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Contagion Available on Demand Today

Cognition Available on Demand Today

“Sometimes the most dangerous journey is to the center of your own mind.”

A Talash Video Centre production in association with Digital Boulevard, Twelve Corner Productions & China House Arts, are proud to officially announce the international On-Demand release of the British short sci-fi drama Cognition – starring Bafta Winner Andrew Scott (1917, Fleabag, Spectre) and Jeremy Irvine (War Horse, The Railway Man).

Following the rare privilege of a public premiere and a three-week cinema release at the Archlight Cinema, part of the iconic Battersea Power Station complex in London. The official multi-language international Video On Demand release will be available on iTunes, Amazon Prime Video, Google Play, and YouTube Premium today.

The English audio version will be accompanied by subtitles in Castilian, French, German, Italian, Japanese, Portuguese, Russian and Spanish while being available in 92 Countries (English language VOD release was on October 30th, 2020).

Cognition not only secured rare prime time coverage on BBC London News (BBC One), where it was described as a “short Feature with big production values”, but was also mentioned a record six times in one day. The coverage included interviews with the Producer / Director Ravi Ajit Chopra as well as with Jeremy Irvine.

Produced & Directed by Ravi Ajit Chopra, Cognition is a short dystopian sci-fi drama/thriller about a son confronting his past. Journeying through the symbolic landscape of the subconscious mind, the story follows an unbreakable bond between father and son…. a bond that transcends SPACE AND TIME…..

With key filming having taken place at the iconic Battersea Power Station in London, Cognition was the last film to be shot at the Grade II* listed building during its huge redevelopment. Filming was made possible with support from various BBC departments including the use of the BBC News helicopter for breathtaking aerial shots, and a stunning orchestral score from the BBC’s 55 Piece Concert Orchestra, as recorded at Air Studios in London.

Rising Composer Samuel Karl Bohn composed the film score, renowned Production Designers Universal Creations (Star Wars, Guardians of the Galaxy) built key sets and props. Emmy award-winning Supervising Sound Editor Stuart McCowan and his team produced a searing atmospheric soundtrack at Twickenham Film Studios with a Dolby Atmos print at Abbey Road Studios. Various VFX companies including Emmy winning Peerless, Bandito Studios, Territory Studios, and Foundry helped to complete the 350 VFX shots. Technicolor worked on the film from an early stage for a period of a year, and provided their visual wizardry on invisible VFX, grading, and finish.

Director and producer Ravi Ajit Chopra said: “Cognition is a very personal film for me, I have always been fascinated with the inner workings of the mind, and what it means to confront your trauma/demons and follow your dreams….. I hope the audience will enjoy coming on this psychological rollercoaster ride.”

OFFICIAL SYNOPSIS:

Planet Vega, a breathtaking world of unparalleled beauty…

10-year old Abner dreams of nothing more than exploring the entire universe as he gazes up at Vega’s majestic Twilight sky. But those dreams are far from realistic – He and his father Elias live a humble, nomadic lifestyle on the endless desert-scapes of Vega.

But miles away there is another Vega, a state-controlled Vega, separate from the colonies. A Vega that is home only to an Elite class to have built a technological Empire that is unexcelled in the universe. This is a world Elias fears, a world he has kept Secret from Abner all these years. But he can only shepherd his son for so long…

This uncompromising short Sci-Fi drama fuses two distant worlds in a roller-coaster ride through the darkest chasms of the mind.

Run time: 27 minutes

First Batman: Soul of the Dragon Clip Unleashed

First Batman: Soul of the Dragon Clip Unleashed

The first official clip from Batman: Soul of the Dragon was released by Warner Home Entertainment.

The features Bruce Wayne making the arduous trek to find O-Sensei and his mysterious martial arts training school. Bruce Wayne is voiced by David Giuntoli (Grimm, A Million Little Things) and O-Sensei is voiced by James Hong (Big Trouble in Little China).

Produced by Warner Bros. Animation, DC and Warner Bros. Home Entertainment, “Batman: Soul of the Dragon,” the all-new next entry in the DC Universe Movies canon, arrives January 12, 2021 on Digital and January 26, 2021 on 4K Combo Pack & Blu-ray.

