Monthly Archive: March 2008

Interview: Jacen Burrows on Garth Ennis, Warren Ellis and ‘Crossed’

Interview: Jacen Burrows on Garth Ennis, Warren Ellis and ‘Crossed’

  • News
  • March 17, 2008

Artist Jacen Burrows has already had an impressive career in a relatively short amount of time. His talent, bold visual style and penchant for the darker, more sinister aspects of life have already earned him a place collaborating with some of the most popular and successful writers working in comics today.

Some of these writers include Warren Ellis, Garth Ennis and Alan Moore on projects such as Dark Blue, Scars, The Courtyard and 303. More recently, he’s worked on Chronicles of Wormwood with Ennis.

And, just yesterday at Wizard World in LA, it was announced that he’s doing a brand-new project with Ennis called Crossed — described by Avatar Press’ William Christensen as "a story about the worst people can possibly be, as a group of good people attempt to survive in a world of pure evil."

ComicMix caught up with Burrows at Wizard World LA to get some more details on Crossed, his other work with writers like Warren Ellis, what artists he admires and much more.

COMICMIX: Jason, thanks for taking the time to talk with me. Let’s get right into it with a little background. When did you first start drawing?

JACEN BURROWS: I’ve been drawing from the beginning. Three years old I was doing more drawing than anything else. And I think everyone does that. All kids draw but it was just the thing I happened to stick with because everyone would tell me I was good at it so I never stopped. When other kids were outside doing things I was inside working on my drawing. So, its kinda my curse.

CMix: Your parents encouraged you?

JB: Oh yeah, they were like "do what you want" and let me do my thing. Early on I had a tendency to draw the things that were fun to me, like war scenes with tanks and dead bodies.

Teachers would freak out and my mom would come in and tell them I was just being creative. Later, when I had art teachers, they would say it’s all perfectly normal.

CMix: You liked that kind of thing? Monsters, severed heads, etc?

JB: Yeah, I had a nice healthy obsession with drawing monsters, werewolves and things like that. It’s the fun stuff.

(more…)

On This Day: The National Gallery of Art

On This Day: The National Gallery of Art

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  • March 17, 2008

The National Gallery of Art opened in Washington, D.C. on March 17, 1941.

Financier and art collector Andrew W. Mellon established the A.W. Mellon Educational and Charitable Trust just before his death in 1937, and it was this trust that worked with Congress to establish the art museum. John Russell Pope, who later designed the Jefferson Memorial, designed the original building, and I.M. PEI designed an East Wing addition that was completed in 1978.

The gallery was centered around twenty-one masterpieces originally owned by Catherine II of Russia—Mellon purchased the collection in the early 1930s.

 

Interview: Paul Karasik Deconstructs Fletcher Hanks Revamp

Interview: Paul Karasik Deconstructs Fletcher Hanks Revamp

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  • March 17, 2008

One of the surprise hits in comics last year was I Shall Destroy All The Civilized Planets, a collection of stories from Fletcher Hanks, a largely unknown comics creator in the Golden Age who is best described as "the Ed Wood of comics."

The bizarre tales – most featured "space wizard" Stardust, who came up with ever more creative and creepy means of dispatching villains – ended up a critical success, with the book making many "best of" lists, including my own.

The renewed attention to Hanks (his bizarre personal story is recounted with skill in an addendum at the back of I Shall Destroy) recently took another step, as Joe Keatinge and Mike Allred teamed up for an all-new Stardust story featured in the recent debut of Image Comics’ Next Issue Project #1.

Given this surge of attention in Hanks’ work, we thought it would be interesting to catch up with Paul Karasik, who edited I Shall Destroy and contributed the original Hanks background story to the volume.

Let’s just say he wasn’t happy with the new incarnation.

COMICMIX: The works of Fletcher Hanks, and Stardust particularly, have very much lingered in people’s minds and, as the success of I Shall Destroy All The Civilized Planets shows, retain a substantial appeal. Why do you think that is?

