Tagged: King Arthur History and Legend

Dennis O’Neil and the Gremlins

GremlinBlame it on the gremlins.

Here’s a brief excerpt from last week’s column that will help you understand why we’re in the gremlin-blaming game:

If you think Im recommending the course, youre right, and so you should know its title. Happy to oblige Dr. Armstrong had reached the section of her presentation that deals with the twentieth century Arthur and spoke of Marian Zimmer Bradleys Arthurian novels you might know The Mists of Avalon and then she began to talk about Mike Barrs comics.

Notice anything missing there? Yep. After “happy to oblige” there should be the name of the course I’m recommending. And there isn’t. Tsk.

Well, let us make haste to right the wrong. I’m happy to oblige you with the following information: “King Arthur: History and Legend.”

The course is offered by The Teaching Company as part of it’s Great Courses catalogue and a quick Google should give you the particulars.

Now about those gremlins. You’ve probably heard the name and a lot of you have no doubt seen one or both of the Gremlins movies. The first is catchily titled Gremlins and the second, even catchier, Gremlins: The New Batch. The eponymous critters portrayed in the films and nasty and mean and ugly and I guess those words would do to describe chimera that inspired them. I’m not as sure as I’d like to be because gremlin data seems kind of scarce, though the ever-useful Funk and Wagnalls Dictionary of Folklore, Mythology, and Legend gives them a goodly amount of space and tells us that “there is little agreement as to their description.”

It seems that they first appeared during the first world war and had a special affinity for bollixing aircraft. Something isn’t working and there is no earthly reason why? Only one possible answer: gremlins.

This clandestine sabotage persisted on through the second world war and I guess to the present. Now, I’m not a big believer in spookies of any sort, but if gremlins do exist they explain an awful lot about my life. Technology is not my friend. Cars, televisions, video players, global positioning trackers, and especially computers and their spawn…they’ve all had their innings making my existence a frustration. Often.

My deeply skeptical DNA sharer would say “coincidence” and I would riposte “this frigging much coincidence?” DNA sharer is pretty smart, but about this, he’s wrong. No. Unacceptable. It is saner, more logical and reasonable, to posit a malevolent intelligence, omnipresent, sly. resourceful, with infinite access to machinery and gadgets of all sorts. And he, or she, it or they, hate me. Don’t ask why. I have no idea what my offense might have been. Or when I committed it.

Maybe I’m being mistaken for some other Dennis O’Neil.

But that missing reference to the Dorsey Armstrong course? It’s in my draft and it isn’t in the printed column, so kindly draw your own conclusions. Gremlins. Has to be.

I wonder what this column fidelyobscrave trom ostitrove

 

Dennis O’Neil: Camelot 3000 and College Curricula

Camelot 3000I must have been aware of Camelot 3000 back when it was appearing in 12 parts, from 1982 to 1985, me being a honkin’ big comics pro and all, and there were a lot of comics strewing my life. And, by then, I’d known the series writer, Mike W. Barr, for years. But I don’t know how many of the installments I read, if any. As mentioned above, there were a lot of comics around me and though I was a pretty dedicated reader of things in general, I might have skipped over any comic book in which I had no professional interest. If I did miss Camelot 3000, my bad.

A few hours ago, Mari and I were watching a video course offered by The Teaching Company – let us simultaneously bow our heads and cheer – taught by a charismatic professor named Dorsey Armstrong. It dealt with a subject we don’t know much about, so sure, we were happy to learn something. We’re glad we did. If you think I’m recommending the course, you’re right, and so you should know its title. Happy to oblige: . Dr. Armstrong had reached the section of her presentation that deals with the twentieth century Arthur and spoke of Marian Zimmer Bradley’s Arthurian novels – you might know The Mists of Avalon – and then she began to talk about Mike Barr’s comics. I perked up.

Before we get to the paeans, an observation:

The inclusion of a comic book series in a course devoted to “capital L” Literature is yet further evidence that comics, as both a narrative form and a commercial enterprise, have reached full parity with all other media. (That doesn’t mean that comics, or any other print medium, assembles the mountains of money that the movies adapted from them do. But without comics, those adaptations wouldn’t happen. Duh.)

Comics are an accepted part of college curricula. Live with it, scoffers.

So what is Dr. Armstrong’s opinion of Mike Barr’s comic books? In a word: praiseworthy. She briefly discusses the plot and Mike’s take on the characters and makes the whole shebang sound both interesting – a good read – and a worthy addition to a renowned series of tales, some of which have survived for centuries.

I assume that DC Comics’ excellent library survived the company’s recent monster trek west and that it includes Camelot 3000. And I assume that somebody is in charge of reprints, though I have no idea who that might be. But whoever has that job might want to have a look at Mike Barr’s old maxi-series and consider offering it to a generation of fans who may be totally ignorant of it.