Author: Tommy Hancock

PORTERA’S P.O.P. QUIZ CENTRAL: PULP WRITERS


Did you break out in a cold sweat every time a teacher hollered, “Pop Quiz!” I know I did! My hope is that these P.O.P. QUIZ CENTRAL “tests” and their results are more insightful than the quizzes, tests and exams you’ve been coerced into taking over the years. Tests are designed not only to assess the progress of the pupil but the teacher, too! Now let’s test the waters over your preferences of pulp writers and pulp genres. What do you prefer freshwater fishing or saltwater fishing?
(Remember, to circle only one name per line. I believe you’ll see a pattern right away.)
1.        Jules Verne or Edgar Allen Poe?
2.        L. Frank Baum or Arthur Conan Doyle?
3.        H.G. Wells or Rex Stout?
4.        Edgra Rice Burroughs or Michael Avallone?
5.        Ottis Adelbert Kline or Gayle Lynds?
6.        Philip Wylie or Lester Dent?
7.        Edmund Hamilton or Walter Gibson?
8.        Andre Norton or Paul Ernst?
9.        Richard Shaver or Richard Prather?
10.     Robert Heinlien or Erle Stanley Gardner ?
11.     Arthur C. Clarke or Dashiel Hammet?
12.     Henry Kuttner or Emile Tepperman?
13.     Harlan Ellison or Stuart Woods?
14.     Ray Bradbury or Sax Roehmer?
15.     Leigh Brackett or Agatha Christie?
16.     Philip K. Dick or Mickey Spillane?
17.     Piers Anthony or Ellery Queen?
18.     Michael Moorcock or William Patrick Maynard?
19.     Jack Chalker or Calvin Daniels?
20.     Tim Salber or Martin Powell?
21.     Ray Cummings or Lee Falk?
22.     Isaac Asimov or Norvell Page?
23.     Thomas Disch or Raymond Chandler?
24.     H. Beam Piper or Ian Fleming?
25.     E.E. “Doc” Smith or Robert E. Howard?
26.     Gardner Fox or Heather Graham?
27.     Clark Ashton Smith or Ross Macdonald?
28.     Theodore Sturgeon or Joseph Tringali?
29.     Jack Vance or Dennis Lynds?
30.     Mark Ellis or Will Murray?
Now that was easy, wasn’t it? How long did it take you to find the rather obvious pattern? All the writers that wrote mostly science fiction were on the left while those on the right are best known as mystery writers. So what were your results? Do like science fiction or prefer a good who-done-it?  Maybe you like both! Of course, there’s the chance you found yourself acknowledging the writers you’re familiar with. At the least, you’re left with a list of authors whose books you can now be on the look out for?

MEMBER OF ALL PULP’S SPECTACLED SEVEN TALKS PULP ON COMIC PODCAST!


Comic Related, a popular and well known comic information website headed up by Chuck Moore, announced the debut of the latest episode of one of its podcasts, ZONE 4, on 9/24/10.   ALL PULP will let the blurb from Comic Related speak for itself-

In this episode:
Brant, Cary, and Chuck K. are back once again, this time joined by comic and pulp legend, and fellow Comic Related family member, Mr. Ron Fortier as we tackle all things pulp, and veer off into discussions about various movies and more. We bring sexy back with a nearly 2-hour episode for your listening pleasure! 
Ron indeed discussed pulp on this episode, including Moonstone Books’ RETURN OF THE ORIGINALS line of comics, ALL PULP, Pro Se Productions, Airship 27, Altus Press, Windy City Con, Pulp Fest, Pulp Ark, and tons of other things!!!  Want to listen…then go ahead and click already-
NEW MOVIE REVIEW AT THE LONG MATINEE!!!-National Treasure!

NEW MOVIE REVIEW AT THE LONG MATINEE!!!-National Treasure!

