New Who Review – “Mummy on the Orient Express”
There’s one of two things you can be almost guaranteed of when you see a story that takes place on a train – romance, or a murder.
MUMMY ON THE ORIENT EXPRESS
By Jamie Mathieson
Directed by Paul Wilmshurst
As a farewell fling, The Doctor takes Clara on a trip aboard the Orient Express in space, exactingly copied from the original, except for the bit about being spaceworthy. It becomes quickly apparent that all is not well on the craft – a mysterious unseen beast is killing people exactly 66 seconds after the victim sees it – and no one else does. It turns out this particular journey is a massive two-fold trap – the ship is filled with scientists versed in areas of research that pertain to the beast, and are pressed into service to capture it, by any means necessary.
The Doctor quickly joins the press gang, understanding that the only way to gain data is to have the next victim detail as much as they can before they are killed. Clara does not take well to this process, but when she is asked to bring to him the person they predict to be the next victim, she does what all The Doctor’s friends do – what she’s told.
A tight thriller with a new look at a classic monster, with a massively emotional line running through the story, resulting in one of the most naked-baring dialogue at the end ever seen. The new season of the series of amazingly dark, especially in the analysis of the relationship between The Doctor and his friends. By story’s end, we realize Clara has been doing something all season, and is totally at peace with it – lying.
GUEST STAR REPORT – It’s an interesting week, with only one exception, the entire major guest cast has appeared on Doctor Who in one form or another in the past, including the audio plays.
Frank Skinner (Perkins) is a well-known stand-up comic, TV presenter, and regular on Britain’s massive number of panel shows like QI and Have I Got News For You. A long-time fan of Doctor Who, he’s been campaigning for a role on the show since its inception. He had a cameo in The Five(ish) Doctors Reboot as a Dalek operator. He’s also a major fan of British music hall legend George Formby, and hosted a documentary about the man in 2011.
Foxes (lounge singer) is a pop singer making quite a name for herself in the UK with her experimental style electronic pop. She appeared on the song “Clarify” by Zedd, which won the 2014 Grammy for Best Dance Recording. Her latest album, Glorious”, came out in February to positive reviews.
David Bamber (Captain Quell) appeared with David Walliams and Mark Williams in the adaptation of P.G. Wodehouse’s Blandings, and in the recent project by the two thirds of the League of Gentlemen who aren’t Mark Gatiss, Psychoville.
Christopher Villiers (Professor Moorhouse) is one of a pair of Who-lumni this episode, appearing in The King’s Demons from the original series. He played Sir Kay in First Knight, and a favorite in our house Nigel in Top Secret! (“How do we know he’s NOT Mel Torme?”)
Janet Henfrey (Mrs. Pitt) Last appeared in Doctor Who as Miss Hardaker in The Curse of Fenric. She had a part in the revamped version of Randall and Hopkirk (deceased), a show that featured the work of a large number of people who went on to work on Doctor Who. She’ll next appear with matt Smith in the film adaptation of Pride and Prejudice (and Zombies).
John Sessions (Gus) was a regular panelist on the original British version of Whose Line is it Anyway, and is a recurring guest on QI. He’s done quite a lot of voice work for Doctor Who, in the Big Finish audio plays and the webcast Death Comes to Time. He’ll be playing Hunpty Dumpty in the upcoming Alice in Wonderland sequel. He joins a growing number of well-known actors to lend their voice only to the series.
THE MONSTER FILES – The Foretold is a wonderful example of taking a classic monster and giving it a modern sci-fi twist. The Doctor has seen his share of Mummies in the past. The Osiran race took up residence on Mars (a very popular planet in the series’ history) and influenced the growth of Egyptian culture, an influence that attempted to make a jump to the present in Pyramids of Mars. We’ve seen other classic Universal monsters as well – werewolves in Victorian England (Tooth and Claw) alien races who were quite pleasant when they weren’t in their alternate form (The Greatest Show in the Galaxy) and various other wolf-like transformations like from Inferno and Planet of Evil. He even met Frankenstein’s Monsters, albeit only an android copy, in a disused fun fair during The Chase.
BACKGROUND BITS AND BOBS –
KILL THE QUEEN! – The lounge singer performing what is by now a centuries old song (“Don’t Stop Me Now” by Queen) which is certainly supposed to represent the contemporary music of the period of the original Orient Express is a callback to Lady Cassandra playing a “traditional ballad” during The End of the World, namely Britney Spears’ “Toxic”.
BOW TIES ARE…WELL… – The Doctor is wearing a bow tie again, but it’s the style he wore back in the Hartnell years, keeping with the style of dress he’s been wearing all season.
WOULD YOU LIKE A… – Eschewing the traditional rumpled paper bag, The Doctor now carries his Jelly Babies in a dashing cigarette case. That’s not the only Tom Baker reference in the episode – when The Doctor has the conversation with himself, his “other voice” takes on just a tinge of the booming tone of the fourth Doctor.
