Tagged: Charlton Comics

Ed Catto and The Charlton Comics Documentary!

I’ve been writing about several of the impressive Geek Culture entrepreneurs I met at this year’s New York Comic-Con, but the real-life Gotham City certainly doesn’t have a monopoly on these passionate creators who are making it happen.

The Buffalo Comic-Con is run by Emil Novak and his team. They’re also the folks behind Buffalo’s long-lived comic shop, Queen City Bookstore. It’s a great shop full of treasures, staffed by people who love both comics and customer service.

I was invited to be a panelist at their convention a few weeks back. As we were wrapping up our panel, the next folks were setting up and I realized that was the panel I wanted to see. Keith Larsen and Jackie Zbuska are creative entrepreneurs and they are passionate about their Charlton Comics documentary.

Ed Catto:  This project seems like a lot of fun! How’d it all start?

Keith Larsen & Jackie Zbuska: So what’s our origin story? It’s not spectacular, or even exciting. Tired feet and washing dishes. We were at the 2014 ComiCONN in Bridgeport, CT. It was an awesome venue with lots to do, but after a few hours, we really needed a break off. Keith noticed a ticker ribbon message advertising a panel featuring Denny O’Neil, Bob Layton, and Paul Kupperberg. Perfect! Comic book legends and our excuse to sit!

We snuck into the panel room as Paul took the stage and announced the panel topic: Charlton Comics! Huh…what? Charlton? Didn’t they go away like, 30 years ago? “And, what the heck is a Charlton? One of those candies you put in the freezer…?”

What about Batman, Denny? What about Iron Man, Bob? Why did you kill Archie, Paul? Charlton?!?!? But, what the heck, we’re nerds who like comics, and the room is pretty packed, so let’s give it 10 minutes and then get back to walking the floor. The whole panel included Paul Kupperberg, Bob Layton, Denny O’Neil, Jose Luis Garcia-Lopez and Frank McLaughlin. After maybe two minutes, we moved from the back of the room to the second row. By the end of the hour, we were hooked. These guys had some hilarious stories!

Cut to the next morning: Keith is doing dishes thinking about the Charlton panel… wait a minute!!!! Why not do a documentary about Charlton! Keith called Jackie with the idea. To get things going, Keith would call Mitch Hallock, who produces TerrifiCon. Mitch knew some of the guys from Charlton, so maybe he could help us track them down! Jackie’s response: “Nope, I’ll be there in 20 minutes. We’re driving back down to the con and cold pitching these guys.” The guys obviously said ‘Yes’ to the pitched idea. Since then, we’ve expanded the team, done more interviews, and have been hitting the books to crack the whole saga wide open.

EC:  Now, can you remind me how Charlton as a company started?

KL & JZ: The Comics division began only out of the necessity to save money. The Charlton factory was an all-in-one publishing establishment that made their money off Music magazines – like Hit Parader – and crossword puzzle books. They found that it was more cost effective to run the printing presses overnight – and thus Charlton Comics was born!

Oh yeah, and apparently, the idea of Charlton proper was hatched from two guys who met in jail. Weird, right?!?

EC:  Did you have a love of Charlton before undertaking this project?

KL & JZ: HAHA. NoooooNoNoNo. As we mentioned above Jackie had never heard of it and Keith has a slight recognition once he saw the bullseye logo, but that’s about as familiar as we got. We take our fair share of social media trolling for it, but as far as we are concerned we see it as a good thing. Approaching the project as filmmakers first and comic book fans second, gives us a fresh and unique perspective on the story. Had we been big Charlton fans, we may have told the tale with a bias or fan perspective. Not knowing anything about it lets us take a clean and honest approach to making the movie.

EC:  I’m excited to hear about some of the fans you’ve met along the way. What is the typical Charlton fan like? What are the atypical Charlton fans like?

