Tagged: Gerry Duggan

Emily S. Whitten: Awesome Con DC 2015

AwesomeCon2015LogoSo I just got back from Awesome Con DC 2015, and happily, it lived up to its name once again, because it was pretty darned awesome!

It was also kind of interesting to realize that every year I’ve gone has been a different experience, thanks to what I was doing each year. The first year, which was of course also smaller than the current con, I was reporting for ComicMix but did not have any other responsibilities. That meant I had time to see pretty much all of the floor and meet any guests I’d like, plus doing great, longer-form interviews with the talented Phil LaMarr and Billy West. Last year, I was running programming, so I saw a whole lot of back hallways, the exhibit hall whooshing by at a fast clip several times as I hurried around, many great volunteers, and a few guests for just long enough to introduce myself before they walked out on stage. (I did allow myself one break to see the voice actor Ghostbusters script reading panel, though. And may have possibly told my staff I’d kill them if they bothered me during it. Because hey. That panel was awesome.)

This year, although I was planning to report on the con, I also offered to moderate some panels if needed. I ended up moderating four really cool panels; and that gave me yet another fun perspective to add to my myriad con experiences. Interestingly, despite all being billed as Q & As, each of my panels had a very different feel. The Gerry Duggan and Mike Hawthorne panel, while naturally discussing storylines and characters both had worked on, also contained some really in-depth insights into the working process of both comics writer and artist. I found Gerry’s process for script-writing, which includes editing what was a final Deadpool script to “punch it up” more after seeing the storyboards created by Mike Hawthorne from his draft, to be particularly interesting. And Mike told a great story about working with Harvey Pekar and receiving a “script” to work from that was just two pages with many panels of stick figures – and yet somehow managing to make it work!

Mark Pellegrino’s panel was very energetic, with Mark interacting with each fan who asked a question on a personal level by having them come up and stand next to him in front of the stage while they chatted. This made for a dynamic panel; although it almost became a bit too dynamic when a Castiel cosplayer yelled, “Hey, assbutt!” And tossed a”holy fire Molotov cocktail” at Mark as she came up to ask her question. Fortunately the bottle was plastic and Mark caught it with aplomb – but really, guys – let’s not throw things at our con guests, okay? Even if you think it’s going to be totally awesome, just – don’t. For one thing, you’ll give your friendly neighborhood moderator a heart attack as she pictures a nice, unsuspecting actor getting beaned in the head and/or cut by a glass bottle; and for another, unlike with merchandise, if you break a con guest, you don’t get to buy him or her. Instead, you get big, big trouble, and possibly fandom-wide hatred.

The next panel I moderated was for George Newbern, voice of Superman from Justice League, as well as many other voice and on-screen roles, including Father of the Bride, Friends, and tons more. He’s currently playing a fascinating role as Charlie on Scandal. George was delightfully interesting to listen to given his storied career, which also includes having read over a hundred audio books. It was pretty cool to hear him demonstrating coming up with something like 140 voices for the most recent book series he did. And of course it was awesome to have Superman sitting next to me for a few moments when he did that voice. (George also worked on Switching Channels with Christopher Reeve. How cool is that?)

The last panel I moderated was Adult Swim with C. Martin Croker and Dana Snyder, which was a total trip because with Dana, “moderating” essentially means, “pointing him towards a stage and letting him go.” I did say we shouldn’t throw things at guests. However, those rules don’t go both ways – and if you go to an Adult Swim panel and you’re not paying attention, there is every chance you will get beaned in the head by a water bottle thrown by Master Shake. Fortunately, everyone was paying attention, and thus no attendees were harmed in the making of the panel. There was some fun information shared by both Clay and Dana, including that Clay recalls an episode of Space Ghost, Coast to Coast that was actually too crazy to air, and that Dana landed the role of Master Shake essentially by talking on the phone. Or at least, I think those are things we learned – I don’t know for sure, as my head was spinning from all the comedy going on next to me on stage!

