Tagged: Captain America: The Winter Soldier

ComicMix Six: Top Six Movies of 2014

With the 2014 cinematic year in the books it’s time to do the time-honored tradition of the film reviewer, making a list of the top movies of the year. It makes us feel important and it’s an easy ay to fill space during the dreadful early January period for movies. Here are my top six movies of 2014. I’ll be back in just a little bit with the six worst movies.

SDCC12: First Teaser Poster for Gareth Edward’s ‘Godzilla’ Is Here

6. [[[Godzilla]]] – I wasn’t big on Godzilla when it came out, I though that it cheated me out of many of the giant monster fight that they owed me when I paid $15 for a ticket. But when I was gathering my list of top movies of the year I remembered the movie quite fondly. It’s suspenseful and, honestly, has plenty of action. It doesn’t reach the frenetic peaks that Pacific Rim did but then again Pacific Rim did not make my top 10 list last year. With more Bryan Cranston, this might have been my favorite movie of the year.

The Point Radio: AGENT CARTER Slides Into The Marvel Universe

All eyes are on Marvel this week with the debut of AGENT CARTER, and our first full look at The Marvel Universe post CAP and pre AVENGERS. Series star Hayley Atwell talks about her feelings on playing what has become a key part of the mythos. Then, we sit down with the cast of TNT’s THE LIBRARIANS who give a lot of solid reasons why if you aren’t watching, you might just be missing something good here.

Mike Gold: Our Superhero Summer

I’ve decided the summer is over. Yeah, I know. School hasn’t started yet, the dandies can continue to wear white for a few more weeks, and the metaphor-challenged will remind us the Autumnal Equinox doesn’t happen until September 22nd – and quite late in the day at that.

Screw them. I say summer is over because the summer movie season has pretty much ended. Yeah, Sin City: A Dame To Kill For happens next week, but we’ve had Captain America: The Winter Soldier, Amazing Spider-Man 2, X-Men: Days Of Future Past, Dawn Of The Planet Of The Apes, and The Guardians Of The Galaxy and, clearly, my definition of “summer” is pretty quirky.

I haven’t mentioned the latest Teenage Mutant Ninja Turtles movie because I haven’t seen it. Or its forbearers. In my world, I guess talking raccoons are good but talking turtles stretch the imagination. Go figure.

The day after the Sin City sequel (say that five times fast) appears, the 2014 – 2015 television season begins. Oh, really?, you might ask. Yes: I define the beginning of this coming season as the debut of the newest round of Doctor Who. So there.

When it comes to superhero-based movies (and I’m putting Dawn of the Apes in with the others because I believe it belongs there) I don’t think the average comics fan has much to bitch about… unless he’s one of those screaming asshole naysayers than mindlessly shits on everything anybody else likes under the protection of the shield of anonymity that the Internet gleefully provides. Of the five released movies I noted above, only one – in my opinion – actually sucked.

That would be Amazing Spider-Man 2, a needless sequel to a useless remake, made by clueless people. It was a waste of a handful of fine actors. I enjoyed all of the others, and really, that’s more than I would have expected. As a group, they’ve raised the bar for heroic fantasy movies.

I’d even toss the quirky Lucy in with the rest. That one was clearly heroic fantasy, and it was damn good. So was the equally-quirky Snowpiercer, based upon the French graphic novel of the same name (but in French). Lucy didn’t have comics cred to fall back on, but Scarlet Johansson most certainly does. That one just might make it easier to get a good superheroine movie made. And wouldn’t that be nice?

So… is this all a fad? Yes, probably, but just in quantity. Quality rules and if “they” continue to make movies that are well-written, well-directed and well-performed, we’ll continue to see more – just as we have ever since the early days of film and vehicles such as Tarzan, Tailspin Tommy, Dick Tracy, Flash Gordon and Joe Palooka.

When it comes to the movies based upon the comics media, quality rules.

Isn’t that amazing?


John Ostrander’s 2014 TV Report Card

Agents of SHIELDWe’ve had our TV season (or series) finale blitz so I thought I’d give a report card on some of the series I’ve been watching. These are my current faves; they may not be your faves but – hey – it’s my column. Grades will be of different hues of satisfactory/unsatisfactory. Here there will be spoilers; you are so advised and warned.

