Author: Tommy Hancock

THE PANEL THAT JUST WON’T STOP!!!

THE PANEL THAT JUST WON’T STOP!!!

We originally said ‘Here’s a Panel Topic everyone should sound off on’ and we were right….people keep sending responses, so we thought it’d be good to repost just in case you weren’t caught up…Got a response of your own? Send it in!

 We all know that DC announced this week that its FIRST WAVE line, the one that combined Batman, Doc Savage, the Spirit, and other Golden Age pulp and comic characters into one sort of ‘timeless’ universe where dirigibles and cell phones coexisted, is being cancelled. This extremely controversial line of comics, made so by the fact that many pulp fans saw the portrayals of their favorite characters as mishandled at best, blasphemous at worse, has definitely stirred up a lot of talk. Here’s the panel topic-Was DC’s First Wave as bad as all that? If so, why? What does the cancelling of this line mean for the future of pulp centered comics, if anything? Email your panel responses to allpulp@yahoo.com and they’ll be posted here!

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From Teel James Glenn, writer in the pulp tradition….

Why did the First Wave fail? the art wasn’t bad and even some of the ideas were interesting, but the basic premise seemed to be that even though pulp chracters have endured in their original form for 70 years the writers at DC knew how to ‘fix’ them. Why fix what isn’t broken? I doubt any of the writers actually read any of the books they were ‘improving’ by changing basic premises and characters. It is the same problem most movie adaptations have; everyone thinks they can violate the very core of the creations they SAY they are ‘reimagining. Bullflock!

Uncreative people feed off other people’s creations and bring the level down. You have to honor the work of those who came before and then you can prehaps–prehaps- move forward with new creations that can interact with them. Always look at the ‘character/series’ bible and honor it as if it was gospel–because it is.
If DC wanted to do pulps right they should have hired pulp writers not guys who said in interviews “I never read the books”–arrogance like that deserves to be discarded…

From Barry Reese, Member of the Spectacled Seven….

Where do I start? DC mismanaged the entire line, starting with a series of interviews from creators that alienated the hardcore fans and made newer fans wonder why they should try a bunch of characters that even the main writer talked about with disdain. Then go on to the launch miniseries, which still hasn’t finished… Here’s a clue: don’t launch a new line of books with a book that’s supposed to set up the whole thing but doesn’t come out on time. Makes the entire affair look half-assed and poorly planned. Then you have a book (Doc Savage) that after a mediocre beginning slides into outright crapitude with shifting writers and artists. And don’t get me started on The Avenger stuff, which was such an insult to the original characters that I wish DC had just renamed it.

They shouldn’t have solicited the kickoff mini until it was completed. They should have hired people who not only understood the characters but who genuinely loved them — you can update the characters and still maintain their core… but you have to *want* to do that. And why include Batman in this universe if his only appearances would be in a one-shot special and the mini? They should have had a Bat-Man series set in this universe that the other books could have orbited around — the Bat guy sells, you know.

Mishandled and poor creative decisions. I’m surprised it lasted as long as it did.

*********

From Tommy Hancock, another of the Spectacled Seven

Mine will be short.   It will be short because I didn’t read anything but the first issue of the FIRST WAVE mini series and the first three issues of DOC SAVAGE.  Well, I say the first three issues, I actually only read the full first issue because I couldn’t stomach anymore of what they jokingly referred to as THE AVENGER.

I am not a purist.  I am also not a ‘we have to make changes to everything’ sort either.  I like what I like and I like companies and writers to produce things I like.  It helps when they are producing stuff I like based on other stuff I already like.  What didn’t work in this regard is DC not only didn’t produce stuff that I liked based on characters I adore, but they ignored me.  I didn’t want DC to ask me my opinion, well, maybe I wanted them to, but didn’t expect it.  But I, being a pretty big pulp fan, was simply left out of the equation when DC got their hands on these great characters.  My opinion, my interests, my desire to see these characters live again…didn’t matter at all.  The bad part for DC was that these new readers I guess they were trying to appeal to…didn’t have any buy in at all to these concepts and saw them for what they were…poorly handled editorially misdirected imitations at best, toilet paper with pictures on it at worst.  And me, my buy in…it went to Moonstone, Doc Savage reprints, and new pulp…

Just sayin’…
***********

From Derrick Ferguson, yet another of the Spectacled Seven

I read the first three issues of DOC SAVAGE (hey, there was no way I wasn’t going read it) and was unimpressed.  I have to admit that the idea of all these classic pulp characters and certain DC characters like The Blackhawks and The Spirit, who in my mind are pulp characters, appealed to me.  But the execution was, in a word, lousy.
Here’s what I can’t wrap my head around: why in the world would you hire writers who plainly have no love or liking for the characters they’re writing about?  Wouldn’t it have made more sense to hire writers who actually know, love and have a true desire to write the best possible Doc Savage or Avenger stories they possibly could?  Stories that would not only thrill and delight old time fans but make newer readers sit up and understand why these characters are cool and remain so after so many years?
And yeah, I agree with Barry: it didn’t help to have interviews with writers who I felt were giving me the digitus impudicus for loving pulp and had really snotty attitudes toward not only the work they were producing but who they were producing it for.

