Tagged: Death

A ‘Star Trek’ Fiction Primer

A ‘Star Trek’ Fiction Primer

Hitting shelves around the country is Star Trek: A Singular Destiny by Keith R.A. DeCandido, the first novel in the Star Trek universe after the status quo was shaken up in the just-complete Star Trek: Destiny trilogy by David Mack.  When we spoke with Mack a few months ago, he said, “All I’m willing to share at this point is that characters who are dead before the trilogy starts stay dead; characters killed during the trilogy will stay dead afterward; there is no reset button at the end of the story; worlds we’ve heard of before will be destroyed; a species will cease to exist.”

For many intrigued by this, the prose works can seem daunting since they carry the storylines forward from the last season of Star Trek: Voyager, Star Trek: Deep Space 9 and The Next Generation feature films.  DeCandido provided ComicMix with a reading list for those interested in seeing what’s been happening:

Pre-Nemesis

There was a nine-book series that set the groundwork for Nemesis as well as many of the post-Nemesis books. None of them are critical. All nine provide some nice background, particularly on Christine Vale, the security chief on the Enterprise-E who goes on to become Riker’s first officer on Titan, and the final five books set up Riker’s captaincy and engagement to Troi (both established in Nemesis), as well as the political situation we see going forward. It’s also, in essence, Data’s final arc, which runs through all nine.

These books take place from late 2378 to late 2379 (the film took place in late 2379).

A Time to be Born by John Vornholt
A Time to Die by John Vornholt
A Time to Sow by Dayton Ward & Kevin Dilmore
A Time to Harvest by Dayton Ward & Kevin Dilmore
A Time to Love by Robert Greenberger
A Time to Hate by Robert Greenberger
A Time to Kill by David Mack
A Time to Heal by David Mack
A Time for War, a Time for Peace by Keith R.A. DeCandido

(more…)

(We Could Be) Heroes: Top Ten Rock Songs About Superman, by Martha Thomases

(We Could Be) Heroes: Top Ten Rock Songs About Superman, by Martha Thomases

What does one hum on the way to the comic book store? If you’re a person of a certain age, with a certain history with certain illegal substances, you probably have a few songs about the original super-hero stuck in the part of your brain that should be storing French vocabulary words.

Even if you aren’t old, you probably listen to a few songs about super-heroes. The Marvel superhero movies have had fantastic soundtracks, even if most of the songs weren’t written specifically for the movies. The Prince Batman soundtrack is a winner (Vicki Vale!), and the Ramones did a fabulous cover of the cartoon Spider-Man theme.

And yet, the Man of Tomorrow is still the foremost inspiration for popular songs. From the alt-folkie to Eminem, there are Superman songs. Alas, some of the more hard-core take a rather literal approach to the term, “super-man” and imagine all kinds of sexual possibilities that seem to have nothing to do with Truth, Justice and the American Way (nor Kryptonian physiology, nor anything human – entertaining, though).

Here is my choice for the Top Ten songs about Superman:

(more…)

GRAPHIC NOVEL REVIEW: View From the Top Shelf

GRAPHIC NOVEL REVIEW: View From the Top Shelf

Top Shelf was kind enough to send me a big box of their books (which also included Super Spy), so let me dive right into it.

First was a cute little book (about the size of those “impulse purchase” books you sometimes see in Hallmark stores by the cash register) called Micrographica by Renee French. According to the front flap, this originally appeared online, and each of the drawings (one to a page) was originally drawn at about one centimeter square, which French did to keep the drawing loose by not allowing any redrawing. The story follows three small rodents of some kind (maybe guinea pigs?) who discover a “crapball” and then have odder adventures. It reads a bit like a black and white, colloquial version of a Jim Woodring story – weird things happen in an entertaining way, but the voices of the rodents is very modern-American, unlike Woodring. The story also features a much larger rodent-thing, unexplained facial swelling, a giant mountain of crap, an abandoned sandwich, and more. Hey, it’s only ten bucks – how can you go wrong?

