Author: Robert Greenberger

Surfer to fly solo

Surfer to fly solo

Despite so-so advance buzz and a lack of screening for reviewers, 20th Century-Fox seems to believe in the Fantastic Four franchise.  As reported in the Los Angeles Times on Wednesday, they are already looking to spinoff the Silver Surfer into his own film.

J. Michael Straczynski, already writing a Silver Surfer miniseries, Requiem, for Marvel, has been tapped to script the solo feature.

The Times said, “Well, perhaps the studio has heard the negative static, since it apparently hopes to spin the new Surfer franchise in a darker direction to attract the slightly older demographic of its X-Men films. If so, Straczynski, whose original screenplay The Changeling is on director Clint Eastwood’s slate, is a logical pick for the Surfer story line.” JMS is also the writer of the current Silver Surfer mini-series.

20th has already announced plans for spinoffs from its X-Men film franchise although neither the Wolverine or Magneto features seem any closer to actually being shot.

Next up from Marvel’s production slate will be their first self-produced film, Iron Man, coming in May 2008.

Artwork copyright 2007 Marvel Characters. All Rights Reserved.

Heroic Casting News

Heroic Casting News

For next June’s new Incredible Hulk movie, William Hurt (Lost in Space, Altered States) has been signed to play General Thaddeus “Thunderbolt” Ross.

NBC has announced that Dania Ramirez (Callisto in X-Men: The Last Stand) has been added as a regular on Heroes. Ramirez’s character is name Maya but her place in the tapestry and her powers remain unknown.  Word is that new characters to at least recur in the second season will include a young African-American mother, an Irish mobster and a hunky boyfriend for Claire.

And the DVD for Season One will be out on August 28.

ROBERT GREENBERGER: On continuity

ROBERT GREENBERGER: On continuity

I like continuity. Always have, always will. It enriches serialized fiction as found in pulp magazines, comic books, movies and television.  In an ideal world, things would be consistent from the beginning of any new creation, but it rarely is.

Johnston McCulley altered his own reality after one Zorro novel because he decided more people saw the Douglas Fairbanks silent film than read his book and anyone coming to the second book should recognize elements.

Gene Roddenberry was building his worldview for Star Trek so details such as the name of Starfleet and the United Federation of Planets evolved over the course of the first season. Unlike many of its peers, it actually had more episode to episode continuity than the majority of prime time in the 1960s.

In comic books, after 60+ years of publishing, even I recognize that it’s impossible for a singular continuity to exist for long-running characters from Captain America to Superman. What editors need to strive for, today, is consistency so the reader isn’t left scratching his head week after week.

During my tenure at Marvel, I pointed out to the editorial team that three different titles released the same week gave Henry Peter Gyrich three different jobs. That serves no one well and meant no one was paying attention at a company that prided itself on its shared universe.

More recently, DC Comics released, a week apart, a Nightwing Annual and an Outsiders Annual. Both were solid stories that wrapped up some long-standing threads and filled in gaps left by the time between Infinite Crisis’s conclusion and the “One Year Later” re-set. Read separately, they were fine, but read against the largest context of the DC Universe they massively contradicted one another.

At the conclusion of Infinite Crisis, Nightwing was completely zapped and left for dead. In his own annual, we’re told he was in a coma for three weeks and then so badly banged up he needed additional time to recover and retrain his body.  Finally, when he was deemed ready, he left Gotham City with Batman and Robin for what we know to be six months of bonding. And from there, he returned in time to meet the new Batwoman in the pages of 52.

A week later, though, we get the Outsiders Annual where Nightwing is running around with his teammates to break Black Lightning out of Iron Heights prison and once that’s done, he goes with the team for an underground mission that lasts the better part of a year.

OK, so what is the reader to accept as the actual sequence of events? He cannot be in two places at once, yet these annuals ask us to believe exactly that.

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Mickey Mouse Welcomed Back to School

Mickey Mouse Welcomed Back to School

Comic books have had a love/hate relationship with teachers ever since the first titles were published 70 years ago.  These days, with graphic novels and manga filling school and public libraries, they have become a staple in children’s reading.

As a result, Maryland is now formally bringing them back into the classroom.  Superintendent of Schools Nancy Grasmick entered into a relationship with Disney Publishing Worldwide publishing’s education division to craft teaching aids using Mickey Mouse and friends.  Activities include creating their own comic books, something that has captured the kids’ imaginations.

According to reports from Associated Press, the pilot program was begun last year and is being used in eight third grade classes in the state.  Disney was presented Maryland’s reading standards for the grade and then tailored comic book material to meet the guidelines. The program includes lesson plans for the teachers and comic book activities for the students.  Mickey’s adventures will now help children learn how to craft a plot and understand characterization.

"Reading is such an important activity for all children, and using comic book-related lessons offers teachers an important new tool to draw students into the world of words," Grasmick said in a statement. "This project enhances other work that goes on in the reading class. Comic books and graphic novels cannot replace other forms of literature, but they can be an entry point for some reluctant readers."

