Moonstone Books has released their October 2013 solicitations.
Cover Art: Dan Brereton
THE SPIDER: MASTER OF MEN softcover Story: Martin Powell Art: Hannibal King, Pablo Marcos Cover: Dan Brereton 7” x 10”, grayscale, 106pgs, $12.95
Previews Exclusive!
**Includes the never-before-published issue #3, and a brand new illustrated short story!**
The original Spider, the most ruthless and relentless crime fighter of all time, (hated by both the Law and the Underworld) mows down crime in these Moonstone pulp action tales!
This volume also includes reprints “The Spider #1 & #2, “Return of the Monsters: The Spider vs Werewolf”, The Spider XMAS , plus the prose short story “City of the Melting Dead”.
*includes a foreword by Elizabeth Bissette, the great niece of the man who wrote the majority of original Spider tales: Norvell Page!
Cover Art: Uwe Jarling
THE DOMINO LADY: “SEX AS A WEAPON” softcover Story: Nancy Holder, Chuck Dixon, Bobby Nash, and more Edited by: Lori Gentile Interior Art: Ver Curtiss Cover: Uwe Jarling 222pgs, Squarebound, 6” x 9”, $16.95
Previews Exclusive!
New printing of this long sold-out collection!
Stunned and enraged by the murder of her crusading politician father, beautiful socialite Ellen Patrick becomes determined to bring her father’s killers to justice…at any cost. A talented Berkley graduate, she knows that to truly fight the men who killed her father she must break all the rules. Donning a distinctive white dress and a black domino mask, she becomes The Domino Lady, one of the sexiest –and most elusive—crime fighters of all time.
Guest-starring: SHERLOCK HOLMES, THE BLACK BAT , & AIRBOY!
Nine all-new tales of one of the world’s first female masked crime fighters, by Nancy Holder, Chuck Dixon, CJ Henderson, Martin Powell, Ron Fortier, James Chambers, Bobby Nash, Gail McAbee. Introduction: Mystery Writers of America Raven Award winner Joan Hansen!
New Pulp Author, Martin Powell shared the news of a team up he’s writing featuring pulp heroes The Spider and Operator 5.
“Well, I thought I was done with THE SPIDER,” Powell said. “Until I was approached a few days ago to write a historic first-time-ever team-up prose novella of THE SPIDER with OPERATOR 5. This will be featured in Moonstone’s upcoming OPERATOR 5 anthology, along with other thrill-a-second adventures from some of the finest pulp authors today. I’m dedicating my tale to the memory of the late Howard Hopkins, a great friend and brilliant writer, who surely would have been included in this volume. This one is for you, pal.”
Moonstone Books’ Return of the Monsters titles are available in better comic shops everywhere today. If for some reason your local comic shop doesn’t have them on hand, they can still order them through Diamond or you can order direct through http://www.moonstonebooks.com/ or wherever you buy your favorite comic books on-line.
Titles include Domino Lady vs. The Mummy, Black Bat vs. Dracula, and The Spider vs. Werewolf.
Domino Lady vs. The Mummy
The Egyptian sorceress Nephthys has promised to build her mummified mistress the perfect mate. Together, they cut a bloody swath across 1930’s Hollywood in search of the last few perfect bodies to harvest to complete the process. The last thing Nepthys or the mummy expected to run across was The Domino Lady, a perfect body that fights back.
For the first time in history three eras collide in one place as Pulp Fiction’s newest heroine, Death Angel joins forces with Pulp’s enduring vigilante The Black Bat to battle the eternal face of horror, Dracula. Mike (The Phantom) Bullock and rising star Eric Johns bring this spine-tingling tale of darkness, lust and fear to you, wrapped in a visceral cover crafted by horror comic legend Dan Brereton.
A seething, ferocious nightmare from the Spider’s dark past invades New York City, preying upon the innocent and the helpless. Mutilated victims are strewn in the blood-slick streets, and once normal men have become murderous monsters. The Master of Men must face the deadly demons alone. Not even his beloved Nita Van Sloan can be trusted when everyone—including the Spider himself—may not be what they seem.
Moonstone Books Return of the Monsters titles will be available in comic shops on November 9th. Titles include Domino Lady vs. The Mummy, Black Bat vs. Dracula, and The Spider vs. Werewolf.