THE LONG MATINEE – Movie Reviews by Derrick Ferguson

NATIONAL TREASURE                         

2004                                       
Walt Disney Pictures

Directed by Jon Turtletaub
Produced by Jerry Bruckheimer
Written by Jim Kouf, Oren Aviv & Charles Segar (story)
Jim Kouf, Cormac Wibberley & Marianne Wibberley (screenplay)
I had heard a lot about NATIONAL TREASURE before I saw it.  Friends of mine told me to see it because it reminded them of something that I would write.  Roger Ebert just about called it an out-and-out rip off of “The DaVinci Code”.  Other people said it was boring, stupid, trite, a rip-off of this or that movie or character, mostly Indiana Jones or Clive Cussler’s Dirk Pitt
I saw it for myself and you know what was the most surprising thing to me about the movie was?  That this was a Jerry Bruckheimer/Nicolas Cage collaboration that didn’t have any of the qualities that were evident in their other films together such as “Con Air” or “The Rock”.    This is an action movie, yes.  But when you compare it to what we call action movies today, it’s practically a throwback.  There is only one explosion, one car chase, one shootout, one death and even that is due to the poor dumb bastard who gets killed making a wrong step.  NATIONAL TREASURE is a movie that plays as if Cage and Bruckheimer had deliberately sat down and said: “let’s do an action movie that’s totally different from what we’ve done before.” and in doing so, they’ve given today’s audience what amounts to an updated version of my beloved pulp adventure serials from the 1930’s/1940’s.
Benjamin Franklin Gates (Nicholas Cage) has spent his entire life looking for a treasure that has passed from Emperors to Kings to Pharaohs and finally to The Founding Fathers of The American Government.  The treasure has grown to such enormous wealth that supposedly it’s “too large for any one man or nation to own” and The Knights Templars protected it in Europe for hundreds of years until it was moved to America along with The Knights Templar who became The Freemasons.  The Freemasons counted among their members such notable Founding Fathers such as George Washington, Thomas Jefferson, Paul Revere and Benjamin Franklin who left clues scattered among the various works they left behind as to where this fabulously immense treasure could be found.
 Gates has discovered that the map to where the National Treasure is located is on the back of The Declaration of Independence.  What is unfortunate is that he can get nobody to believe him, especially The FBI or Dr. Abigail Chase (Diane Kruger), who is a curator at The National Archives.  When Gates tells her about the invisible map that is on the back of The Declaration of Independence and has been there for hundreds of years undetected she asks him quite seriously: “Who wrote it there?  Bigfoot?”
Gates doesn’t have much time to try and change the minds of the FBI or Dr. Chase since his former partner Ian Howe has double-crossed him and intends to steal The Declaration and find the treasure.  Gates decides that the only thing to do is steal The Declaration of Independence himself, along with his brilliant tech-savvy sidekick Riley Poole and find the treasure before Ian does. 
NATIONAL TREASURE has a lot going for it in the way it handles the characters and the motivations behind what they’re doing.  Gates is not a treasure seeker in the conventional sense and indeed, he keeps telling people that he’s a ‘treasure protector’.  He’s looking for the National Treasure to vindicate his family name since The Gates Family are looked upon as crackpots by the historical/archeological community for believing that the treasure is real.   And he’s got a diverse and interesting background as shown by a scene where the FBI Agent assigned to catch Gates (played by Harvey Keitel) reads Gates’ file.  Gates has degrees in a whole bunch of diverse fields, which leads Keitel to muse; “I wonder just what this guy wanted to be when he grew up”.
And the relationship between Gates and his rival Ian is interesting and well handled as well.  For once, the bad guy in a movie isn’t a bloodthirsty maniac out to kill everybody in his way.  In fact, Ian tries to go out of his way not to kill anybody because as he sensibly explains to one of his gun happy henchmen: “The authorities tend to want to find out why dead bodies have bullets in them and who put them there” As a matter of fact, NATIONAL TREASURE is one of the few action/adventure movies I’ve seen recently where the bad guy actually has good reasons for why he doesn’t kill the hero when he has a chance to, especially in a scene near the end where Ian leaves Gates and his sidekicks alive in a secret tomb underneath New York’s Wall Street when he certainly would have reason not to.  It surprised me and that’s not easy for movies nowadays to do.
I liked a lot of the performances here.  Nicholas Cage looks more at home playing Benjamin Franklin Gates than any of the other characters in his other action movies he’s done with Bruckheimer and maybe that’s because Gates isn’t an Indiana Jones, despite what you may have read or heard.  Gates isn’t a super martial artist or expert gunman or daredevil adventurer.  He’s an historian searching for vindication of his family’s dream and he plays it that way.  When he’s confronted with bad guys brandishing automatic weapons he runs like his ass is on fire and he only stops to fight when he has no other way out.  What makes him dangerous is his brainpower: he sees connections and can make them faster than anybody else and he’s smart enough to know that about himself and use it to his advantage.
Sean Bean is absolutely great as Cage’s rival in the race for the treasure and you get the sense that a lot of the reasons why he doesn’t kill Gates is that he really admires and respects Gates’ knowledge and resourcefulness.  Jon Voigt has a lot more to do here as Patrick Henry Gates, the father of Cage’s character than he had to do as Lara Croft’s father in “Tomb Raider”.  Justin Bartha as Riley Poole is one of the best sidekicks I’ve seen in recent moves and he has a wonderful scene where he proves just how much that a sidekick can enhance the hero’s character.
The main selling point for me with NATIONAL TREASURE, that it isn’t an Indiana Jones type of cliffhanging-thrill a minute-claw your date’s arm-type of movie.  It’s more in the nature of a scavenger hunt and the fun comes from seeing Cage’s character and his sidekicks put together the clues and piece them together.  Not that to say that there aren’t thrills aplenty: this is an exciting movie with fights, captures, chases and plot twists.  It’s just that it isn’t packed with explosions, car chases and deaths every five minutes 
Having said all that let me say that I recommend NATIONAL TREASURE wholeheartedly.  I had an excellent time with the story and characters and I don’t even think you’ll miss the usual mayhem that we expect from a Bruckheimer/Cage action movie.  Are there holes in the plot holes and flaws?  Sure there are.  Cage and his crew find a ship that has supposedly been buried in the Arctic ice for hundreds of years far too easily.  And would gunpowder burn after being buried under the ice for that long a time?  And there’s another scene later on where Cage and his crew just happen be standing at the tower where The Liberty Bell is kept so that the shadow of the sun will be cast at just the right moment at just that right moment so they can find another clue to the treasure.  But by that time I had been so captivated by the performances and the sheer audacity of the story’s premise I was just watching and saying to the movie; “what the hell, let’s go.”  And I suppose that’s the best way I can tell you to take your viewing of NATIONAL TREASURE: sit back in your seat with your soda, popcorn, candy and say: “what the hell, let’s go.” Movie studios don’t make Saturday Morning Serials anymore but every so often they do make movies like NATIONAL TREASURE to remind us that once upon a time they did.

