Tagged: Mockingjay

Box Office Democracy: The Hunger Games: Mockingjay Part 2

The Harry Potter franchise is, of course, a cultural institution. It was the formative literary experience for a generation of young people and a monstrously successful film franchise. Unfortunately, it also popularized splitting a climactic book in to two movies; a practice that has since gone rampant leading to the division of the very thin Breaking Dawn into two films to cap off the Twilight series, the ludicrous extension of The Hobbit in to three endlessly bogged down movies, and now The Hunger Games is left to limp across the finish line with Mockingjay Part 2, a film that struggles to justify its existence and ends up feeling bloated and insubstantial.

It serves the narrative but there’s so little of what I enjoyed about the Hunger Games movies up until this point. There’s very little Haymitch so there’s no opportunity to enjoy Woody Harrelson one more time. Effie Trinket gets a role I believe was absent in the books so we can get a fleeting glance at Elizabeth Banks. There are similarly small parts for Donald Sutherland, Jeffrey Wright and Stanley Tucci. Basically any incidental character that helped shape this film series is pushed to the side so we can get more of the love triangle between Katniss, Peeta, and Gale, and those characters as presented in these films are far and away the least interesting choices— and while Jennifer Lawrence is trying her damndest to make this material sing, Josh Hutcherson doesn’t get enough room to sell a very complicated character arc, and Liam Hemsworth is just far too bland.

Francis Lawrence’s direction continues to be the best part of this franchise. There are two superb action sequences in this installment: a sewer chase with a bunch of vaguely lizard-like zombie-esque monsters and a stunning battle sequence late in the film. The chase through the sewer and the fight sequences it contains is the best this series has ever seen, we finally get beyond the moral dilemmas and have every prominent character just let loose in a furious violent crescendo. By contrast, the battle scene late in the movie shows how small and insignificant the principal characters are, as they just sort of amble onward as the explosions and gunfire destroy everything around them and, at the end, they aren’t really a part of this war. It’s a wonderfully shot sequence with the camera fixed on Katniss as the action happens seemingly incidental to the framing of the shot. The chaos builds and builds and the audience can feel the frenetic disarray. These bits are arresting cinema and redeem so much of the little problems this movie has.

I’m going to get in to spoilers from here so consider yourself warned.

One big problem is that the story in both Mockingjay films is weaker than the ones that came before them. The idea that invading a city is really just like another Hunger Games is a silly conceit, but it’s one the movie inherits from the books. The way the film deals with the death of Prim is somewhat less excusable. Prim is killed suddenly, out of nowhere and the moment is given no air with which to breathe, to affect the audience. The movie barrels forward from that moment to the end credits with an inexplicable momentum considering how long we’ve lingered on so many more trivial moments. It’s hard to accept the big choices that come after if we don’t have a proper lens to see how this has affected Katniss. If this was the only way to get the scene with Katniss and Snow in the greenhouse I suppose I can accept it, it’s one of the best films in the series, but I bet I could have cut five minutes somewhere else to give this gigantic moment a little more space to resonate.

I’ve grown to appreciate The Hunger Games quite a bit since I grudgingly enjoyed the first film three and a half years ago. The first film was an admirable adaptation of a tricky book and the second film was an honest-to-goodness triumph of the genre, easily the best of the young adult book adaptation films, and a genuinely excellent movie. It’s unfortunate that we’ve had to watch the wheels fall off from there a little bit. Taking the weakest book, the one least-liked by fans, and turning it in to two films has been an artistically questionable decision but it’s even taken a financial toll on these last two installments. Mockingjay Part 2 had a weaker opening than Part 1, which was weaker than Catching Fire. While we aren’t quite in the realm of failure here, it’s a bump in prestige to watch this franchise lazily bounce after soaring to such great heights. I hope this doesn’t tarnish a set of films that could have been an enduring cultural touchstone— but I’m not sure the odds are in its favor.

Emily S. Whitten: Small Stories Writ Large

This week, Marvel released both the “ant-sized” and then “human-sized” trailers for Ant-Man. A clever marketing trick, and one that made me smile.

It also got me thinking – not particularly about the Ant-Man movie, although I am curious to see how it turns out, but about a couple of movies released in 2014 and why I liked them so much. Those movies were Guardians of the Galaxy and Mockingjay (Part I).

In Guardians, as I’m sure everyone knows by now, Marvel took one of their lesser-known properties and made a big, big splash with it. It really is a wild, fun ride – and I think one of the reasons for that is that the property was a bit more obscure. That perhaps (or at least this is what I extrapolate from the end result) allowed the studio not to take it all too seriously even in the realm of their Epic Marvel Movie Plan, and not to forget that comics are supposed to be fun; symbolic; intense; hopeful; and sometimes ridiculous.

From a talking raccoon and a pretty goofy prison break to the amazingly heartwarming moments with Groot, the movie definitely did things a little differently than what we may have come to expect from our superhero films (while, to be fair, still hitting the big-budget notes of explosions and fight scenes and daring space escapes). Even the end credits scene was a little wink and a nod to the fans. And that sense of individuality and fun made Guardians stand out in my mind.

Mockingjay (Part I) stands out for a different reason. This is the third of four movies in a fairly serious and intense storyline based on The Hunger Games book series, and sure, it has fight scenes, and planes crashing from the sky, and all of that – but mostly, what it has is a series of small moments, just like in the first half of the third book it is based on. Moments of character development that make the whole sense of the movie quiet but intense. Scenes between Plutarch and Coin, or Katniss and Snow. Scenes like Katniss at the river, or Peeta being “interviewed” on TV. Scenes that look at one small space in time and how the characters in the story are being shaped by it. And that’s something that, while we get it all the time in books, is often not translated well to or given time on the big screen.

Even in book-to-movie transitions, the translators of great stories often fail to understand the draw of quiet moments of character development, and that they can be done well to build the story on the screen. (One sad example of this is The Seeker, which was a not-so-successful translation of Susan Cooper’s excellent young adult fantasy series The Dark is Rising.)

What’s interesting about both of these movies is that although very different, they share the thread of small stories writ large – either in the sense of more obscure properties being brought bombastically into the limelight, or of little bits of people’s characters being slowly threaded together into a greater story. And that through this, they also brought me either a sense of joy and fun or a sense of emotional involvement. What’s also interesting is the lack of that sense in some of the action, superhero, or fantasy movies out there in the last few years (Man of Steel being a glaring example, despite the enjoyment of seeing Henry Cavill on the big screen).

It continues to puzzle me why some movies forget that they are supposed to be fun, or interesting and unique, or at the very least true to their written origins when they have them. While I don’t necessarily think studios are losing that insight altogether, I do think it’s nice to remind them sometimes of why I, at least, like to see movies – not for the mindless big-budget fight scenes and explosions, or the clichéd and predictable good-versus-bad standoff, but for the fun, the excitement of something new and different, the sense of hope or meaning, or the insights that can leak out of fiction to inform our views of reality.

So movie studios, this is just me saying, at the start of 2015: in the midst of all the business of moviemaking, please don’t forget to make your movies fun, or meaningful, or (hopefully) both. Thanks.

And until next time, Servo Lectio!


Tweeks: Giving Thanks For Hunger Games: Mockingjay Part 1

Effie replaces Fulvia in MockingjayThe Tweeks are definitely Hunger Games fangirls, but how did the first half of the final book in the trilogy stand up in cinematic form?  This week the girls weight in on Francis Lawrence’s job of hobbiting (breaking a literary property into unneeded multiple movies) Hunger Games: Mockingjay Part 1.