************
From Adam Garcia, Scribe of the Green Lama

I never read first Wave, but I think it’s fair to say it failed on execution rather than concept. While I advocate change, I don’t necessarily think you need to change everything, to make things effective. I’m more a believer that to keep things one specific way is a mistake and to open to adaptation. I’m 100% certain that First Wave would have been considered amazing if the story had been effective. Take the new Star Trek film as an example, a bottom to top reinvention that was overwhelmingly loved, or Batman: the Brave and the Bold or even the massive massive changes made to the Joker in Dark Knight. That’s what I’ve been arguing. Reinvention isn’t bad, it’s frankly the nature of pop culture, but refusing to accept it is.
You may not like the adaptation, that’s a fact of personal preference, but with licensed character adaptation is the only way the stay alive. So First Wave might have failed creatively, but I applaud the effort.
 ***************
Elizabeth Tadehara: Fan of The Shadow

I was shocked and angry when I learned through All Pulp that DC had finally decided to end First Wave. Then I wonder why? Why was I angry? Why was I shocked?

The art was not some of the Best work, I know DC is able and capable of turning out. Take First Wave’s One Shot with Doc and Batman. The art work seriously rubbed me all the wrong ways. Yet, it greatly improved with the actually series came out. While the good Doc’s was beautiful and captivating from the get go. Nor was the story… I’ll emit to not picking up any of Doc Savage’s First Waves after the first story arch, and the ones I did, I immediately put down cause they went off on some ungodly random tangent that the first four issues had not prepared me for. While First Wave, itself, let much to desired because I still have absolutely no idea what in blue blazes is going on. It’s like the writers for the series decided over coffee one day. “Hey! Who needs a decent story when you can just throw some well known character together and sees what happens?” Sheesh.

Now to why I was angry at the announcement of cancellation of First Wave. I had it on good authority that when DC approached the current owners of Doc Savage’s rights for First Wave, that this great Comic publisher agreed to also buy the rights to The Shadow. As an obsessed (yes, I am emitting to IT!) of The Shadow. I was hopefully and optimistic, since there has not been a decent comic form since DC’s: The Shadow Strikes.

The shock of the said cancellation wore off a few hours later, after I had some serious time to think about it. Even though, I am an obsessed fan, I am not by a purist either… cause sometimes the obsession out ways the purist. So I’m somewhat thankful, after reading all the other options, that they never got their hands on The Shadow. We do not need a repeat… Not after DC’s attempted update in the 1980s or (shutters) The Archie disaster.

As to the future of pulp comics. You need look no further than Moonstone. Enough said.

ALL PULP’S A BOOK A DAY TIMES THREE!

ALL PULP’S A BOOK A DAY TIMES THREE!

http://www.bearmanormedia.com/

DEK_Cover.jpg

Written by one who knew them

Meet and become friends with many of the actors from the Dead End Kids, Little Tough Guys, East Side Kids and the Bowery Boys!

Since he began collecting Movie Memorabilia on the Dead End Kids in 1964, author Richard Roat has had the great fortune to develop personal relationships with David Gorcey, Stanley Clements, Gabe Dell, Bernard Punsly, Huntz Hall, Billy Benedict, Frankie Thomas, Eddie Le Roy,  Brandy Gorcey  (daughter of Leo Gorcey), Gary Hall (son of Huntz Hall), and Leo Gorcey Jr. (son of Leo Gorcey). This book draws upon those acquaintances and his talking with Billy Halop, Bennie Bartlett, Johnny Duncan, Ward Wood, Dick Chandlee, Eugene Francis, Harris Berger, Charles Peck, Ronald Sinclair, and more!

Lavished with many photos from the films from the author’s personal collection, this is one book you’ll need to have in your collection, tough guy!

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Discovering the Hudson:
New York’s Landmark Theatre
From Broadway’s Beginnings to Live Television,
Jack Paar and Elvis

The Hudson Theatre, which opened in 1903, is much more than a beautiful facade, much more than a landmark Broadway playhouse with Tiffany glass mosaics and Roman friezes — complete with verde-antique in Greco-Roman marble — all of which recently and painstakingly restored by Millennium Hotels. With as much drama going on off-stage as beneath its historic proscenium arch, The Hudson has been the theater home for such titanic 20th century actors as George M. Cohan, Ethyl Barrymore, Laurence Olivier, Alfred Lunt, and Jason Robards Jr. As if that weren’t enough of a resume, the storied Broadway palace has also played the big time as the studio where Jack Paar and Steve Allen did their nationally broadcasted TV shows. Elvis, Bob Hope, Sammy Davis Jr. and many others not instantly associated with Broadway have been celebrated Hudson guests too. Ward Morehouse III, whose family has been identified with theater for generations, uses the Hudson as a launching pad to write about the golden age of Broadway, live TV and beyond into the new, international age of corporate-theatre synergy.

“Ward Morehouse III, like his well-known father before him, is a natural storyteller, with countless stories to tell. His good-natured affection for New York–its characters, its cultures, its history-makers and its history–shines through his prose. He knows this city well, and likes to share what he knows. For a couple of decades I’ve enjoyed his newspaper writings. And a new book from him is always welcome!”
–Chip Deffaa, author of “Blue Rhythms” and “Voices of the Jazz Age”

“No one is more qualified to write a history of Broadway’s landmark Hudson Theatre than Ward Morehouse III, a member of a family identified with the New York theater for generations and a theater columnist and historian in his own right. The story of how the Hudson has survived for more than a century of ups and downs as home to great plays and players, to big bands and radio dramas, rock and cabaret stars, is fascinatingly told and a very good read indeed. It burnishes Morehouse’s reputation as a researcher and witty, anecdotal writer earned by several books on New York’s grand hotels.”
— Frederick M. Winship, United Press International cultural critic-at-large

LUGOSI’S FRANKENSTEIN

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With the success of Dracula, starring Bela Lugosi, Universal Pictures was quick to capitalize on creating a new Lon Chaney in Bela Lugosi. Chaney had been the original choice to portray a duel role as both Dracula and Professor van Helsing, Dracula’s adversary. Before production could begin Chaney died suddenly leaving Carl Laemmle Jr. without a star.
Laemmle Jr. had seen Dracula on the stage in New York City, although he could not recall if he had seen Lugosi or Raymond Huntley in the role of Count Dracula. However Lugosi was performing in the touring company which happened to be in Los Angeles at that time. Was he the new Lon Chaney?
Lugosi was not Carl Jr’s first choice for the role. However he eventually won the part and now they needed more ideas for him. “Murders in the Rue Morgue”, “Cagliostro”, “The Invisible Man” and “Frankenstein” were top on the list.