 

An all-new original animated film, Batman: Soul Of The Dragon does a deep dive into Elseworlds vibes by putting Batman in the midst of the swinging 1970s. Faced with a deadly menace from his past, and along with his mentor O-Sensei, Bruce Wayne must enlist the help of three former classmates – world-renowned martial artists Richard Dragon, Ben Turner and Lady Shiva – to battle the monsters of this world and beyond. The film is rated R for some violence.

Ed Catto’s 2020 Holiday Gift Guide, Part 1

Ed Catto’s 2020 Holiday Gift Guide, Part 1

It’s been a rough year for most of us, but in Geek Culture there have been plenty of bright spots. In the spirit of trumpeting some of the good stuff, here’s my Annual Holiday Gift Guide:

HOLLY JOLLY: CELEBRATING CHRISTMAS PAST IN POP CULTURE

Written by Mark Voger • TwoMorrows • 192 pp. • Hardcover, Full Color  • ISBN-13: 978-1-60549-097-7 • $43.95

Every yuletide season I trot out my copy of The Battle For Christmas by Stephen Nissenbaum. For my money, that’s the best book out there to analyze and explain the many traditions that have shaped the way we celebrate  Christmas.  It’s clear to me that it’s time to make room on my coffee table this December for another impressive book.  TwoMorrows newest, Holly Jolly is kind of the pop-culture counterpart to the Nissenbaum’s authoritative tome. I really enjoy Mark Voger’s writing.  For example,  I grooved on his Groovy: When Flower Power Bloomed in Pop Culture (also published by TwoMorrows) not too long ago.

“I can’t think of a single topic that has generated more art and culture,” says author Mark Voger of why he decided to do a Christmas book. “From music to movies, TV, cartoons, food and decor, everybody seems to have a favorite Christmas ‘something’ — a delicacy or a song or an animated special. I tried to cram everything in Holly Jolly.”

Available everywhere books are sold, and from the publisher.

BRINA THE CAT: THE GANG OF THE FELINE SUN

By Giorgio Salati & Christian Cornia • Papercutz • 88 pp. • Paperback  • ISBN-10 : 1545804265 • $9.99

I tend to like just about everything imported from Italy, and this book, the first in the Brina the Cat series, is no exception.  This graphic novel is for everyone who’s ever had the slightest twinge of conflict in letting their cat out of the house. (Full disclosure: I’ve recently joined those ranks).  Lots of fun and you can’t go wrong with gifting this book to an 8 to 12 year old, but the audience is for all ages (and all cat lovers).

Available at books stores. comic shops and directly from the publisher, Papercutz.

THE ONLY LIVING GIRL #1 : THE ISLAND AT THE EDGE OF INFINITY

by David Gallaher and Steve Ellis • Papercutz • 72 pp. • Paperback  • ISBN-10 : 1545802033 • $8.99

You really have to fasten your figurative seatbelt before jumping into The Only Living Girl adventures. These books are a delightful showcase for two talented creators, writer David Gallaher and artist Steve Ellis. They won DC’s ZUDA contest years ago with High Moon, but like fine wine, they get better with age.

This new series, The Only Living Girl, picks up right after their brilliant The Only Living Boy stories.  Please note: reading all the prior books isn’t a must, and this fantastic book is the perfect jumping-on point for all age readers. In fact, there’s a page that gets everyone up to speed. And then… it’s off to the races!

Available at books stores, comic shops and directly from the publisher, Papercutz.

EDISON BEAKER, CREATURE SEEKER: THE LOST CITY

by Frank Cammuso • Viking, an imprint of Random House • 176 pp. • Hardcover  • ISBN-10: 0425291960 • $17.99

Frank Cammuso is an amazing creator: he teaches at Syracuse University, he makes comics as part of the AHOY team, and he creates fantastic all ages graphic novels. I just love his Edison Beaker, Creature Seeker series for its wild and crazy, breakneck action. Cammuso is the real deal with story and art – he has both a clever sense of humor and a wonderful line.

I also love these books for the smiles that inevitably grow bigger with every page you turn!

Available at books stores, comic shops and online here.