Domino Lady vs. The Mummy The Egyptian sorceress Nephthys has promised to build her mummified mistress the perfect mate. Together, they cut a bloody swath across 1930’s Hollywood in search of the last few perfect bodies to harvest to complete the process. The last thing Nepthys or the mummy expected to run across was The Domino Lady, a perfect body that fights back.
Story: Nancy Holder, Bobby Nash Art: Rock Baker, Jeff Austin Cover: Dan Brereton 40 pages, grayscale, $3.99
Black Bat vs. Dracula For the first time in history three eras collide in one place as Pulp Fiction’s newest heroine, Death Angel joins forces with Pulp’s enduring vigilante The Black Bat to battle the eternal face of horror, Dracula. Mike (The Phantom) Bullock and rising star Eric Johns bring this spine-tingling tale of darkness, lust and fear to you, wrapped in a visceral cover crafted by horror comic legend Dan Brereton.
Story: Mike Bullock Art: Eric Johns Cover: Dan Brereton 40 pages, grayscale, $3.99
The Spider vs. Werewolf. A seething, ferocious nightmare from the Spider’s dark past invades New York City, preying upon the innocent and the helpless. Mutilated victims are strewn in the blood-slick streets, and once normal men have become murderous monsters. The Master of Men must face the deadly demons alone. Not even his beloved Nita Van Sloan can be trusted when everyone—including the Spider himself—may not be what they seem.
Story: Martin Powell Art: Jay Piscopo Cover: Dan Brereton 40 pages, grayscale, $3.99
This Halloween, Moonstone heads back to their monstrous roots with the Return of the Monsters Event. Return of the Monsters features four stand-alone tales of pulp’s mightiest heroes facing off against some classic monsters. One of those titles is The Black Bat vs. Dracula by Mike Bullock and Eric Johns. All Pulp sat down with the artist to talk about this upcoming book.
All Pulp: Tell us a little about yourself and your pulp interests.
Eric Johns: I’m just a regular guy, who spent far too much time studying the way the world works and the best way to record it. After unlocking some esoteric doors, I found my path as a Comic book artist. There are no limits to this format, all stories are possible, no production restraints, no boundaries like other mediums have.
Art: Eric Johns
Having owned a comic book store, I’ve read all kinds of Pulp: John Carter, The Shadow, Tarzan, Conan, and Doc Savage to name a few off the top of my head. These guys trailblazed the way for the comic book heroes we know today. Pulps, directly or indirectly, influence nearly all creators in the comic field.
AP: You’re providing pencils and inks for the Return of the Monsters Halloween event book, The Black Bat vs. Dracula. What can we expect from this titanic throw down?
EJ: Expect a captivating thrill ride, with a harrowing glimpse into Death Angel’s soul, as penned by the masterful Mike Bullock.
AP: The Black Bat vs. Dracula has a pulp hero battling a classic monster, a combination that even though done in some regards hasn’t ever really been done the way Moonstone is doing it with the Return of the Monster event. What do these genres have in common and how do they differ in ways that complement each other?
Art: Eric Johns
EJ: Well both deal with the dark side. They both wield weird, often powerful abilities that make brawls and action sequences far above the realm of knuckles and the 40 inch vertical leap of mere humans. The Heroes of Pulp fit nicely in opposition to the evil Monsters, completing the chess pieces necessary for battle. A battle between beings that can actually go toe to toe, or claw in some cases.
AP: The Return of the Monsters Halloween event brings back several classic monster archetypes to Moonstone’s lineup. How does this version of Dracula compare and contrast to previous versions of the character?
Return of the Monsters Cover Art: Dan Brereton
EJ: Well he compares in power and weaknesses, and is shadowed comfortably in the darkness, like previous incarnations. Mike Bullock’s version deviates only slightly from the classic, he hides in plain sight at the beginning. Oh, maybe I shouldn’t have said that. (laughs.) He has long hair, but otherwise it’s our beloved Drac.
Art: Eric Johns
AP: What appeals to you about pulp heroes battling classic monsters? What was it that excited you about visually pitting the Black Bat against the lord of the vampires?
EJ: Are you kidding me? Anytime you get to draw one of the classic monsters, it’s an opportunity not to be wasted.
AP: What, if any, existing pulp, monster, or comic book characters would you like to try your hand at drawing?
EJ: The Shadow, any of the Monsters, and Daredevil or Batman. My art style is probably better suited to Superman or Captain America, however, and I love both of those characters as well.
Art: Eric Johns
AP: What does Eric Johns do when he’s not drawing?