Jeremy Tinder’s Black Ghost Apple Factory is more like a normal comics pamphlet (despite being only about four inches by six); it’s stapled, 48 pages, and contains a number of different stories. The seven stories here are all pretty clearly “indy” – they feature odd characters doing twisted versions of real-world activities, and usually have something to do with interpersonal relationships. (Also, in time-honored indy-comics fashion, those relationships are sad, depressing and unfulfilling.)  Only two of the stories are overtly autobiographical — and one of those features Tinder befriending a bear, so you know it’s metaphorical at best — which is a nice change. Some of these stories are funny and some are touching; all work well and strike true. And that’s darn good a for a five-buck comics pamphlet.

(more…)

ANDREW’S LINKS: One Last Ride on the Wall of Death

ANDREW’S LINKS: One Last Ride on the Wall of Death

It’s not often that I get to make a simultaneous Richard Thompson/Timothy Truman reference, so I’ll take it this time.

This will be my last set of links for ComicMix. I’ve loved doing it, but it’s just too, too time-consuming. I will continue reviewing various things here, and ComicMix’s philosophy is all about the original content, so a huge bunch of outside links was an odd fit to begin with. Thanks for all the comments, and please stick around for the big ComicMix original-comics launch – I certainly will be!

Comics Links

David Lloyd will be at Orlandocon from Sept 21-23 at the Caribe Royale Convention Centre, and also signing at Coliseum of Comics on Friday the 21st from 2-5.

Mark Evanier has stitched together various YouTube postings to reform the complete Jonathan Ross documentary In Search of Steve Ditko.

The Columbia Tribune visits with artist Frank Stack.

Comic Book Resources interviews Marvel editor John Barber to learn exactly how the Marvel Zombies project came to be…and, just maybe, how Marvel will work it like a rented mule until we’re all sick of it.

CBR also chatted with Jim Shooter about his plans for Legion of Super-Heroes.

Comics Reporter interviews Steven Weissman.

Wizard talks with Mark Evanier.

The Hurting wonders what’s the deal with the X-Men and space opera.

Living Between Wednesdays interviews Scottt Chantler, author of Northwest Passage.

Comics Reviews

Forbidden Planet International reviews Image’s new series Fearless.

The Written Nerd reviews a pile of graphic novels, starting with the first volume of Flight, edited by Kazuo Kibuishi.

The Joplin Independent reviews The Blue Beetle Companion. (I was going to make a joke about obscurity here, but I thought better of it.)

The Los Angeles Times reviews Adrian Tomine’s Shortcomings.

Chris’s Invincible Super-Blog reviews the week’s comics, with an extra dose of face-kicking.

Greg Burgas of Comics Should Be Good reviews this week’s comics, starting with 30 Days of Night: Beyond Barrow #1.

Living Between Wednesday reviews this week’s comics, and declares them the “sexiest ever.”

From The Savage Critics:

  • Jog reviews the new 30 Days of Night, and others
  • Abhay finishes reviewing a graphic novel called Runoff, and interviewing its creator Tom Manning
  • Diana Kingston-Gabai says two Hail Marys but still can’t take Penance: Relentless
  • Jog checks out Gutsville #2
  • and Graeme McMillan reviews a pile of comics, including the new Captain America. (And now I channel Mr. Middle-America: “Hey, isn’t he dead? How come his comics still coming out?”)

(more…)

MARTHA THOMASES: Death Trip

MARTHA THOMASES: Death Trip

At the recent Wizard World convention in Chicago, Jim Starlin was part of the DC Nation panel. Starlin created the brilliant graphic novel, The Death of Captain Marvel, which was so well done that it made me cry like a little girl even though I wasn’t that familiar with the character. A running gag throughout the hour was that, in the upcoming Final Crisis, Starlin was going to let loose and kill a bunch more characters in the DC Universe.

It’s bugged me for a few years that, in comics and sometimes in other media, death is the gag. Death is the only meaningful drama. The recent hype about the last Harry Potter book was whether or not Harry would die, and who else might join him. This misses the point.

Now, I realize that I made a lot of my reputation in this industry from the 1992 Death of Superman (and not just my extraordinary good looks and keen wit). Isn’t that what started this whole death-cult in comics?