CULLEN BUNN OMNIBUS ALL MY LITTLE DEMONS: An AfterShock Library of Tales

by Cullen Bunn and assorted artists  • AfterShock Comics • 496 pp. • Hardcover  • ISBN-10: 1949028569 • $79.99

Prolific writer Cullen Bunn has created so many stories for Aftershock Comics. Now fan favorites like Knights Temporal, Brothers Dracul and Dark Ark are collected in this impressive hardcover.  This also includes many short stories previously seen only in the Aftershock Anthologies.

Available at bookstores, comic shops, and at ComicsCity.

ASH & THORN VOLUME ONE: RECIPE FOR DISASTER

by Mariah McCourt, Soo Lee, Pippa Bowland and Jill Thompson • AHOY Comics • 120 pp. • Paperback • ISBN-10: 1952090008 • $16.99

Believe it or not, my mom (she’s in her late 70s) was flipping through some of my comics recently. (I had left some on her coffee table during a recent visit.) When she saw an ad for AHOY’s Ash & Thorn comic, she paused and really examined it. I think she was intrigued to see two protagonists who looked like her in a comic ad.

And yes, that’s the conceit of this series. To save the world this time, instead of Buffy the Vampire Slayer or young King Arthur, a retired art teacher is recruited.  It’s wry fun served up in what is becoming that AHOY signature style. And that’s not all that’s served up; the heroine’s baking recipes are also included in this trade paperback collecting all five issues of the series.

Available at comic shops and fine bookstores and Midtown Comics’ online site.

THE FANTASTIC PAINTINGS OF FRAZETTA

by J. David Spurlock • Vanguard Publishing • 120 pp. • paperback • ISBN-10: 1934331813 • $39.95

Despite the calamitous nature of 2020, my wife and I were able to visit the Frank Frazetta Museum this summer. It was a wonderful trip, and I am still in awe of all of the amazing paintings we saw there.  Reading this oversized coffee table book is like a V.I.P. guided tour in that museum.  Spurlock provides just enough background and reference so that anyone can appreciate Frazetta’s talent and creativity. In fact, I wrote about this book earlier this year, and you can read that here.

My Highest Recommendation

Available at bookstores, comic shops, the Frazetta Museum and directly from Vanguard, the publisher.

FLASH GORDON: THE OFFICIAL STORY OF THE FILM

by John Walsh • Titan Books • 120 pp. • Hardcover • ISBN: 978-1789095067 • $42.51

Way back in college, I had a great pal with a fantastic vinyl collection. Squeeze was one of his favorite bands and became one of my favorites too.  When he learned that I liked comics, he pulled out this Flash Gordon soundtrack. He worshipped this album.   And in those pre-DVD/streaming days, we kind of thought that listening to that album would be the closest I got to seeing the movie again.

Fast forward (a VHS term) to the 40th anniversary of the film, and UK publisher Titan delivers a wonderful new Flash Gordon book.

Film historian John Walsh discovered and presents many untold stories of this Flash Gordon film, including visions of the proposed sequels, that are bound to raise eyebrows  – on both Earth and Mongo. And the author managed to engage in deep conversations with almost all of the original cast or surviving family members.

Flash Gordon isn’t only about Alex Raymond, you know.

This book just burst onto the scene at UK and US bookstores. Flash Gordon: The Official Story of the Film is also available directly from Titan Books.

ZLONK! ZOK! ZOWIE! The Subterranean Blue Grotto Guide to Batman ’66 Season One

Edited by Jim Beard • Crazy 8 Press • 206 pp. • Paperback • ISBN-13: 979-8621575373 • $12.99

Batman stuff and gifting have been going together like Christmas cookies and milk for as long as I can remember.  Writer Jim Beard has gathered together a “rogue’s gallery” of writers and artists (and I was proud to be included) to celebrate the first season of the old Batman ’66 show. This collection of clever essays and illustrations have been so well received, in fact, that there’s a sequel in the works.

Available at comic shops, fine bookstores and online.


Have a wonderful Yuletide, gang!

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REVIEW: Total Recall

The 1980s were littered with small production companies, many of which had one or two notable successes and a lot of schlock. As the audience tastes changed, and the blockbuster became ever more important, these houses – Golan-Globus, Cannon, Avco Embassy, and of course, Carolco. That latter studio had one surprise smash hit, First Blood, with Sylvester Stallone. They were a company on the rise.