KL & JZ: Funny enough, the die-hards we encounter are punk rockers from the hey-days of CBGBs. Our one atypical fan is truly unique. He’s a Generation Z 16-year old who’s got a substantial Charlton collection. He’s also a student of the silver age of comics in general. We’d say that his knowledge of the genre rivals that of any adult comic book historian we’ve spoken to. We interviewed him for the movie and we talk to him regularly as he finds Charlton gems at flea markets, tag sales and conventions all over the Northeast.

EC:  It seems like you have been making the rounds on the comic-con circuit. What’s that been like?

KL & JZ: We’re always surprised to meet new Charlton fans at every one of the stops we make. It’s a unique community of people and happy that our project is exciting to them. It charges us up to know that people are finding out about this movie and supporting us. It’s very flattering that true Charlton fans are trusting us to handle telling this story about something that they cherish so much.

EC:  Several Professionals have a spot in their hearts for Charlton. Who carries the torch for Charlton these days?

KL & JZ: Well, a super-fan named Fester Faceplant started a Facebook fan page and set up an online Charlton reading library of digitized Charlton books for fans to read. From there, it ballooned into a full-blown revival in the form of Charlton Neo Media spearheaded by Paul Kupperberg, Mort Todd, Roger McKenzie, Joe Staton and Nick Cuti amongst others. They’re first retail issue of “Charlton Arrow Vol 2” hit stands in October 4th of this year!

EC:   I’m sure you’ve learned some surprises in your research. What can you share with us now?

KL & JZ: Hmmm, if we tell you, then we’d have to kill you! Hahahaha.

What we can share is that most of the lore of Charlton that exists online is far from the truth. It really lends an extra cutting edge to what our movie will show – the real story behind Charlton Comics – and trust us, life is stranger than fiction.

EC:   After all this – What was your favorite Charlton Comic originally and what’s your favorite one now?

Keith Larsen: My first taste of some “real” Charlton was from a coveted gift I received from our new pal Joe Staton the day we interviewed him for the movie. He gave me a collected edition of E-Man published by First Comics. That was my favorite until I was able to read every Question back-up story in Blue Beetle comics from a digital collection we purchased on eBay. But Joe’s book is still awesome!

Jackie Zbuska: I instantly gravitated toward their expansive collection of horror titles, which despite the Comics Code, are subversively graphic. I have a soft spot for Gorgo stories, but my true favorite is John Byrne’s Rog-2000. He was in backup stories in some of the E-Man comics.

EC:  What’s the timing of the project and how can fans help?

KL & JZ: Honestly, we were hoping for the project to be finished by the end of 2017, but funding dictates how fast we can work. We had financial help via crowd funding, but the money has run out. Unfortunately, with something as unheard of as Charlton Comics with as niche a fan base as it has, it hasn’t allowed us the ability to break into the sphere of pop culture awareness. So, in the case of crowd-funding, our reach has been limited to the marketplace of serious comic book fans or collectors. We’re hoping that our future efforts for raising funds will make strides into appealing to that larger audience potential. Any ideas are welcomed!

You can contribute via our website, www.CharltonMovie.com

EC: Which Charlton comic series is cooler, Judo Master or Gorgo?

Keith Larsen: Judo Master!
Jackie Zbuska: Keith’s wrong, it’s totally Gorgo!

For more information, check out their site at : http://www.charltonmovie.com/ or their panel at the Rhode Island Comic-Con on Friday, November 10, 2017.

Ed Catto: Paul Kupperberg Looks Up Into the Sky!

Supergirl Covers

I have a friend who loved opera and music growing up, and now she sings in the chorus for the Metropolitan Opera. There’s something energizing when you witness someone leverage their passion and turn it into a wonderful and fulfilling career.

And my friend, comic writer Paul Kupperberg, is exactly that kind of person.

PK-SA SGirl NYCCAs a kid back in 1976, Paul was buying comics at My Friend’s Bookstore in Flatbush, Brooklyn. “My ideal book store,” Kupperberg explained. “Carts out front, loaded with cheap books. The counter on the right had all the Golden Age issues. Superman #1 was $100. They used the Howard Rogofsky price list. Behind the counter there were boxes on the shelves. A magical place – we’d go on weekends. We would even work there.”

