Monthly Archive: September 2014

Emily S. Whitten: Continuous Convention Catch-Up

Goooooood evening, boys and girls! Before we get on with today’s column, let us have a moment of silence (because we’ve all fainted from excitement) to celebrate that a Deadpool movie is really, truly, finally in the works. For real this time. Like, totally.

(Obligatory NSFW test footage shot)

https://www.youtube.com/watch?v=CphFZGH5030

Aaaaaand, we’re back. Everyone have time to get up off the floor? Yes? Excellent. And don’t be ashamed of fainting. I’m that excited, too! Now, we just have to hope that they don’t screw it up.

And now on with the column. The convention season has been just flying by, it seems. Barely did I return from SDCC before it was time to start finalizing my costumes and setting my meet-up plans for Dragon Con; and of course after Dragon Con, Baltimore Comic Con was literally right around the corner, being the next weekend. And with all of the cool things going on at every single con, I feel like I’m weeks behind on everything I still have to share with you all out there in reader-land.

So this week, let’s have a little whirlwind catch-up/retrospective of the highlights.

Comic-Con International

No, I’m not even kidding, there’s still cool stuff that happened at SDCC that I haven’t shared yet. In particular, I didn’t really get to write about the panels yet, and man, there were some cool panels. For one thing, there was our very own Michael Davis’s The Black Panel, which focuses on black entertainment and creators who are doing notable work in the various entertainment industries. This year, the panel featured Orlando Jones (Sleepy Hollow, MAD TV), Ne-Yo (actor, artist, writer, singer, etc.), J. August Richards (Angel, Marvel’s Agents of S.H.I.E.L.D.), Kevin Grevioux (I, Frankenstein; Underworld), Cree Summer (Batman Beyond, Rugrats, A Different World), and Erika Alexander (Living Single, “Concrete Park”). After the panel I got to catch up with J. August Richards (who, by the way, had a hilarious mic-drop moment), and he had this to say: “Michael Davis is a legend and a pioneer in the field. It was an honor to be a part of The Black Panel and hilarious to watch him do his thing in person. Clearly, he’s the star of the panel every year!”

I also checked in with my friend Sarah Goodwin, a scientist in the field of cell biology. She shared that, “this was my first Comic-Con and so my first time attending The Black Panel. First of all, this was one of the few panels I saw that featured women (yay!!!!). Secondly, all of the panelists were very open and honest about their experiences and how they see themselves positioned within the various cultures of their crafts. Throughout this panel came lessons in putting yourself out there, taking risks, and most importantly, persistence. I found the panel very informative and could relate to a lot of what they were saying since I am a woman in a male-dominated field (in science the field is male-dominated at the ’star’ level, at least). I left the panel with a sense of optimism that diversity in all aspects of Hollywood will continue to grow, and that Comic-Con can be a place where this is discussed and celebrated and/or criticized amongst a supportive and welcoming community. Also Kevin Grevioux has an incredible voice, and I think it is super cool that he used to be a scientist at the NIH!” Clearly, The Black Panel is not to be missed.

I also checked out the I Know That Voice panel, which was super fun since they were showing some of the cool extras that came along with the DVD of the awesome voice actor documentary that I’ve covered before. The panel featured some of my favorite people in the industry and the extras were well worth a watch, with discussions of “Andrea Romano’s First Time,” Billy West talking about the origins of Zapp Branigan, and Jim Cummings telling tales involving booth etiquette, among other things. Check out a few pics here, and then go get the DVD.

And that’s all for me this week, folks, so until next time when I continue my convention catch-up, Servo Lectio!

New Gerry Anderson TV project “FireStorm” launches via Kickstarter

Anderson Productions has launched a Kickstarter campaign today to fund production of a pilot for Gerry Anderson’s FireStorm, a new adventure series in the tradition of the original Anderson series like Thunderbirds and Stingray. Only hours after its start, the campaign has already been 25% funded of its initial goal.

