Author: Elayne Riggs

ELAYNE RIGGS: Polly wanna press release!

ELAYNE RIGGS: Polly wanna press release!

When I was first offered the position as ComicMix‘s news editor, Mike Gold outlined his vision for how I was to treat press releases. Rather than parroting verbatim everything I read or was sent, I should first determine the release’s newsworthiness, then I should rewrite everything that I felt merited ComicMix‘s attention in my own words wherever possible.

I could not have been more delighted.

I think you readers probably sense how rare this is, particularly in today’s media-saturated and propaganda-laden world. To be fair, the notion of a supposedly free press on bended knee before the people and stories it covers has been spoken of in the U.S. since at least the Reagan era if not before, but the lapdog evolution seems to have accelerated exponentially under the current administration. So, now more than ever, it behooves journalists to try to shoot down that sorry legacy wherever possible.

But hey, this isn’t world-shaking events, it’s pop culture. What’s the big deal?

The big deal for me has to do with the constant conflation of providing actual news with filling the need for websites to have new content on a daily, even hourly basis for fear of losing eyeballs and facing a corresponding drop in ad revenue. And that’s a by-product of, and to be expected in, our hyper-capitalist society. But that’s presumably where the difference between quality and quantity comes to the fore.

At this point I feel I should step back and assure you that I believe press releases have their place, and I don’t blame other pop culture news sites — many of which are run by personal friends — for repeating them verbatim. That’s one reason I don’t feel the need to; so many others have already done that job. I don’t consider my standards to be necessarily higher, just different. This could be due to my ready admission that I’m an opinion writer rather than a trained journalist. (No, not all bloggers are automatically journalists, although there are any number of writers out there who are good at both.) So perhaps I approach press releases differently than someone with more journalistic experience.

For instance, when I read a press release from a big comics company whose entire point is that such-and-such a book has sold out its print run, the first question I ask myself is "What was the print run? How many actually sold?" After all, this information is readily available after the fact from a number of sources (ICV2 comes to mind), so it shouldn’t be any sort of secret. Yet of all the press releases I’ve read in the two months I’ve been at this ComicMix gig, only one has given an approximate number for the press run which sold out, and that was the item I ran because that was actual news.

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Kids’ comics celebrated

Kids’ comics celebrated

Via Randi Mason, on Sunday, April 22 the fabulous and still-going-strong Books of Wonder store in NYC’s West Village will be hosting Graphic Sunday! with ten graphic novelists on hand to sign their children’s and young adult graphic novels.  Creator names and their works (all of which will be available for purchase at the store) are displayed prominently on the site.  Come on out and support comics for kids and teens as well as independent bookstores!

One of the Graphic Sunday! participants, Dave Roman, has a nice post about the event, as well as cluing us into another kid-oriented comics event put together by our neighbor Alex Simmons, called the Kids’ Comic Con.  This event will take place on Saturday, April 28 at the Bronx Community College, and lots of our friends will be there, so since I don’t live that far away it’s a pretty sure bet I’ll be there as well to represent ComicMix!

Convention reports collected

Convention reports collected

Seek and ye shall find!  Yesterday we talked about Heidi Meeley’s efforts at consolidating links to reports about the recent Emerald City Con.  Today we find two more comprehensive ECC link posts, from Laura Gjovaag and Tom Spurgeon, Tom calling his contribution "Collective Memory" which was just what we were hoping someone would start.  We’re sure somewhere on CR Tom has gathered all his Collective Memory posts, but we can’t find them in a cursory glance at his resources page.  Then again, we couldn’t find ComicMix listed either.

Yet.

Paper v pixels examined again

Paper v pixels examined again

Amid the "it’s been three days, is Johnny Hart still dead?" cracks elsewhere in the blogosphere, over at the Huffington Post student Frankie Thomas remembers Hart by placing his comics firmly in her childhood, then continues, "Let’s face it: when it comes to comics, print media is dead." She goes on to talk about the webcomics which excite her nowadays, which is a good thing for webcomics as HuffPo is an extremely popular group blog, but a bad thing when she confuses form with venue by referring to comic strips themselves as "a lost art" after she’s just extolled them.  (I think what she meant to say was that newspapers were a lost cause as far as comic strips are concerned.)