Even though Superman was his favorite, Kupperberg has had a long experience with the character, Supergirl. “I didn’t come to the Supergirl strip until the sixties,” he said. Supergirl was “one of the first characters I collected.” These adventures were unique as they employed an internal continuity. Certainly more than other DC series at that time. “It was a very different strip for that era,” said Kupperberg.

But by the late 70s and early 80s Kupperberg had the opportunity to contribute professionally to Supergirl’s mythology. “I did stuff for Superman Family. It was an oversized book. I was writing Jimmy Olsen. Marty Pasko was doing Supergirl. He left and I picked it up. Win Mortimer was drawing it – about a year’s worth,” said Kupperberg.

“Then she got her own title. A big deal.”

Kupperberg finally got his chance to fly with Supergirl. Supergirl debuted in her new comic – The Daring New Adventures of Supergirl in late 1984.

UnusualTales1“Julie Schwartz was the editor,” Kupperberg recalled. “and Julie was famous for reinventing characters. Supergirl was, at that point, a soap opera star in New York City. I had a problem with a grown woman as Supergirl. We wanted to push it back, so we sent her back to college. We didn’t say if she was an undergrad or a graduate student. In those days, hard reboots didn’t exist. The idea of totally changing a character didn’t exist. You could bring them back and reinvent them.”

Kupperberg wrote the series for almost two years, until it ended with issue #23.

Due to slow sales, this Supergirl series was cancelled, along with Superboy. But there were plans to combine Supergirl and Superboy into a single, oversized, 40-page comic called DC Double Comics. The two characters would rotate as lead feature and back-up feature.

Plans called for Kupperberg to write the stories. Carmine Infantino and Klaus Janson would provide art for Superboy. The revised premise would showcase Superboy’s intergalactic adventures with the Galaxians. “They were like the Legion of Super-Heroes but in the present day,” explained Kupperberg.

Supergirl fans would have enjoyed a real treat. The brilliant Eduardo Barreto was assigned as penciller on this strip. Bob Oskner was to be the inker. The first issue was penciled and lettered.

“Life had caught up with Supergirl,” said Kupperberg. The premise was that she was going to visit her parents on New Krypton, and have adventures on the new planet recently established from the restoration of the the bottled city of Kandor.

SecRom_2Unfortunately, as DC developed the Crisis on Infinite Earths, a company-wide reboot of DC mythology, these two characters were written out of continuity. Plans for DC Double Comics were scrapped.

In the DC mythology, the Supergirl of Earth-2, that alternate earth where the Golden Age heroes still thrived, was called Power Girl. Originally created as a Wally Wood heroine appropriate for all ages.

After the Crisis on Infinite Earths streamlined the continuity, “they wanted to keep her around,” said Kupperberg. Gerry Conway and Bob Greenberger rejiggered her backstory in an issue of Secret Origins where she became the

granddaughter of Arion, Lord of Atlantis. (This was a character that Kupperberg created.) Kupperberg wrote several Power Girl adventures, including a mini-series illustrated by Rick Hoberg.

“I love my Wally Wood,” said Kupperberg. “But Rick Hoberg drew her in human proportions.”

As for the new CBS series, “I’m enjoying the show,” said Kupperberg. “They got it right. They got the heart and soul of Kara correct, and that’s what’s important.”

Kupperberg sees a bit of the DNA of his Supergirl run in the TV show, but concedes there’s no direct influence. One character they’ve used is Reactron. “I came up with him,” said Kupperberg. “So there’s that. That’s cool.”

But he watches it just like every other fan. “Hank Henshaw – when they turned him into Martian Manhunter – I knew it was coming but I was still like: EEEK!”

