Tagged: Fantastic Four

Galactus Voiced and Fantastic Four 2 Tested

Galactus Voiced and Fantastic Four 2 Tested

Now that Tim Story has confirmed that we will see the towering Eater of Worlds, Galactus, in this summer’s Fantastic Four 2: Rise of the Silver Surfer, it is now on good authority that the voice will be lent by Laurence "don’t call me Morpheus" Fishburne. It seems after narrating the very popular TMNT Fishburne is going back to his less serious roots. Let’s hope this can only end with a revival of his Cowboy Curtis character from Pee Wee’s Playhouse.

On more depressing note, Fox held a test screening for Story’s FF2 in Seattle and the crowd was less than impressed. One quote from an audience member is that the film was "sooo bad that they felt dirty and wanted to write letters of complaint." This is pretty discouraging to hear after the excitement that followed the trailer for the film earlier this year. With a response like this and a release date of June 15, it seems that Tim Story and his crew may need to hit the cutting room quickl

Mary Lynn Rajskub, Geek goddess

Mary Lynn Rajskub, Geek goddess

Mary Lynn Rajskub, known to most as Chloe from 24 but beloved by hardcore fans as Chloe from Veronica’s Closet, is the cover girl on the current Geek Monthly, looking very much like she’s auditioning to take the role of Lara Croft away from Angelina Jolie.

But that’s not why she’s a geek goddess, nor is it because you can apparently talk to her for hours on a mobile phone without draining the battery – it’s that she’ll be appearing in the season finale of The Simpsons this year.

And no, we don’t know if there’s an unresolved cliffhanger in the season finale that leads into The Simpsons movie. We would just never believe that there could be that much advanced symmetry between Fox propertie – hmm. That’s weird. While I was writing this post, an ad for Fantastic Four: Rise of the Silver Surfer just popped up at the bottom of my screen. Go fig.

Spider-Man 2.1 extended cut DVD

Spider-Man 2.1 extended cut DVD

On the heels of Fantastic Four 1 getting its extended cut, DVD release, it now looks like Spidey 2 is getting the same special treatment.

The two-DVD Spider-Man Extended Cut includes eight minutes of never-before-seen footage – including extended fight sequences, a big ol’ sneak peak into Spider-Man 3 including an exclusive Spider-Man 3 video game trailer, commentary by Kirsten (Mary Jane) Dunst and producer Luara Ziskin (big whoop), a trivia track with all-new branched video pieces, and, of course, plenty more!

The Spider-Man Extended Cut comes out April 17, two and one-half weeks prior to the opening of Spider-Man 3.

Fantasticar photos

Fantasticar photos

The Car Connection has pictures of the Fantastic Four’s new car from their upcoming movie, Fantastic Four: Rise of the Silver Surfer. Although no one explains how they get through Manhattan’s traffic, the Fantasticar has a HEMI that allegedly will let them go at 550 miles per hour. 

Chrysler Group chief stylist Trevor Creed participated in the car’s design, with Tim Flattery. According to the New York Daily News, the car can break into three sections and travel at 30,000 feet.

Which might be high enough to reach the head of a certain planet eater.

Dennis O’Neil: The Fanatic Conclave, part two

Dennis O’Neil: The Fanatic Conclave, part two

About 370 million years ago, give or take, swimmy little critters biologists now call lobefish developed appendages that were helpful in getting around the bottoms of the ponds and lakes where they lived. Their descendants eventually flopped onto land and those appendages evolved into things that are useful for tap-dancing, kicking field goals and, attached to the likes of Jessica Alba, drawing admiring glances.

Comic books began as a low-common-denominator, novelty entertainment and became an industry and, arguably, an art form. Lobefish spawned, among other phenomona, karate and Ms. Alba’s thighs and comic books spawned, among other phenomona, comic book conventions. These were, at first, quite modest affairs, as described in last week’s installment of this feature, but, like the lobey appendages, have evolved into quite something else. They’re, some of them, held in gigantic auditoriums – the San Diego Convention Center and New York’s Javits Center, to name two – and attended by tens of thousands of participants. And people far more knowledgeable regarding showbiz than I am say that anyone wanting to launch a fantasy or science fiction-themed movie or television show is well-advised, if not required, to do so at one of these mega-soirees.

They have become an integral part of the huge modern monster media and I wonder if they’re not more influential as that than as places for hobbyists to gather and share enthusiasms. Further – I wonder if some folks forget that the “comi” in comicon refers to these visual narratives still being published in glorified pamphlet form.

