DENNIS O’NEIL: Plugging No-Face
Imagine me jumping up and down and pointing to myself and waving a book and yelling, Buy this you gotta buy this it’ll make you happy and rich and solve all your problems and give you Jessica Alba’s phone number it’s the greatest thing since similes…
Now imagine me reverently kissing the hem of George Bush’s garment.
One event is as likely to occur as the other.
I tell you this because soon I will mention a collection of stuff I wrote before some of you were born and I wouldn’t want anyone to think for a nanosecond that I was recommending you buy it. We Missourians who have attained a certain degree of maturity do not so demean ourselves. (We sip our tea and doze in the afternoon sun instead.)
With that caveat…
Yesterday a Santa’s helper from Brown dropped an early Christmas (or Halloween) present on the front stoop, a box of graphic novel-format volumes titled Zen and Violence. Now, somewhere on the space-time continuum between my typing these words and you reading them, they will be inspected by Mike Gold, who is the editor of this department and also edited the aforementioned collection of comic books. Let us pause to consider that maybe the space-time continuum is, indeed, curved, and then enter a timid demurral regarding that title, Zen and Violence.
Not mine. Not Mike’s, as far as I know. My first problem is this: there isn’t much Zen in those pages. A smidgen, maybe, but when I did the stories I may have thought I knew more about Zen than I did. I’m not sure how the series came to be identified with Eastern thought, but it did, and if it does for someone else what the works of Kerouac and Ginsberg did for me – point to the Something Else out there – then maybe I should shut up and smile and bow and retire.
My second problem: Yes, there is plenty of violence in the stories, or action, as some prefer to euphemize it. These were, after all, published as superhero comics in 1986-1987 and nobody back then was buying superhero comics to study philosophy, nor should they have been; violence…er – action was part of the package. Nor do I want to be snooty about it; violence has some valid dramatic uses (and I guess action does, too.) But I don’t want anyone to think I recommend violence as an all-purpose problem solver, and putting the word in a book title might give that impression.
Okay, okay, I’m being paranoid…
RECOMMENDED READING: You want to know something about Zen? Brad Warner’s your man. Warner is a musician, monster movie fan and Zen priest and that, my friends, is a resume a lot of us would be proud to call our own. His latest book is called Sit Down and Shut Up: Punk Rock Commentaries on Buddha, Good, Truth, Sex, Death & Dogen’s Treasury of the Right Dharma Eye. The title, for once, says it all.
Dennis O’Neil is an award-winning editor and writer of comic books like Batman, The Question, Iron Man, Green Lantern and/or Green Arrow, and The Shadow, as well as all kinds of novels, stories and articles.
Speaking of caveats… Working with you and artist Denys Cowan on The Question was one of the proudest professional experiences of my life. I'm damn glad to see this trade paperback come out, and I'm jealous that DC comped you.
I'll say. Collected Editions doesn't even comp me on the stuff I worked on any more. Feel lucky.
I'm eagerly awaiting my copy, despite already owning the whole series! Thanks for writing (and Mr. Gold — thanks for editing!) the Question and changing my view on comic books forever….
I wonder how Mr. Oneil would feel if the tpb was printed on the current glossy paper? Personally, I would prefer it: the recent Power Girl trade that had her latest miniseries along with issues of DC Presents looked incredible. Those 70's issues just popped on that glossy paper stock. I know this is unlikely as DC seems to print all their trades containing the older material on the non-glossy paper. oould Mr. Oneil (and other readers here) prefer that as it's closer to how the original issues looked?