Rated: PG

131 Minutes

PULP ARTIST/WRITER/EDITOR HAS A SIGNING COMING SOON!

PULP ARTIST/WRITER/EDITOR HAS A SIGNING COMING SOON!

Pulp cover painter and now author Laura Givens is having a book signing on Oct 17 at 3PM at the Broadway Book Mall, 200 South
Broadway, Denver Colorado – she is signing copies of the weird western  book she just edited called SIX-GUNS STRAIGHT FROM HELL. Laura has done many covers for pulp writer Billy Craig and recently began gracing the covers of Airship 27 titles.

PULP ARTIST/WRITER/EDITOR HAS A SIGNING COMING SOON!

Pulp cover painter and now author Laura Givens is having a book signing on Oct 17 at 3PM at the Broadway Book Mall, 200 South
Broadway, Denver Colorado – she is signing copies of the weird western  book she just edited called SIX-GUNS STRAIGHT FROM HELL. Laura has done many covers for pulp writer Billy Craig and recently
began gracing the covers of Airship 27 titles.

BEAU SMITH JOINS LIBRARY OF AMERICAN COMICS

Beau Smith, marketing advisor and writer, has joined IDW Publishing’s Library of American Comics imprint (which includes some pulp like comics within its vast amount of material) as its new Director of Marketing.

“We’re thrilled to have Beau onboard,” says LOAC Creative Director Dean Mullaney. “He and I go way back to the 1980s and Eclipse Comics, where I was the publisher and Beau the Marketing Director.”
A graduate of Marshall University in his native West Virginia, Beau has worked in all realms of publishing and marketing in comics. In addition to Eclipse, where he got his start, Beau was the VP of Marketing and Publishing for Image Comics, Todd McFarlane Productions and McFarlane Toys. Beau was with IDW Publishing for many years as their first Vice President of Marketing, and is the former Director of Product Information for toy maker JUN Planning USA.
As a writer, Beau has written Batman/Wildcat,  Star Wars, and Wolverine, and his stories have appeared at DC, Image, IDW, Eclipse, Dreamwave, Moonstone, Dark Horse, and many other publishers. He created several well-received series, including Wynonna Earp, Parts Unknown, Maximum Jack, Courting Fate, and Cobb.  If that wasn’t enough, he offers his opinion on pop culture in regular columns: “Busted Knuckles” at Comics Bulletin, and “From the Ranch” for Sketch Magazine, and Far From Fragile for Impact Magazine.  Beau is also the author of the most common sense business book on the comic book industry- No Guts, No Glory: How To Market Yourself In Comics published by Blue Line Pro.