PAUL KARASIK: Fletcher Hanks is a master stylist and people are first attracted to style. Once you know what a Hanks story looks like you can always spot his work. In fact, this is one of the reasons I find it amazing that his work was not "discovered" years ago.

In fact, it seemed to me that many readers of I Shall Destory All the Civilized Planets were intrigued by the discovery aspect of my project. Not only was the work of a major comic book artist uncovered, but there was also a true-life mystery surrounding it all.

Finally, readers simply love the twisted quality of these brutal tales of maniacal retribution.

CMix: Given how dated those comics are and the idiosyncrasies of Hanks’ vision, should those comics be resuscitated by new creators?

PK: I can’t imagine a single reason to recreate Hanks’ work. It’s the same idea as remaking films you liked when you were younger. The impulse is fundamentally flawed and the results are categorically disastrous.

(more…)

South Korean Comic Labeled Anti-Semitic

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  • March 17, 2008

The international comics scene is always interesting to keep an eye on, with bizarre stories cropping up every now and again. In that vein comes the news that the U.S. State Department made a report criticizing a South Korean comic book for being anti-Semitic.

According to the report, which was later presented to Congress, the book is the American volume of the Far Country, Neighbor Country series, according to this story in the Chosun newspaper. The series is intended for South Korean children, and it gives brief histories in comic book form of various countries around the world.

In the article, the anti-Semitic passages are listed as explaining the Sept. 11 terrorist attacks being caused by Muslims who hate the United States because "Jews use money and public discussion as weapons to make WASPs do what they want."

Here’s a few panels:

The article continued:

The series, written by Rhie Won-bok, a professor at Duksung Women’s University, was designed to teach youngsters the history and culture of other countries in comic book format. The "best-selling" children’s book series sold more than 10 million Korean-language copies, according to the report.

The report cited two examples of anti-Semitism in the book. One comic strip shows a newspaper, a magazine, a television, and a radio, each with a Star of David, and is captioned, "In a word, American public debate belongs to the Jews, and it’s no exaggeration to say that [U.S. media] are the voices of the Jews."

Another strip shows a man climbing a hill and then facing a brick wall inscribed with a Star of David and a STOP sign. The caption reads, "The final obstacle [to success] is always a fortress called Jews."

The author later acknowledged his mistake and pledged to write "in a more responsible way," the report said. In March 2007, the book’s publisher agreed to pull the controversial book from stores, the report added.

Like I said, lots of strange stuff here. For instance, it strikes me as strange to see anti-Semitism appear somewhere like South Korea. Also, I had no idea that the State Department’s duties include keeping tabs on anti-Semitism.

Kristen Kreuk to Briefly Return for Eighth Season of ‘Smallville’

Kristen Kreuk to Briefly Return for Eighth Season of ‘Smallville’

  • News
  • March 17, 2008

ComicMix previously reported that Smallville will be returning for an eighth season on The CW Network, but how many members of the principle cast will stay on board? Michael Rosenbaum (Lex Luthor) has already stated he won’t be returning for any future seasons and now Kristen Kreuk is scaling back her involvement with the show.

Kreuk posted a message on her Facebook account detailing her involvement with Season Eight:

So, I thought I would give those of you curious about Smallville a brief debrief. I am in Bangkok for a few more months. So, no shooting of the Ville for me. I will return for a undetermined, although small, number of episodes in season 8.

I am not really opening up the floor for lots of discussion, because it is not really the place for it. Obviously I have loved my time on the show, but I am equally as thrilled to move on to new endeavors. One of which is very dear to me, and that is GBD [Girls By Design]. So thank you all for your really fabulous support and passion!!! I hope this clears up most of the questions…

At this rate, the eighth season of the show will only feature Clark and Chloe. In other words, it will be a great season.

(via Krypton Site)

Demons of Sherwood: Zombie Panic!

Demons of Sherwood: Zombie Panic!

  • News
  • March 17, 2008

In today’s brand-new episode of Demons of Sherwood by Robert Tinnell and Bo Hampton, there’s no rest for the wicked. Instead, they rise from their graves and come after our heroes.  How do you outrun a set of teeth?