A lot more entertainment seekers will see the forthcoming Fantastic Four movie (starring our friend Jessica, by the way) than will read any years’ worth of Marvel’s Fantastic Four comic books. And how many of the millions of ticket buyers who made Ghost Rider the box office champ for two weeks running, despite iffy reviews, even realized that the character had been born as a Marvel superhero?

I think it’s clear that the term comic book is in the process of redefinition, though what it will mean in 10 years I don’t know. It certainly won’t be merely a noun referring to the aforementioned pamphleted narratives. Nor will it any longer be a modifier meaning low, dumb, semi-literate, borderline immoral, as it has been until recently, and might still be in some venues. Probably it’ll describe a genre, or combination of multi-media genres. Or, could be, it’ll be entirely forgotten. After all, we don’t call legs lobes, do we?

And now, in the spirit of Jon Stewart, who on The Daily Show has his moment of Zen, we have our Recommended Reading: Superhero: The Secret Origin of a Genre, by Peter Coogan. Full disclosure: I wrote the book’s introduction. But I won’t profit if you buy it. I recommend it because it is, quite simply, the best treatment of the subject I’ve encountered.

Reboots abound!

Reboots abound!

Robert GreenbergerWith J.J. Abrams now confirmed as not only producing and scripting but also directing 2008’s Star Trek XI, the buzz has begun on the latest reboot of a beloved franchise. As one might imagine, fans of the series have been divided over whether or not this has been necessary, a debate we’ve all heard before.

The entire notion of a reboot is an interesting one because, looking back, reboots were largely throwing ideas against the wall to see what might stick. While there were fans of The Flash, there was certainly no groundswell of support demanding DC Comics bring Jay Garrick back. Instead, management created Showcase as a title to try new things and after three issues of straight-forward adventure, they thought it was time for something different. As legend has it, someone thought the time might be right for a new super-hero and all heads turned to the last editor with any success as characters without S-shields and bats: Julius Schwartz.

Instinctively, Schwartz knew Jay Garrick and his mercury-helmet felt too dated. Things in the 1950s were fresh and new, sleek and shiny. He kept the name and the powers and recreated from the ground up, perhaps pop culture’s first reboot.

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This week in history: Babylon 5 pilot premieres

This week in history: Babylon 5 pilot premieres

Fourteen years ago, the Babylon 5 two-hour pilot, "The Gathering", aired on the now defunct PTEN syndication network.

Created by J. Michael Straczynski before his more pronounced foray into comics with Spider-Man, Fantastic Four, Rising Stars, Midnight Nation, and The Book of Lost Souls, the pilot has many differences between the series that would air a year later, such as makeup (see right), music (The Police’s Stewart Copeland instead of Christopher Franke), and casting.

A tragic bit of trivia: the broadcast in the New York tri-state area was delayed becuase of the first bombing of the World Trade Center fourteen years ago today, knocking out transmissions throughout the region.

NYCC – Panel reviews

During the most crowded day of a comics convention (or even on the other days), it’s never a bad idea to take in some panels.  The best conventions offer a wide variety of programs in comfortable and intimate settings that you just can’t duplicate at a booth or exhibition hall.  They represent just about any interest and subculture related to comics and other "geek-centric" entertainment, and create a participatory and egalitarian feel among panelists and attendees.

This NYCC saw a diversity of topics to please everyone from moviegoers to Japanophiles to old-school aficionados to the creators of tomorrow.  One of the best things about it was the implicit acknowledgement that about as many women as men were expected to take in the programming.  At least four panels so far have dealt with women in comics (real women storytellers as opposed to fictional women characters), and yet other panels having nothing to do with that topic featured female panelists as a matter of routine.  This is the very type of situation advocacy groups like Friends of Lulu hoped to work toward for so many years, and it’s a real privilege to see it come to fruition.

Here’s a photo from a Friday panel.  Some thoughts on it and a couple other panels attended so far:

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Hollywood does comics

Hollywood does comics

There was a great deal of hand-wringing and gnashing of teeth when word leaked out of Hollywood that Joss Whedon had left the Wonder Woman film project and David Goyer would no longer write and direct a Flash film. Similarly, people reacted in horror at the notion of Joel Schumacher having anything to do with a Sandman movie.

Here’s the thing: none of this is shocking. Disappointing, yes, but we long time fans have gotten our hopes raised and dashed countless times through the years.

For those less familiar with Hollywood’s inner workings, the studios are always looking for the next great thing, uncertain of what it might be and where they may find it. So, in addition to buying original stories from screenwriters or ideas from producers and stars then assigning the stories to screenwriters, Hollywood goes shopping. They will receive yet-to-be-published books in galley form, they will scour the news for stories to dramatize, and they will see what their kids are listening to, and so on.

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