Author: Elayne Riggs

Looking up our own

Looking up our own

Despite my first claim to "fame" being a self-published zine in the ’80s called INSIDE JOKE, I admit to having a limited tolerance for deconstruction and meta-winks in storytelling. To me that sort of linking and meta-footnoting belongs in essay-writing and blogging; in fiction, more often than not it becomes a form of cultural cannibalism largely practiced by creators (a) with only a surface knowledge of comics history who believe it’s cooler to point back to a story which readers recall fondly than to come up with original story ideas themselves, or (b) who believe not so much in writing stories as in structuring gags which they’re betting will amuse their audience and editors as much as the setups and punchlines amuse themselves.

I can understand the impetus. The more experienced you are as a writer, the more you need to keep up your own interest in your work. That’s why many writers enjoy experimenting with different storytelling formats, like starting the action in media res or recounting events backwards. They need to keep from getting bored, and they hope that their readers will also appreciate them shaking up expectations a little. And when it works in service to the story, it’s a treat to note all the different kinds of ways a tale can be spun. But the problem is that these kinds of tricks, when overdone, often become more about the writer than about the story.

 

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WTF? MySpace?

WTF? MySpace?

As someone whose first reaction to the news about Bravo acquiring Television Without Pity was, "Uh, what’s Television Without Pity?", I greatly identified with, and applauded, this clever substitution of Captain America’s dialoge from a page of Civil War Frontline #11, wherein one Sally Floyd conflates pop-culture trendiness with actual American values instead of a weak parody thereof.  Tetsubo observes, "note that Sally’s dialogue is unchanged and untouched."  Domo arigato, Tetsubo.

Cabot comes to comics

Cabot comes to comics

More good news for all those teen readers!  Meg Cabot, author of the popular Princess Diaries series, will be making the foray into comics with Avalon High: Coronation, a manga sequel to her novel Avalon High brought to us by the ever-expanding Tokyopop (which also answers the question "whatever happened to Jinky Coronado?", as Coronado is set to draw the graphic novel).  This should hit stores in July.

This is the result of a joint effort by Tokyopop and HarperCollins to create a progressive new line of co-branded (i.e., licensed) manga titles based on key young adult franchises from the HarperCollins list.  The other title, set to release in May, is Warriors: The Lost Warrior, based on the Erin Hunter series, to be written by Dan Jolley and drawn by James Barry.  Hey, it’s cats, go wrong!

It takes a man

It takes a man

For my money, there’s no manlier comic book-type name out there than pop-culture and political blogger Lance Mannion.  Can’t you just imagine what his comic book equivalent would look and sound like?  I sure can, and reading Lance is even more fun than picturing his character.  This week he presents his musings on casting for the upcoming Iron Man film, complete with copious illustrations.

Meanwhile, comics writer (and pop-culture and political blogger) John Rogers begs our forgiveness for a conversation he had five years ago with a young director in which he expressed certain doubts, and assures us that crow is indeed a very tasty meal.

Bakers talk baseball

Bakers talk baseball

It’s coming on baseball season again, and Team Comics is gearing up!  If you have no plans for Sunday, April 22, why not join Kyle Baker and family for A DAY TO BELIEVE: AUTISM AWARENESS DAY at Shea Stadium, as the New York Mets take on the Atlanta Braves?  More details at Kyle’s blog.

Top ten videogames announced

Now that comics have earned mainstream respectability, can videogames be far behind?  Henry Lowood, curator of the History of Science and Technology Collections at Stanford University, is at the forefront of gaining recognition of this hobby and industry as having "a history worth preserving and a culture worth studying."

So last Thursday at the annual Game Developers Conference in San Francisco, Lowood, along with game designers Warren Spector and Steve Meretzky, academic researcher Matteo Bittanti and game journalist Christopher Grant, announced the committee’s list of the 10 most important videogames of all time.  For the final list, see below.

The list ranges chronologically from 1962 (!) through 1994, and was closely modeled on the work of the National Film Preservation Board, which every year compiles a list of films to be added to the National Film Registry.  So expect a lot more additions in the future of this still-nascent industry — a future that looks brighter and more competitive every day, reports the BBC in this article about the stiff competition of talent trying to break into game designing.  And you thought getting into comics was hard!

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Viacom sues YouTube for $1 bil

Viacom sues YouTube for $1 bil

Looking for that video of Stephen Colbert accepting the mantle of Captain America last night (apparently Marvel has just discovered the shield missing), or decrying the death of Steve Rogers in his Word segment from last Thursday?  Don’t bother going to YouTube for ’em.  Comedy Central’s parent company Viacom announced today that it has sued YouTube and its parent company Google, seeking more than $1 billion in copyright infringement damages.

The lawsuit was not exactly unexpected — last month Viacom demanded that YouTube remove more than 100,000 unauthorized clips after several months of talks between the companies broke down.

Considering the fight is about who can make more money "out of exploiting the devotion of fans to others’ creative works," so far it looks like, whoever wins, the fans might still be the losers.

The reading generation

The reading generation

According to this article in the Seattle Post-Intelligencer, teenagers are reading more now than they have in decades.  Not only that, but they’re "buying books in quantities we’ve never seen before," says Booklist magazine’s Michael Cart, who also notes that "publishers are courting young adults in ways we haven’t seen since the 1940s."

The reasons for the surge, besides a high teen population at present (over 30 million), include more quality young adult literature in just about every genre, with fantasy and graphic novels being particularly in vogue.  But it’s not just buying – teens are also visiting libraries in greater numbers, and many librarians are seeing a greater circulation of teen fiction than adult fiction. 

Oddly, the article doesn’t really credit online activity for this upswing; it actually notes, "The staying power of books is especially remarkable given the lure of YouTube, MySpace and other techie diversions."  But as any teen or adult can tell you, you need to be able to read, and read well and fast, in order to fully partake of online "techie diversions," and once you’re reading stuff you like, you’re bound to read more.

300 breaking 70

300 breaking 70

Earlier today, Dateline Hollywood Daily speculated that the movie adaptation of Frank Miller’s graphic novel 300, which brought in well over $27 million Friday night in only 3,103 theatres, "looks set to shatter the record for biggest March opening ever," amassing "what is likely to be a $60+ million weekend."  And that’s with the time change and the relatively balmy weather in the northeast this weekend!  Now AP’s David Germain reports that Warner has estimated the weekend’s take at $70 million, which would break last year’s $68 million record for the Ice Age sequel, which played in 850 more theaters.  It’s also about $5-10 million more than the movie cost to make.

Maybe we shouldn’t be that surprised, considering the amount of buzz the film has generated among everyone from women happy to see something catering to the female gaze to political bloggers interpreting parallels between the Battle of Thermopylae and the current situation in Iraq to enthusiastic action-flick audiences just in it for the blood and guts. 

It’s not very often that a movie comes along with something for just about everyone — it even serves as a great discussion topic for those who’ve seen it and don’t particularly care for it!

Superhero confessions

Out in Austin, Texas it’s South by Southwest (SXSW) week, with two festivals and a conference going on.  While most tech types are attending the Interactive trade show and festival for creative web developers, designers, bloggers, wireless innovators and new media entrepreneurs, there’s also a film fest/conference going on, with plenty of world premieres.

One of those is the documentary Confessions of a Superhero directed by Matt Ogens, which "chronicles the lives of three mortal men and one woman who make their living working as superhero characters on Hollywood Boulevard."  Cinematical has a review of the docu.  Hey, at least they don’t have to wear giant animal heads like those poor kids up in Anaheim…

ComicMix’s own Brian Alvey is out there, and maybe we can press him into making his CM debut with a full report!