Arrow: Satisfactory. The plots and subplots including the backstory all wound up in a satisfactory manner. Tracks were laid down for next season. Amanda Waller, even if I’m not nuts about how they interpret her, was there and appears that she will be there next season which means I get some money down the road. I don’t care for Oliver Queens’ younger sister Thea, who comes off as a self-righteous whiny spoiled brat. In theory, she could be written out if the show by her exit but somehow I doubt it. The show gets a little sudsy for me at times but, overall, I’ll probably watch it again next season.

Almost Human: Sadly satisfactory. This should almost qualify as an incomplete as I came in late on the series but I very much enjoyed what I saw. Unfortunately, the series has been cancelled which is a shame – good writing, good cast, good production values. They couldn’t have known when they did the final episode whether or not they were cancelled but they ended on a right note between the two main characters. While there were a few loose ends that could have been tied up, emotionally it ended well. I’ll miss it.

Castle: Unsatisfactory. This season was leading up to the nuptials between Castle and Kate Becket but the show is dedicated to keeping them apart. It took them a good long time to let the characters get together at all and now they’ve done a season cliffhanger where Castle, on his way to the wedding, is forced off the road and the last thing we see is his burning car. Ooooh! Maybe he’s dead! Nah, no one believes that. No, this is just another way of keeping the two characters apart because, as we all know, once two people get married, they become dull and uninteresting and boring. I mean, Hepburn and Tracy proved that. Gomez and Morticia. The Thin Man movies. Come on!

Justified: Unsatisfactory. I think I covered this elsewhere but the season simply treaded water, there were storylines about which I didn’t give a rat’s ass, the bad guys weren’t very compelling, and it’s marking time until next season, already announced as the last. It should have jettisoned one or two storylines and wound the show up strong this season. I don’t know if I care anymore.

Marvel’s Agents Of S.H.I.E.L.D: Surprisingly satisfactory. Of course, they did bring in Samuel L. Jackson as Nick Fury so they had a lot going for them but this was a series I wasn’t keen on when it started. However, after the events in Captain America: The Winter Soldier (extremely satisfactory) tied into the series, it became compelling. Betrayals, twists, character development, and Agent Coulson gets a promotion at the end. I’m looking forward to next season. Well done.

Suits: Satisfactory. There’s an underlying premise to the series – that Mike Ross, assistant to ace lawyer Harvey Specter, has faked his law degree, faked going to Harvard, and so on and that Specter (and several others at the firm) know it. The series has toyed with Mike’s exposure as a fraud and did again at the finale this year. There’s a lie at the center of the show and I think it has to be dealt with. They found an out this year; Mike has an offer of a big paying job in a different field. If he leaves, the odds on his lie being exposed reasonably go down and they’ve left it that he intends to take the job. Whether he follows through is something we’ll see next season but at least the series is addressing the issue.

The Blacklist: Satisfactory. This is a twisted series but I like how the information must sometimes be inferred and may be misleading. Characters died in the finale, often very violently. Tom Keen, the asshole pretending to be series lead Elizabeth Keen’s husband, bit the big one. Is James Spader’s character, Raymond Reddington, Elizabeth’s father? It seems as if he is but, with this series, you can never quite tell. Some questions were answered and some plots tied off but there are more questions and places to go next season and I’m ready to go with them.

Overall, not bad. More things I liked than things I didn’t. Some new shows are coming up in the fall that look promising. Nothing terribly challenging, but that’s why God created Cosmos. Oh, wait! S/He didn’t. Not a lot of God in the show, which pisses Creationists off no end – and part of the reason I really like it.


John Ostrander: Television – Coming, Going, and Staying

The word is getting out on the end of this TV season and what’s coming for the start of the next. A lot of the shows, hit or miss, are not things that I watch. Some of them are very good shows – or so I’m told – that either I just never got into or didn’t appeal to me. They may be on channels that I just don’t get (i.e. Showtime) or subscription services to which I do not subscribe (Hulu, Netflix, and so on).

Arrow has been renewed and I’m a regular viewer. It’s a good show, if not my favorite, but I keep watching to see when/if Amanda Waller shows up. Amanda, in whatever shape or form she takes, generates “revenue sharing” for me so I’m usually happy to see her. Not so much this past week. (SPOILER ALERT) I try to hold off on commenting on other people’s take on Amanda but this seems to me to be a fundamental misreading of her essential character.