Along with moderating panels, I actually got to go to some panels as well, including a few minutes of the Lord of the Rings panel with Sean Astin and John Rhys-Davies (I wanted to stay for the whole thing but had a schedule conflict), which was really great to listen to, as those two have such presence; the entirety of voice actor Jess Harnell’s panel, which was the most warm, friendly, funny, energetic one-man storytelling hour I’ve been to in some time; and the Twisted Toonz live movie script read, which this year featured all four original Teenage Mutant Ninja Turtles (Rob Paulsen, Cam Clarke, Townsend Coleman, and Barry Gordon), as well as Jess Harnell, Jim Cummings, and Phil LaMarr. The Twisted Toonz reading was a blast, as always; and if you haven’t ever seen one of these live reads, you need to check out the link above. I recommend starting with the ECCC Star Wars Trilogy.

The panels were fantastic – but they weren’t the only thing to do at Awesome Con. I also walked as much of the con floor as I had time for, seeing great costumes and buying ridiculously fun merchandise (like my new tiny and giant My Little Ponypools). 17750292184_f6da133be9_bIt was surprising and cool how many friends I ran into just wandering the con floor, which really made it feel like a warm and welcoming con. Not to mention I got to catch up with fun guests I hadn’t seen since last year’s cons, like Alex Simmons, Andrew Aydin, J.K. Woodward, Joe Kelly, Marc Hempel, Noel MacNeal, Phil LaMarr, Rob Paulsen, and Sean Astin; and meet a few neat guests I hadn’t before, like Mark McKenna, Sorah Shibao, and Diana Leto. And don’t worry, for anyone who’s sad they didn’t get to be there and have these fun experiences too – I took pictures for you!

Not only that, but I also got the chance to interview some really fantastic folks. So stay tuned in the next few weeks for some words from Jess Harnell, Jim Cummings, and all four of the original Teenage Mutant Ninja Turtles!!

And until then, stay Awesome, and Servo Lectio!

Martha Thomases: Understanding Scott McCloud

If you haven’t read The Sculptor, stop reading this and go get yourself a copy immediately,

Need more persuasion? Okay, but you’re missing out on valuable time that could be spent reading this awesome book. I’ve been a fan of Scott’s since Zot because it was funny and human and had a villain named Art Deco. More people became fans when he published the brilliant Understanding Comics. There is no one who uses the graphic story medium to better effect than Scott McCloud.

The Sculptor showcases McCloud’s mastery of technique. His use of color is impeccable. The book is black and white with blue tones, giving the different scenes a variety of moods and weights. The way he uses overlapping word balloons reminds me of an Altman movie. The panel arrangements speed up time and slow it down, depending on the needs of the character.

All of this is in service to the story: David Smith is a frustrated artist trying to make it in New York. He makes a deal with Death (not the cute girl but an old Jewish man who reminds me of my mom’s Uncle Harry) to have 200 days when he create whatever art he wants, in exchange for dying at the end of the deal.

Then he falls in love.

Meg isn’t anyone’s dream girl. A struggling actress, she has serious emotional problems including, I think, a variation of bi-polar disorder (Note: I am not a doctor). Still, her energy and her compassion strike a chord with David. It’s not an easy relationship for either of them. Maybe that’s why it’s so easy to believe it.

I’ve seen people compare the story to Faust, and I guess I get that analogy, but it doesn’t really hold up. David doesn’t ask for fame or power – he just wants to make his art the way he wants to make his art. He doesn’t even negotiate for a gallery show where people can see his work.

It’s all about the art.

A major character in this book is New York City. Not the New York of Friends or Sex and the City or even Peter Parker, this is the New York of cheap rent, scummy landlords, tight money and brilliant, artistic friends. It’s the New York I wanted to live in when I came here nearly 40 years ago. So much so that I almost thought the story took place at that time, until I noticed everyone had cell phones.

I thought that New York was gone. Maybe I’m just too old for it. I’m grateful to The Sculptor for letting me live there again, for at least as long as it took to read.

And another thing! It’s bugged me lately that critics seem to think that superhero movies are the root of all evil. It’s a genre that gets sneers from everyone, even though it’s relatively new (I would say it started with Superman in 1978).

Okay, we can discuss whether or not Thor: The Dark World was as good a film as The Imitation Game. I don’t think it was. Still, it brought happiness to millions. I think that’s a good thing.

And it gives a lot of people a chance to make a living in a field they love. Or, as Marvel writer Gerry Duggan said on Twitter Sunday night after J. K. Simmons won a Best Supporting Actor Oscar, “J Jonah Jameson beat two Hulks to win an Oscar, then Ra’s al Ghul said there are too many comic adaptations. #Oscars2015”