Once funded, the pilot will be filmed in “Ultramationation”, described as a new hybrid process “using a combination of puppetry, practical effects, physical props and sets, and model miniatures”. Fans of iconic Gerry Anderson shows like Space: 1999, Stingray, Captain Scarlet, UFO and Thunderbirds will be able to back the project to help fund the pilot episode in return for special limited edition rewards from props and collector edition DVDs, to set visits and film credits.

FireStormOriginally developed by Gerry and his business partner John Needham, the project  originally became a Japanese animated series produced in 2003. The new series starts from scratch, re-developed from Gerry Anderson’s original notes, synopses and designs.  (more…)

Box Office Democracy: The Boxtrolls

The Boxtrolls is a movie that always felt like enjoyment was just beyond my grasp. It has so many things going on and I never felt like I got quite enough information or context to really appreciate them. This ended up making me feel very old because I probably wouldn’t have gotten caught up on that as a child. Back then, I would have just considered each thing, found it pleasing or displeasing and moved on but now while they’re giving me a cross-dressing villain or an oddball pseudo-murder montage and I’m still thinking about how weird it is that everything in this entire world is somehow cheese-based.

(more…)

Sega’s Sonic Boom fan meet kicks off Super Week in NYC

Sega’s annual fan celebration of Sonic the Hedgehog will kick off Super Week, New York Comic Con’s seven day celebration leading up to the convention.  Sonic Boom will take place on Saturday, October 4th at the Manhattan Center Ballroom in New York City.

SonicBoomEvents include appearances by the voice cast of the new Sonic Boom TV series,  premiering this fall on Cartoon Network.  Roger Craig Smith (Sonic), Colleen Villard (Tails), Travis Willingham (Knuckles), Cindy Robinson (Amy), Nika Futterman (Sticks), and Mike Pollock (Dr. Eggman) will all be on stage for a special live TV show script reading, as well being available for meet & greets and autographs.

Other guests including Tracy Yardley!, long-time artist for the comic series, Sonic musicians Jun Senoue, Tomoya Ohtani, Ted Poley, and Tony Harnell, and Japanese game producer and lead Sonic designer, Takashi Iizuka.

Playable demos of Sonic Boom: Rise of Lyric (WiiU) and Sonic Boom: Shattered Crystal (Nintendo 3DS) will be available to play, in addition to “tons of giveaways and other great surprises”.

Tickets for the event are available now via Ticketmaster.

The Point Radio: Sophomore Pressure For BROOKLYN 99 And AGENTS OF SHIELD

Two of last year’s TV hits are headed back for a sophomore season that promises big things. BROOKLYN 99 dives into Fox Sunday nights and star Melissa Fumero talks about how the cast is more than ready to grab another Golden Globe, plus what might (or might not) be happening between her character and Andy Samberg. Meanwhile, fresh off CAPTAIN AMERICA WINTER SOLDIER, MARVEL’S AGENTS OF SHIELD starts out another season that will lead not only to next year’s AVENGERS, but to a spin off as well and in spite of all that pressure, Clark Gregg says he’s still having a ball.

THE POINT covers it 24/7! Take us ANYWHERE on ANY mobile device (Apple or Android). Just  get the free app, iNet Radio in The  iTunes App store – and it’s FREE!  The Point Radio  – 24 hours a day of pop culture fun. GO HERE and LISTEN FREE  – and follow us on Twitter @ThePointRadio.

Mindy Newell: Much Ado About Nothing

Saturn GirlI really hate it when I’ve got nothing. Writing the column becomes a war between the empty page and my keyboard, with my brain as no-man’s land. It’s been like this since Friday.

At times like this, when I’m feeling unengaged and disinherited from the comics industry and generally just plain discombobulated, I just want to give it up and throw in the towel, like that weather woman from Alaska who said, “Fuck it, I quit” in the middle of her segment.

Ha. Weather Woman. Here’s how I imagine her open audition for the Legion of Super-Heroes would go:

She walks on stage. She can’t really see into the seats because of the bright lights shining on her, but she knows her judges are out there.

“Hi, I’m Weather Woman. I have control over the –

A voice comes out of the abyss in front of her.

“Woman? How old are you?”

“What business of that is yours?”