As I noted previously, Waller is tough and she can be ruthless but she’s not evil and she’s not stupid. In Arrow she’s willing to nuke an American city to take out a threat. Send in the militia, sure; put everything under martial law? Not unreasonable, given the episode’s scenario of super-powered thugs are taking over the city under the leadership of a murderous psychopath. Calling in the Suicide Squad? That’s why they were created.

Going the nuclear option? Frankly, ridiculous. I can see that they would want a “ticking clock” to add suspense to the final episode but does anybody really think that Arrow isn’t going to save the city?

I was hoping maybe they would do a spin-off of the Suicide Squad but now that seems unlikely. That’s a shame. I think the Squad would have real potential as a TV series but, of course, I’m biased.

Not sure if I’m going to watch Arrow any more.

They are doing a spin off from Arrow in the form of The Flash next fall and, yes, I’ll be watching it. There are some other DC inspired shows on other channels showing up. The one I’m most interested in is Constantine, which I think has real potential if they just don’t muck it up. Yes, I’m looking at you, Syfy, and how you bollixed The Dresden Files.

Marvel will also be a presence. Agents of S.H.I.E.L.D. has been renewed and, I must say, this one has been a surprise for me. I’d been so-so about it until it tied into the events of Captain America: The Winter Soldier and has gotten real interesting. I haven’t yet seen the season finale and don’t know how they’ll wind it up for now but they have me wanting to see it.

They’ve also scheduled a sort of companion series, Marvel’s Agent Carter which will be a period piece starring Captain America’s great love, Peggy Carter, at the start of S.H.I.E.L.D. just after WW2. It’s a spin-off of the Marvel One Shot short, and it’ll be interesting to see if they can sell it but I’m intrigued.

Right now, DC seems to be dominating on the TV screens the way that Marvel is dominating at the movies, but Marvel also has something cooking with Netflix that could be a game changer. They’re cooking up four series (centering on Daredevil, Iron Fist, Luke Cage, and Jessica Jones) and then having them all in a miniseries as a group based on The Defenders. That’s ballsy and I’ll probably become a Netflix subscriber at that point if I haven’t joined before then just to see it.

I’m a bit surprised that Castle got picked up again. Don’t get me wrong; I’ve been a big fan of the show. Nathan Fillion is terrific, charming, funny and well matched with Stana Katic. The two have a great rapport and chemistry and it would be fun to watch them do almost anything.

However, the show is getting a little long in the tooth and sometimes shows it. They did an episode a few weeks back that involved everyone pretending to be in the Disco 70s. I won’t go into why; let’s just say it stretched my willing suspension of disbelief past the snapping point. You may remember the phrase “jumping the shark” connoting when a TV series has gone too far. It was generated by an episode of Happy Days when a waterskiing Fonzie (still in his leather jacket) jumped over a shark. My Mary noted that this episode of Castle had the shark jumping Fonzie.

Castle himself doesn’t have the same fun and snap of earlier episodes. He’s not the bad boy or quite as outrageous as he was earlier. He and Kate Beckett, his partner and flame, have not only admitted they are in love but it looks like they’re getting married in this year’s season finale. I’m not sure if the writers know how to make that work and keep the characters as lively as they once were. However, the show has been renewed for another season so I maybe we’ll find out.

The only real disappointment on the cancellation scene for me is Fox’s Almost Human. I came in late on the series but I found it intelligently written, well acted, and good production values. I would have liked to see more.

Overall, my greatest concern is that all this could burn out the audience – both on TV and on the silver screen – for superheroes. I think it’s inevitable but, in the meantime, if the quality remains high, it’ll be a good time to be a comics’ geek.


John Ostrander: The Super Glass Ceiling


Well, I finally saw Captain America: The Winter Soldier this past week. Yeah, I’m a Johnny-O come lately. Got to see it in my preferred format these days, IMAX 3-D, and I and My Mary had a really good time. To me, Chris Evans’ portrayal of the Star-Spangled Avenger ranks with Christopher Reeve’s portrayal of Superman, and that’s top of the heap.

The movie also asked some interesting and morally murky questions. How far should we go to make things “safer”? CA:TWS was a political thriller as much as it was a big time action feature (and it was a big time action feature). It paid homage to its comic book roots, taking elements from comic book continuity, treating them with respect, and frequently bettering them.