During all of this, a screenplay adaptation of Philip K. Dick’s “We Can Remember it for you Wholesale” from Dan O’Bannon and Ronald Shusett had been floating from studio to studio. It proved a tough sell and a tough story to crack but Dino DeLaurentis seemed game until his Dune sunk in the sand.

By then, Arnold Schwarzenegger was aware of the project and wanted to be the star and when Dino let go, he convinced Carolco to buy it. Arnold’s deal was a big paycheck but more importantly, he got to pick producer, screenwriters, and director. It was he who picked Paul Verhoeven to come aboard.

The story features a construction worker, Schwarzenegger, who keeps dreaming of Mars. He visits Rekall, which can implant false memories for thrill-seekers, but things go awry when it triggers his suppressed memories of being a secret agent on Mars. He heads back there and gets caught up in the revolution against the corrupt governor Cohaagen (Ronny Cox). Things blow up, the special effects were pretty impressive, and the cast included Sharon Stone, Rachel Ticotin, Marc Alaimo, and, the go to man, Michael Ironside.

What resulted was the box office hit Total Recall, one of the finer science fiction films from the 1990s. It has held up well, withstood bad sequels, and still pops up on cable. Now celebrating its 30th anniversary, the film is being released this week in 4K Ultra HD. In fact, it comes from Lionsgate Home Entertainment in a three disc set, including one Blu-ray disc for the film and some special features, and one just filled with special features. And yes, a Digital HD code is included.

This package easily eclipses the 2012 Blu-ray that Verhoeven himself was involved with all-around. The color saturation on both the 2160 and 1080 transfers are superior with terrific resolution. It’s sharp but not perfect with some compressions issues here or there, but nothing that will spoil the home viewing experience.

The discs come with Dolby Atmos soundtracks which complement the video just fine. You certainly will gain new appreciation for the Jerry Goldsmith score here.

As for the special features, the 4K comes with the Audio Commentary from Schwarzenegger and Verhoeven. Several 1080p features on the same disc include the all-new and worth watching Total Excess: How Carolco Changed Hollywood (59:22), Open Your Mind – Scoring Total Recall (21:24), and Dreamers Within the Dream: Developing Total Recall (8:26), spotlighting artist Ron Miller.

On the film’s Blu-ray disc, you also get the Audio Commentary, Open Your Mind – Scoring Total Recall, and Dreamers Within the Dream: Developing Total Recall.

The second Blu-ray offers up Total Excess: How Carolco Changed Hollywood, Total Recall: The Special Effects (23:15), Making Of (8:03), Imagining Total Recall” Featurette (30:12), and the Trailer (1:30).

Guts by Raina Telgemeier

Several hundred thousand people — mostly girls, mostly under the age of fifteen — already have very strong opinions on this book in particular and Raina Telgemeier in general, and it’s unlikely that anything this One Old Guy could say will shift any of them in the slightest. (And most of them love it and her — not everyone, since nothing is universally beloved, but close.)

Raina Telgemeier is the pre-eminent maker of comics in our time: the crest of the YA graphic novel boom, the reigning queen of the Scholastic Book Fair, author of some of the most circulated books in thousands of libraries. A whole lot of comics fans have no idea who she is, though: the dismissive explanation is because they think only superheroes (or maybe the slightly larger pamphlets-on-Wednesday* market) count as comics, the more reasonable explanation is that everyone focuses on the stuff they like and care about, and comics is now big and capacious enough (like books, or movies, or TV) to have entirely separate, disjoint worlds within it.

But, yeah, Raina is huge. When she had a new book out last year, it was a massive publishing event. It was called Guts ; I got to it this week.

Telgemeier started her comics-making career by adapting four of Anne M. Martin’s perennially-popular “Baby-Sitters Club” books into comics, and then, just about a decade ago, had her first comics memoir, Smile , about dental troubles she had starting in middle school and how that affected her life. It was a massive bestseller, and was followed by the similar memoir Sisters  and the fictional GNs Drama  and Ghosts  (both about tween girls not unlike the way Telgemeier portrayed her younger self).