Yes and no. I used to joke that DC had to kill Superman every seven years, whether or not he needed it. What made the 1992 event different? Some might think sold so much because the release coincided with the collector craze, but I’ve always thought it was more than that, and started even earlier. I thought it started in the fall of 1990, when Clark and Lois got engaged. The media went crazy, with stories on television news and national newspapers like USA Today. A few months later, it happened again when Clark revealed his secret identity to his beloved.

People felt like they knew the Superman family. A lot of them expected an invitation to the wedding. When they found out Doomsday was going to kill Superman, they felt like they lost a friend.

Marvel was able to evoke similarly honest feelings when Captain America died. Again, they had done their homework with the general public, explaining the central political conflict in the Marvel Universe. In this case, the increasing discontent with the Iraqi war may have also contributed to the emotional response. It’s a perfect storm of entertainment and real life.

(more…)

WW-CHICAGO: DC at the crossroads

WW-CHICAGO: DC at the crossroads

At Wizard World Chicago this weekend DC staffers sat down for another DC Nation panel and gave fans some insight into what we can expect in the Immediate" future."

Editorial honcho Dan Didio was joined by coordinating editor Jann Jones, marketeer Bob Wayne, Jim Starlin and  Sean McKeever. Starting off we heard what we have down the pipeline after Countdown to Final Crisis, the aptly named Final Crisis will be a seven issue series by Grant Morrison and J.G. Jones starting in May 2008.

And since the weekly format has been so successful for DC over the recent years, starting weekly in December Countdown: Arena starts bringing us more tastes of the Multiverse pitting three different versions of a character fighting out to be a leader in Monarch’s army. The results will be determined by the fans who will get to vote on the DC website for the winner. That’s right folks its reality comics!

Salvation Run will place DC villains in a penal colony, their own planet resulting from the DC heroes looking for a better solution than prisons and Arkham.

Starlin will be killing off whomever he feels like in Death of the New Gods, an eight-part mini-series starting in October. At the panel he jovially made it clear that no one is safe.

The long awaited Marv Wolfman/Damian Scott Raven has been slated for early 2008. In other Titans news we’ll see a Terra mini-series in March.

,

Kyle Rayner will be joining the Challengers. DiDio suggested for everything to make sense read GL 26 then Atom #18 (Actually, DiDio was unsure of the actual issue number but assured us it’s the one after GL 26) then Countdown, all of which should be going down in December/January if I’ve done my math correctly.

Jann Jones described The Black Canary Wedding Planner (out in September) as the “girliest book” ever put out and marveled at how a man (J. Torres) could be doing such a great job writing it.

Cassandra Kane will pop up again in Gotham Underground. McKeever said to look for Manhunter to join the Birds of Prey and DiDio says the Manhunter series isn’t gone, they just want to have a few issues put to bed before they start publishing up again.

DiDio also assures us he’s got a big map of the multiverse and is plotting out what all 52 planets are to ensure the richest DC Universe possible. On a side note, Earth 26 is the Captain Carrot Earth and Vertigo is still not going to be a part of any DC Universe.

MIKE GOLD: Death to Floppy!

MIKE GOLD: Death to Floppy!

I was combing through the Diamond catalog, placing my family’s orders for whatever month I’m ordering for. Oh, yeah: it’s April, so I’m looking at the March catalog do order stuff coming out in May, if at all. People who grew up at comic book cover dates have a hard time working a calendar.

As every month, I am struck by the impossible number of “alternate covers” being produced by the publishers. Of course, only a fraction of them are actually solicited: some publishers slap on new covers for subsequent reprintings. This sorta makes you wonder how they knew they’d sell out early enough to commission those new covers.

I don’t have a problem with alternate covers. Whereas I rarely indulge, there are enough collectors out there to make the gimmick work, and that’s fine by me. I collect all sorts of weird stuff myself – I’ve been trying to get Denis Kitchen’s Betty Boop blow-up doll for 30 years. Certainly there’s nothing wrong doing an alternate cover stunt to celebrate a truly significant issue. But it’s being done on damn near everything these days, on routine issues of routine books, just to turn the sucker into a collectible.