One day in March 1931 Robert Florey, recently returned to Hollywood from Europe, was having lunch at the Musso and Frank Restaurant on Hollywood Boulevard. He was approached by an old acquaintance, Richard Schayer, head of Universal’s story department. Schayer told him that his studio was looking for ideas for a new horror film to star Bela Lugosi and he knew Florey was involved with The Théâtre du Grand-Guignol de Paris, (a small theater, in an obscure alley in Paris which specialized in sadistic, shocking, explicit, violent melodramas and became known as the “Theater of Horrors”. It opened in 1897 and closed in 1962.)
They both agreed on “Frankenstein” being the best choice. Schayer suggested that Florey would stand a better chance at being asigned writer and director if he were to present the idea to Carl Laemmle Jr.

  We present now the script for “Frankenstein” as it would have been had Bela Lugosi starred; and Rober Florey directed.

ALL PULP NEWSSTAND BULLDOG EDITION 2/3/11

ALL PULP NEWSSTAND
BULLDOG EDITION
2/3/11
PRO SE WANTS WRITERS FOR ‘THE SHAMUS DIRECTIVE’!

From Pro Se Productions-

A handful of months back, Pro Se announed a line of anthologies it intended to do over the next year.  Those anthologies, four in number, are still in play, but a new concept has been added to the pack, one that is an unique take on a couple of genres and will prove to be a fun, exciting playground for writers to work in.

THE SHAMUS DIRECTIVE is a project developed in concept by Tommy Hancock, but is actually founded in historical context.  Just prior to and all during World War Two, The United States government via the FBI as well as members of the Armed Forces, developed dossiers on all licensed Private Investigators in the country.  A list was then comprised of the ones deemed appropriate and ‘good’ and they were then considered to be ‘cleared’ to be used in espionage missions, mostly on the homefront, or missions that regular forces just could not deal with for various reasons.   Several investigators were called on to work on cases due to this list and it even became a popular hook in fiction, especially radio and early television, to have a PI in a show do government work because they were on this list.
THE SHAMUS DIRECTIVE poses the theory that not only was this list compiled, but the people on it were truly the world’s greatest detectives and they were formed into sort of a team to handle major issues in conjunction, even maybe saving major parcels of land and people in the process. 
Pro Se’s plan is this-We are doing an open call of writers to submit a minimum of a page proposal for a detective character to be included in THE SHAMUS DIRECTIVE.  This must be an homage/pastiche character, the writer’s version of an existing type of character (Nero Wolfe, Phillip Marlowe, Sherlock Holmes, etc) and the stories will be set in the 1930s-40s.  If a writer’s proposal is accepted, there will be a two story commitment.  The first story will be a case of that writer’s character prior to being put on the Directive list, their greatest case within that time frame.  Those will be collected in a sort of SHAMUS DIRECTIVE prologue anthology.  Then, immediately following will be THE SHAMUS DIRECTIVE VOLUME ONE which will be a series of interconnected stories, almost chapters, involving all the characters in a team up to save the day.  If sales and interest warrant it, we will definitely expand into more volumes.
It must also be noted that six slots are open in this concept.  If you are accepted as one of the six, however, and cannot meet deadlines that will be set, then you will be removed from the concept and the remaining writers involved will continue on.  This project will have reasonable, but firm deadlines.
Anyone interested in submitting or needing more details, please email Tommy Hancock at proseproductions@earthlink.net   
PULPY GOODNESS FROM KPSB!
From Kevin Paul Shawn Broden
“Blood of a Ghost” Chapter 2 of REVENGE OF THE MASKED GHOST

A masked stranger has invaded the Randolph home and died.
What great secret does he hold?
A new chapter of ROTMG will be posted soon.
Page 22 of 24 of Issue 13 of FLYING GLORY AND THE HOUNDS OF GLORY
Love is in the air as the Sweetheart’s Dance is here! Where are all our couples?
Find out in this week’s page of “Looking for a Love Song”
has been posted at: http://www.flying-glory.com/