Guts is in the same vein as Smile and Sisters: starting from a moment in Young Raina’s life and moving forward through the months after that to show her dealing with a medical/personal issue. This time, it’s a stomach flu or something similar when she was in fourth grade: probably the first time she vomited since she was a toddler. That led to more worry about intestinal issues, which led to anxiety-induced stomach pains, and so on — the whole spiral, at the age of about ten. (And that’s not uncommon, actually — especially for relatively smart, sensitive kids of that age, even more so for girls.)

Of course, anxiety is never just about one thing, and it doesn’t stay compartmentalized: Young Raina’s school work suffers, and it causes trouble with her friendships (and one definitely-not-a-friendship, with Michelle, who starts off bullying Young Raina) as well. Young Raina eventually starts talk therapy, because her parents are worried about her. (And Telgemeier has an afterword, frankly about the fact that she’s in therapy even now, and that her anxiety is more controlled, but never “went away.”) That’s the story: how Young Raina started an anxiety/stomach spiral, and how she started to deal with it. Like a lot of things in life, dealing with it is ongoing and continuous.

Guts is personal and true and specific, and I’m sure a lot of librarians and teachers are happy to put in the hands of other kids going through something like Young Raina did. But Telgemeier’s work is more than just that: we were all kids once (some of us still are), and we all had and still have things that make us anxious and worried. Guts is about that feeling, that process — understanding what makes us concerned, what can lead into that spiral. And it’s also a good story — Telgemeier draws open-faced kids whose emotions are all right there (as they are at that age) and shows us what it’s like to be those kids, whether they’re named “Raina” or not.

Reposted from The Antick Musings of G.B.H. Hornswoggler, Gent.

The Unsinkable Walker Bean and the Knights of the Waxing Moon by Aaron Renier

My first reaction to this book is idiosyncratic and petty; it may also come off as a minor spoiler. So flee now if you need to.

If you call your organization the “Knights” of something, it implies certain things: people chosen for specific qualities, organizational structure, a martial bent. Calling the family that survived a cataclysm “the Knights of the Waxing Moon” does not check any of those boxes, or any of the other boxes that people think of when they think of knightly orders. The family can be the equivalent of a secret society, they can keep ancient mysteries and protect the treasures of the ancients — but they are in no way knights.

But here we are, in Aaron Renier’s graphic novel The Unsinkable Walker Bean and the Knights of the Waxing Moon . It continues the story of the original Unsinkable , picking up almost immediately after the events of that book and continuing to add more complications and dangers for young Walker and his friends.

I didn’t enjoy this one as much as I think I liked the first one: maybe I was in the wrong mood, maybe I didn’t remember the details well enough ten years later. This time out, I kept thinking too much of Knights was vague and unfocused: the shipwrecked pirates are divided into factions, sort of, but don’t have clear leaders and also don’t seem to be jockeying to create leaders. Their goals are equally vague or unclear: getting off the island they’re shipwrecked on feels like it should be a bigger deal than it is, or there should be a “we want to settle here” faction. The aforementioned Knights are mostly just living where they live and occasionally repelling people who wander in, without any larger plans. There’s a creepy family that clearly has some goals — riches and power, most clearly — but also already has a lot of unexplained power and abilities, no clear leaders, and underpants-gnomes-levels of fiendish plots. (Send more family members to the place where our family always dies…something something…we get the secret metal that controls the world!)

All in all, Knights felt like a book with a lot of people running around in circles for a couple of hundred pages. Sure, they found some Neat Stuff, and battled over that, but why they were doing any of it was always muddy. It looks great, and the characters are interesting and specific — but the ways they interacted didn’t quite click for me. To be brutally honest, it’s like a combination of me not paying enough attention this time and forgetting what I read in the first book. This is likely what we call a Me Problem, so check out the first book if you haven’t already (and which I loved at the time), and then maybe move on to this one if you like Walker’s first adventure.

Reposted from The Antick Musings of G.B.H. Hornswoggler, Gent.

REVIEW: The Lost Adventures of James Bond

REVIEW: The Lost Adventures of James Bond

The Lost Adventures of James Bond
By Mark Edlitz
315 pages, $29.95 (print)/$9.99, (eBook)

It sometimes feels like that for every James Bond film made, there are several others that never get before the cameras. We hear of actors, writers, and directors coming and going, which sometimes explains the long gap between films. And with an unexpected delay for No Time to Die (please open in 2021), we could use a dose of 007.