There were also great performances all around. How the heck did they get Robert Redford to agree to be in it? One explanation I hear was he has grandchildren but I have to think that the other was he had a well written character and some great lines. It was a good part. Anthony Mackie made Sam Wilson/The Falcon a high flying character and more than a sidekick, as Sebastian Stan did for Bucky Barnes/The Winter Soldier. And, of course, there was Samuel L. Jackson as Nick Fury, with some choice action sequences, some twists and turns, and a persona that places him morally between Cap and the villains. He was like a male Amanda Waller and I mean that in the bad-assest way.

And then there was Scarlett Johansson as Natasha Romanoff / Black Widow. The one question I had as I left the theater (in addition to “When am I going to see it again?”) was “When are they making a Black Widow solo film?” I already knew the answer to that. She’s scheduled to be in the next Avengers outing and she might be in the next Captain America or Iron Man film but there is no solo film yet scheduled for her.

That brings us to this week’s real topic: Why the hell not?

The Black Widow is as badass as they come. She is a consummate fighter and an accomplished spy. She is beautiful, sexy, funny, and with the suggestion of an interesting backstory, she can be ruthless and can hold her own with not only S.H.I.E.L.D. but the The Avengers as well. She’s played by Scarlett Johansson, who is gorgeous and sexy and an incredibly talented and accomplished actress. What more do they want?

They’re making a movie about Ant-Man, for crying out loud. Ant-Man. And a little later this summer they’re bringing out Guardians Of The Galaxy. The previews look like fun and I’ll probably see it, but The Black Widow has got to have better name recognition and so does Ms. Johansson.

Over on the Warner Bros lot, they’re making a film featuring Superman and Batman and shoehorning in several other characters, including Wonder Woman. There is no talk of a Wonder Woman solo film. I read the studio head make a wistful, “We’d like to do it” sort of noise but, again, nothing is on the horizon.

Why the hell not?

I’ve heard the past rationales: they don’t think the audience will support it. They point to Catwoman and Supergirl as proof. Here’s an answer: don’t make a sucky superhero film. Batman And Robin or Superman Returns didn’t kill off those franchises. They gave them pause but both franchises got re-boots and started again. This time, they made good films that found an audience.

Would a movie starring a female protagonist sell? Look at Katniss in The Hunger Games movies. Tough warrior, good with a bow and arrow, complex character and the movies sell. Role model for young girls everywhere. Do they seriously expect us to believe that the Black Widow or Wonder Woman can’t do the same?

We’re left with one conclusion: Wonder Woman, for all her powers, can’t punch her way through the glass ceiling. And that’s a damn shame.

Jen Krueger: What Is Dead May Never Die

Jen Krueger: What Is Dead May Never Die

Spoiler warning: read no further if you haven’t caught up with the season two premiere of Orphan Black!

When it comes to character body count by the end of a first season of TV, Orphan Black is no slouch. Considering the hook of the pilot involves a woman witnessing her doppelganger jump in front of a train, maybe it shouldn’t be surprising that by the end of episode ten, the list of dead characters is of a decent length and appears to still be growing. But even though the season one finale added Helena to the show’s list of killed roles, the end of the season two premiere scratches her right back off that list seconds before cutting to the credits. Usually I don’t like seeing characters purported to be dead waltzing back into a tale, and I certainly didn’t like it in this case.

I loved it.

A big part of why I generally can’t stand watching supposedly dead characters brought back to narrative life is that faux deaths meant to fool the audience are almost always too transparent. Watching Captain America: The Winter Soldier, I was surprised the movie would bother trying to convince viewers that Nick Fury was actually dead. Even taking public real world knowledge out of the equation by ignoring the fact that this movie is only the sixth of Samuel L. Jackson’s nine-picture deal with Marvel Studios, Fury is obviously too important to the Marvel Universe to be unceremoniously killed in the middle of the Phase Two releases. Since it’s one of few things I can imagine making Captain America and Black Widow truly trust and rely on each other, I don’t quibble with the movie letting the other characters think the attempt on Fury’s life was successful. But trying to fool the audience into the same misapprehension ruined the emotional resonance this might otherwise have had for me by making the scene in which Black Widow says goodbye to what she believes to be Fury’s dead body seem like it was less about her character than it was about the movie attempting to provide enough evidence to trick the audience into believing Fury’s death. Faux character deaths are too often accompanied by this kind of overt attempt at selling them to the audience, and with a hand clearly trying to pull the wool over my eyes, I’m not likely to look at anything else.