EJ: I’m a strange mixture of nerd and athlete. Athnerd or dorklete. I play basketball and Magic the Gathering, and love my comics.
AP: Where can readers find learn more about you and your work?
AP: Any upcoming projects you would like to mention?
EJ: I’m illustrating “SGT. Janus: Spirit Breaker,” it’s prose style Pulp fiction. I could give accolades to this book and it’s writer, Gentleman Jim Beard, but it’s better to just relate what I told Jim. There is a fairy tale that he created, pure Jim Beard, but it resonated with me and my mind kept telling me, “I remember that story,” as I read it for the first time. That is profound writing!
AP: Thanks, Eric.
The Black Bat vs. Dracula is solicited in August Previews for an October in store release.
This Halloween, Moonstone heads back to their monstrous roots with the Return of the Monsters Event. Return of the Monsters features four stand-alone tales of pulp’s mightiest heroes facing off against some classic monsters. One of those titles is Domino Lady vs. the Mummy by co-writers Nancy Holder and Bobby Nash with art by Rock Baker and Jeff Austin. All Pulp sat down with artist Jeff Austin to talk about this upcoming book.
All Pulp: Tell us a little about yourself and your pulp interests.
Art: Rock Baker & Jeff Austin
Rock Baker: Well, I’ve always been very heavy into classic monster movies, period adventure stories, and I’m a cheescake cartoonist by trade, so you can imagine how much of a dream something like Domino Lady vs. The Mummy sounded when the assignment was offered to me. I didn’t enjoy it as much as I should have, though, because I was forced to draw everything very small in order to accommodate my rather shrimpy scanner. That matter aside, though, it was a real treat to work with a pulp character in a monster story.
AP: You’re providing pencils for the Return of the Monsters Halloween event book, Domino Lady Vs. The Mummy. What can we expect from this titanic throw down?
Art: Rock Baker
RB: A lot of creepy atmosphere. The pages are dripping with shadows. There’s a vibe of unearthly violence that creeps into high society and makes even the most well-lit locale look sinister. There’s also a pretty big event in the lives of these characters that fans will be excited to see! I also want to take a second and note that the key to making all this work is that I have Jeff Austin doing the inks. He has to be the best inker in the business, and I’m blessed to have him as a partner on this book!
AP: Domino Lady Vs. The Mummy has a pulp hero battling a classic monster, a combination that even though done in some regards hasn’t ever really been done the way Moonstone is doing it with the Return of the Monster event. What do these genres have in common and how do they differ in ways that complement each other?
Art: Rock Baker & Jeff Austin
RB: Well, both genres work within a world that looks a lot like ours, but plays by slightly different rules. Pulp heroes tend to take beatings that would kill them in real life, but they shrug it off pretty quick on paper. Likewise, monsters tend to be fancifully indestructible in their worlds. Touches of the supernatural often surface in hard-boiled detective literature. Tossing a monster into the mix is the same logic taken to its extreme. One has to be careful, though, to keep it from being TOO radical an addition. Crime fiction has a locked down set of rules concerning how people live, die, talk, whatever, while horror fare throws any such pretense out the window.
Art: Rock Baker
AP: The Return of the Monsters Halloween event brings back several classic monster archetypes to Moonstone’s lineup. How does this version of the Mummy compare and contrast to previous versions of the character?
RB: Most obviously, this one is female, where most classic mummies are male. More importantly, she’s smart. Most mummies in stories like this function as classic zombies, they shamble around and do the bidding of another. They’re usually the foot soldier of a high priest. This mummy, on the other hand, is the brains of the operation. That’s a fairly fresh take when one considers the more famous Lon Chaney-type mummies we’ve seen. (To be fair, Karloff’s Im-ho-tep was such a creature, but again he was male.)
AP: What appeals to you about pulp heroes battling classic monsters? What was it that excited you about visually pitting the Domino Lady against a mummy?
Art: Rock Baker & Jeff Austin
RB: It mixes together so many things that fire the imagination, and its nice to see imaginative storytelling isn’t something we grow out of. What can be better than two-fisted adventure and a monster on the side? Drawing a female mummy was a nice challenge. I wanted to make her a powerful monster, as she is in the script, yet I also wanted her to not be too monstrous. In her time, I’m sure this woman was a very beautiful girl. That became my hook. She’s got a nice figure, loaded down with jewelry, has plenty of poise and grace one might expect from Egyptian royalty. Mostly, she’s aged around the eyes, where her supernatural power is focused. Between her supernatural ways and the embalming procedures developed by the ancient Egyptians, she should retain an echo of her former beauty.