ALL PULP NEWSSTAND BULLDOG EDITION 2/2/11

ALL PULP NEWSSTAND
BULLDOG EDITION
2/3/11
ALL PULP WELCOMES THIRD STAFFER
ALL PULP is pleased to announce its third open position for staff reporter/reviewer/interviewer has been filled.   Jonathan Jones joins the ranks of ALL PULP and will be a major part of bringing Pulp fans and the world at large All the news that is Pulp from ALL PULP!  Be on the lookout for our three new staffers to debut on ALL PULP in the next week or two!
PULP ARK NEEDS ART AND STUFF!!!
Tommy Hancock, Coordinator of Pulp Ark, the new Convention/Creators’ Conference being held May 13-15, 2011 in Batesville, AR, stated today that although things are coming together quite nicely, there are still a couple of areas the Pulp Community, particularly creators and publishers, could help out with.
“Pulp Ark,” Hancock said, “is growing every day and will be a great show and a fantastic first effort.  We do have a couple of things, though, that we’re still trying to pull together.  We announced a while back that the local art gallery wanted to host a Pulp Art Show during Pulp Ark and they still desperately want to do that.  I am meeting with them today as a matter of fact.  My problem is, except for pieces from Pro Se’s work (Hancock is Editor in Chief of Pro Se Productions), we don’t have any artists who have committed to have works in the gallery!  This is a great opportunity and definitely something Batesville has never seen.  And we are planning to have an auction on Saturday night wherein if an artist wants to sell a piece in the gallery, they can and 80% of what is made goes directly back to them, in their pockets.  Of course, if an artist just wants to display his/her work and not sell it, that’s fine, too.  The focus is the gallery showing, not the auction.”
“Also,” Hancock continued, “Pulp Ark put the call out a few weeks ago for goodies, stuff that creators and publishers might have that they would consider donating for fan bags to be given to the first however many fans come through the door.  Although we’ve had a couple say they would contribute, we could use several more.  This could be postcards, pens, pins, whatever, just something to give to the fans that they will for sure enjoy and leave with.”
Any artists interested in participating in the Gallery showing and/or any publishers or creators interested in contributing to the Pulp Ark Fan Bags, can email Hancock at proseproductions@earthlink.net for further details.


ALL PULP NEWSSTAND NIGHTHAWK EDITION 3/1/11

ALL PULP NEWSSTAND
NIGHTHAWK EDITION
3/1/11
DILLON HITS THE BLOGOSPHERE!
Derrick Ferguson, noted Pulp Author and contributing writer to various publishers, has finally heeded the call of fans of his work and started a blog.  Ferguson is not telling the world about his pets, his trips to the grocery store, or his latest thoughts on political doings.  No, this is a blog dedicated to a character that Ferguson is known for.  Dillon.  This is a blog about the heroic pulp actioneer that has appeared thus far in DILLON AND THE VOICE OF ODIN and DILLON AND THE GOLDEN BELL as well as a Dillon short story.   A fan favorite, Dillon embodies aspects of various pulp heroes into one finely tuned, well defined expression of adventure, intrigue, and fun.  And now, thanks to his creator, Derrick Ferguson, fans new and old alike will always know what Dillon is up to.  
RADIO WESTERN ADVENTURES SPECIAL EDITION READY FOR PREORDER!
From Pulp 2.0 Press-

RADIO WESTERN ADVENTURES Volume 1 is now available for signed edition pre-order.

You can own one of the first copies hot off the press, signed by Donald F. Glut and delivered to you via post for only $13.99.

Just go here and click on the paypal button to order your copy today.

http://pulp2ohpress.com/pulp/radio-western-adventures/

You can also see all of the bonus features of the book here:

http://www.facebook.com/album.php?id=316374832771&aid=286770

RWA is a unique blend of nostalgia and hard-hitting western pulp action from the pen of DONALD F. GLUT (THE EMPIRE STRIKES BACK, BROTHER BLOOD, and TV’s TRANSFORMERS) and pulp celebrity LESTER DENT (DOC SAVAGE, THE AVENGER).

The book features the novella “Who Really Was That Masked Man?” — a tall tale about what happens when all of the classic western stars from those thrilling days of yesteryear encounter one another and embark on a six-shooting, whip-cracking adventure. This is the story that fans of western pulp, serials, comics and old time radio have been waiting for years to read!

In addition, the Legendary Lester Dent contributes a never-before-published story “Snare Savvy” featuring Haw Kain, a slow-talkin’, but quick-witted cowboy from Montana who runs afoul of some greedy land grabbers. There’s also a fast talkin’ gal who catches Haw’s eye, and makes his job of stopping the crooks all the tougher.

This one-of-a-kind western pulp features many exclusive extras:

A comprehensive article on the great radio, comic and serial western adventure heroes (GENE AUTRY, HOPALONG CASSIDY, ROY ROGERS, SUNSET CARSON et al) that influenced the creation of “Who Really Was That Masked Man?” This article is lavishly illustrated with stills of young Don in his childhood cowboy outfits roaming the range of boyish imagination in Chicago.
A tribute to Jim Harmon, the man to whom this book is dedicated. Jim Harmon was a good friend, author and ardent western radio fan, historian and wrote of many books on the subject including the definitive THE GREAT RADIO HEROES.
A gallery of RARE STILLS featuring iconic western stars and autographed to Don Glut.
A behind-the-scenes peek at “Snare savvy” by noted author and pulp historian Will Murray.
and much more!!!

BARRY REESE NOMINATED FOR GEORGIA AUTHOR OF THE YEAR!

Barry Reese, recent winner of the PULP ARK 2011 BEST AUTHOR award and Spectacled Seven member at ALL PULP,  has been  nominated for a Georgia Author of the Year Award. His novel RABBIT HEART (also a nominee for Best Book in the 2011 Pulp Ark Awards) is eligible in the Fiction category. This year’s awards will be handed out on June 11, 2011 at the Kennesaw State University Center.

From the Georgia Writers Association Website:

The Georgia Writers Association recognizes Georgia’s authors of excellence by presenting the Georgia Author of the Year Awards.  The GAYA has the distinction of being the oldest literary awards in the Southeastern United States while reflecting the current publishing world. The GAYA honors both independently published authors and those whose books are published by traditional publishing houses. The Awards have grown in prestige and participation since its inception in 1964 by the Dixie Council of Authors and Journalists. The GAYA changed hands in 1990 to Georgia Writers Association and in 2006 GWA began a strong affiliation with Kennesaw State University’s Department of Humanities.  In 2006 over 100 books were nominated for Georgia Author of the Year.  The GAYA covers the traditional categories of Poetry and Fiction, while accommodating the growing Creative Non-Fiction genre. The guidelines are revised each year to parallel the changing literary marketplace.