“Sorry, club rules specifically state that members must be in their teens.”

“You look on the far side of 25 to me.” That’s a literal stab in the dark. She can’t see a thing. Damn lights.

“Excuse us for a moment.”

“I’ll wait.”

She hears whispers.

“I apologize. I should have said members must be in their teens when they join.”

“There was nothing in the ad that specified age.”

“I’m sorry, Ma’m, but – “

“Ma’m ! I’m not your grandmother.”

“At any rate we’ve already got a Lightning Lad and Lightning Lass. A Sun Boy. A Polar Boy.

Another voice. “We had a Nightwind, but she died.”

First voice. “She doesn’t need to know that.”

Weather Woman’s not going down without a fight. “But you don’t have any one member who can control all the vagaries of weather, the entire climate. Let me demonstrate.”

“That’s not necessary.”

“Listen, your ad specifically stated that you are an equal employment opportunity employer.”

“We are.”

“But I’m not being given an equal opportunity.”

“We’ll get back to you.”

“My lawyer will get back to you.”

Boy, that’s weak. This is what happens when you’ve got nothing.

Did you read Mike’s column about the Joker, a Jewess, Jihadists and a “just joking” Joseph Goebbels-like propaganda video? Did you watch it? Let’s all nominate it for an Oscar.

In related news…

Do you know that the State Department has created its own video as an anti-propaganda propaganda tool to discourage Muslims from joining ISIL? It’s called “Welcome to ISIL-LAND.” It’s a “parody” recruitment video. I’m not making this up. Go watch it. You won’t believe it. I’ll wait.

Okay, you saw it. Does that seem like a parody recruitment video to you? As John Oliver of HBO’s “Last Week Tonight” put it, “What the fuck are you doing?”

Which is what you all might be saying right now as you read this.

Well, I told you I got nothing this week.

 

 

New Who Review – “The Caretaker”

You think it’s hard to balance a life as a mother and a businesswoman, or that of a governor and a single dad, how about alternating trying to cultivate a new relationship while you’re off saving the universe?  Clara Oswald has got this very problem.  Luckily she down’t have to deal with it alone, she’s got…

THE CARETAKER
By Gareth Roberts and Steven Moffat
Directed by Paul Murphy

After an exhausting montage of travels across the universe that need to end in tome for making dates with Danny Pink, The Doctor is pleased to let Clara know that she’ll be getting some time to herself.  He’s got a job he needs to handle on his own, and is somewhat vague when pressed for details.  She happily reports to Danny that while she has been distracted of late, she’ll be more centered on him for a bit. That bit ends quickly when it’s revealed that The Doctor has taken the role of caretaker at Coal Hill School.  He’s on the search for a Scovox Blitzer, a warrior robot who has taken up residence nearby the school.  His plan is to trap the robot in the empty school before it gets too curious about its surroundings.  The first attempt goes wrong when Danny Pink gets involved, thinking The Doctor is up to something nefarious, and suffice to say he and The Doctor do not get along,  When the Blitzer returns from his temporary prison, can the new triangle of The Doctor, Clara and Danny save the world without driving each other crazy?

A wonderful episode that really lets Capaldi and company have some fun. There’s been much more humor in this season so far – this episode could easily have sat in the position of directly preceding the season finale, where there’s usually both a funny and a cheap episode, the double-banked production that features less Doctor to make time for filming the Christmas story.  This episode is much more character-driven, as many of Gareth Roberts’ stories are.

GUEST STAR REPORTChris Addison (Seb) has arrived MUCH earlier than expected.  Chris is an established comedian and actor in Britain, but he’s best known for playing Oliver Reeder on The Thick of It, which starred a certain…Peter Capaldi.  He got his start on Lab Rats, a series for which he also wrote. He’s directed several episodes of Veep, the series starring Julia Louis-Dreyfus and created by Armando Ianucci, creator of The Thick of It.

Jimmy Vee (Scovox Blitzer) has played diminutive aliens throughout the new series.  He played the Moxx of Balhoon in The End of the World, various Graskes in both Who and Sarah Jane, and Banakaffalatta in Voyage of the Damned.