Credits: Bo Hampton (Artist), Bo Hampton (Colorist), Bo Hampton (Letterer), Bo Hampton (Writer), Mike Gold (Editor), Robert Tinnell (Writer)

More: Demons of Sherwood

 

 

Mike Richardson on Dark Horse/Universal Partnership

Mike Richardson on Dark Horse/Universal Partnership

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  • March 17, 2008

Last week, we brought you news of the big partnership between Dark Horse Comics and Universal Studios.

Over at CBR, Jeffrey Renaud chats with Dark Horse founder and president Mike Richardson about the deal, and touches on a few of the Dark Horse properties that could end up on the big screen.

When offered Gerard Way’ s popular "Umbrella Academy" series as an option, Richardson answered, "’Umbrella Academy’ will obviously be high on the radar of the early projects but again, we’ve just completed the deal and now we are preparing the first projects.

Read the full interview over at CBR.

 

(via Journalista)

 

Being A Sport, by Mike Gold

Being A Sport, by Mike Gold

  • News
  • March 17, 2008

You might not have realized it, but this is the time of year when more Americans engage in more illegal activity than just about any other. Nope; it’s not drunk driving or tax cheating, it’s March Madness… and the crime is called gambling.

Studies suggest March Madness is the high school student’s portal to gambling. On-the-job productivity plummets. An estimated $2.4 billion dollars will be put on the line against the law, some of it with organized crime – which wouldn’t be the case if it were legal, unless you are like me and you consider bankers to be their own strain of organized crime.

I’ll admit, I don’t get it. I don’t have the gambling gene (or maybe I’m just too cheap), and I’m at best a second-tier sports fan. I follow hockey and I follow the Iditarod because being a hockey fan isn’t as weird as it used to be. I follow the Chicago Cubs because as a native northside Chicagoan I am compelled to do so. Much like Yankee fans, we believe that there’s some issue of “sports” involved with the team. And that’s pretty much it. My lifetime contribution to sports-related at-risk financial endeavors is zilch.

But I am a comics fan and a student of our culture. So I wonder, with all this interest in sports and all this money changing hands, why hasn’t there been a successful sports-themed comic book series?

(more…)

ComicMix Columns for the Week Ending March 16, 2008

ComicMix Columns for the Week Ending March 16, 2008

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  • March 16, 2008

Can it be?  Is convention season well and truly underway?  No, I’m not ready yet!  Need job first!  Hello to everyone at WizWorld LA, LunaCon and everywhere else I can’t afford to be.  At least I and our other weekly ComicMix columnists can engage you from the comparative safety of our home keyboards:

Forecast for the last half of March: more pavement-pounding, but at least it won’t be in the snow any more!

ComicMix at WWLA: The Screenwriter’s Panel

ComicMix at WWLA: The Screenwriter’s Panel

  • News
  • March 16, 2008

Sunday, Day Two at Wizard World in LA and this time around its the Screenwriter’s panel. Moderator Rickey Purdin introduced a distinguished group of successful screenwriters including Mark Verheiden, Carl Ellsworth, John Cox and Zak Penn. With the intros finished, Purdin launched into a short video montage featuring clips from some of the projects the members of the panel had written.

Some of these clips included scenes from The Mask, X-Men 2, Disturbia, Smallville, Red Eye and Battlestar Galactica. Following the clips, Purdin started in on the questions for the panel.

First up, how each of the writers got their various starts in the "business."

Cox started it off saying that, infortunately, he didn’t have a “sexy story" to tell. Instead, like many others, he went to film school with the intention of being a director. However, he soon found out that directing was “too much like working for a living" and decided to switch to screenwriting.

“My story is pretty sexy,” joked Penn. “I was a stripper for a couple of years. It’s a weird job. It was in a female strip club and I was the only guy there, and I stood out.”

"No, I’m joking. Obviously," he continued. "Actually, I got really lucky and wrote Last Action Hero pretty much right out of college and then sold it pretty fast. So that was it for me."

(more…)

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