PULP ARK 2011 AWARD WINNERS ANNOUNCED!

PULP ARK 2011 AWARD WINNERS ANNOUNCED!

Tommy Hancock, Editor in Chief of Pro Se Productions and Pulp Ark Coordinator, announces that voting has closed for the 2011 Pulp Ark Awards, the first awards given in association with this inaugural Pulp creators’ conference/convention.

The Winners of the 2011 Pulp Ark Awards are-

BEST BOOK-Tales of the Red Panda: The Android Assassins by Gregg Taylor (Autogyro Press)

BEST SHORT STORY-The Mountain Goats of Madness by Phil Bledsoe (Phil Bledsoe)

BEST COVER ART-Tales of the Red Panda: The Android Assassins by Thomas Perkins (Autogyro Press)

BEST INTERIOR ART-The Rook Volume 5-Anthony Castrillo, (Wild Cat Books)

BEST PULP RELATED COMIC-Boston Bombers (Red Bud Studios)

BEST PULP MAGAZINE-Masked Gun Mystery  (Pro Se Productions)
BEST PULP REVIVAL-Green Lama -Green Lama Unbound by Adam L. Garcia (Airship 27/Cornerstone)

BEST AUTHOR-Barry Reese

BEST NEW WRITER-Tommy Hancock

LIFETIME ACHIEVEMENT AWARD-Tom and Ginger Johnson

The awards, 8X10 engraved wooden plaques, will be awarded in the middle of Pulp Ark, the evening of Saturday, May 14, 2011.  Hancock stated that all winners as well as nominees are encouraged to attend, but any winners who could not would receive their awards by mail.  Pulp Ark thanks all who nominated, all who voted, and congratulations to all the nominees and especially to the winners of the first ever Pulp Ark Awards!

PULP ARK 2011 AWARD WINNERS ANNOUNCED!

Tommy Hancock, Editor in Chief of Pro Se Productions and Pulp Ark Coordinator, announces that voting has closed for the 2011 Pulp Ark Awards, the first awards given in association with this inaugural Pulp creators’ conference/convention.

The Winners of the 2011 Pulp Ark Awards are-

BEST BOOK-Tales of the Red Panda: The Android Assassins by Gregg Taylor (Autogyro Press)

BEST SHORT STORY-The Mountain Goats of Madness by Phil Bledsoe (Phil Bledsoe)

BEST COVER ART-Tales of the Red Panda: The Android Assassins by Thomas Perkins (Autogyro Press)

BEST INTERIOR ART-The Rook Volume 5-Anthony Castrillo, (Wild Cat Books)

BEST PULP RELATED COMIC-Boston Bombers (Red Bud Studios)

BEST PULP MAGAZINE-Masked Gun Mystery  (Pro Se Productions)

BEST PULP REVIVAL-Green Lama -Green Lama Unbound by Adam L. Garcia (Airship 27/Cornerstone)

BEST AUTHOR-Barry Reese

BEST NEW WRITER-Tommy Hancock

LIFETIME ACHIEVEMENT AWARD-Tom and Ginger Johnson

The awards, 8X10 engraved wooden plaques, will be awarded in the middle of Pulp Ark, the evening of Saturday, May 14, 2011.  Hancock stated that all winners as well as nominees are encouraged to attend, but any winners who could not would receive their awards by mail.  Pulp Ark thanks all who nominated, all who voted, and congratulations to all the nominees and especially to the winners of the first ever Pulp Ark Awards!

MOONSTONE MONDAY-CLIFFHANGER FICTION GETS SCARY!!

MOONSTONE MONDAY-CLIFFHANGER FICTION GETS SCARY!!

MOONSTONE MONDAY-CLIFFHANGER FICTION!!!

This week, Cliffhanger Fiction from Moonstone takes a different turn into the pulpiness of HORROR!  And who better to do this with than the Lord of Vampires himself in the capable hands of Martin Powell!  If you’re interested in getting the whole collection this story of Dracula appears in, then follow the link at the end of the tale…