Gareth Roberts (writer) has made a name for himself on the show for writing the more light-hearted episodes.  He brought us Craig Owens, star of The Lodger and Closing Time, as well as The Shakespeare Code and The Unicorn and the Wasp.  He wrote several episodes of The Sarah Jane Adventures.  He delivers some solid and hilarious dialogue this time around, playing off a theme similar to that of The Lodger, of The Doctor having to spend time among normal folk.

THE MONSTER FILES – The Scovox Blitzer is the latest in a series of warrior robots we’ve seen The Doctor meet up with over the years.  from threats like the Mechanoids and the War Machines in the Hartnell era, the Raston Warrior Robot in The five Doctors, to the robot knights in Robot of Sherwood, they’re an easy foe – single-minded, hard to beat, and powerful.

BACKGROUND BITS AND BOBS

WHEN WE LAST LEFT OUR HEROES – Neil Gaiman had the idea of starting an adventure with the tail end of another.  We’ve been seeing a bunch of mini-adventures since, tossed into the narrative like  cut-away jokes on Family Guy.

“I’m the caretaker” – The Doctor has played caretaker before, more notable in the Christmas episode, The Doctor, The Widow and the Wardrobe.  He’s also gone undercover at a school in School Reunion.  Jon Pertwee was pretty good at going undercover, wigs and makeup and all. Capaldi got the idea right perfectly when he observed that everyone was simply ignoring him, which was exactly his plan.

“Human beings are not otters!” – Go look up “Benedict Cumberbatch otter” and you’ll see arguments to the contrary.

“Courtney, you are big enough to look after yourself.” – Courtney Woods has been making background Vatican cameos in the season ever since Deep Breath. She was the student who challenged Clara to carry out her threat to expel the whole class, which gave Clara the idea to stand up to the head of the clockwork droids.  It’s neat that she and The Doctor got on so quickly, and equally fun that her tough exterior peeled away when exposed to the vacuum of space.

“I’ll tell the Headmaster” – I’ll lay odds he’ll be told it’s not a problem.  The Chairman of the Governors of Coal Hill School is listed as “I. Chesterton” as far back as the anniversary episode.  Ian Chesterton, with Barbara Wright, were The Doctor’s first on-screen human companions in the first episode of the series.  And as revealed on The Sarah Jane Adventures, when she did some research on The Doctor’s other companions, Ian and Barbara Chesterton (another happy change)…don’t age.

The current headmaster, W. Coburn, shares the name of Anthony Coburn, who wrote An Unearthly Child. Wendy Coburn was a student in Coal Hill in 1963, as revealed in the prose adventure Time and Relative. The Headmaster has not been seen on screen yet – it’d be fun it is were Wendy.

“Very qualified” – once again, the sound mixers are doing a bang up job in background comedy.  Hear that car alarm go off after The Doctor makes all the electrics spark?

“I’m a maths teacher” – After he retired from UNIT, The Brigadier taught mathematics, as The Doctor learned in Mawdryn Undead.

“What were they like?  The others, before me; did they let you get away with this sort of thing?” It’s rather amazing how little they spoke about past Companions in the original series.  Nowadays, it’s almost all they do, and not in a positive way. The Doctor is endlessly bemoaning the idea that all his old friends came to sad ends, and it’s simply not the case.  The modern series companions have all been much more active partcipants of the adventures, not just “someone to nod” as he put it in Listen.

“Atron emissions – you’ve had enough of them in this area over the years” – Considering Artron energy is generated by time travel, then yes, it’s safe to say the vicinity of Coal Hill School has seen its share.  The Doctor has returned to Coal Hill and its environs a number of times since that first adventure. The Imperial Daleks were attempting to find the Hand of Omega in the area in Remembrance of the Daleks. And indeed, the entire junk yard where The Doctor first set down was once the setting of a traveling time fair, run by fellow a Time Lord renegade named…I. M. Foreman, in the prose adventure Interference. (As I’ve said elsewhere, science fiction and comics does sometimes attempt to make everything a bit TOO connected.)