Kupperberg is very philosophical about different interpretations of characters. He related a story where he and longtime pal John Byrne were bitching about evaluating one of the recent comic versions of Superman. They were saying that those guys aren’t writing the real Superman. But then he realized, “neither were we. The only person who wrote the real Superman was Jerry Siegel. Everyone else is just writing his own version. Sure, we stuck close to the original source material, but <even> we were pretty far from the original. The original Superman was like Bernie Sanders. He was democratic socialist. He was knocking down doors and saving an innocent guy from the electric chair. He was battering down the Governor’s door.”

Today, Paul Kupperberg is involved with myriad ventures. One is Charlton NEO, “a revival of the old Charlton comics in name if not in spirit.” His collaborators include Roger (Daredevil) McKenzie and Mort Todd.

Paul Kupperberg’s Secret Romances is a comic that attracts an A list of comic professionals, including Jose Luis Garcia-Lopez, Dean Haspeil, John Byrne, Joe Staton & Nick Cuti (on a new E-Man adventure), Rick Burchett and Neil Vokes.

He’s also working on The Scary Squad, a Scooby Doo style team of cosplayers, a Planet of the Apes story for an upcoming anthology, and a trilogy of Atlantis stories. “These are essentially my last Arion stories.”

Kupperberg has always enjoyed writing strong women: Supergirl, Power Girl, and Chian in Arion. “Even my Betty and Veronica” (in the recent Life with Archie series). I like women. I respect women,” said Kuppperberg.

For more information check out Paul’s site http://kupps.malibulist.com.

Dennis O’Neil: Charlton + Wertham = Olio?

Can I pause? Can I catch my breath? Where am I? About half way through August? That means Im more than half way through the distance run that is this summer. Last commitment in October, only … I dont know? three between now and then?

Meanwhile, imagine me yelling, Oh, Leo! Something like what I yelled when I was a grade-school kid: standing in a friends back yard and calling his name and if his mother appeared asking if my pal could come out and play. Or maybe Im shouting another name, a last name: O’Leo. Irish fella, dontcha know! Actually, none of the above.

The word were going for here is not a proper noun, its a plain old common noun, one known to faithful solvers of the New York Times crossword puzzle: olio – thats our word, and would one of our New York Times stalwarts favor us with a definition? Or do you Times readers think youre too good for such a mundane task, you elitists who would never even consider watching Fox News? Well, climb back into your ivory towers then while I take it upon myself to consult the dictionary that resides inside my computer and supply the definition in question:

o*li*o: noun, a miscellaneous collection of things

So, know where I was over this past weekend? At the Connecticut ComiCon, is where. On Saturday I did a panel with my old and seldom-seen friends Paul Kupperberg, Jose Luis Garcia Lopez, Frank McLaughlin, and Bob Layton. Subject was Charlton Comics, which I don’t remember ever discussing in front of an audience before. Why Charlton? Well, apart from the fact that Charlton was headquartered in Connecticut, which made the talkfest site-appropriate, the company provided work for an impressive list of writers and artists who later attained comic book eminence including – no surprise here – those of us on the panel.

Paul and some colleagues are doing a Charlton revival. Might want to check it out wherever you check out things like that.

I learned a lot in those 45 minutes.

I didn’t know that the convention city, Bridgeport, was so close to where I live, I don’t expect this information to change my life.

We made some money for Hero Initiative, there in Bridgeport. Always good to make money for HI. Always worth a journey.

When I extracted the three days worth of mail crammed into the box yesterday, I was happy to see the latest issue of what is identified on the cover as “Roy Thomas’ Not-So-Innocent Comics Fanzine,” Alter-Ego. Blurbed below the logo: “Seducing the Innocent with Dr. Fredric Wertham.” The writer of the article is Carol Tilley, who, a while back, examined Wertham’s condemnation of comics and found that the good doctor had tampered with the research. She deserves our thanks for that and Roy deserves our thanks for giving Ms. Tilley a place to do us a service.

Full disclosure: I read the New York Times.