THE EVIL OF 
DRACULA
A Prequel to
Bram Stoker’s Novel
by
Martin Powell
Overture
          The night fog glided in like a dimly glowing ghost, brushing wetly across the weathered window sill.  A soft grey drizzle droned through the empty branches scratching against the single pane as the cottage girl hummed a sweet sigh alone in her bed.
Outside, the darkness was waiting to get in.
Through dreamy half-closed lids the girl’s eyes dilated slowly, engorged with the night, sleepily shuddering in her intimate invitation.  The small room grew suddenly colder, despite the crisply crackling hearth.  Without a sound, except for the thunder in her veins, a looming black presence filled the bedchamber eclipsing the firelight.
She drew down the bedclothes languidly, breathless in her anticipation.  A pale luminescent face separated itself from the mist as if it had been a part of it, the feral nostrils pulsing with the girl’s moistened fragrance.  Shining eyes the color of polished pennies smoldered in the shadows of hollow sockets.  The creature bowed and poured its long black form across the bed, caressing the heaving hips and panting bosom of the girl like a carnally weighted shadow.  They both wanted this.
Her delicate features winced only slightly at the sight of the sharp white teeth between livid lips the colour of bruised wine.  Shuddering against the chill of the gaping mouth fastening upon her naked throat, the girl tightly curled her toes against the gentle hurt.
Hours passed and the dark thing remained with the girl, nursing at the slope of her whitening neck until she was gone.  Drawing upon now hollowed veins the creature remained fixed, unsatisfied, with the life it had stolen.  No matter how beautiful, how bountiful the woman, it was never enough.
Only the crow of the impending dawn slaked the passion of the daemon’s thirst.  The black shroud of its cloak melted and leathered into scalloped wings swimming the shadows in the sky, returning to the oppressive castle upon the jagged mountain.
Alone, within the great stone sarcophagus deep beneath the ancient battlements, Count Dracula’s eyes stared wide in his unholy sleep, bloodily bloated with his spent lust. The terrible face lined with fear, knowing the horror of Purgatory which claimed his monstrous soul during the seeming eternity of the daylight hours.
There was an escape from Hell, Dracula knew.  His great brain burned with the brilliance of his inspired scheme.  Soon his perennial fiery tortures would cease forever.  Even in the throes of agony the ancient vampire’s cruel lips fixed upon a triumphant, leering smile.  This much the Count was certain, more than anything else…
Time was on his side.
ACT ONE
The locomotive emerged through the icy London fog with a pungent hissing halt of oily steam.  Monsignor Russell’s weathered bulldog of a face brightened immediately upon spotting an energetic wide-shouldered, reddish-haired man of forty departing the train.  The passenger’s fierce blue-grey eyes darted about, straining to see through the clinging mist.
“Abraham!” the Monsignor heartily waved him down, “Abraham Van Helsing!”
The two men vigorously shook hands.
“It’s so good to see you again, Leslie,” the severity instantly left Van Helsing’s eyes, although they remained as piercing as ever.  “What has it been…nine years, isn’t it?  As a physician and as your friend, I must say that you’re not looking very well.  I suspect you sent for me just in time.”
Monsignor Russell hailed a cab, taking his companion by the elbow and clamored inside its relative warmth.
“I didn’t bring you from Amsterdam to discuss my health, Abraham.”
Van Helsing nodded and fondly tapped his friend’s shoulder.
“Quite right,” he affirmed.  “Your cable was very sparse.  I need to know more about this man before I can arrive at a possible prognosis.”
The elderly Monsignor’s face grew graver still.
“He’s staying at the Rectory.  Says he doesn’t feel safe anywhere else.  I dare not admit him to Saint Bart’s, they would deem him insane and have him put away.  Still, as I said in my telegram, I’m convinced his malady is more of the spirit than of the mind.”
The suspended fog softly muffled the clatter of the hooves upon the cobblestones, and the streetlamps skulked by the cab windows looking unreal.  Van Helsing sat in silence admiring the eerie beauty of the common London street, made most extraordinary by the elemental pallet surrounding them.
“Is he still having the nightmares?” he asked at last.
The Monsignor’s frown saddened and deepened.
“Worse.  Now he’s hearing voices.”
                 ________________________________                 
At the Rectory, he paced the hardwood floors like a caged animal.  A large middle-aged man with wild eyes, mumbling Latin incantations beneath his breath, while continuously crossing himself with madly twitching fingers.  Some great, nameless fear seemed to quicken and swell within him like a living thing.  Incessantly, he darted glances of dread at the dimming light behind the stained glass windows.  Daylight was fading.
The Monsignor and Van Helsing had hardly stepped foot into the door before the man crumpled to his knees in front of them.
“Why did you leave me? Night is falling and I was alone!” he gasped, his eyes wilder than before.”
“Calm yourself, sir,” Monsignor Russell scolded gently.  “I brought a man whom I believe can help you.  This is Dr. Van Helsing from the Continent.”
The quivering wild man shot Van Helsing a venomous glare.
“There’s nothing wrong with me that your pills can cure,” he spat out contemptuously.
Van Helsing’s eyes hardened, then brimmed with pity.  His strong, intelligent face lifted in a soothing smile.
“I am more than merely that kind of doctor and I am confident that I can help you, my poor friend,” Van Helsing offered his sun-bronzed muscular hand.  “Please tell me your troubles, Mister–?”
The man immediately lost much of his wildness, the glazed eyes slowly softening into brimming tears.  With a trembling gesture he clasped Van Helsing’s hand.
“Renfield,” he murmured low.  “Roderick Matthias Renfield.  Forgive me, Doctor.  If you can truly save me, then I am your obedient servant.”
                   ______________________________
Transylvania, the Land of Phantoms.
Nightfall swallowed the Carpathian valley, letting loose all its moving, hunting shadows.  Pale things, dead by day, crawled forth, shrouded in grave-dirt as howling bristling horrors lurched through the haunted forests.
