThis is another episode where the main plot and the threat of the week is almost overwhelmed by the staggering character work.  Wonderful camera work from the director (the steadi-cam run around the top deck of the TARDIS is wonderful) as well as fabulous work bringing varied and mature performances from a raft of your people.  There’s quite a bit that goes unexplained in the episode, but like many great stories, the true star of the week are the emotions and reactions of the main cast.  Sometimes you have to let those refrigerator moments pass – it really doesn’t matter where the Harlequin got the jellybeans.

The episode features the return of a common theme in the new series – threats that aren’t threats at all.  In the case of this one, it’s actually a benevolent event, misunderstood by everyone, much like the star whale from The Beast Below.  Once again The Doctor was wrong about his assumptions.  In this case, if he’d done nothing at all, everything would have been fine, save for any small areas the pudding-brains exposed to damage by successfully taking down small areas of ttrees,

GUEST STAR REPORT – Frank Cottrell-Boyce (Writer) has won a Carnegie medal for his novel Millions (and wrote the script for the film) and has written several films with Michael Winterbottom, including Welcome to Sarajevo, 24-Hour Party People and Tristram Shandy: A Cock and Bull Story.

Sheree Folkson (Director) There may not be any female writers for Doctor Who in the new series, as Neil Gaiman so adroitly hung a lampshade on, there’s been at least a couple female directors, including Ms Folkson.  She directed the David Tennant film The Decoy Bride, and the mini-series that brought him to fame, Casanova.

THE MONSTER FILES – While the forests of the world certainly seemed to be the baddie of the episode, it turned out not to be the case.  But we’ve seen other plantlife on the show as well.  The Krynoids in The Seeds of Doom turned out to be quite a threat, as did the Ice Warriors’ biological weapon in The Seeds of Death.  The Forest of Cheem evolved from the plant life of ancient Earth, as we learned at The End of the World, and the mysterious sentient forest from The Doctor, the Widow and the Wardrobe didn’t want to harm anyone, but also didn’t care how they got what they wanted.

BACKGROUND BITS AND BOBS

SET PIECES – It turns out if you want to show London covered with forest, it’s cheaper to find a forest and cover it with bits of London. a forest near Newport was the location chosen, which was given the feel of London with selectively chosen icons.  The red phone booth, traffic light and entry to the Underground were there, but the double decker bus (with an ad on for the new series of Doctor Who) was only a large photo on a backboard.

NIGHT IN THE MUSEUM – Nice bit of foreshadowing in the museum – we see stuffed versions of a tiger and two wolves, which we see live versions of later on.  Tempting to think they came to life somehow, but The Doctor’s theory of the Zoo getting destroyed makes a bit more sense.

“When you drink a glass of Coke, it’s only this big, but it’s actually got THIS much sugar in it. Works a bit like that.” This is the second-best explanation of the TARDIS’ dimensional transcendentality ever.  The best one was given to Leela at the beginning of Robots of Death, where The Doctor shows two boxes of differing sizes explained fairly easily how you can place the bigger one inside the little one just by placing it farther away.  The Doctor twice gets to be gleefully frustrated by people seemingly being unimpressed by the bigger-insidiness of the old girl.

“Who do you want to talk do, Monty Don?” Monty Don is a TV presenter in Britain, best known for segments on Gardener’s World.

“No circuits, no mechanism…wood” – That’s the first logical explanation we’ve gotten for why the Sonic Screwdriver won’t work on wood, something that’s been the case since at least the Tennant years.

“Not everything can be fixed with a Sonic Screwdriver, it’s not a magic wand” – More lampshade-hanging – it was clearly being used as such in the past series, and as mentioned previously, is used much less so now.

“Furious, fearful, tongue-tied – all superpowers if you use them properly” – There’s a surfeit of bookends in this series – this is a callback to The Doctor’s speech to young Danny about how fear is a superpower in Listen. And as we see in the episode, the “Gifted and Talented” kids all start to come out of their shells and help in their own way, from Maebh’s talking to the forest to Ruby’s literal-minded observations of important things.

“Trail of breadcrumbs, Hansel and Gretel” –  The connection to fairy tales and forests recurs through the episode – Clara asks if they slept like Sleeping Beauty and fears they’ll find a gingerbread cottage. Maebh leaves a trail, she is wearing a red coat (with a hood) and is pursued by the Big Bad Wolf.

“This is a massive solar flare headed for Earth” – Earth suffers from attack by solar flare more then a few times in the history of the show – aside from the final one in The End of the World, there’s the one that Nerva Beacon tries to survive in The Ark in Space, and the one that Starship UK escaped from in The Beast Below.

