Author: Rick Marshall

SDCC Photo Gallery: Costumes!

SDCC Photo Gallery: Costumes!

As with every Comic-Con, the cosplay masses made their presence known at this year’s show. While the shoulder-to-shoulder crowds made quality in-crowd photos a bit difficult, here are a few shots from the floor provided by my intrepid partner, Jessica Bloustein. We’ve tried our darndest to caption the photos as best we can, but keep in mind that things are a bit hectic out here on the West Coast, so there was rarely enough time to do anything more than point-and-shoot. Feel free to identify some of the costumes in the comment section if we weren’t able to do so.

Oh, and if you haven’t done so already, be sure to check out the webcomics-related photos posted in my latest news roundup posted earlier today.

It’s a "d*ck in a box," of course…

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Webcomic News Roundup: Comic-Con Photos & “Overcompensating” Gets Animated!

This week’s roundup of webcomic news is arriving a little late because, well… I arrived a little late to this year’s Comic-Con. It’s a long story, and involves a sprained ankle (not mine), a "security breach" at a major airport, two canceled flights and a storm that had me expecting to see cows flying across the highway at any moment. That being the case, this week’s roundup also features some images from the show floor that will hopefully be worth 1000 words — because I’m still too jet-lagged to write ’em.

Overcompensating creator Jeffrey Rowland told me this week that he’s "so excited not to be going to San Diego" — and judging by my own experiences thus far, his excitement was justified. However, be sure to check out Tuesday’s OC by guest artist (and animator) Carly Monardo, who provided one of my favorite moments of guest-ifaction in quite a while. Everyone does the robot! ‘Nuff said.

Gary Tyrrell over at Fleen has been following recent developments on the Wowio/Platinum front with great attention. And rightly so, it seems. While you’re over there, make sure to read the comment section for each post, as Fleen has become a lightning rod of sorts for creators involved with these developments.

I tracked down You’ll Have That creator Wes Molebash at Comic-Con yesterday, and he told me about his recently launched YHT website at: www.yhtcomic.com. While he described the convention as "mediocre" at this point — since he didn’t have any new projects to promote this year — he did say he was hard at work on his mysterious graphic novel project.

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SDCC Interview: Joss Whedon on “Shepherd’s Tale,” “Buffy: Season Eight” and “Angel: After the Fall”

SDCC Interview: Joss Whedon on “Shepherd’s Tale,” “Buffy: Season Eight” and “Angel: After the Fall”

Fan-favorite creator Joss Whedon is just about everywhere this weekend at San Diego Comic-Con, promoting his groundbreaking Internet series Doctor Horrible’s Sing-Along Blog [here’s my recent interview with Joss Whedon on Doctor Horrible] as well as his work on various comic book spin-offs from his popular TV series Firefly and Buffy the Vampire Slayer, among other television and film projects.

I had a chance to sit down with Whedon recently to discuss The Shepherd’s Tale, his upcoming miniseries featuring the enigmatic Derrial "Shepherd" Book, a character from Firefly whose origins remain one of the series most popular unresolved threads. We also spent some time chatting about the current comics based upon Angel and Buffy the Vampire Slayer, as well as his thoughts on bringing characters back from the dead.

COMICMIX: With The Shepherd’s Tale, why is Shepherd Book the first character from Firefly to get a solo story?

JOSS WHEDON: I’ve done a breakdown of the story. I think Jim Krueger is going to write the actual script. The biggest mystery of what we never got to tell is Shepherd’s backstory. Everybody knew there was something more than just being Shepherd in there. And poor Ron [Glass] came to me during the strike and said, "I’m going to another convention. You’ve got to give me something." It’s been a number of years and they always ask [about Shepherd]. I said, "You know what, it has been long enough and this isn’t something I’m going to save for the sequel that may never happen, so we’ll make a comic book out of it."

Because it’s an interesting story, really. It’s the single most-asked question: "What’s up with Book?" And now we’re going to answer that.

CMIX: Have you considered doing spin-offs for any of the other Serenity characters?

JW: I’m spending a lot of time with the Buffy comic and that series just lends itself to the medium very well. The Serenity comics are a bit harder to pull together, so I haven’t focused on them as much.