Looming over all with trident spires of diabolical majesty was Castle Dracula, whose unholy foundations were old when Eden was new.  No one spoke of the dreadful place.  No one went there.
Except a man with nothing more to lose.
“All is prepared for you, my Master,” the peasant bowed within the gloom of the courtyard, cold sweat blurring his vision.  “The Vesta sails in two days.  The crew has been bribed as you directed.  Your…cargo is already onboard, bound for London.  The one you seek is there.”
Count Dracula stood at the top of the time-worn stairs, unmoving.  Only his smoldering eyes seemed alive on the grim, waxen face.  For a long moment there was a terrible stillness, as if the world had stopped.  Then, abruptly, the Count glided down, his boots soundless upon the cold stone of the steps.
“Master…?” the peasant dared to follow.  “My…my daughters…my girls…you promised to release them if I served you…”
Dracula paused, the moonlight turning his long shadow into something unnamable.  He nodded slightly toward a darkened crevice in the ancient stone, and then, inexplicably, his imposing figure shimmered into nothingness.  It was as if Dracula had become the Night itself.
The peasant drew in a shuddered breath, turning slowly, following the icy prickles running down his spine.  Six glowering eyes burned at him from the shadows of the edifice, followed by three emerging figures resembling young women.  Their low, savage laughter was almost musical in the stillness of the castle.  Flesh, pale and bloodless, took form over their ghostliness like the guttural drip of a melting candle.  Voluptuous lips, purpled from famine, curled back over their glinting animal teeth.
The peasant screamed only once, as fiends who were once his daughters fed deeply and lustfully from their own flesh and blood.
               _________________________________
“I’ve actually heard of you, Doctor,” Renfield sat uncomfortably, repetitively glancing at the great ticking clock in the Monsignor’s book-lined study.
Van Helsing listened intently through his stethoscope, nearly finished with Renfield’s physical examination.
“Ah, your heart is rapid, but strong.  A good sign,” the doctor amiably nodded.  “Please follow my finger with your eyes, Mr. Renfield.  Now then…how is it that you know me?”
Renfield’s face brightened suddenly, making him appear rather younger and more intelligent.
“You’ve been published, sir,” he beamed.  “I’m quite a voracious reader, especially upon scientific matters.  In fact, I am something of an amateur entomologist, the species Psychodidae being a particular specialty of interest.”
Peering deeply into his patient eyes, Van Helsing smiled quite satisfied.
“Of course, the common moth fly.  They can be quite a nuisance, can they not?” he gave Renfield a gentle, comforting pat on the knee.  “Now then, you’re vision and reflexes are normal.  In fact, except for being somewhat malnourished, overall your health is quite excellent.”
Again, Renfield stabbed a look at the clock.  His face grimaced for an instant, as if in sudden pain, then smiled sadly at the physician.
“So, Doctor,” he flushed in shame, “you’re telling me that this is all in my mind?”
Van Helsing rinsed his hands in a water basin, and blotted them with a clean towel.  He regarded the question silently, and seriously, for a moment and then smiled again.  There was something calming, something comforting in his manner.  He had an inner strength about him and Renfield clearly and gratefully felt it.
“I notice that the clock worries you, does it not?  Why is that, pray tell?” it was peculiar how Van Helsing’s Dutch accent sometimes grew more pronounced when he was concentrating.
          “The night…” Renfield started, then sadly shook his head.
          “Ah, then.  It is the coming of night that you fear, Mr. Renfield,” Van Helsing offered at last.  “Is that not so?”
Renfield nodded, reluctantly.
“You say you suffer from lucid nightmares,” the doctor continued, “which I also have experienced from time to time.  They can be, I know, very terrifying.  However, there is something much more than merely bad dreams tormenting you.  You’ve complained that something is following you, devouring your very thoughts.  You feel weakened and empowered at the same time.  You don’t trust your own mind.  All this started, you tell me, when your only daughter became tragically stricken with consumption.  Now you feel something has, how again did you say it?  ‘Invaded your soul’, you said.  You feel as if someone, or something, is looking out through your own eyes.  Spying on the rest of us. Yes?”
Renfield’s haunted eyes glazed with tears.
“Am I…am I quite insane, Doctor?” he managed, at last.
Van Helsing frowned, narrowing his eyes.  The sudden hush in the room was jarring. 
“You’ll find that I differ considerably from my esteemed colleagues, sir.  I believe a metaphysical explanation may be in order, something along the lines of clairvoyance or precognition,” Van Helsing turned grimly to Renfield, his strong, bronzed face grown a bit grey.  “In all truth it is even possible that you may be possessed.”
“I refuse to believe in such rot,” Renfield flushed, defensively.
“These things, and more, exist in this world as few others would ever begin to suspect.  I have spent my lifetime, such as it is, in pursuit of these obscure truths about the world.  I have journeyed far and wide, seeing things with my own eyes that defy intelligent explanation.  To those ends, I have, myself, become convinced of the reality of the unearthly and the unnamable.  The Supernatural will not go away simply because we disapprove, or even disbelieve in it, Mr. Renfield.”
Van Helsing paused a moment, then clasped Renfield by the shoulder.
“Tell me about these voices.”
Renfield peered at the clock, stood and took to pacing.  He hesitated for a full minute, then Van Helsing’s patient smile brought out his trust.
“Only one voice!” he, at last, stated desperately.  “Something dark, terrible…it’s knows all my secrets.  God help me, Dr. Van Helsing…it promises that after my daughter dies— she will live forever!”
                        ________________________
“You needn’t be so shy about it, Dr. Van Helsing…I know that I’m dying.”
Miss Adelaide Renfield smiled with blind, beautiful eyes.  Though weak, her voice had retained a bit of the music it must have possessed before her illness.  She scarcely moved in her hospital bed, but her faded pallor still bloomed with some of its delicate sweetness.  Although she could not see him, Dr. Abraham Van Helsing couldn’t take his own saddened eyes off of her.