AP: What, if any, existing pulp, monster, or comic book characters would you like to try your hand at drawing?
Return of the Monsters Covers By Dan Brereton
RB: Interesting question. Sheena or one of the many similar jungle girl characters would be ideal, as I could combine cheesecake art with lush natural backgrounds. I’ve always been a fan of werewolf movies, so I might enjoy drawing a werewolf tale, provided I could actually draw a Wolf Man-type creature and not one of those more modern werewolves that look like bears and don’t wear clothing.
Art: Rock Baker
AP: What does Rock Baker do when he’s not drawing?
RB: He watches a lot of movies. Motion pictures have always been my main area of interest. My library currently contains 1900+ titles that I’ve collected or taped from television. I encourage people to donate their VHS tapes to me rather than just throw them out, which would be a waste. I once wrote and edited a monster magazine, among other things involving genre films.
AP: Where can readers learn more about you and your work?
RB: My blog can be found here: http://rock-baker.blogspot.com/ (I should be posting a lot of artwork there in addition to movie reviews.) I can also be found on Facebook: http://www.facebook.com/bakercartoons
AP: Any upcoming projects you would like to mention?
RB: It’s hard to keep track sometimes. I try to get an assignment finished as quickly as possible and move onto the next thing on the list. I sometimes forget what I’ve drawn until it suddenly comes out a few months later! This Moonstone project is one of the big ones, for sure, and I’m looking forward to seeing it in print! I’m also pretty happy about the continuing adventures of my own character Dinosaur Girl, in the pages of AC Comics!
AP: Thanks, Rock.
RB: Thank you very much! It has been an honor!
Domino Lady vs. the Mummy is solicited in August Previews for an October in store release.
This Halloween, Moonstone heads back to their monstrous roots with the Return of the Monsters Event. Return of the Monsters features four stand-alone tales of pulp’s mightiest heroes facing off against some classic monsters. One of those titles is Domino Lady vs. the Mummy by co-writers Nancy Holder and Bobby Nash with art by Rock Baker and Jeff Austin. All Pulp sat down with artist Jeff Austin to talk about this upcoming book.
All Pulp: Tell us a little about yourself and your pulp interests.
Jeff Austin: Well, I’m a freelance artist who spends a lot of time inking-embellishing others. My pulp connections come largely from my book collection, which contains many anthologies comprised of pulp stories.
Art: Rock Baker & Jeff Austin
AP: You’re providing inks and tones for the Return of the Monsters Halloween event book, Domino Lady vs. The Mummy. What can we expect from this titanic throw down?
JA: Guns, mummies, a strong female character and guys in trench coats.
AP: Domino Lady vs. The Mummy has a pulp hero battling a classic monster, a combination that even though done in some regards hasn’t ever really been done the way Moonstone is doing it with the Return of the Monster event. What do these genres have in common and how do they differ in ways that complement each other?
JA: I’m sure many pulp readers back in the day wished for a merging of story elements…an action character with a dash of supernatural overtones [think Doc Savage meets Weird Tales]. Moonstone is allowing readers to finally see it on paper.
AP: The Return of the Monsters Halloween event brings back several classic monster archetypes to Moonstone’s lineup. How does this version of the Mummy compare and contrast to previous versions of the character?
Art: Rock Baker & Jeff Austin
JA: Imagine an ancient Egyptian pinup queen…the Betty Page of her time…resurrected from the dead to win over the hearts of modern man… well, maybe not… it’s a female, anyway…
Art: Rock Baker & Jeff Austin
AP: What appeals to you about pulp heroes battling classic monsters? What was it that excited you about visually pitting the Domino Lady against a mummy?
JA: Good looking woman battles undead ancient woman…. it’s a study in texture and tone. Smooth-sexy versus crusty-dusty.
AP: What, if any, existing pulp, monster, or comic book characters would you like to try your hand at drawing?
JA: My dream assignment would be to work on an Addams Family comic. That’s close, isn’t it?
Art: Rock Baker & Jeff Austin
AP: What does Jeff Austin do when he’s not drawing?
JA: Watching movies, sleeping or thinking about different ways to draw.
AP: Where can readers find learn more about you and your work?
AP: Any upcoming projects you would like to mention?
