Tagged: Comic Book Convention

Women Spotted at Comics Convention

Women Spotted at Comics Convention

Comics Links

Comic Book Resources investigates the existence of women – often attractive women, some of whom actually read comics – at comics conventions. Astonishing! (Illustration: one of those elusive “real women.”)

A long 1977 New York Times article about Harvey Kurtzman and Mad magazine has been posted by Mike Lynch. [via Mark Evanier, who had some comments on it]

The Times (of London) checks in with Cam Kennedy and lan Grant about their in-the-works graphic novel adaptation of Robert Louis Stevenson’s The Strange Case of Dr. Jekyll & Mr. Hyde.

Mark Trail likes squirrels. [via the Comics Curmudgeon]

Kleefeld on Comics posts scans from the mid-70s Mighty Marvel Comics Strength and Fitness Book. [via everyone else blogging about comics, basically]

Comics Reviews

Bookgasm reviews the second trade paperback collecting the DC series 52.

Richard of Forbidden Planet International reviews The Other Side.

Eddie Campbell reviews Robert C. Harvey’s biography of Milton Caniff.

Dana of Comics Fodder reviews this week’s Marvel comics.

Greg Burgas of Comics Should Be Good does that one better – reviewing a pile of this week’s comics regardless of their publisher.

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Doing it for themselves at ECBACC

Doing it for themselves at ECBACC

Ask and ye shall receive.  No sooner did I muse about female representation at the East Coast Black Age of Comics Convention than Mikhaela Reid comes through once again and reports on the ECBACC panel entitled "Having Our Say: Black Women Discuss Imagery"!  Do click on the link, it has lots more photos and promises a more in-depth look at the "Having Our Say" panel in Part 3 of her report.

ECBACC Reviews

ECBACC Reviews

As promised here on ComicMix, cartoonist Mikhaela Reid has served up a terrific photo-review of this past weekend’s East Coast Black Age of Comics Convention on her blog, which has been justifiably linked to from lots of comics news sites.  And here’s her Flickr page for even more.  We like this one of Reid’s fiance Makesha Wood and ComicMix friend Kyle Baker:

In addition, Ormes Society founder Cheryl Lynn’s review of ECBACC is up now at PW, and includes news of 2008 plans:

"Convention organizer Maurice Waters is already planning for next year’s ECBACC, which may move to a larger venue to accommodate the rising number of attendees. Waters is also considering launching a West Coast Black Age of Comics Convention. However, next year’s East Coast Black Age of Comics Convention will remain in the heart of Philadelphia."

Cheryl also talks about the Kids’ Corner section of the convention, which sounds like it was terrific, but has nothing about female representation there.  Surely she wasn’t the only sister?  Then again, as she recently noted in her blog, "Are there any women of color attending the Women of Comics II event?"

MICHAEL DAVIS: What’s your problem?

MICHAEL DAVIS: What’s your problem?

For the past few years I have hosted a panel at various conventions called The Black Panel. Before that, every so often I used to be a part of a Blacks in Comics panel.

I started the Black Panel to try and avoid all the “Marvel and DC are racist” dialogue that seemed to be the theme of some of the “Blacks in Comics” panels.

As you can see from the stunning photo that accompanies this column, I am a black man. I am a black man but I do not speak for all black people. Nor do I expect any other black person to speak for me. My views are my views and I am solely responsible for what I say. To that end I have a question to ask some of my fellow black creators:

What’s your problem?

I am very proud to be a black man and I hope by my work I have done my race proud. But here’s what I try not to do. I try not to diminish by words or actions anything that other black creators are trying to do. In other words I don’t talk bad about other black projects regardless of if I think their projects are any good or not. I am proud and glad that other black creators are doing some great work in this field. But they are responsible for what they do, not me.

That said, I have been hearing quite a bit of rumblings about my Black Panel. The complaint I hear the most is that my panel is exclusive. Some black creators have been complaining about not being represented. Well, yes it is exclusive. I put the panel together; I bring it to the con. I am responsible.

Here’s a reality check. If I don’t know you (or your work) how am I to include you? And frankly why should I? Should I include you just because you are black? Just because I drive a sports car, should I be able to race in the Indy 500?

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Familiar Faces?

Familiar Faces?

It’s indicative of how the Comics Convention (Now with 50% More Media Tie-Ins!) has developed into some sort of über-monster when the promotions for the convention feature supposedly familiar faces and the average years-long con-goer can only recognize one:

Let’s hope bigger does mean better in this instance. Some of us would settle for simply being able to get past registration and into the exhibition hall.