“I am so sorry, my dear young Miss,” he managed, pressing her forehead with his palm.  She was burning up.
Adelaide smiled again.  It was both uplifting, and heartbreaking, that smile.
“There’s nothing for you to feel sorry for, Doctor,” she gave his sinewy wrist a whispered squeeze.  “Death is a natural thing.  I find it almost comforting now.  I only wish my poor father was not so direly affected.  I know he feels guilty for not visiting me.  He shouldn’t.  I understand.  When my mother died, it nearly killed him.”
Van Helsing studied her shining grey-green eyes which, despite their sightlessness, warmed with an inner light.
“How long have you been blind?” he presented his comforting, professional tone.  The girl very visibly responded to its quiet strength.
“Almost since birth,” Adelaide’s pale lips curled in a bit of humor.  “I had scarlet fever as a baby.  You’d think there could be nothing more wrong with me, wouldn’t you?”
Van Helsing lightly stroked her hair, which fell so very dark and silken about her shoulders, with spun threads of blued sapphires.
“What I think,” he said after a long moment, “is that you are a very brave young lady.”
Van Helsing continued speaking with quiet, paternal patience as he answered the girl’s grim questions considering her consumptive illness.  He held nothing back, telling her everything of what to expect.  She never flinched, not even at the worst of it.  Afterwards, they passed a peaceful silence for a number of minutes.  Then, for the first time, Van Helsing saw a fretful frown crease her supple brow.
“Doctor…I’m fearful for my father,” she whispered at last.  “When Monsignor Russell comes to give me Holy Communion, I feel he is trying to protect me from something.  Is my father ill?”
Van Helsing took her hand, warming the chilled fingers.
“What makes you ask that?”
She stared passed his shoulder at nothingness and her eyes slightly rounded.
“I…I’ve been having dreams.  I suppose you could call them nightmares.  In my sleep, I sense something following him.  Something wild and vicious, like a thing from the jungle.  It…wants something from him.  Something terrible.”
Dr. Van Helsing leaned forward a bit.  Her voice was getting tired and fainter with every fitful breath.  The sudden shift of anxiety alarmed him.
“Sometimes a dream is just that, my dear Miss,” he gave her wrist a gentle pat, keeping her father’s similar malady to himself.
Adelaide’s eye grew wider, more pronounced in their catlike glimmer.
“But—sometimes, Dr. Van Helsing…sometimes my dreams come true.”
“Oh?  In what form does this happen?”
She took a slow, hurtful breath.  Van Helsing much too easily noticed the fluid rattle from her chest.
 “Last night…I dreamt of a sea vessel.  A rank, creaking ship pushed by evil winds toward our shores.  There was a hideous stillness on board.  Hushed voices of the crew stammered in horror.  The Devil was on that ship.”
 “Ah, yes.  You heard the grim news about the unfortunate Vesta, which docked late last night with its crew of madmen.”
The girl winced, painfully swallowed, and then coughed a bit of blood into her hand.
Van Helsing was glad the girl couldn’t see his sudden apprehension.  Her slight consumptive hemorrhage quieted and he spoke soothingly to her.  Just the sound of his voice seemed to take away much of the pain.
“Sister Charles reads the morning papers to me,” Adelaide finally managed, nearly recovered from the spasm.
Solemnly, Van Helsing reached into an inner pocket of his coat.
“I have just the cure for these nightmares,” he withdrew a small silver crucifix and draped its thin golden chain around her neck.  “This was blessed by his Holiness in Rome himself.  Never take it off.”
Adelaide’s unmoving eyes gained more brightness as they moistened.
“I must leave you, my dear,” Van Helsing lightly caressed her flushing cheek, renewing its warmth.  “However, I will return again tomorrow, to be charmed by you all over again.”
The girl’s questing fingers caught at his sleeve.
“Doctor,” she asked with an expression like a child, “is it still daylight?”
“Yes, Miss.  It’s late afternoon.  A beautiful day.”
Her face lifted again in a girlish smile.
“Could you open the curtains, please?  Although I’ve never seen it, I can still remember the sun on my face.  It always felt friendly.”
Left to herself, Adelaide Renfield was softly smiling, privately treasuring her own wild imaginings of what colour might be like.
                   ______________________________
Van Helsing arrived at his room at the Northumberland Hotel some hours after sunset.  He had walked long and thoughtfully through the rattling, humming London streets pondering the events of the past few days.  As the long shadows cast themselves across the cobblestones, a chill of dread crawled over his skin.  Somehow the great city was different.  Tainted, he believed.  Something unnatural had mixed itself into its thundering swirl and rush of life.
Twice, Van Helsing felt certain he’d heard a voice softly speak his name.  Two times he turned, and no one was there.  For the first time in his observant life, the eminent scientist took intimate notice—and was unnerved by—the darting shadows of the moths fluttering around the streetlamps.
He felt colder than he should as he turned the key and stepped into his rented flat.
He was not alone.
The chamber was well-lighted, but somehow Van Helsing needed to strain his eyes in order to fully take in his unknown visitor.  He observed the towering figure of a man all in black, without a single speck of colour about him anywhere.  Motionless as an obelisk, only the figure’s unblinking eyes looked alive.
Finally, the bruised lips curved and spoke.
“Dr. Abraham Van Helsing…the great scientist, whose name we know even in the wilds of Transylvania.  I have crossed land and sea to make your acquaintance.  Only in you may I find salvation.”
Van Helsing took an uneasy step forward, toward the invader.
“How did you get in here?” he demanded.  “Who are you?”
White wolfish teeth smiled.
“I am Count Dracula.”
Come back next week for the next spine tingling terrifying chapter of this horrific tale.  Want more Moonstone Vampires?  Then go to http://moonstonebooks.com/shop/item.aspx?itemid=427 and purchase VAMPIRES-DRACULA AND THE UNDEAD LEGIONS today!

MOONSTONE MONDAY-Newsletter from the Man in the Moon himself!

Awaken your sense of ADVENTURE!
      
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