Mark Edlitz delivers with his latest deep dive into pop culture. His self-published The Lost Adventures of James Bond covers the films, novels, comic books, and other media complete with fresh interviews with many who were actively developing stories we’ll never see.

While I knew comics writer Cary Bates wrote an unsolicited treatment, which he sold, I had no idea John Landis, fresh off Schlock, was invited by Bond impresario Cubby Broccoli to write a screenplay for Roger Moore. (It’s worth reading just for his anecdote about Queen Elizabeth.) Nor was I aware that there was active development of at least three different Bond films for Timothy Dalton, who lasted a mere two outings.

We learn how times change, audience tastes change, and sometimes it was hard for Eon Productions to keep up. Or the things that excited some writers didn’t excite Eon. And yet, elements from many an unused story found their way into other productions throughout the years, so little went to waste.

With his exhaustive research, he has unearthed details on the films, but also does a deep dive into the James Bond Junior television series, covering almost every angle. Even television commercials get their due.

While many interviewed here never got to see their ideas fully realized, they almost all give credit to Richard Maibaum, the screenwriter who set the cinematic template in the 1960s, going on to pen a dozen missions. Apparently, he wrote a series of essays about Bond, a rare book I’d like to find and read.

His appendixes include a comprehensive catalog of everyone to portray the secret agent in all media, far more than you would realize.  There’s also a guide to all the stories in print and on film. Finally, the treatments to the unproduced A Silent Armageddon and “A Deadly Prodigal” are presented in their entirety.

Edlitz supplements his interviews and narrative with fine illustrations from Pat Carbajal along with imagery from international comic books and comic strips through the years.

This is a worthy addition to anyone’s Bond library and certainly alongside Edlitz’s earlier The Many Lives of James Bond.

I, Rene Tardi, Prisoner of War in Stalag IIB, Vol. 2: My Return Home by "Tardi"

This is, obviously, a sequel. The first volume of Rene Tardi’s WWII war memoirs, as interpreted, reimagined, and made into a graphic novel by his son Jacques, was published in French in 2012 and English in 2018. That one covered the bulk of the war: how Rene got into it, his capture and transfer far to the east to Stalag IIB, and the life of the camp through the end of 1944. (See my post on that book for more.)

My Return Home  picks up the story from there: the first page has the POWs on the march, having already been herded out of the stalag by their posten (guards). It’s late January in Northern Poland — well, what is now Northern Poland; it was conquered Nazi territory then, part of the crumbling dreams of the greater Reich. Jacques begins deeply in medias res, giving no explanations for potential new readers. We don’t even get a date for nearly a dozen pages, and if we’ve forgotten that Jacques is drawing his younger self (circa 1958 or so; he was born in 1946 and seems to be a tween here) as an interlocutor and interpreter for Rene’s sketchy notebook account, there will be no relief to our confusion. (That’s the two of them on the cover: Rene from 1945 and Jacques from about 1958. It doesn’t make a whole lot of sense, frankly, but it works as a framing device.)

So: this is the story of a long forced march, of hundreds of French POWs (and some others, I think — Jacques and/or Rene are not particularly clear on the makeup of the POW group), through Poland and northern Germany, for reasons that were not clear to Rene on the ground in 1945 and are no clearer to us now. The posten apparently thought they would be killed by the advancing Russian armies — which is probably entirely true — and perhaps were still dutiful or suspicious enough not to leave hundreds of former combatants, even ones broken down by four years of camp life, in their rear as they fled West. (It probably made sense to them at the time. Some of them likely even made it out to safety and survived the end of the war.)

Rene kept a skeletal diary of the march — names of towns and kilometers on the road for each day, and a few other notes on river crossings and armies seen in the distance and similar events. That diary survived for Jacques to turn it into this book, but the reader has to be amazed at how much work it took for Jacques to go from those quick notes, which we can see on the endpapers, to three wide panels per page, full of landscape and men trudging through that landscape, with events and dialogue and endless marching.

In the end, though, My Return Home is more than a bit of a slog itself. We know Rene made it home, and the march is neither particularly interesting (another night in a random field! backtracking yet again to cross the same river!) nor horrifying (there are some moments, but it looks like nearly all of the POWs survived and only a few of them got up to anything that could be called seriour war crimes [1]). It’s another war story, and war is hell: we know that already. My Return Home is about a hundred and fifty pages of men marching through dull terrain under duress: that’s it.