Seems to me it’s always more enjoyable to read people who don’t feel they have to put down one thing (print) in order to appreciate the other (pixels), so I much preferred Wil Wheaton’s short list of the webcomics that have made him laugh lately (including, of course, one featuring him).

Sacco on Iraq

Sacco on Iraq

Via Jessa at Bookslut, the good news is that comic artist and journalist Joe Sacco has a 16-page piece in the latest Harper‘s entitled Down! Up! You’re in the Iraqi army now.  You can see the thumbnails (like the one at right) here

The bad news is, you can’t see the full-size art to actually read the piece unless you buy the issue. Joe’s worth it.

Maximum villainousness

Maximum villainousness

Wizard is reporting that writer David Goyer has sold an idea to Warner Bros. for a movie focusing on DCU supervillains.

In Goyer’s vision, which he’s developing with fellow writer Justin Marx, Super Max would take place in a maximum security prison housing supervillains where a wrongly convicted Green Arrow has been sent and where he faces a number of inmates he helped put there in the first place.

Goyer tells Wizard, “He’s Green Arrow for the first 10 minutes of the movie, and then he’s arrested and his secret identity is revealed… Of course, tons of people try to kill him while he’s in there. We’ve populated the prison with all sorts of B and C villains from the DC Universe.” Goyer promises fans will recognize plenty of names.

Goyer is also planning a miniseries or graphic novel tie-in with the film.

Emerald City Con reports

Emerald City Con reports

Heidi Meeley at Comics Fairplay, which had a booth at this year’s Emerald City Con, is collecting everyone’s ECC reports to put all in one place.  If you wrote about the con and your report isn’t included in her listing, please let her know.

A link post like Heidi’s is one of the best ways to record for posterity everyone’s memories of their participation in the yearly comicon circuit, and it’s hoped that other con-goers can put something like this in place for other upcoming gatherings.  Although we suspect a San Diego report link post would be a near impossibility…

Big Iron Man screw-up

Big Iron Man screw-up

Newsstand distributors have released some misprinted copies of Iron Man #16, wherein pages are printed out of order. Expect to see these on eBay shortly going for far more than their worth by any objective measure.

Reports of copies of Iron Man #16 printed with their pages out of order appearing in various Borders bookstores in the midwest started surfacing over a week ago, but it must be stressed that  not all newsstand copies are the misprints.

The direct sale version of Iron Man #16 has been delayed for this very reason. The "correct" version will be in comics shops this Wednesday.

The question that leaps to mind isn’t "how could this have gotten through?" as the printers are, like anyone else along the assembly line, only human; but, "there’s still newsstand distribution?"  In fact, most towns have their central newsstand outlets, big-box bookstores like Borders, supermarket spinner racks, and convenience store shelves. However, only a fraction of the comic book titles published are distributed outside of the comic book shop network.

Artwork copyright 2007 Marvel; All Rights Reserved.

Our week in review

Our week in review

This is the week ComicMix went interactive, adding our comments feature and Active Conversation/Latest Comments windows at the right.  Rest assured there’s much more to come, but in the meantime here’s your weekly catch-up on our regular columns:

And I think it’s high time I got caught up myself on Mellifluous Mike Raub‘s latest podcasts:

Listen to ’em as you work on your taxes; that’ll take the edge off!

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An August primer

Writer John August notes, "Ever since I announced that I’m writing Shazam!/Captain Marvel, I’ve gotten some great questions and comments from longtime fans of the character, many with detailed pleas to include a specific cherished piece of the mythology. But when I tell people face-to-face that I’m writing a Captain Marvel movie…their eyes go up and to the left as they try to remember, who the hell is Captain Marvel?…

"So, in the interest of spreading general knowledge about Captain Marvel and why he kicks ass, I thought I’d share a reading list. Don’t worry; there’s no test. In fact, consider this a gentle education (or re-education) on why some of the best writing today is inked and colored."  And he goes on to recommend in detail a step-by-step list for folks new to comics, new to the DC Universe, and new to the specific character.  It’s always a good sign when a writer’s done his homework!