JA: Well, there’s always FemForce…I’m slowly planning out some solo projects…. I do various things for Main Publishing…. Still need to finish up inking a Lance Star story over the talented Rock Baker [same penciler on this Moonstone book]… and about half a dozen other ink assignments crying for my attention…. crying….. begging……
AP: Thanks, Jeff.
JA: My pleasure. Now go away… I got pages to ink….
Domino Lady vs. the Mummy is solicited in August Previews for an October in store release.
This Halloween, Moonstone heads back to their monstrous roots with the Return of the Monsters Event. Return of the Monsters features four stand-alone tales of pulp’s mightiest heroes facing off against some classic monsters. One of those titles is The Black Bat vs. Dracula by Mike Bullock and Eric Johns. All Pulp sat down with the writer about this upcoming book.
All Pulp: Hi, Mike. Tell us a little about yourself and your pulp interests.
Mike Bullock: Well, I’m a guy who loves escapist fiction. Mostly the kind that goes on inside my head. I don’t have much time anymore to spend reading great books or watching thrilling movies, so that love burrows deep into my mind and sinks its fangs into the wellspring of imagination constantly flowing through my thoughts.
My pulp interests began with sword and sorcery stuff, then sci fi and space opera stuff. I was never much into the hard-boiled detective type stuff and somehow missed the boat on Doc Savage, but I love Conan, John Carter, Flash Gordon and the more fantastical stuff like Captain Future, Gladiator and the like.
Oh, and, I love pizza.
Art: Eric Johns
AP: Your story for the Return of the Monsters Halloween event is called The Black Bat vs. Dracula. What can we expect from this titanic throw down?
MB: It’s a game of cat and mouse and cat as Death Angel investigates a serial killing only to discover the killer is after her next and he doesn’t want to kill her, but to make her his eternal lover. A fateful game of huntsmanship through the historic Phaidor hotel, brought to life by the zealous pencils and pens of Eric Johns.
AP: The Black Bat vs. Dracula has a pulp hero battling a classic monster, a combination that even though done in some regards hasn’t ever really been done the way Moonstone is doing it with the Return of the Monster event. What do these genres have in common and how do they differ in ways that complement each other?
MB: I’m sure everyone has their own view of how to answer that, but since you’re asking me, here’s mine: Both pulp and the classic monster tales use some really imaginative characters that are far outside the ordinary and place them into situations that force the ordinary to become extraordinary. Frankenstein, Dracula, werewolves, mummies and zombies all seem to come from the same wellspring I mentioned above, and so do characters like Black Bat, Phantom Detective, Domino Lady, Spider and Death Angel.
I also think both “genres” (I use that word very, very loosely) appeal to a similar audience, people looking for escapism with a solid sense of right and wrong, the heroic and villainous. There aren’t many shades of grey in either, although characters on both sides of the table do have both human and monstrous sides to their personas. AP: The Black Bat vs. Dracula also features your creation, Death Angel. How does this modern day creation hold her own against these two classic characters?
Art: Eric Johns
MB: I think that’s up to the readers to decide. I’d have to be pretty egotistical to think a character I came up with just a few years ago could compare to the likes of Dracula and Black Bat. Those are two creations that have stood the test of time for a very long time and will continue to do so. I can only hope ‘Angel is still remembered when she’s been around as long as those two heavyweights. Honestly, I’m just tickled that people seem to dig her as much as they do.
AP: The Return of the Monsters Halloween event brings back several classic monster archetypes to Moonstone’s lineup. How does this version of Dracula compare and contrast to previous versions of the character?
MB: I haven’t seen all the previous versions, but my take on the Prince of Darkness is fairly ‘classic’ I think. He’s young in appearance, charismatic, self assured, powerful and someone who is very used to getting his way. Until this story, Death Angel had never met her equal in a fight and it’s made her a bit overconfident. After this encounter, if she survives, that confidence will be shaken to the core.
AP: What appeals to you about pulp heroes battling classic monsters? What was it that excited you about pitting the Black Bat against the lord of the vampires?
MB: For me, it was a classic “Battle to Rule The Night” scenario. Black Bat, Death Angel and Dracula all exist in the shadows, stalking their prey through the darkness, using fear as a weapon. But, while their methods are all very similar, their motives and desired goals are definitely not. Black Bat wants justice, Death Angel wants revenge and Dracula wants blood. Aim those three at the same crossroads and get ready for the “big one”.
AP: You’ve been spearheading the Black Bat’s comic book adventures for Moonstone. What’s ahead for the book and character?