 “Possibly reminded me of a certain dashing young time-traveller” A classic Three’s Companyesque misunderstanding, The Doctor dow not recognize Danny Pink as the ancestor of Orson Pink, but notes that fellow teacher Adrian vaguely resembles his previous incarnation, notes that he and Clara talked to each other, and came to the perfectly pompous and self-aggrandizing conclusion that Clara was in love with someone who looked like he used to.

“Do you want to see the Thames frozen over? Ooh, those Frost Fairs…” – The Doctor has had a number of adventures at the Frost Fair.  He took River Song to one during one of her break-outs of Stormcage.  In the audio adventure Frostfire he fought the eponymous threat at what was called one of the last great Frost Fairs, an adventure where he was joined by…Jane Austen, albeit a few years after she wrote Pride and Prejudice and Zombies.

BIG BAD WOLF REPORT – So apparently Heaven is not just for people who have died in actions directly connected to The Doctor.  Seb serves as a functionary it what he prefers to call “The Nethersphere” (first time we’ve heard that term on the show, though Missy has been referred to as “Gatekeeper of the Nethersphere” in the various PR releases after her casting.) He is seen processing the poor policeman, only on-camera victim of the Blitzer, though Seb says they’ve gotten a number of them lately, suggesting he wasn’t the only victim.  This is the first we’ve seen of anyone else in the running of this mysterious Promised Land, which certainly makes it look to be a bigger project.

“You’ve explained me to him – you haven’t explained him to me” – The real meat of this episode is The Doctor’s meeting and getting to know Danny Pink.  The Doctor’s dislike for soldiers is long standing, but the dislike has take a more extreme turn with this new regeneration.  He’s called many soldiers friends, mostly from the members of UNIT like The Brig and Mike Yates. At least one of his companions was a soldier, Steven Taylor, who served on a battleship before being downed over Mechanus and kept as a prisoner for two years.

It’s possible some of the dialogue from Listen may come back to fill that dislike in.  Clara overhears the conversation of the people caring for the child that will become The Doctor, people who may or many not be his parents – there’s mention of “the other boys”, not “your brothers”, suggesting it might have been a school of some type. The male voice makes the observation, “There’ll be no crying in the army”, and the woman makes it clear he’ll not be joining the army, implying the reason is well-known.  So his dislike for the military is long-standing.

“I was gonna say, I might have a thing…” – Moffat’s writing style (note that this is the first series so far where he’s written or co-writtern every episode so far) has us looking behind every corner for secrets, so everything Danny says is read into.  He may be honestly allowing Clara to skip their date by giving her an out, he may simply want the time to keep an eye on the new caretaker, or that “thing” might be a nefarious thing indeed.

“He’s an officer…That’s who he is” – And Danny’s dislike for The Doctor, or at least what he thinks The Doctor is, is most clear as well.  He sees The Doctor as a member of the upper class, revealed by his title of Time Lord.  He mocks The Doctor by acting all military and proper, much in the same way The Doctor will often mock members of the military.  But he realizes that his mocking description of an officer is more correct than he realized.  Like good officers, they make men stronger and braver, just as he sees Clara.  It all ties back to Dalek Caan’s accusation that he turns his friends “into weapons”, and Rory’s observation that people do amazing and brave things in The Doctor’s presence in an attempt to impress of please him.

“I just have to be good enough for you” – He gets Danny’s name wrong in the same dismissive way he’d get Mickey’s name wrong, the same way Endora would get Darren’s name wrong on Bewitched, and for exactly the same reason.  The Doctor is not jealous, he’s simply protective of his friends.

“If he ever pushes you too far, I want you to tell me” – Considering the swirling rumors that Jenna Coleman will be leaving the series at the Christmas episode, this relationship between Clara and Danny seems setting up precisely to giver her a reason to part company.  Many companion have left The Doctor for a true love, including Leela and Dodo, who more fell in love with a time period than a person.  The most thematically similar event is the first one, when Susan left.  Indeed, she’d fallen in love with a boy after The Dalek Invasion of Earth, but felt she had to stay with The Doctor to protect him.  He was the one who made the decision – he locked the door to the TARDIS, and told her that he’d be fine.  Considering the relationship here, I suspect a similar scenario may present itself come the Holidays.

