This week we battle it out to see whose favorite super heroine is the best. Maddy brings her favorite DC Superhero Black Canary to the fight against Anya’s favorite Marvel Superhero Scarlet Witch.
Tagged: The Vision
This past week has been an interesting one for me as far as comics are considered. I finally finished Tom King’s twelve issue run on The Vision – easily one of my favorite comics that Marvel has put out in a long time, and that’s something I never thought I’d say about a comic starring The Vision. If you haven’t read it, do yourself a favor. A friend of mine wrote this about it a while back if you’d like to read up on it more first.
I finally started reading Jeff Lemire’s Trillium after putting that off for years. It’s a great read.
I also went through some of my piles of comics here and rediscovered my copy of Vertigo Jams. This comic, which was put out by Vertigo back in 1993, featured original eight page comics from the different creative teams; something I hope DC’s Young Animal line and others will do down the line. It really was a fun read.
Since this came out, Vertigo Jams included an eight pager from Rachel Pollack for Doom Patrol. I had honestly completely forgotten about this story and it was really exciting for me to read it again. It’s a cute little story about Dorothy accidentally releasing ghosts from their HQ and going out on the town with the S.R.S. to find them and bring them back. We get cameos from Niles Caulder, Robotman, and it ends with two queer women going home with each other after a date. What more could anyone ask for?
Speaking of Rachel Pollack, if you have an incredibly keen eye and a good memory, you may have noticed the Rachel Pollack reference in Gerard Way and Nick Derington’s Doom Patrol #2. In that issue, the Niles Caulder one page strip involves Niles in a hot air balloon passing a mountain with his face on it. Those of you familiar with Rachel’s run will notice that imagery of Niles’ face in a mountain running through issues #65 and #66 as part of the Sliding Through the Wreckage arc. If you think that comparison is a bit of a stretch, Gerard Way said it was a reference to Rachel’s run here.
While Gerard Way has been referencing Rachel Pollack’s run in the new Doom Patrol, DC has still not announced any plans to reprint her run. Please, if you are reading this, upset about this fact like I am, and are in comics journalism or know someone who is I’m asking you consider writing about this as well.
Her run on Doom Patrol is important in queer history and it’s important to get the works of incredibly talented people like Linda Medley and Ted McKeever, two artists that inarguably helped shape Rachel’s run, out there to more people as well. If you want to write about this yourself and don’t know where to start, reach out to me via the comments section and I will help you.
My final anecdote from last week for me in comics started Friday night getting drinks with fellow ComicMix columnist Martha Thomases. We discussed the state of the nation, what we have to do going forward under a Trump presidency, and Paul Jenkins. Martha is a staunch supporter of both the liberal wing of the Democratic party and of Paul Jenkins. She recently read Alters #2 and wanted me to read it to get my opinion to discuss it.
Spoilers ahead for Alters #2.
After more drinks than I care to confide to you, we went back to Martha’s so I could read her copy of Alters #2 and talk about it. The beginning for me was a little rocky. The issue opens with Chalice being interrogated by other Alters asking her probing questions including questions about the current medication she’s on and her DNA. It was a scene lacking in subtlety about Chalice’s transness and the sort of medical questions that could out her.
Shortly thereafter we have a sequence where Chalice is out of her superhero costume and at her home dressed as Charlie. She then has a verbal confrontation with her father that’s written in a way where it’s hard to tell if she’s talking about being an Alter, being trans, or both. That was the point of the scene, but it just didn’t feel entirely right to me. The issue wraps up with a physical confrontation that Chalice has with Matter Man in which Matter Man seems to go out of his way to use insults directed at Chalice’s femininity by both calling her a bitch and saying she punches like a girl. Perhaps if Matter Man only said one or the other it wouldn’t have stood out to me, but both was too much.
One thing I really appreciated was at the end of this issue they include a letter from Paul. The letter involved both a discussion with one of the trans people he has consulted with on writing this comic. Additionally, Paul Jenkins goes on to talk about the importance of respecting people’s gender identity and how dangerous, even lethal, it is to misgender someone. While I do have issues with the story in Alters so far, the second installment is showing more effort being put into raising awareness of issues affecting the trans community by having this letter at the end.
This led to a discussion with Martha on what it means to be an ally and a broader discussion on survival during the Trump years. Martha makes a point by saying that people like Paul Jenkins, someone who is sincerely trying to do a positive representation, is not the enemy and, of course, I agree wholeheartedly.
While I do understand the argument that some people might make about people how people need to avoid attacking those who are ignorant for using the wrong terminology, the flip side to that is that by framing the issue in that way we are continuing to look at everything through a privileged lens. Instead of catering to those more privileged in these situations we need to teach those more privileged that sometimes you have to sit down and listen instead of getting defensive or worse.