Beau will be focusing on retailers, and expanding the LOAC’s presence in libraries and universities, so all retailers, librarians, professors, and teachers are encouraged to contact Beau at: beau@loacomics.com  304-453-6565

PULP 2.0 PRESS RELEASES UPDATED RWA COVER AND DISCUSSES UPCOMING RELEASES!

PULP 2.0 PRESS RELEASES UPDATED RWA COVER AND DISCUSSES UPCOMING RELEASES!!
Bill Cunningham of Pulp 2.0 Press provided ALL PULP with a 3-D image of the upcoming Radio Western Adventures, now complete with the announcement of the unpublished Lester Dent western it contains (see previous ALL PULP news for more information). 
RWA will be on sale in the Kindle store mid-late October.  Cunningham reports, “Then we are proceeding onto finishing the Kindle version of The New Adv. of Frankenstein Vol. 1.”  He states further, “This will be a tremendous opportunity for us as Kindle hardware prices have dropped considerably, and we are packaged and priced in that “digital pulp” slot.  People will want to give these books a try at the low, low digital price of only $2.99 each.”

Collector’s print editions of these two titles featuring rare bonus extras will be available soon after their digital release


Special Offer from Pro Se Productions!!

PRO SE PRESENTS PECULIAR ADVENTURES #2!



SPECIAL OFFER!! ONE WEEK ONLY!! IF YOU PURCHASE A PRINT COPY OF ‘PRO SE PRESENTS PECULIAR ADVENTURES #2’ BY SEPTEMBER 30, 2010, YOU WILL RECEIVE A FREE EBOOK COPY OF ‘PECULIAR ADVENTURES #1’!!! JUST EMAIL YOUR RECEIPT AFTER ORDERING YOUR COPY OF #2 FROM https://lulu.stores.com/proseproductions to proseproductions@earthlink.net AND YOUR FREE EBOOK WILL BE MAILED TO YOU WITHIN 24 HOURS! ONE WEEK ONLY! GET IN ON THE BEGINNING OF PECULIAR ADVENTURES WITH THIS GREAT DEAL!

AIRSHIP 27 PULP ON SALE! LIMITED TIME ONLY!

AIRSHIP 27 BUY ONE GET ONE FREE SALE ONE DAY ONLY!!!
LIMITED TIME ONLY!!  Michael Poll, Cornerstone Publishers is offering any two Airship 27 Productions titles for the price of one. 
All folks have to do is go to his site (
http://www.cornerstonepublishers.com/) choose one book, add it to the sale
cart – then in the comments section add a second title of equal or
lesser value than the first. They will be billed for only one book.                                                                                  This is a ONE DAY SALE only.  Ends at midnight tonight.

INTERVIEW-MIKE McGEE

MIKE McGee, Co-Creator and Writer of EL GORGO!,
AP: Who is Mike McGee?