“My God…”  “I’m afraid she’s a bit busy” – So apparently Missy goes by more than a few names.

NEXT TIME ON DOCTOR WHO – A difficult choice, a recurring spacesuit, and isn’t it interesting how much goes on a lifeless satellite? Kill the Moon, this Saturday

John Ostrander and The Rock of Gibraltar

Ye Ed Babbles…

Our pal John is, as they say, under the weather. He’s been in the hospital for a couple of days and is scheduled to be unleashed mid-week. He’s in for complications resulting from, ahhhh, “passing the Rock of Gibraltar” and if you don’t understand that, ask an aging Baby Boomer.

Mary Mitchell has been keeping us informed and he’s doing a lot better now. I spoke with him yesterday afternoon, and he sounded strong and relieved, with his sense of humor intact. John will stalk the interwebs again soon; not soon enough for any of us, but we, his friends, are sympathetic. 

Personally, we blame all this on George Lucas for selling out to Disney.

Get well, Brother John.

Marc Alan Fishman: The New Breed of Con Goer

This past week, you’ve likely seen it: Denise Dorman, wife of “Famed Comic Book/Sci-Fi/Fantasy illustrator Dave Dorman,” decided to write an op-ed concerning the decline of sales she and her husband have been privy to over the last years. She has since posted a second response to make her points more clear.

Denise’s original piece began: “Privately, famed comic book industry personalities everywhere are discussing with each other whether to stop exhibiting at comic book conventions. There’s a fine line between being accessible to and pleasing the fans vs. losing money at these conventions.”

Unshaven Comics has been independently producing comic books and attending comic conventions regularly for only seven years or so. In no way, shape, or form do we come close to the level of fame and success her husband has enjoyed. But in the time that we have been active, I have never heard a single peep (and we in the Artist Alley tend to be a gossipy bunch to begin with) about this discussion. In fact, at the Cincinnati Comic Expo I attended this past weekend, with Mark Bagely, Marv Wolfman, George Pérez, Neal Adams, and Bob Layton I saw only smiling faces – even when lines weren’t incredibly overcrowded. And while I did hear from some folks around us that the show wasn’t bringing them tons of business, only our neighbors decided to cut ties early. And for those playing at home, Unshaven Comics beat our desired sales goal by over 25%.

At first, Bleeding Cool would have you believe that she blamed the Cosplayers. This is not true. In her second blog on the matter, Denise points blame to the “new breed of attendees who are there because someone said its cool to be there.”

To that point: Comic Conventions weren’t founded with the expressed concern of making creators money, they were ways to bring a community of fans together for the opportunity to commiserate, a way to trade and purchase issues to build budding collections, and meet those would-be creators who were the reason the conventions were created. These conventions were small – starting out in gymnasiums, VFW halls, and hotel ballrooms. This new breed (and those who specifically come to the new larger shows), per Denise, are hangers-on to the fad; those who come because they think it’s en vogue. Those who show up not being card-carrying comic book fans.

Her column went on to note as sales were simply non-existent at ole’ Wally World:

“…You know, you start to get paranoid. You start to think, ‘Is it only us? Is Dave no longer relevant?’ So I began covertly asking around. Asking artists equally in demand, equally famous. No one I interviewed made money at that show.” Ultimately Denise falls back on her assertion that it’s these quasi-fans that are most likely the culprit to her husband’s decline in sales specifically at conventions. Mrs. Dorman continued “I have slowly come to realize that in this selfie-obsessed, Instagram Era, cosplay is the new focus of these conventions – seeing and being seen, like some giant masquerade party. Conventions are no longer shows about commerce, product launches, and celebrating the people who created this genre in the first place.” She’s absolutely right. And may Rao bless that fact from here to the next Crisis.