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SDCC Interview: Rick Geary on “Blanche” and Dark Horse Comics Collection

SDCC Interview: Rick Geary on “Blanche” and Dark Horse Comics Collection

Among the many projects on Dark Horse Comics’ long list of San Diego Comic-Con announcements this year is an upcoming collection of the well-received Blanche stories created by well-known Gumby and Classics Illustrated artist Rick Geary.

Originally published in 1992 by Dark Horse, Geary’s Blanche Goes to New York first introduced readers to Blanche Womack, the character whose adventures would pair Geary’s already highly regarded and artistic talents with original stories of his own plotting. Only three Blanche stories saw print in the decade that followed, with the last — Blanche Goes to Paris — released in 2001 by Headless Shakespeare Press.

The hardcover collection of Blanche stories published by Dark Horse will feature an all-new introductory comic by Geary, as well as the previously published trio of Blanche Goes to New York, Blanche Goes to Hollywood and Blanche Goes to Paris. The project is currently scheduled for an early-2009 release.

I recently had the opportunity to ask Geary about Blanche, the series’ place in his greater body of work and what’s next for his favorite heroine.

COMICMIX: For readers who might not be familiar with Blanche, can you provide a little background on the character and her adventures?

RICK GEARY: Blanche is a young woman from a small town in Kansas who tours the world as a concert pianist during the early decades of the 20th century.

In the first story she goes to New York (in 1907, as a piano student in Greenwich Village), in the second to Hollywood (in 1915, as the musical director for a film studio) and the third to Paris (in 1921, as the director of an avant garde musical production).

In the stories, she deals with various intrigues and challenges, some of a supernatural origin, and interacts with historical figures like D.W. Griffith, Pablo Picasso and Ernest Hemingway. The character of Blanche is based ever so loosely on my grandmother, who taught piano in her small Kansas town and, as a young woman, studied in New York. From these facts I let my imagination fabricate her outlandish adventures.

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Alan Moore on “Watchmen” & Writing

Alan Moore on “Watchmen” & Writing

It makes my fingers ache when I think about how long it must have taken to transcribe Daniel Whiston’s interview with Alan Moore (Watchmen, V For Vendetta), but it’s well worth a read for anyone interested in the legendary scribe’s approach to the craft of writing. Moore addresses his work on various prominent and a few, well… slightly less-prominent projects, including the "cleverness" of Watchmen.

Watchmen was kind of clever – I was going through one of my clever periods – probably emotional insecurity, I thought: “People will laugh at me ‘cos I’m doing superhero comics. I’d better make ‘em really clever, then no-one will laugh”. (laughter)

So we’ve got all this sort of thing with the metaphor of the clock face, and yes it is a kind of clockwork-like construction – a swiss watch construction – where you can see all the works of it. Different areas where the text reflects itself, different levels – I was showing off.

But you’ll need all of those elements. They don’t all have to be tied up as fussily as that – in fact, I kind of decided after Watchmen that there was no point ever doing anything like that ever again, because having done it once, it would have been silly to have taken it further and done something more complex, when it’s already this sort of elaborate wedding cake of a comic book – you don’t want any more icing on the top.

(via journalista)

8 Books to Find at Comic-Con

8 Books to Find at Comic-Con

There’s far too much to see, do, find and run like hell away from during San Diego Comic-Con, so I always enjoy finding notable, specific lists of panels, projects and events that focus on the subject matter that most piques my interest. Over at The Comics Reporter, Tom Spurgeon has highlighted eight small-press projects to hunt down at this year’s show, offered up some ideas about where to find them and provided a synopsis of each project.

Here’s an excerpt from the list with accompanying image:

Permagel, Charles Burns, Buenaventura Press, Booth 1732
Get ready for this Fall’s big release of the Giant-Sized new volume of Kramer’s Ergot by getting a beautiful, over-sized Charles Burns import. Buenaventura Press always has one of the three or four must-see booths of the show because of the number of beautiful prints it offers. It’s fun just looking at that stuff, and a lot of it has to be seen in person. So does this book.

Spurgeon tends to be a pretty reliable guy when it comes to this sort of thing, as he’s pointed me in the direction of quite a few projects that not only became favorites of mine, but also did so well before they were celebrated in the more mainstream outlets.

Superhero Movies: The Blockbuster List

Superhero Movies: The Blockbuster List

Blockbuster.com has been my preferred movie-by-mail service for more than a few years now, so it was a nice surprise to see them calling out an impressive number of films based on comics in their big summer promotional list.