But that isn’t to say I never care about character deaths when I can tell they’re fake. All it takes to get me to feel for characters that falsely believe somebody’s dead is for the story to simply back off the hard sell about the supposed demise. In Pacific Rim, I had no doubt Mako and Raleigh would have a happy ending, but I still got choked up watching Mako think she lost Raleigh in the last few minutes of the movie. I didn’t buy that he was dead, and I may even have thought to myself that Raleigh actually being dead would make the narrative stronger (I know, I know, I have a real dark streak), but I was able to see the ending as a trope of the genre rather than a genuine attempt at surprising me with his survival, because I didn’t feel like the movie was trying to convince me Raleigh was dead. Even when I’m moved by a fake death though, I can’t help but think how much more I’d enjoy whatever I’m watching or reading if the story managed to unfold without clear attempts at fooling me as Pacific Rim does, yet somehow actually get one over on me in the end as well.

And that’s where Orphan Black hits it out of the park. I was genuinely surprised to see Helena stumble into a hospital at the end of the season two opener after watching Sarah shoot her and presumably leave her for dead in the season one finale. The show didn’t treat Helena’s assumed death with any more or less weight than other deaths that had preceded it, and by not trying to dictate my assumptions about Helena’s fate, Orphan Black kept me from realizing there was anything to assume other than Helena’s actual demise. Of course, just successfully surprising me isn’t enough to make me feel positively about a character returning after seeming to die. In fact, there’s probably no faster way to lose my goodwill as a reader or viewer than by surprising me with the return of a character all logic dictates should be dead (*cough cough* Shameless season four).

Giving credit where credit is due, Tatiana Maslany is so phenomenal in every one of the many roles she plays on Orphan Black that I was ecstatic to realize I’d be seeing more of Helena after all. Sure, there are plenty of other clones with which to watch Maslany show off her acting chops, but she manages to portray each role so uniquely that I sometimes forget I’m watching the same actress in several parts. This made the thought of Helena dying feel like a big loss to the cast, and also makes me think I’d even be fine with the show bringing back other clones that have been offed in previous episodes. It’s a rare case in which my emotional investment overrides narrative logic, but when a show gets me this hooked on its characters, I’m more than happy for the narratively dead to rise so that I can be fooled. Heck, pop a blonde wig on Maslany to give her the part and I’d even accept Aynsley being resurrected.

Dennis O’Neil: Synergy

To the best of my knowledge, it was only done once before, and that was in 1912, when audiences were treated to a simultaneous telling of one story in two media, film and print.  What Happened to Mary (a statement, not a question) was a serialized movie, the kind that was shown in sections, or chapters, stretched over many weeks, the better to lure customers back to find out what happened next. While what was happening to Mary was appearing on local screens, the a prose version of the same story was running, serialized, in McClure’s Magazine.

Voila!  Synergy, 102 years ago!

My Mary information is sketchy at best, and so I don’t know if the stunt did whatever its perpetrators wanted it to do.  Was it successful?  (A question, not a statement.) I can’t say, but I’d guess not, if only because it doesn’t seem to have been repeated, anywhere, any time.

Until now, that is.  The increasingly vast, Disney-nurtured entertainment enterprise that is Marvel, has given us both Captain America: The Winter Soldier,  which has earned $476 million so far, and it is a long way from the finish line, and an episode in the television series Agents of S.H.I.E.L.D. that tells another part of the same story.  They did it right: you can see either the movie or the video alone, without even knowing of the existence of the other, and get full value.  But see them both and you experience a much fuller version of the story.

The job must have required some thought and effort and the professional yarn spinner in me would like to know exactly what the procedure was.  Outlines?  Flow charts? Computer programs?  What?  Or, oh my gosh, did the writers keep it all in their heads?  Or did the glitches get edited out post-production?

Some mixture of all the above?

The only complaint I have applies only to the movie and its a complaint I’ve offered before.  Hey, guys, ever hear that less is more?  There are so many explosions and other noisy events, and the climactic battles goes on for so long, that sitting there in the dark theater I grew a little weary.  Bang bang and more bang, beyond whatever narrative use could be gotten from all that flash and clash

I wonder: do the creators of superhero movies feel that the explosions are what the audience expects in an era where the ka-blooies of video games may be helping to shape our sensibilities? Do they think that the folk in the seats expect rackety pyrotechnics in massive doses? Or even demand them?  And if so, are they right?  I hope not.