DoctorKid“The thoughts…they go so fast” – Maebh’s hand-waving gestures are sometimes a symptom of autism, a repetitive action it’s believed helps calm the person.  The autistic person can often feel overwhelmed by the sensory input we take for granted.  To take those gestures and turn them into a literal attempt to wave errant fleeting thoughts away is quite illuminating.  Maebh is described as being “tuned to another channel”, which is also a pretty good description of Autism.  That other way of seeing things is presented a number of ways in the episode, from being sensitive to the communication from The Green (to take a description from DC’s Swamp Thing) to being the only who notices there’s a gate just a few feet down the fence that The Doctor and Clara are trying to get her over.

“But we saw the future – lots of futures” – This is the first of two bookends to Kill the Moon – Clara asks again how the Earth can end now when they’ve both seen it so many times in the future.

“This is my world too. I walk your Earth, I breathe your air” – and this is the other.  He’s parroting what Clara said to him in anger, and he’s saying it earnestly.  And while in Kill the Moon, The Doctor says he can do nothing and walks away so humanity (through Clara) can make the right choice, here humanity (again through Clara) tells The Doctor to leave, because he can do nothing.

Which is, if you think about it, rubbish.  The TARDIS is powered by the full output of a dying start housed in the Eye of Harmony, and has the power to pull the Earth physically through space.  It seems to me that it could either absorb or deflect the solar flare, or just drag the Earth out of the way of the flare and pop it back after it passes.  But of course, that would leave us with no story, so I should just shut up and move on.

Also, both stories also feature truly outlandish saves to global catastrophes that should cause humanity to undergo a change to its shared human zeitgeist, but are virtually forgotten a galactic-scale tick of the clock later.  Truly we are short-sighted creatures.

“There are wonders here” – This little speech is on par with Tony Randall’s speech in The Seven Faces of Dr. Lao, and I am not being sarcastic.

“If you remembered how things felt, you have stopped having wars…and stopped having babies” – We are pretty good at romanticizing trauma, to the point that we’re keen on trying them again.

BIG BAD WOLF REPORT

“Let him call – this is more important” – If the subtext theme of the last two episodes was lying, if you had to name the theme in this episode, it would be “Priorities.”  Clara calls The Doctor before she calls the school or any of the kids’ parents.  More than once in the story, she’s more fascinated about what she’s seeing than in the safety of the kids – something she was chastising The Doctor about doing not too long ago.  And while Danny does stop things once or twice to discuss the fact that Clara is clearly still in touch with The Doctor, and still traveling with him, his priority is protecting the kids, a mindset Clara can’t deny she finds alluring.  Clara is more worries about Danny finding out about her still being on the TARDIS than the news that a solar flare is headed for Earth.

“I thought Miss Oswald told me to go find The Doctor, but it wasn’t her – it was just in my head” – There was no exact explanation for Maebh’s abilities – the voice of the plants said they had no idea who he is, so it seems unlikely they’d be behind her seeking him out.  Clara wasn’t even aware there was a problem when Maebh went off, so it wouldn’t have been her.  It’s possible this might be the subtle hand of Missy, guiding the young girl to The Doctor to make sure he doesn’t stroll off.

“…like the one that destroyed the Bank of Karabraxos” – The mention of the Bank from Time Heist specifically suggests a connection between the two – both were apparently a surprise to the planets in question.  One has to wonder whether Missy was behind the solar flares, here as well as on Karabraxos – bad guys seem to love big powerful weapons

“I didn’t try too hard to survive, but somehow, here I am” – Almost as if there was someone watching over him, perhaps?

“Well, that was surprising…and I love surprises” – Was Missy just watching the events, as we did, or did she have a hand in it somehow?  Well, we’ve not got long to wait to find out…

NEXT TIME ON DOCTOR WHO:  Not the Hanna-Barbera cartoon, and not the remake of the Japanese horror movie. Dark Water comes marching your way, as does the beginning of the end. of the season, that is.

Thunderbirds: Age of the Hood
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Thunderbirds: Age of the Hood

With the Avengers movie footage only available a week, the online mash-up artists have been making marvels. We’ve seen the Pinocchio clips, but here’s some other puppets more used to explosions and catastrophe.

The Case For The Mini-Series

Showcase Lois LaneWe’re seeing a lot of titles ending with short runs lately, both at Marvel and its Distinguished Competition.  The good news is at least a bunch of new things were tried.  DC has tried a lot of really interesting, even risky books in the New 52, and a lot have failed, but at least they’ve tried.  And that deserves some credit.

The desire now is to pump out number one issues – the argument is they provide an easy jumping on point for readers, and collectors are drawn to them like Wimpy is drawn to free hamburgers.  We see more and more series relaunched with new numbering, we see new spin-off titles, and not a lot of them last.  We’ve already heard about two new Spider-titles, and one of the characters hasn’t even appeared yet.  There’s no real way to know if a continuing Spider-Gwen book will sell, but here it comes.