Jacques’ writing, or perhaps the translation by Jenna Allen, is a bit stilted in spots. Since Jacques’s afterword is stilted, and fond of random exclamation points in the middle of the sentence the same ways, I’m inclined to pin it on him. His art is strong as usual, and his slogging POWs remind me of Mauldin’s soldiers — maybe just due to the era and my American biases.

There is a third volume, which was just published in the US, covering (I think) Rene’s return to Germany as a civilian, years later. But, frankly, it’s looking like there only needed to be one I, Rene Tardi, Prisoner of War in Stalag IIB, and that’s the one when he actually was a prisoner of war in Stalag IIB.

[1] Rene did, as part of revenge against the remaining posten near the end of the march. It’s mildly shocking in the story, but not surprising.

Reposted from The Antick Musings of G.B.H. Hornswoggler, Gent.

REVIEW:

REVIEW: Westworld: Season Three: The New World

HBO’s adaptation of Michael Crichton’s Westworld is an interesting barometer of geekdom’s temperature. The first season arrived and it was a cause celebre, given its rich, sprawling cast, topical questions about the role of AI in our lives, and plenty of violence and nudity.

The second season clearly went off the rails and people questioned what was going on even as those who stuck around were intrigued by the glimpses into the other worlds vacationers could visit.

Through it all, there was Dolores Abernathy (Evan Rachel Wood), the android who went beyond her programming and chose to control her destiny. In the third season, things went back on the right track as you can see for yourself in the just-released Westworld: Season Three: The New World from Warner Home Entertainment.

Delores escaped the park at the end of last season and we see “our” world through her eyes which was an interesting bit of writing. We also meet Caleb Nichols (Aaron Paul), a former soldier turned petty criminal whose story takes its time but ultimately dovetails with Delores’. Similarly, the story of Maeve Millay (Thandie Newton) and Engerraund Serac (Vincent Cassel) takes its time and shows other aspects of this world and its inhabitants.

Where Delores’ “reawakenings” led to her sentience, Maeve’s takes us in another other direction and explores her in a World War II Italy Warworld reality, which brings her to Serac.

Bernard Lowe (Jeffrey Wright) and William (Ed Harris) make the odd couple of sorts in the third major arc of the ten-episode season. Here, they struggle with determining reality versus simulation, an interesting notion as more people in the real world plug into various forms of artificial reality (Ready Player One anyone?).

The connector to all of this is Charlotte Hale (Tessa Thompson), who is never less than interesting to watch.

The good ideas and strong performances more than make up for the uneven writing across the season. It’ll be back and there’s more than enough here to entice us to come back for another E-ticket ride.

The box set comes with both 4K Ultra HD and Blu-ray editions along with a Digital HD code. The 2160p transfer in 1.78:1 is excellent. The Dolby Vision nicely punches up the blacks and darker details from the traditional film.

The 1080p transfer is equally strong which helps tremendously. Both benefit from the DTS-HD Master Audio 5.1 track and Dolby Atmos so this makes for an excellent home video experience.

Much of the Special Features, scattered across the Blu-ray discs, are drawn from the existing HBO extras, starting with Escape from Westworld (1:53), which introduces viewers to the setup. Disc one also features Creating Westworld: Parce Domine (6:36); The Winter Line (7:18); The Absence of Field (6:05); and Exploring Warworld (3:56).

Disc Two offers up Creating Westworld‘s Reality:  Genre (3:54) and Decoherence (4:48). Disc Three features We Live in a Technocracy (13:44) spotlights producers Jonathan Nolan and Lisa Joy; A Vision for the Future (14:09); RICO: Crime and the Gig Economy (7:07); Westworld on Location (11:20); and Welcome to Westworld: Evan Rachel Wood and Aaron Paul – Analysis (3:46), Evan Rachel Wood and Aaron Paul – Who Said It? (3:43), Thandie Newton and Tessa Thompson – Analysis (3:22), Thandie Newton and Tessa Thompson – Who Said It? (2:57); Creating Westworld‘s Reality: Passed Pawn (4:09) and Crisis Theory (9:03).