Tagged: Casino Royale

Barbarella taken under James Bond’s wing

Barbarella taken under James Bond’s wing

The classic French science-fiction comic book character Barbarella will make her return to the big screen, according to Variety. Casino Royale writers Neal Purvis and Robert Wade have signed on to write the feature. Occassional comic book writer Jean-Marc Lofficier (Teen Titans) brokered the deal.

The creation of Jean-Claude Forest, Barbarella turned heads in this country by being one of the first “legitimately” published comics to feature nudity and sexual themes. It was serialized in the United States in the avant-garde magazine Evergreen and collected in both hard cover and trade paperback graphic novels back in the 1960s.

In 1968, Barbarella was made into a movie directed by Roger Vadim and starring his wife, Jane Fonda. She was surrounded by a stellar cast, including John Phillip Law, Anita Pallenberg, David Hemmings, and Milo O’Shea as the original Duran Duran.

Mike Grell on Bond 22

Mike Grell on Bond 22

Cinematical had a good piece a short while ago about the script for Bond 22, the sequel to Casino Royale. We know that it will be a direct sequel to the film, and that  screenwriters Neal Purvis and Robert Wade are reportedly basing their script on four of Ian Fleming’s short stories: The Hildebrand Rarity, The Property Of A Lady, Risico, and 007 In New York. Writer Patrick Walsh mentions in his piece, "I’m not a Bond expert, but some online research revealed that bits and pieces from these stories have made it into previous Bond films already."

Luckily for us, we happen to have a Bond expert handy — Mike Grell, creator of Jon Sable Freelance, Warlord, and the James Bond miniseries Permission To Die. How much of an expert? He actually drew Bond to look like Hoagy Carmichael. Take it away, Mike:

"Ian Fleming wrote 12 James Bond novels and 8 short stories, which Hollywood — so far — has turned into 21 Bond films without even touching some of the Fleming stories. Indeed, some of the adaptations (Moonraker and The Spy Who Loved Me, for instance) have borne precious little resemblance to the source material, while others have combined elements of several of Fleming’s short stories with the screenwriter’s own take on what a Bond movie should be.

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