Tagged: Batman

Keep your eye on the body

Keep your eye on the body

I got a note from a long time comic book reader on Wednesday. He was incensed that Marvel disgraced themselves by killing Captain America. Worse, they did it sneakily, without telling the retailers this was the issue so it sold out to the fan boys before the general public could see the bloody body for themselves.

Marvel certainly got a nice boost from the coast-to-coast coverage Captain America’s death received.

But, is Captain America – Steve Rogers – really dead?

It used to be that a death to a major character was a major event. Writers would find themselves running out of interesting stories to tell with a character and decided to shake up the title character’s life by killing off a familiar face. Spider-Man writer Gerry Conway has always said that’s why Gwen Stacy had to go.

That happened time and again, at both DC and Marvel and it made the fans uneasy, since you never knew what would happen next. That certainly helped sell comics for a while. Then, killing the title character seemed the next logical step. Jim Shooter and Jim Starlin helped pioneer that with the Death of Captain Marvel graphic novel and then there was the phone in stunt that saw Jason Todd, the second Robin bite the big one.

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John Ostrander: Now… now… now

John Ostrander: Now… now… now

There are some things they don’t tell you how to do. Sometimes it’s things no one can tell you; you just have to experience it for yourself. Sometimes it’s just stuff people don’t like to talk about. Stuff like death and grief.

I’m going to tell you what I know. Obviously, I can’t talk about what it is to die; I haven’t walked that road yet and I hope not to for a while. I can tell you, however, what it’s like to deal with death and with grief — at least, what it was like for me. As they say on the car commercials, your mileage may vary.

There are all kinds of death that you experience in your lifetime. Some are not physical — the death of friendship, the death of a dream or hope, the death of an ideal. These are no less real; the grief we feel for any of them may be no less than experiencing a physical death. However, they are different.

Perhaps the first real sense of my own mortality happened when I was about eight; it was one Saturday in late spring and I was outside on my bike. Our house was actually across the street from our church and I watched a funeral procession come up the street to the church’s front door. As I watched, I was hit with the thought that one day I would be in a casket and a boy on a bike would be watching me pass. With that vision came the realization that the world wouldn’t end with my death and that, consequently, it hadn’t begun with my birth. The axis of my own private earth shifted. I pedaled away but I have never pedaled far away enough.

This all comes to my mind because it is the tenth anniversary of the death of my wife, Kimberly Ann Yale. She died of breast cancer in March of 1997 — too soon, as many have noted. Here’s some of the hard facts I learned from that experience.

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Dennis O’Neil: The Fanatic Conclave

Dennis O’Neil: The Fanatic Conclave

File this under: If the tail wags the dog for long enough, does the tail become the dog? Part I.

But first, a little reminiscence.

I had been in the comic book business less than six months, maybe not much more than one month, when I attended my first comics convention at the invitation of Flo Steinberg, known as “Fabulous Flo” during Marvel’s formative days. The event was held in the gym of the McBurney YMCA on 23rd Street in Manhattan. The guest of honor was Buster Crabbe. I don’t think I’d seen any of his filmed work yet, but somewhere I’d learned that he had done some comics-derived movie serials and that made him a celebrity and I guess I was impressed, not having met many celebrities.

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Reboots abound!

Reboots abound!

Robert GreenbergerWith J.J. Abrams now confirmed as not only producing and scripting but also directing 2008’s Star Trek XI, the buzz has begun on the latest reboot of a beloved franchise. As one might imagine, fans of the series have been divided over whether or not this has been necessary, a debate we’ve all heard before.

The entire notion of a reboot is an interesting one because, looking back, reboots were largely throwing ideas against the wall to see what might stick. While there were fans of The Flash, there was certainly no groundswell of support demanding DC Comics bring Jay Garrick back. Instead, management created Showcase as a title to try new things and after three issues of straight-forward adventure, they thought it was time for something different. As legend has it, someone thought the time might be right for a new super-hero and all heads turned to the last editor with any success as characters without S-shields and bats: Julius Schwartz.

Instinctively, Schwartz knew Jay Garrick and his mercury-helmet felt too dated. Things in the 1950s were fresh and new, sleek and shiny. He kept the name and the powers and recreated from the ground up, perhaps pop culture’s first reboot.