It got me thinking… maybe the way things used to be done in comics wasn’t such a bad way.

Back in the day, TV shows didn’t always start as TV shows.  They’d do a TV movie as a glorified pilot, to test the water.  The Love Boat and Fantasy Island both got several TV movies before they went to series.  Even today, popular shows like Sherlock and Doctor Who get a limited number of episodes in a series – 13 episodes a year for Doctor Who, three every so often for Sherlock.  No chance for the characters to get tired, the stories are kept tight, no padding needed.

Likewise, comic books used to get new characters tried out in an anthology book like Showcase, and a series would get greenlit after the sales (and the fan letters) were tabulated. In the 80s, we’d see mini-series for those new characters.  Robin got, what, three minis before he finally got a title.  Lobo got an endless run of minis and one-shots before the regular book.  There’s a lot of characters who started with a mini, and went on to long-lived regular titles

The point was, they’d try out new ideas, but in a smaller way, see how the sales did, and then pull the trigger on a regular series.  And it gave them the same number of new numbers one issues that they like to put out there.

So I wonder, might a return to testing the water with mini or maxi-series “With an option” be worth a look?

The latest She-Hulk series is ending with issue 12.  But say She-Hulk were originally sold as a 6 or 12-issue series instead of a continuing, It’s possible more people might have been enticed to try it, especially if it’s made clear that sales would add weight to making it a regular series.  By the time issue six or seven came along, they’d probably have enough data to decide if a continuing series could sell.  They could make the announcement in the last issue of the series, get people excited about the continuing, and get a solicitation out shortly after.

Of course, I expect there would be people who’d think “Meh, it’s only a mini-series” and skip it as well.

Heck, perhaps there are some characters who would work better just in minis, albeit a regular number of them.  The Great Lakes Avengers worked (IMHO) better in small doses, a single storyline at a time. As much hope they put on Alpha in the  Spider-titles, he got a mini-seres, and save for one or two cameos, we’ve not seen anything else.  The mini was a good test of the waters.

As much fun as a Squirrel Girl title could be, I’m not 100% sure the title will hold long-term. Like She-Hulk, I fear we’d get maybe 12 issues. But a six-issue mini, maybe one a year?  I think it’d work well.  I think there’s a lot of characters who could carry a short run with a one-and-done story.

They’re a good opportunity to test out new talent as well. See how long a new penciller needs to get six issues in the can, see how well they could handle a regular series, or if the “when it’s finished” model works better.  Some of Joe Quesada’s earliest work was The Ray mini-series at DC.

Who do you think would make a good character for a mini-series, as opposed to a regular run?

New Who Review – “Flatline”

It’s the premise of a classic short novel by a Shakespearian scholar and at least a half dozen EC Comics.  What happens when beings based in a differing number of dimensions interact?  Usually it’s the higher dimensions assaulting us, but if the invasion comes from the ground up, one would hope your defensive wall could be a…

FLATLINE
By  Jamie Mathieson
Directed by Douglas Mackinnon

A mysterious force is causing the dimensions in a council estate near Bristol to collapse, resulting in people vanishing, with only distended and partial projections left behind.  The TARDIS is affected by the distortion, and when it lands, the connection between the interior and exterior of the ship is…oddly affected.  Reduced to half-size, and then smaller, The Doctor is trapped within the ship, leaving Clara as the one with boots on the ground to discover the source of the attack, save everyone, and get the TARDIS back in shape – literally.  It sounds easy-peasy lemon squeezy, but it turns out to be difficult-difficult lemon…difficult.

Possibly one of the best mixes of humor and horror in an episode in quite a long time.  The magnificent distensions of the human form created by the art department are perfectly counterbalanced by the truly hilarious sight of Peter Capaldi’s hand reaching out the door of a tiny TARDIS to drag itself across the ground.  And once again, the theme of the series shines through once again – lying.

GUEST STAR REPORT – Christopher Fairbank (Fenton) most recently played The Broker in Guardians of the Galaxy. He’s had parts in genre classics like The Fifth Element and the Underworld TV series, as well as voices in video games like Puppeteer.

John Cummins (George) worked on Steven Moffat’s series Coupling, though on the production end.  He’s been seen before the camera on The Hour in a couple of roles, and a member of Parliament in the most recent 24 series Live Another Day.

BACKGROUND BITS AND BOBS

BUT I KNOW WHAT I LIKE – Writer Jamie Mathieson got the job for writing this episode with a unique pitch – he drew a series of pictures based on the stories, including for the one that would become this episode.  As opposed to the previous episode where Moffat handed him the title and told him to write a story around it, this one was all his idea, and Steven liked the idea of the monster enough that he asked Jamie to, ironically, flesh it out.

broccoli_sag_600

A good idea of how a Flatlander would see broccoli.