Teachers interviewed have been supportive and with the program now underway, Disney and Maryland are looking at more modern characters and materials to supplement the curriculum.

"I don’t think that is where I want my 9- or 10-year-old child spending their time in school," Timothy Shanahan, president of the International Reading Association told Maryland’s The Daily Times. "It might be a choice of reading 1,000 words versus 300 words. You don’t want it to replace more substantial reading."

With Disney now owning the CrossGen properties, including Abadazad and Meridian, there are plenty of age-appropriate characters beyond the legendary Mouseketeers to pick from.  It’s also interesting to note that the program is being launched in Maryland, home to Diamond Comics and owner Steve Geppi, who holds the domestic license for the classic Disney comic books.

(Artwork copyright Disney Corporation. All Rights Reserved.)

Sci-Fi Summer Schedule

Sci-Fi Summer Schedule

As regular series on the major networks wind up this month, ComicMix fans can start programming their DVRs for the summer series over at the Sci-Fi Channel.

New programming kicks off on June 6 with the return of Ghost Hunters at 9, followed by the new show, Destination Truth.  The six-episode series followers Josh Gates, an adventurer visiting weird places and investigation the supernatural.

Doctor Who’s third season returns on July 6 in the 9 p.m. slot.  It begins with the Christmas special, something to make you forget the summer heat.

On July 10, Eureka returns for its second season.

The second season of Stan Lee’s Who Wants to be a Superhero? arrives on July 25 at 9 p.m.  And if that isn’t enough to make you Face Front, True Believers, then be astounded at 10 p.m. when the untitled Derren Brown show debuts.  Brown is a British mentalist – imagine the Amazing Kreskin with an accent.

The thoroughly reimagined Flash Gordon series starring Smallville‘s Eric Johnson takes viewers from Earth to Mongo beginning August 10.

Flash Gordon Conquers the Universe (Again)

Flash Gordon Conquers the Universe (Again)

The Sci-Fi Channel is going dipping into the golden age of comic strips and resurrecting Alex Raymond’s Flash Gordon for a new television series.

Eric Johnson has been named as the latest actor to portray Flash in this radical reimagining of the series.  Johnson is best known to ComicMix fans as Smallville’s Whitney Fordman, quarterback and love interest for Lana Lang.

Dale Arden, Hans Zarkov and Ming the Merciless have yet to be cast with production of the 22 episodes set to begin in, where else, Vancouver on May 1.

The series will debut on the channel in August, date and time to be announced.  Rick Rosenthal, who worked with Johnson on Smallville, and has also handled Sci Fi’s The Dresden Files, will direct the first two episodes.  While the original strip featured the story of the planet Mongo threatening Earth and Flash journeying into space to save his planet, the television series will dramatically alter the premise.  Mongo will now be another dimension with Flash giving up his original polo in favor of other pursuits and being located in the pacific northwest.

The last time a live action Flash was on the small screen was in 1954 in an eight episode series starring Steve Holland, who later provided the visual look for James Bama’s Doc Savage paintings.

Flash Gordon has been previously portrayed by Larry “Buster” Crabbe in the three Universal movie serials from the 1930s and later, by Sam J. Jones, in the tongue-in-cheek Dino DeLaurentiss travesty from 1980.

ROBERT GREENBERGER: Strip show

ROBERT GREENBERGER: Strip show

Johnny Hart passed away the other day and in one of the obituaries I read, it stated Creators Syndicate intended to keep his strips, B.C. and Wizard of Id, still going. It seems Hart had been receiving help from family for some time now and much of his work exists as digital files for repurposing.

Upon reading it, my first thought was, ”Why?” The strips stopped being funny some 20-25 years ago and were coasting on momentum. B.C., which Hart wrote and drew, also was delving into his religious faith with increasing frequency over the years and was far from entertaining.

All of this brings up a host of issues regarding newspaper comic strips and their future. It used to be that the comic strips were a selling point, a way for papers to distinguish themselves. After all, the news, stocks and sports score were the same so why buy the New York Daily News if you also read the New York Post? The News knew comic strips were a key and filled page after page with the best strips possible. The Sunday edition was wrapped in the comics’ section – growing up, the Sundays were started with the latest Dick Tracy on the front and Dondi on the back and in between, there were more than a dozen other features.

The first generation or two of comic strip creators were a fertile, wonderful bunch that gave us enduring figures from Little Orphan Annie to B.C. As a result, as people aged, moved out of their parents’ home and started subscribing to a hometown paper, the comic strips remained a tool to entice and retain readers.

Whenever newspapers conduct reader surveys to figure out which features to drop in favor of new ones, the old standbys still score strongly because of that ingrained habit. Locally, the comics editor at the Connecticut Post admitted that “the blue-haired old ladies” threatened to cancel their subs if beloved strips vanished. And with circulation dwindling, papers have to hold on to every last reader.