The list is actually pretty comprehensive, and includes a few titles I wasn’t expecting to be on Blockbuster’s radar as comics-inspired projects (i.e., Road to Perdition). It’s a great starting point for anyone looking to put together a comics-movie marathon this season, or perhaps a themed alternative to the Comic-Con chaos kicking off this week on the West Coast.

Heck, they even included Man-Thing!

 

(via Scott Hinze)

ComicMix at San Diego Comic-Con 2008

ComicMix at San Diego Comic-Con 2008

San Diego Comic-Con 2008 kicks off Wednesday night in Southern California, and ComicMix will be on location, bringing you everything you need to know — and some things you might not realize you needed to know — about the people, places and geekery that make it one of the most anticipated (or in some cases, feared) events of the year for fans of comics and comics culture.

This year, the ComicMix team will be all over the show, providing you with all of the interviews, daily con reports, audio, video, blogging and photo galleries you’ve come to enjoy here. Our podcast team will be broadcasting each day of the show with special guests from the worlds of comics, TV and film, while the rest of our audio and video crew will be doing their best to capture the people, panels and general vibe of the show for ComicMix readers. If you’re looking to connect some faces with ComicMix names, be sure to check out our official Meet & Greet Schedule at Booth #2308.

Throughout the show, we’ll be updating our San Diego Comic-Con 2008 News Archive with links to every Comic-Con story we post, and if all goes as planned, there should also be a fancy button on the right side of the homepage for quick access to Comic-Con news.

Keep in mind that you can also follow all of our updates on the official ComicMix Twitter Feed, as well as ComicMix on Friendfeed.

Barry Blitt’s Other New Yorker Covers

Barry Blitt’s Other New Yorker Covers

There’s been quite the hub-bub over artist Barry Blitt’s recent New Yorker cover featuring presidential candidate Barack Obama dressed in traditional Muslim garb and surrounded by various jingo-tastic symbols in the Oval Office, and you can catch up on some of the debate via ComicMix Editor-in-Chief Mike Gold’s recent column, "We Will Think For You."

However, ComicMix reader Simon Owens recently posted a pair of past New Yorker covers created by Blitt that might be of interest to anyone following this story, too.

In all the news coverage over the controversial New Yorker cover depicting the Obamas as terrorist extremists, I haven’t seen many mentions of other works by Barry Blitt, the artist of that cover. Two of his covers last year — which I’m posting below — were among the best the magazine has featured in years.

This first one had every political cartoonist in America smacking his head, saying, “Why didn’t I think of that?”

Thanks for the tip, Simon!

Interview: David Willis on “Shortpacked”

As the opening day of San Diego Comic-Con International looms ever closer, it seems only right to turn the spotlight on a webcomic that draws from the world of comic books and toy collecting — the often-overlapping fan cultures that have long provided the backbone of the comic convention scene. With that in mind, this week’s interview subject is David Willis, the author of one of the toy scene’s most popular webcomics, Shortpacked!

Since ending his celebrated series It’s Walky! in 2005 and turning his full attention to Shortpacked, Willis has managed to elevate his semi-autobiographical account of the lives of toy store employees to a prominent role in collectible toy culture  — so much so, in fact, that Willis currently produces both the original, ongoing Shortpacked series and a special version of the comic for Toy News International, one of the most popular toy news sites on the ‘Net.

While much of the series chronicles the oddball cast of characters who work at the toy shop where the series’ main character, Ethan, earns a paycheck, the series often detours into commentary on superhero culture, contradictions and fandom, and rarely shies away from poking fun at the fan culture it calls its own.

I spoke with Willis about the origins of Shortpacked, his decision to "pull the drama tag" in the series, and what toys are on his must-buy list for this year’s Comic-Con.

COMICMIX: Can you tell me a bit about the reason you started Shortpacked? I know it started out semi-autobiographical, but what elements of your life at the time inspired you to run with Shortpacked and end It’s Walky!, your previous series?

DAVID WILLIS: It’s Walky! was coming to its natural end, and I wanted to try something different. I’ve collected toys for most of my life, but what really spawned Shortpacked! was working for a few years at Toys "R" Us. So much of retail work is spoofable. Laugh at the "Customer Protection Rackets" in Shortpacked! all you want, but they’re real. They’re just called something slightly nicer.

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