MM: Well, for the purposes of this interview, I’m one of the founders of the late, lamented Frontier Publishing, which ran serialized fiction by such luminaries as, uh, Derrick Ferguson; and more recently, I’m the writer and co-creator of EL GORGO!, a comic book about a gorilla luchador who punches sea monsters.
AP: Give us the background stuff.  You know the drill: where do you live, where do you work, etc.
MM: I’m from Cleveland, but I’ve lived in the Metro DC area the last few years.
AP: How long have you been writing?
MM: Forever, basically. When I was a little kid, I had pretensions toward writing and drawing my own comics, but I soon discovered that literally every other kid I knew was a better artist than I was. So that was a blow. Anyhow, I could write okay, so my course was set, pretty much.
AP: Who is EL GORGO! ?
MM: El Gorgo is a genius talking gorilla luchador who’s also a superhero, a rock star and a historical novelist. He doesn’t sleep a whole lot.
AP: Why is EL GORGO! “The World’s Most Awesome Comics Magazine”?
MM: We-ellll…you know, we call it that in the spirit of fun, which is what the book’s all about, but honestly? Slapping that on the cover really does keep us on the beam, I think. It’s a challenge Tom and I have laid down for ourselves – can we make the book live up to that? We definitely try every time to make it the most awesome comic that we can do. EL GORGO! is a comedy, and in the sense that the tagline is kinda over-the-top it’s a joke, but it’s not really a joke. It’s more like a distant Shangri-La just off the horizon that we’re always striving toward – never mind that it could be and it probably is just a mirage and we should really think about drinking some water and maybe comb a few of these scorpions out of our hair – and we’re getting there one panel of a monkey punching a dinosaur at a time.
AP: Is it safe to say that EL GORGO! is inspired as much by the pulps as by comic books?
MM: Uh, in the sense that superhero comics took their inspiration from the ‘30s-era pulps, sure. There’s probably a little bit of Doc Savage in El Gorgo…really, a little bit of all those characters who were super-capable autodidacts with limitless resources and boundless idealism to go along with their teeth-gritting and ass-kicking. Our main inspiration is (as I think is obvious to most people who read EL GORGO!) the work of Jack Kirby, and because Kirby drew every single kind of comic book there ever was to draw, he did at least one pulp adaptation back in the ‘70s: JUSTICE, INC., which was actually a comic about The Avenger, only I guess DC couldn’t call it that, for obvious reasons. I have pretty fond memories of reading a random issue when I was a kid, and it’s possible some of that’s crept into EL GORGO! somehow or another.
AP: What do and your co-creator/artist Tamas Jakab have planned for future issues of EL GORGO! ?
MM: Oh, man, so much! Probably much more than we’ll ever live long enough to get down on paper, or pixels, or however people choose to read it. When we started the book, it was intended as a one-shot, and then it became a miniseries, and before long it turned into this whole epic we may never have time to finish. In the next few issues, we’re going to learn a lot of El Gorgo’s backstory, encounter his arch-nemesis, and venture off to the Himalayas – it’s gonna be a good time.
AP: You wrote a story for the Pulpwork Press anthology HOW THE WEST WAS WEIRD.  How did that come about?
MM: Well, I was invited aboard, and I nearly didn’t do it because I really couldn’t get a handle on the genre at first at all, but then I saw the cover by Jim Rugg (he of the comics Street Angel and Afrodisiac), and that was that. If I could have a story underneath that artwork, I knew I had to do it.
AP: Tell us about your co-writer on that story: Chris Munn.
MM: Chris kinda saved my ass on that story, because I didn’t have the first clue what to write about, and Chris had a killer idea and no time to write it himself – this thing that was kind of a cross between High Plains Drifter and The Wicker Man (the one without Nicolas Cage as Woman-Hating Bear-Man), which right away I knew I could do a lot with. I’ve known Chris for a really long time; he’s a really good guy, and a great writer. Unfortunately, we didn’t collaborate as directly as we’d both hoped would be possible on “The Town with No Name” – I wound up writing the whole story myself, but it is Chris’s story, too, which I know has been overlooked in a few places. His name is on it as well, as well it should be.
AP: Are you a western fan at all?  Weird or otherwise?           
MM: I’m a huge fan of Joe Lansdale, who’s written in and who halfway invented the horror western genre, at least as most people know it today. The influence may be indirect, but I don’t think HOW THE WEST WAS WEIRD would exist without books like The Magic Wagon and Dead in the West, to say nothing of his collaborations with Tim Truman and Sam Glanzman on their Jonah Hex comics of the ‘90s. As far as just western-westerns go, I’m also a fan of Cormac McCarthy’s Blood Meridian and think “Deadwood” may be the best drama ever to run on television (though, I dunno…”Breaking Bad”…), but I have to admit, I’m not terribly well-versed in the classics of the genre. Westerns on film just moved too slow for me when I was a kid – I’d always switch them off if one of the other UHF stations had Godzilla or a horror movie or something. I probably turned off half the movies John Ford ever made (though as an adult I’ve fallen in love with The Searchers). Like, John Wayne just bored the hell out of me when I was a kid, though I get the appeal now. But I always did dig Clint Eastwood. So…I guess I’m more of a western fan than I thought I was when I started to answer your question, but I wouldn’t say I’m like a western aficionado.
AP: There’s a HOW THE WEST WAS WEIRD 2 in the planning/development stage.  You planning on contributing to that?
MM: I’m thinking about it!
AP: What other writing projects are you working on now?
MM: Oh, I think it’s bad luck to get too much into stuff like that. I’m working on a few things, though.
AP: Here’s your chance for a shoutout or to pimp something.  Go.
MM: Okay! As far as shoutouts go, naturally I’ll mention there’s some great stuff at Pulpwork Press (http://www.freewebs.com/pulpworkpress/)    people should be checking out, if they haven’t done so. And of course everyone should read EL GORGO! (http://elgorgo.com/)  and if they like that, there’s some really terrific stuff coming out of Action Age Comics (www.actionagecomics.com) that’ll be very much up your proverbial alley.
AP: Any final words of wisdom from Mike McGee?
MM: For the love of God – turn off your computer and go outside! It’ll all still be here when you get back.