HOW LONG CAN YOU HOLD YOUR BREATH? – The Doctor can go without oxygen for quite some time, thanks to the Gallifreyan respiratory bypass system, first referenced in the Tom Baker adventure The Ark in Space.
“It’s a sad smile, it’s two emotions at once” – The Doctor once admitted to be confused at “happy crying” in the company of the Ponds. He’s had trouble understanding Human emotion in the past, he’s just made more of a career of it this season.
“The number of evil twice over” – While most modern people acquaint 666 with evil, 33 appears in a number of religious doctrines, and pops up in an interesting number of coincidental places in a plurality of schools of knowledge. This website lists a great deal of them.
“It’s full of…bubble wrap” – Bubble wrap has a long association with the series, usually as a material for making monsters and sets. Most famously it made up much of the skin of the growing Wirrn creatures in The Ark In Space.
“Even the smallest details might help us save the next one” – Once again, we’re seeing The Doctor having no remorse of sadness for someone’s passing, wishing only to use them as a tool to solve a larger problem. It’s what Clara assumes he’ll do to Maisie later in the story.
“Are you my mummy?” – I honestly thought they might choose not to go with this line. A reference to the Eccleston thriller The Empty Child / The Doctor Dances, he made a similar joke while wearing a gas mask in The Poison Sky.
“That job could change a man” – Perkins was referring to how travelling like that could change passengers in the TARDIS, and The Doctor was referring to himself. Both are correct.
BIG BAD WOLF REPORT – Danny is only heard from via the phone, but once again, his and Clara’s relationship are where the big moves in the narrative take place. While there’s still a dangling mystery as to the identity of Gus, there’s no being sure that he’s working with Missy, Queen of Heaven.
“He even phoned the TARDIS” – The Doctor got a call at the end of The Big Bang about an incident on the Orient Express In Space. The details were a bit off from what we’re seeing here, but the point it clear – Gus has been trying to get The Doctor’s attention to solve this problem for a very long time, and is fully aware of who he is. We’ve had mention of the difficulty of getting the number to the TARDIS already, so this person has access to very secret information.
“But thanks for lying” – It’s the second line spoken by The Doctor in the episode – and it’s the main theme of the episode. It’s spoken about, referred to, and joked about right through to the end of the story. Maisie accuses The Doctor of lying as soon as she hears the first thing out of his mouth, The Doctor Lies about why he asks Clara to eventually actually lie to Maisie. The Doctor claims he’s lying about getting everyone way safely, but he’s lying about that. And at the end, Clara flat out lies to The Doctor about her turnaround about travelling with him, which means she will go right on lying to Danny about not doing it anymore.
“I am so sorry” – It’s key to note that now it’d The Doctor’s companion who is doing the apologizing, what Ten used to do so often it became a meme.
“So you were pretending to be heartless” – There such amazing levels going on in these final scenes. The Doctor has clearly gotten more brunt in his attitude, using dying people as stepping stones to a solution. But in the next moment we learn something important – for a guy who claims to be terrible with names, he remembers the name of each person he couldn’t same. He’s still keeping count, even through he’s hiding it better than ever.
“Is it like…an addiction?” – Let’s analyze Clara’s behavior throughout the season. She’s keeps trying to convince herself that she can “handle it”. She attempts to restrict her access by only doing it occasionally. She puts herself in danger to get what she wants. She lies to those she loves about what she’s doing, and after swearing this is the last time, she decides it’s not. So…you tell me; how good is her analysis?
NEXT ON DOCTOR WHO! Experimentation by an unknown alien source is leaving some people feeling a little…Oh, I just can’t DO it!. Flatline, coming this Saturday.
What do you think of the conjecture that Perkins and Gus are one and the same?
I didn’t want to face going through a period of adjustment when Peter Capaldi took over. Chris Ecclston is my favourite of the modern dr’s but I though Matt Smith brought something completely new that we have never see in dr who.. Youth.. real youth. H
aving said that I was surprised during the first episode deep breath that there was NO period of adjustment for me.
God forgive me, after 10 mins I had totally forgotten about Matt Smith to such a degree that I was actually disappointed when his face popped on screen (maybe just his voice on the phone would have done)
Every episode after that I have loved until Kill the moon where the ending was a real cop-out. I was also left feeling a little sad that the relationship was breaking up in such a bitter way and thought “this is not quite working anymore”.
Then came “Mummy” & I realised I’m not as cleaver as I think I am.. this series is playing with us and is not at all as obvious as it first seemed.
I think Capaldi is an absolutely fantastic choice for the Doctor and I think maybe that the personality change, which makes me feel so uncomfortable is actually the very reason I am enjoying it so much. It would have been very easy for him to have been a baddy for a couple of weeks and then mellow out to become something recognisable to us as the doctor but no, we are having to work for our breakfast with this one and by god, it’s starting to get very, interesting…. STILL THINK IT’S TIME STEVEN MOFFETT HANDED OVER TO A FRESH PAIR OF EYES AND EARS THOUGH..!
Spot on with this write-up, I really believe this website needs a great deal more attention. I’ll probably be back again to see more, thanks for the