Tagged: Dragon’s Horde

John Ostrander: Double Cross Over

For the past few weeks I’ve been discussing the stories contained in the upcoming volume of Suicide Squad reprints (Volume 7, The Dragon’s Horde, out December 22). I’ve been running down the stories in order but this week I’m jumping to the last story in the collection.

This last story was a tie-in issue to the War of the Gods crossover event that DC was running at that time. I’m jumping to it not because it’s my favorite story in Vol. 7 but because it isn’t.

I’ve had mixed reactions to Big Company Wide Crossovers. They do interrupt the flow of what you have planned but, OTOH, that’s like what we laughingly refer to as Real Life: big events happen and toss our best laid plans out any convenient window. It is said the gods like when mortals make plans; it gives them something to shoot at.

There are all kinds of ways of doing a crossover issue; it can be a vital chapter in the overall story, it can show how the Big Event is affecting part of the world, it can be a Red Sky story. That happened during Crisis on Infinite Earths, the granddaddy of Big Events at DC.  One of the hallmarks of the events was the red skies. An issue of an ongoing series could qualify as a “crossover issue” if it featured red skies and some person said, “Ooh! The skies are red!” Something less than a vital piece of the narrative; I was a fan and not a pro at the time and I resented it.

However, the red skies stunt underscored one of the major purposes of a crossover – to lure the reader into trying other (or all) of the books in the line. Hopefully, they’ll see a bump in sales. Most of the time, the increase doesn’t last. So – you do another crossover and so on, ad nauseam, until you get fan burn-out. And then marketing tells you to do another.

I’ve participated in all kinds of crossovers, from doing the Main Event (Legends) to tie-in issues (hopefully none of which are “red sky” issues). Some were easier than others; some were nearly impossible. One we had to co-ordinate with all the other books out that week and I wound up with that assignment since I had two or three of them.

In the story in this volume, the Squad ties into the War of the Gods event. To be honest, I don’t remember what that crossover was about. My problem with the result is that it resulted in a not very good story, let alone a good Squad story.

Captain Marvel’s… excuse me, Shazam’s… Bad, Black Adam, comes calling on the Squad. He needs some warm bodies for an attack he is planning on a temple on an island in a lake in South America guarded by were-beasts and an offshoot of Amazons who live in the Middle East. Where? Somewhere.

Waller feels they’ll need a lot of warm bodies so she recruits a fair amount. The reader at this point probably expects most of them to die and they’re not wrong. We do, however, take the opportunity to get most of the Squad back into uniform. Black Adam claims that, when you go to fight gods, ceremonial garb should be worn. (The hold-out is Deadshot who recently killed the guy wearing his costume, shooting him right between the eyes. You can understand Lawton’s reluctance; the dry-cleaning bill on that would probably be steep.)

Oh, Kim and I (well, mostly me) threw in a new character called The Writer and then killed him off. He was supposed to be a well-known DC writer who had written himself into continuity. It was strictly a gag and, frankly, a puerile one. Apologies all around.

There’s a lot of yelling and fighting and characters die; not the sort of stuff Kim and I usually did with the Squad. It’s also incomplete; at one point in the midst of the battle, Black Adam vanishes into the temple followed by a few Squad members. Shortly afterwards, the island and the temple blow up. Why? Who knows. What’s in the Temple? Doesn’t tell you here. What was Black Adam’s agenda (he definitely had one)? To be told somewhere else.

There’s a block of white space on the bottom of the last page of the story in which the reader was informed where to go for the next thrilling chapter. The reader of this volume doesn’t have that and so they are left with an incomplete story with big gaps in it. And it’s the last story in this volume as well and I think leaves a somewhat sour taste in the mouth.

However, it may be someone’s favorite story. Years ago, I was on a panel at a comic book convention and was asked what was the story I’d written that I wished I could unwrite. I named it and ridiculed it and some poor guy in the front row looked stricken and said “But that’s my favorite story!” If this story was one of your favorite’s, I apologize.

But I have to be honest; it ain’t one of mine.

John Ostrander Is Getting His Redux In Line!

This week we’ll continue with my commentary on the latest collection of my run of Suicide Squad stories, # 7, The Dragon’s Horde. This one will be out just a few days before Christmas making it a perfect last-minute Christmas gift. Well, for some pretty strange people on your Christmas list, I’ll grant you. Once again, although I feel foolish in saying it, the Spoiler Flag is flying although the stories are about two decades old.

Last week we explored the first story in the volume which was the 50th issue celebration. That had everyone, living and dead, from the Squad in it. The next story, Fractured Image, focuses down to mainly just Deadshot. There are others in the story but the main plot centers on Floyd Lawton.

After a major storyline with lots of characters in it, Kim Yale (my wife and co-writer) and I liked to do stories complete in a single issue with a tighter focus to them. When you write an ongoing series, you need to think of the rhythm not only of a given story but of the series as a whole. You can fatigue the reader if you have too many Big Big Big stories with Action Action Action. It’s why we used to do Personal File stories in the Squad maybe once a year; focus on ongoing subplots and individual characterization. This issue isn’t quite a Personal File but it comes close.

Among other subplots, we advanced the connection between Eve Eden (Nightshade) and Tom Tresser (Nemesis). The two always had an attraction for each other but the time never seemed right; it gets right in this story. On a more significant note, Count Vertigo has a conversation with Deadshot that will linger for the rest of the series. Werner Vertigo is manic depressive and had recently been under the thrall of Poison Ivy in which his soul, as he puts it, no longer felt his own. He can’t live that way should it happen again. For reasons he doesn’t go into here, he can’t commit suicide so he wants to know if Lawton will put a bullet in Vertigo’s brain if Werner asks him. Lawton has no problem with that but warns Vertigo to be serious if he asks Deadshot to do it because he will.

The main story spins out of another subplot that we had been spinning for awhile. (Kim and I could nurse a subplot along for more than a year.) Lawton and Captain Boomerang had made a trip Down Under to Harkness’s old stomping grounds when they were summoned back to join the Squad on a mission. Because of Boomerbutt, the two missed their plane. As a result, their luggage got lost – including Lawton’s costume and wrist magnums.

Deadshot is not amused.

At the start of the issue, we discover the costume has been found and recovered – by a luggage handler in France named Marc Pilar who was described as a nothing working in the fringes of the mob. Lawton flies to Marseilles, France, to deal with the imposter and recover his property but there is a real question as to whether or not he can kill “himself.” Lawton had always been described as having a death wish but I never felt he was out to commit suicide. He just didn’t care if he lived or died. Now he is being hunted by “Deadshot”; will he let himself be killed by his alternate persona?

At this time in the run of Suicide Squad, I had decided it would be more realistic to take the Squad out of their costumes and code names. They were supposed to be a covert action group and, as such, should not be drawing undue attention to themselves. In theory.

I now look back at this decision as a mistake. These are comics and the costumes and codenames are a major part of the visuals. I think we started to hemorrhage readers at this point and it would help lead to the book’s cancellation about a year and a half later. Any book that’s more than five years old is going to start losing readership but this choice may have helped.

Nonetheless, I like this story a lot. It’s fair to say that Deadshot was one of the Squad “trinity” (along with Waller and Captain Boomerang) who were never going to get killed. Oh, they occasionally got shot just to make the readers think we might kill them but it was never going to happen. I just enjoyed playing with them too much.

Next time: when the Squad got silly.