Therefore, while I see nothing wrong with alternate covers, I do feel they portend the end of the world as we know it.

(more…)

Edward Norton as Bruce Banner

Edward Norton as Bruce Banner

Step-sibling Cinematical (say that three times fast) is reporting that: "Bruce Banner and his massive green alter ego will be played by Oscar nominee Edward Norton! Best known for his superlative work in movies like Primal Fear, Rounders, American History X and Fight Club (oh, and Death to Smoochy), Norton steps into a role vacated by Bana — and I for one think it’s a really excellent choice on the part of [Louis] Leterrier and his Universal overlords."

ROBERT GREENBERGER: Death be not proud

ROBERT GREENBERGER: Death be not proud

The rule of thumb used to be that the only characters that stayed dead are Uncle Ben, Bucky and Barry Allen.

Some version of Uncle Ben is running around in Friendly Neighborhood Spider-Man; Bucky turns out to have survived and is now the Winter Solider; and if you believe Dan DiDio’s “slip” of the tongue, Barry Allen may be here soon.

It used to be a big deal when a character died. Amazing Spider-Man #121’s cover, as Spidey faced those nearest and dearest to him with a cover blurb promising one was going to die compelled us to buy that month’s issue. It worked, sales spiked, the status quo was different and people were buzzing.

In 1985, I participated in the planning and, ahem, execution of Crisis on Infinite Earths. One of the key housecleaning elements had to be the elimination of both major and minor figures, heroes and villains, civilians and loved ones. The hit list, as seen in the Absolute edition, evolved as editors and management weighed in. Killing the Flash and Supergirl were the shockers while few cared if the Bug-Eyed Bandit survived or not. Still, these deaths were supposed to be permanent changes to the DC Universe, although few of them have remained dead 20 years later.

By the time Superman died in 1992, the freshness had long since worn off as deaths had been faked (Professor X, Foggy Nelson), undone (Jean Grey, Iris Allen), or were too minor to care (I Ching).

Since then, characters have continued to die and come back with stunning regularity. As a result, the death of a major figure has been more of a blip than a major event, making one wonder what it will take to get people really stirred up.

Much has been made of Captain America’s death and I was among those scoffing at the permanence of his condition. Less has been said about the return of their first Captain Marvel, plucked out of the time stream before his death from cancer (as wonderfully told in a Jim Starlin graphic novel), an altogether new kind of cheat.

Marvel isn’t the only company wheeling and dealing with the Grim Reaper.

(more…)

Nancy Drew draws

When you think of famous fictional females and hear "teen sleuth," I’ll bet only one name comes to mind. Well, other than Veronica Mars.

Did you know that Nancy Drew stories are now being published in graphic novel format?  NY-based company Papercutz is serving the teen and tween markets in a big way, and it’s about to get bigger.

Papercutz, whose Nancy Drew #1: The Demon of River Heights won the Benjamin Franklin Award last year from PMA, the Independent Book Publishers Association, also puts out young adult graphic novels featuring those other teen mystery-solvers The Hardy Boys, as well as Zorro and a really adorable-looking "teenage Charlie’s Angels" book called Totally Spies.  But it’s Drew that’s going to draw this summer, as Warner Bros. will be releasing a Nancy Drew movie this June 15 starring Emma Roberts, the star of Nickelodeon’s hit show Unfabulous.  And ICv2 reports that WB will be using the graphic novels to promote the movie.  The GNs will be given out as prizes in on-air radio promotions, and will also be available as the "Gift With Purchase" during the movie’s mall tour in major markets.

Papercutz is also seeking artists to help draw their graphic novels, particularly those "versed in the manga style."  Nancy Drew is currently drawn by Sho (Sei) Murase, a woman of Japanese and Korean descent who grew up in Spain, then moved to Canada and now lives in California — a real multicultural phenom!  She’s also the author of Sei, Death and Legend published by Image Comics and is currently also working on the graphic novel series ME2 for Tokyopop.