YOU’RE NOT THINKING TWO-DIMENSIONALLY – Edwin Abbot wrote the novela Flatland: A Romance of Many Dimensions, as satire of Victoran culture, but it accurately described how a three-dimensional creature would be perceived in a two-dimensional world.  Carl Sagan discussed the concept in the original Cosmos, summarizing the mathematical bits of the story with visual aids.  The three-dimensional extrusions of the flatlanders are a pretty good example of how they’d us “three-deers” – a series of slices.  They took that idea and mapped it to a 3-d form, the end result being what looks like the “people” traveling through physical space with those slices making up their form.  Creative, and chilling.

UP AGAINST THE WALL, MOTHER… – There’s at least two recent videogames that use the idea of becoming two-dimensional as part of the game mechanic.  The PS3 platformer SIDEWAY: New York allows you to flatten against walls the make your way around buildings and collect graffiti tokens, and the latest Legend of Zelda game A Link Between Worlds lets Link step into cracks between light and dark lands in the adventure for the Nintendo 3DS.

DOCTOR-LITE – As has become traditional and required, this episode featured a reduced appearance by The Doctor to allow Peter Capaldi and the production staff to produce more episodes in less time. Starting with Love and Monsters, each series has featured episodes where some of the cast appeared in limited capacity to allow for what’s called “double banking”.  This episode was a reverse of The Lodger, where Amy Pond was trapped in the TARDIS while The Doctor had to work alone with only audio connection to his friend.  In both cases, this allowed the actor on the standing set to film their scenes in a short time, leaving their schedule open for other episodes’ filming.  Tennant and Tate each got a largely solo adventure in the episodes Midnight and Turn Left.

LET’S GET SMALL – The TARDIS has had issues with shrinkage before.  The Hartnell story Planet of Giants was sparked by the TARDIS materializing at the wrong size, resulting in both the ship and its inhabitants ending up the wrong size. A small error in calculation resulted in the TARDIS being reduced to 50% in size in Logopolis.  The Doctor flipped the script on the idea when fighting The Monk in The Time Meddler – he removed the dimensional control from The Monk’s ship, so while the outside of the ship remained the same, the interior reduced in size, so The Monk couldn’t enter it.

“It’s called the 2Dis…why do I even bother…” –  One of the things I was hoping for this series was a reduction of the use of the Sonic Screwdriver as a catch-all fix-me-up, and we’ve gotten that.  We’re back to seeing The Doctor create slapdash gadgets to achieve the results required, like The Machine That Goes “ding” When There’s Stuff.  That they don’t always work right is more logically explained by the fact that he’s usually literally built them on the run with anything he can lay his hands on.  Considering the TARDIS is able to instantly

BIG BAD WOLF REPORT – The theme from last episode carries through to this one – Lying.  The Doctor Lies all the time, and here we see Clara finding out why.

“Excellent lying, Doctor Owsald” – Clara’s lie from last episode is exposed to both people it affected – The Doctor learned that she lied about Danny being “Okay with it” them continuing to travel, and Danny has certainly been made open to suspicion that she’s not kept her feet safe on the ground.  And as a rule, lying to people doesn’t usually go well, especially in people with whom you’re in a relationship. And both gentlemen meet that description, however different those relationships may be.

Also, that’s a nice parallel to Donna Noble being referred to as “The DoctorDonna” near the end of her run on the series as she merged minds with the Meta-Crisis Doctor,  resulting in the first human Time Lord.  She got to do the swooping in at the end and saving everyone with all the switch-flipping, and Clara had to do the hard lifting of keeping everyone together and safe until a plan came together.

“Lie to them…give them hope” – The Doctor feels quite uncomfortable about how plainly his tactics are being exposed and explained to him by Clara.

“You were an exceptional Doctor, Clara…’goodness’ has nothing to do with it” – This is the mindset of The Doctor in this series and this incarnation in microcosm. Look at what she has to do – establish dominance in a panicked crowd, take no time to mourn those who die during the fight, and spend every moment puffing everyone up so they think they have a chance of surviving.  That’s been Capaldi’s job all year.  And she did it beautifully.

“My Clara…I have chosen well” – Missy is back, watching the action via an iPad that’s positively HUGE in her hands.  Now of course, this only begs the question, how does she define “chosen”?  We might suspect we’re back to thinking she’s the one who gave Clara the phone number to the TARDIS, but it might be more a case of just choosing who will be the one to help The Doctor the most.  It would be quite a frustrating turn of events if it turns out Clara was a mole all along (as well as patently contradicting her reason for existence for most of the series), so any connection would be, one would hope, non-complicit on her part.

NEXT TIME ON DOCTOR WHO – Clearly the governmental “go green” initiative has gone too far.  In The Forest Of The Night, coming this Saturday.