The noise level on the S.H.I.E.L.D. episode was quite reasonable, possibly because television drama has a more modest gunpowder budget than motion pictures.  Score one for the tube.

So, was the experiment a success?  For me, it was, and I’d be happy too see something like it again.  Only maybe a little more quiet?

Mindy Newell: Nerds Unite!

“Dude wore his nerdiness like a Jedi wore his light saber or a Lensman her lens. Couldn’t have passed for Normal if he’d wanted to.”

The Brief Wondrous Life of Oscar Wao, by Junot Diaz

Sometimes the universe borrows from [[[Moonstruck]]], giving you just the slap you need so that you “Snap out of it!”

Case in point…

In last week’s column I talked about how crazy I get when I meet people who aren’t readers, or people who only like to read “happy stories; of how I feel out of step with the people I work with, and, while I didn’t come out and say it directly, how much better I am than them.

Yeah, that last sentence was in there. Read it again. It’s in there, all right, “underneath” the written words. After it was posted, I realized that I had been in a really bad mood when I wrote it; my old friend, Mr. Clinical Depression, had dropped in for a short (very short) visit. My co-workers are not ignoramuses and the surgeons aren’t incredibly narrow-minded and impatient—strike that. A lot of them are. But not all of them.

Last Thursday I was the scrub on an OMFS case. (OMFS stands for Oral and Maxillofacial Surgery. It’s serious stuff, heavy-duty reconstructive dental and facial work, mostly trauma, and we do a lot of it at my hospital, which is northern New Jersey’s #1 trauma medical center.) Anyway, I don’t remember how the conversation got around to comics—oh, wait, I do remember. One of the residents mentioned to the surgeon that I was from Bayonne.

“Why is that important?” I asked.

“That’s where George R.R. Martin* is from. You know who he is, right?”

I nodded.

The chief resident said, “Dr. C—- is big into Game Of Thrones.”

“Yeah, I’m addicted to it,” said Dr. C—-. “Do you watch it? Did you read the book?”

“No,” I said. “Neither.”

“You really should,” said the surgeon.

I felt dreadfully embarrassed and wanted the earth to swallow me immediately.

“Mindy wrote comics back in the day,” said the chief resident.

“How’d you know that?” I asked him.

“I read your stuff.”

God, I felt old.

Then Dr. C— talked about Captain America: The Winter Soldier and how much he had loved it. Everyone who had seen it agreed, and those who hadn’t all said they were looking forward to it. I said, “I love the way Marvel is creating a film universe, just like they have in the comics. Even on TV, the way Agents Of S.H.I.E.L.D. is tying into Winter Soldier.

“Yeah, said my friend the geek surgeon, “It’s cool, isn’t it?”

“I love that show,” somebody said.

“I love Deathlok,” someone else said.

“Phil Coulson is so cool.”

“I love when Samuel Jackson shows up as Nick Fury,” said the medical student.

Then the third year resident said, “I love Deadpool.”

Dr. C—- said, “The X-Men rock! Did you know that they’re making Claremont and Byrne’s Days Of Future Past into a movie?”

The circulator said, “Hugh Jackman rocks!”

“They should make a movie about Gambit,” said the first year resident. “He’s always been my favorite.”

“And Rogue,” I said.

“I like Mystique,” said the rep from the company supplying the implants.

“Yeah,” said Dr. C—-. “Steve likes naked blue-skinned ladies.”

And for the next 90 minutes, as the case progressed, the surgical team talked about the X-Men and Iron Man and Thor and [[[Man Of Steel]]] and all things comics.

Yep, last Thursday the universe snapped me out of it…

And the surgery was successful, too.

  • For those of you who don’t, George R.R. Martin is the award-winning author of the series of books that started with Game Of Thrones.

Dennis O’Neil Wants Credit For Captain America: The Winter Soldier

You probably don’t know this because it almost certainly isn’t in any of the books about the comic book racket and it happened before most you were born — in the neighborhood of 50 years — and even if you’d been there, in the offices of Marvel comics when Marvel was part of a parent company, Magazine Management, you might not have known about it and if you did know about it you might have forgotten by now because we are talking a half-century here, but… I once wrote Captain America and I’m pretty sure I used fewer words than are in this sentence.

And — stand aside now and watch your head — I hereby claim credit for the current, and generally excellent Captain America: The Winter Soldier, a film now playing at a theater near you, unless you live somewhere that is seriously rural.