Comic book conventions have become less and less about comic books. On this, I don’t disagree. In addition to comic books, they now encapsulate science fiction (like Doctor Who, Star Wars, and Star Trek), fantasy (like Lord of the Rings, and Harry Potter), and gaming (like Magic: the Gathering, and Warhammer). A cursory glance back at Mr. Dorman’s Wikipedia page celebrates that he has created artwork for Batman, Spider-Man, Harry Potter, Star Wars… and Magic: the Gathering. Curious then that he’s not connecting to the larger audiences coming to these shows. But I digress.

The point made was that the flux of cosplayers and their subsequent fans are now taking away from the open commerce, Marvel and DC press release parties, and the creator-gushing of yesteryear. You might say that the conventions are becoming more about a gathering of a like-minded community coming together to celebrate their loves and less about dropping ducats on merchandise from people who now can be accessed via a personal website, or any number of social medias.

What troubles me is this: My table of artists (including me) who aren’t in demand or famous saw an increase in book sales upwards of 10% at the show (over last year) Mrs. Dorman most recently attended. This included a day where we set a single day record for total books sold – 225 of them to be exact. How would it be then, that a table of peons would somehow out-earn those who are known in the industry? Did our nefarious plan of installing a toll booth actually work? Someone better go back and get a shit load of dimes!

Denise went on to ask: “At what point do you start to wonder if – other than your faithful, loyal regulars who are like family and who find you every time – the general fandom population even gives a shit about the creators more than they care about their Instagram profiles?”

Allow me to answer in kind. The general population – those Instagram-obsessed fans – gives more than just a shit for those creators who take the time to reach out and communicate. I say this admitting freely I’ve never seen Dave Dorman. And we’ve exhibited at the same shows more than once. I don’t know how specifically Dave exhibits. But if he is like others I’ve seen over the last seven years… he may sit, smiling, awaiting those loyal regulars to come with cash in hand. In short, it’s not enough anymore. It hasn’t been that way in a long time.

For those new fans Dave needs to continue to be the celebrated creator he is, I ask how he chooses to engage them? Having not been a specific fan of his work (and yes, he is actually an astounding talent), if I were to walk past him, would he attempt to stop me and chat? I’m not selfie-obsessed, but I’m also not apt to make it a chore to check with every exhibitor at a convention. Especially if there’s a cool cosplay I need to post a picture of. It’s no longer enough to rest on the laurels of a resume, or even the strength of a displayed portfolio. The market has evened out. All who exhibit are slowly becoming equals amongst the growing legions of fans flocking to the shows. And it’s clear to me, as it should be to all creators: If you’re not making money… it’s not the fault of the fans, or the rising ticket prices, or food costs. The blame doesn’t get to be shuffled anywhere else but on those who make no effort to change with the rolling tide.

The fact is that the newest generation of fans that frequent comic conventions are coming first and foremost to celebrate their love of the media. That love need not be via purchases in the digital era. A comic on my table is considerably less than a commission a known artist offers at their table. When one faces a sea of new faces (heh), the easy money is on the short sale – be that a celebrated or loathed fact. Never once in my time behind the table have I heard from legit fans (including those in every conceivable generation) that the cost of a ticket, a hot dog, or an autograph prevented them from purchasing a comic or print from my table. Cons are costly, I’m not denying that. But at the end of the day, the fans are coming on their own terms, not by the financial needs of those of us behind the table.

Mrs. Dorman’s original post ended “…at what point would YOU cut bait and stop attending these shows? How do we satisfy the fans in a way that makes sound financial $ense ? ? ?”

To be blunt, here are my answers: I won’t cut bait, ever. We earn our fans one at a time. I assess the marketplace. I exhibit within my means. I analyze my sales data. I adapt to a changing market. I work my ass off. And I don’t wait for fans to come discover me. I make them discover me. I don’t want to be an instigator, or one to throw a punch at an undeserving target. The truth of the matter is that the conventions of old are dwindling, if not dead. If Wizard and their ilk don’t offer comped tables to creators who are there to turn profit, then those creators must accept that the shows are now not there the fans’ need to connect to creators. For good or bad… They’re there to connect with each other. If you want that to change… It’s not about cutting ties or holding conventioneers responsible. It’s about getting your hands dirty and figuring out how to make the change yourself.