What Paul Jenkins has done, from what I can see based on Alters #2, is sit down and listen to some extent. He’s heard the criticism out there and is trying to take positive steps in the right direction. And while I still have my reservations, it’s still a great thing to see in a comic creator and I hope that Paul will be able to continue moving Alters down a positive path, including making a change in issue one for the trade to remove Chalice’s self misgendering referring to herself as the middle brother. Middle sibling or child works just as well.
Perhaps speaking to someone like Rachel Pollack, who has created a trans superhero for a team book before, could also be beneficial for someone like Paul. She certainly understands the topic on a level not many other people do and has written some profoundly moving moments with Coagula.
Anyway, that was my week. How was yours?
Oh, Avengers: Age of Ultron, how I loved you so! From the moment the pre-movie Ant-Man trailer began to the last second of Whedon-tinted footage befell my eyes, I was a happy camper. Before I roll up my sleeves and dive in to the nitty-gritty details that made the movie for me, I’d be remiss if I didn’t shout from the rafters that this week’s column is chock full of spoilers. So, consider yourself warned. But I digress. Let the love-in begin!
Remembering Where It All Began.
More than once during Age of Ultron, the lingering ideas of Iron Man permeated the plot line. This attention to detail – taking the theme of Tony’s war-mongering past as the driving force for all that has followed – helped create a sequel born of the cinematic MCU, rather than being plucked directly from the proverbial pulp.
That Pietro and Wanda would stare a Stark explosive in the face for several days of mental anguish, would lead them to their nearly permissible antagonistic actions showed a deft hand in the writer’s room. Pair this with the birth of Ultron himself and you have a wealth of villains to combat without it feeling like a bloated mess. I’m looking at you, Spider-Man 3, Amazing Spider-Man, and any other multi-villain movie menagerie. Here, Tony Stark is the spark for the unfurling events. It’s an organic plotline that pays dividends through believable character interaction. Astonishing, no?
Exploring The Details Of The Under-Players.
In the first Avengers movie, Black Widow and Hawkeye were mostly there to flesh out the cast. Believably placed for the ties to S.H.I.E.L.D., Natasha and Clint had their moments, but their placement on the team at large seemed more or less to add a human element to an inhuman team. No, not those Inhumans.
Here in Ultron, our truly human Avengers showcase that it was their humanity that was their superpower all along. Hawkeye the family man and the Black Widow the no-baby-mama helped anchor their gifted counterparts when things got too explody. That we would see Hawkeye leap into battle knowing he leaves a wife and kids behind – because he knows his worth and importance to the team – hit me as a parent right in the feels. As for Natasha revealing a secret shame to Bruce Banner in an effort to prove that her budding feelings for Tony Stark’s best science-bro matched his outer monsterhood with her own perceived faults… well, it was a touching and mature a concept placed in a movie I wouldn’t have pegged as either of those adjectives.
A Master Plan Worthy Of A Mean Child.
Loki, granted the mind-gem by Thanos in an effort to conquer Earth, hatched an invasion pitted against a handful of misguided do-gooders. His machinations included mind-control, sabotage, and ultimately brute force. In contrast, Ultron – very much a child, with more mental capacity and power then he can truly control – opts instead to smash the earth with a big rock. Sure, there’s more to it than that… but really, there isn’t. And it’s a brilliant move. When we first meet him, Ultron seeks to evolve. He sets about his plan not unlike Loki – using mind-control and psychic attack to distract – but when he’s denied his prize, there’s little left to do but start killing. That he was able to create a network of thrusters underneath an entire city in what feel like a few days? Well, I guess that’s what makes him a super-villain.
What I love most about it though, is that the end-game motivations of Ultron end up immature and thuggish when he’s left without the toy he wanted in the first place. We are reminded at the tail-end of the movie that both he and The Vision are very much new to the world. No amount of knowledge can replace wisdom. Again, this is a little detail in a large moving plot that escalates a would-be blockbuster into something that rises above my personal expectations.
And Last, But Not Least… The Promise Of The Future.
When the dust settles, it’s apropo that there’s no schwarma to be had. The Avengers fall into their more natural state. If I might beat this dead horse one last time: the actions presented all felt in line with the characters we’ve seen built in front of us now for the last seven years. Of course Captain America and Black Widow will remain Avengers set to train the first class of new heroes. Tony Stark, tail between his legs, retreats to his vast fortune and his machine shop to ponder where he goes next. Thor returns to his homeland to seek answers, and likely build towards Infinity Wars. Hawkeye gets his well-deserved family time.
And our incredible Hulk? He’ll incredibly sulk for a while, until he’s needed again, I suppose. Given that he turned down the opportunity for a romantic connection in lieu of a martyrs’ life makes sense. He did try to commit suicide only a year or two ago. He’s not ready to move on.
And after a nuanced movie like Age of Ultron? Neither am I. Excelsior indeed.