The problem, though, has become that many strips have outlived their entertainment value and continue to run only out of habit. B.C. and Peanuts and Marmaduke and many others stopped being entertaining and fresh and interesting decades ago. When the creators have retired, or died, others have continued the features, recycling the same puns, gags and stale humor.

Some of the younger, hipper, creators recognize that such recycling is a kiss of death these days. Jim Davis gave Jon Arbuckle a girl friend in Garfield and Cathy Guisewite married off her pathetic Cathy a few years back, each mining new strip possibilities.

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There’s no need to fear

There’s no need to fear

Forget that god awful looking CGI pup we’ve seen in the movie trailers.  The one, true Underdog will be collected on a three volume DVD box set this summer.  Released by Genius Products, under license from Classic Media, the $29.98 collection will feature digitally re-mastered episodes with Wally Cox (the voice of Underdog) sounding better than ever.  Not only that, the DVDs will collect the 1960s television series as originally broadcast so fans can delight in the additional escapades of Hunter, Go Go Gophers, Klondike Kat, Tennessee Tuxedo, King and Odie, Tootie Turtle and Commander McBragg.  The release date has been listed as both July 24 and August 6 while the god awful-looking CGI movie opens on August 4.

Trivia point: did you know that the meek, sheepish Wally Cox once was Marlon Brando’s roommate? Underdog, indeed!

ROBERT GREENBERGER: Death be not proud

ROBERT GREENBERGER: Death be not proud

The rule of thumb used to be that the only characters that stayed dead are Uncle Ben, Bucky and Barry Allen.

Some version of Uncle Ben is running around in Friendly Neighborhood Spider-Man; Bucky turns out to have survived and is now the Winter Solider; and if you believe Dan DiDio’s “slip” of the tongue, Barry Allen may be here soon.

It used to be a big deal when a character died. Amazing Spider-Man #121’s cover, as Spidey faced those nearest and dearest to him with a cover blurb promising one was going to die compelled us to buy that month’s issue. It worked, sales spiked, the status quo was different and people were buzzing.

In 1985, I participated in the planning and, ahem, execution of Crisis on Infinite Earths. One of the key housecleaning elements had to be the elimination of both major and minor figures, heroes and villains, civilians and loved ones. The hit list, as seen in the Absolute edition, evolved as editors and management weighed in. Killing the Flash and Supergirl were the shockers while few cared if the Bug-Eyed Bandit survived or not. Still, these deaths were supposed to be permanent changes to the DC Universe, although few of them have remained dead 20 years later.

By the time Superman died in 1992, the freshness had long since worn off as deaths had been faked (Professor X, Foggy Nelson), undone (Jean Grey, Iris Allen), or were too minor to care (I Ching).

Since then, characters have continued to die and come back with stunning regularity. As a result, the death of a major figure has been more of a blip than a major event, making one wonder what it will take to get people really stirred up.

Much has been made of Captain America’s death and I was among those scoffing at the permanence of his condition. Less has been said about the return of their first Captain Marvel, plucked out of the time stream before his death from cancer (as wonderfully told in a Jim Starlin graphic novel), an altogether new kind of cheat.

Marvel isn’t the only company wheeling and dealing with the Grim Reaper.

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BBC America puts on weight

BBC America puts on weight

BBC America has announced a revamped schedule that will thrill many fans of different genres.  Beginning shortly, there will be themed blocks airing from 8 pm – 10 pm:

    * Murder Mondays – a night of scripted dramas including new seasons of Wire in the Blood starring Robson Green, and Murphy’s Law with James Nesbitt.

    * Tuesday Nitro – targeting male viewers with such shows as MI-5, which focuses on British intelligence battling international espionage and global terrorism, as well as the drama Ultimate Force about an elite army unit in dangerous situations.

    * Wicked Wednesday – aiming at female viewers with such dramas as Footballers Wive$ with Joan Collins joining for the new season; Hotel Babylon about the antics of an exclusive hotel; Goldplated, a comedy about a rich family who exists on credit cards; and Sinchronicity which follows three young party-goers who are looking for love.

    * Big Thursday – will feature new seasons of "larger-than-life" personalities such as Gordon Ramsay and his two shows: Ramsay’s Kitchen Nightmares and Gordon Ramsay’s F Word in addition to the celebrity gossip program The Graham Norton Show.

    * Crime Scene Friday – back-to-back crime shows including Whistleblower, The Innocence Project, Silent Witness and Waking the Dead.

    * Supernatural Saturday – enters the world of science fiction and the paranormal with such shows as Jekyll, Torchwood, Life on Mars, Hex and Doctor Who.

    * The Brit Movie – a different British movie each week on Sunday nights and prior to the movie presentation, the network will air Adventure Sundays starting at 7p with new seasons of Robin Hood and Wild at Heart set in the South African bush.

Fans hoping for Torchwood to follow Doctor Who at Sci-Fi Channel as well as those of us without BBC America (curse you, Cablevision!) will no doubt be disappointed.