MB: At some point the second Black Bat graphic novel will come out, concluding the “Black Death” story begun in the first graphic novel. I also have a Black Bat/Spider crossover tale coming in the Spider prose anthology. After that, I think the majority of new Black Bat tales will come in prose form. I’d like to start building him ground up in a series of prose tales, but we’ll have to wait and see what the future holds.
Art: Eric Johns
AP: What, if any, existing pulp, monster, or comic book characters would you like to try your hand at writing?
MB: Pulp – Conan, John Carter. Monster, more Dracula and possibly some Frankenstein. I wrote a Frankenstein tale years ago I might dust off, polish up and release in eBook format sometime. For comics, I’d love to write Moon Knight, Firestorm and Captain “Shazam” Marvel, and to a minor extent would love to do some Silver Surfer and eventually Batman.
AP: What does Mike Bullock do when he’s not writing?
MB: Spend entirely too much time on the phone discussing writing with clients, publishers, artists and friends. When not doing that, I love to spend time with my beautiful wife and awesome son.
Cover Art: Dan Brereton
AP: Where can readers learn more about you and your work?
MB; Read the tea leaves. They know everything. If not, roll the bones; the runes never lie. But, if you don’t have access to tea leaves and rune stones, you can check out my studios’ website at www.runemasterstudios.com and the sister site www.pulp.runemasterstudios.com/
AP: Any upcoming projects you would like to mention?
MB: Anyone out there who is into sword and sorcery should stay tuned for my first prose novel, coming from Airship 27 early next year, “The Runemaster.” It’s a Viking epic in the vein of Conan, Braveheart and Beowulf. After that, check out my second novel, coming from Pro Se entitled “Janus: Guardian of Worlds.” Janus exists in the late 1930s where he finds himself as the lone guardian between our world and an infinite number of others inhabited by all sorts of nasty creatures, unimaginable evil and supernatural forces all hell-bent on the destruction of everything we know. And you thought the Nazis were the only thing to worry about back then…
AP: Thanks, Mike.
MB: You’re welcome. Thanks for the interview and thanks for everything All Pulp does for those of us with an addiction to fiction.
The Black Bat vs. Dracula is solicited in August Previews for an October in store release.
This is pretty much the contest that defines the term "revamp," folks. Harris Comics and the Project: Rooftop crew are looking for aspiring artists to redesign the buxom bombshell Vampirella and win a variety of prizes provided by the Vampirella publisher. Vampirella is celebrating her 40th anniversary next year (not bad for a 40-something, eh?) and interested artists can win the following:
Grand Prize (1) –
The winning entry will appear as a pinup in a future issue of Vampirella, and receive two comics signed respectively by Joe Jusko and Dan Brereton.
Second Prize (1) –
A Vampirella wall poster illustrated by Jose Gonzalez, and receive two comics signed respectively by Joe Jusko and Dan Brereton.
Third Prize (1) –
A Vampirella T-shirt illustrated by Stephen Segovia, and receive two comics signed respectively by Joe Jusko and Dan Brereton.
In addition to these prizes, the finalists selected by the judges will also be up on a fan poll at Vampirella.com for the "Fan Selection" prize of a limited edition Vampirella print.
The judges for the contest are a trio of notable Vampirella names, including original Vampirella costume designer Trina Robbins, frequent series artist Joe Jusko and upcoming Vampirella Quarterly artist Dan Brereton.Send in your submissions to projectrooftop@gmail.com, with the subject line: "ReVamp" — and keep your fingers crossed.
A heads-up, folks, that tonight at 10 PM Eastern, the TV series NUM3ERs will present its "Graphic episode," much of which takes place at a fictional comics convention featuring lots of work by very real creators, like Colleen Doran, Dan Brereton and Tony Fleecs, among many others. Wil Wheaton, who guest stars on this episode as fictional comics superstar Miles Sklar, has a Flickr stream of photos from the set, and promises a post on the experience at TV Squad sometime this afternoon.
Am I the only one who looks at the show’s title and mentally pronounces it "num-three-ers"? Just checking.
This is pretty much the contest that defines the term "revamp," folks. Harris Comics and the Project: Rooftop crew are looking for aspiring artists to 
A heads-up, folks, that tonight at 10 PM Eastern, the TV series NUM3ERs will present its "Graphic episode," much of which takes place at a fictional comics convention featuring lots of work by very real creators, like 