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Dennis O’Neil: Heroes and Villains

Dennis O’Neil: Heroes and Villains

Dennis O'NeilWhen writer John Broome, artist Gil Kane, and the real villain, editor Julius Schwartz, reinvented the Green Lantern in 1959, they were corrupting the youth of America, or at least the comics reading segment thereof, by promoting authoritarian attitudes and glorifying barely disguised fascism.

Weren’t they?

I mean, didn’t we agree, in last week’s installment of this feature, that Green Lantern was changed from a guy with magical powers derived from a lantern and a ring, a bit of a loner, not unlike Aladdin, into a guy with superscientific gimmickry who gave unquestioning obedience to his masters, the self-styled Guardians of the Galaxy? A member of a uniformed corps?

Well, maybe not.

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ComicMix Podcast #7 arrives!

ComicMix Podcast #7 arrives!

Neal Adams tells Mike Raub about teaming up with Frank Miller on a Batman mini-series, we uncover the roots of the Suicide Squad, our Timeline stops on 1968, Walter Cronkite talks parallel history, and new releases are exposed!

You can here all the thrills by pressing the play button, right here:

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Vitriol across the ocean

Vitriol across the ocean

Budgie calls our attention to another anti-comics screed from the (London) Times Online entertainment columnist Kevin Maher, this time writing about the TV series Heroes.  Not only does Maher begin his article with a "Holy fill-in-the-blank, Batman!" cliché, but his entire point is about how "there are no subjects and no areas of modern life that cannot be infected by the inane juvenilia of comic-book lore," emphasis ours.  What, did Superman disintegrate his teddy bear when he was a kid or something?  Budgie assures us this contempt is nothing new for Maher, whose bias ought to make his editors think twice about assigning him to write about anything remotely comic-related.

Writers take on JLA movie

Writers take on JLA movie

Via Sci-Fi Wire, Variety reports that Warner Brothers has hired husband and wife team Kieran and Michele Mulroney to write the script for its hoped-for Justice League of America movie. It’s the first major action the studio has taken on the project, the trade paper reported. The studio isn’t saying which heroes may be included in the film.

Development of the film is complicated by the fact that Warner has already revived its Batman and Superman film franchises, with Christian Bale’s Batman Begins and the upcoming The Dark Knight and Brandon Routh’s Superman Returns and its upcoming sequel. The studio is also developing a Wonder Woman film.

Kieran and Michele Mulroney wrote the screenplay for the horror film Mirrors, which is in pre-production with Kiefer Sutherland attached. Kieran is also an actor, with credits in Enterprise, Seinfeld, and Star Trek: The Next Generation, among others.

X-Men strand Gen Y

Getting a hologram card of Wolverine in a pack of the first series of Marvel Universe Trading Cards is one of my fondest childhood memories. I was five. I showed almost all the guys in my class. Unfortunately, if this kindergartener had been inspired to buy the Wolverine comic around that time it would have been tough sledding: in that story Wolverine learns his memories are a result of brain implants. The next arc ended with Wolverine promising a man that he would return to remove a part of his body every year until nothing remained.

Comics were convincing themselves that they were for adults, and that adults required mature, violent stories. But no one told the licensing people whose job it was to pump children’s playthings into the market. I think this is why there are so few of my contemporaries reading comics. As children, we had to claw our way into the medium despite its best efforts to keep us at arms length, the better to succeed as a medium for teenagers and adults.

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New Adams-Miller Batman pages at NYCC

New Adams-Miller Batman pages at NYCC

ComicMix caught up with Neal Adams this afternoon to talk Batman, and received a couple nice surprises.

Adams is indeed collaborating with Frank Miller on a long-anticipated Batman miniseries entitled Batman: Odyssey, and originally slated for six issues but he believes the story will warrant enough material for eight.  Adams has created and will be plotting and pencilling the story, with Miller supplying the dialogue.  Adams will also be inking the first two issues — and NYCC attendees can see the entire #1 (beautifully detailed art, all of which you can see as there’s no lettering on the booth copy) — but expressed an interest in having other long-time (and as yet unnamed) inkers work over his pencils for future issues. 

Until the book is finally scheduled by DC, the place to see the preview will be Booth A317 in Artists Alley.

Mike Raub’s interview with Neal Adams will be on our Podcast this Tuesday.