It’s the fifth and final season for the SyFy supernatural show, LOST GIRL. Series star Anna Silk talks about her favorite moments (and the things she grabbed from the set on the last day) plus BITTEN’s Laura Vandervoort talks more about her show’s new season and what it was like to be TV’s first Supergirl.
We are back in just a few days and so is the hit Game Show Network series, THE IDIOTEST. We take the test – here – no holds barred! Be sure to follow us on Twitter @ThePointRadio.
Like you, we first fell in love with Amber Benson during her days on BUFFY THE VAMPIRE SLAYER. The feelings only grew as we watch her evolve into a director, producer and most of all a successful author. Amber’s latest project is WITCHES OF ECHO PARK and she talks about why going “magical” seemed like the next step for her. Plus actor Jon Tenney, from MAJOR CRIMES and SCANDAL, talks about the great parts of being a working actor in todays’ exploding entertainment mediums.
All eyes are on Marvel this week with the debut of AGENT CARTER, and our first full look at The Marvel Universe post CAP and pre AVENGERS. Series star Hayley Atwell talks about her feelings on playing what has become a key part of the mythos. Then, we sit down with the cast of TNT’s THE LIBRARIANS who give a lot of solid reasons why if you aren’t watching, you might just be missing something good here.
The fourth season of GRIMM kicks off this Friday (9pm ET), giving us a powerless hero and a wealth of new monsters to face. Series star, David Giuntoli talks about how his character will handle being just a “normal cop”. Plus MIKE & MOLLY’s Billy Gardell is rolling the dice on a new TV version of Monopoly and he shares the info on how you can play to win.
From ANGEL to CHUCK to FIREFLY, Adam Baldwin has given us some great roles but none are more exciting than his latest on the new TNT Drama, THE LAST SHIP. Adam talks about that and, of course, FIREFLY plus uber busy TV host Brooke Burns has a new passion, designing cool cars. She takes us on a backstage tour of her new TruTV show MOTOR CITY MASTERS.
The second season of DEFIANCE has exploded on The SyFy Network and after the events of last year, the characters find themselves in deep turmoil. Series star Julie Benz (“Amanda”) talks about where we find her this season and what we just might expect for the show as the summer goes on. Meanwhile, with so many fan-centric blockbuster films headed to theaters this season, which ones will actually be hits? Tiffany Smith (from Fandango’s WEEKEND TICKET and DC Comics’ ALL ACCESS) weighs in with a few scoops that just might change your opinions.
“How important it is for us to recognize and celebrate our heroes and she-roes!” – Maya Angelou
I read John Ostrander’s column yesterday with interest. (I always read John’s columns and love them.) Then I went to the Wall Street Journal’s website and read Chuck Dixon and Paul Rivoche’s essay.
Well, John, to a certain extent I have to agree with Chuck and Paul. It’s one thing for us, as adults, to read comics with an adult slant – meaning moral ambiguity in both our heroes and our villains. But I do think that for younger readers, the children and pre-teens (and, I suppose, depending on their maturity, some teenagers), it’s important that the heroes do act ethically and morally. They (Superman, the X-Men, Captain Marvel, Batman, Green Arrow, Wonder Woman, Daredevil, et.al.) are, not to put too fine a point on it, cultural icons…and besides, all kids need heroes to look up to – with a sense of wonder, with awe, with a desire to “be just like him/her when I grow up.”
And when their heroes fall, children are upset; they don’t understand adult haziness, they live in a black-and-white world. I remember when Lawrence Taylor (of the New York Giants and considered the greatest linebacker in NFL history) was arrested for cocaine use. “L.T.” was one of Alixandra’s heroes, and when she heard the news – we were in the car listening to the radio – she said to me, “How could he do that, Mommy?” And in her voice there was confusion and hurt and the sound of her hero crumbling into dust.
And I was angry. At that moment I hated Lawrence Taylor. In one second he had destroyed a part of my daughter’s innocence. And I thought of all the other kids out there who had looked up to him and now, just like Alix, were asking their parents how and why and I bet those parents felt just like I did.
Now I am not one to hide the facts of life from children. I always tried to be as honest as I could be with my daughter when she asked any and all questions. And certainly, Alixandra, as a child of divorced parents, already knew that the world was not a bed of roses.
But I also believe that in a world that grows uglier by the minute – I just saw a statistic on MSNBC’s Up with Steve Koracki that there have been 74 school shootings since Newtown in 2012 – it’s more important than ever that kids have heroes.
It doesn’t matter if their heroes are fictional creations. Harry Potter, Buffy Summers, Katniss Everdeen, Percy Jackson, Matilda Wormwood, Lyra Belacqua and characters from the pages of books have captured the imagination of – and have served as inspirations to – children around the world. And it not as if their originators had fashioned perfect idols – all carry some resentment of being thrust into the hero’s role, but all also rise above their individual desires and accept the responsibility that fate has thrust upon them. Harry Potter realizes it is up to him alone to conquer Voldemort. Katniss Everdeen faces up to her leadership of the rebellion against Panem. And Buffy Summers comes to understand that “death is my gift” in her fight to save her sister and the world from the god known as Glory.
The writer has the responsibility to know his or her audience, to know for whom s/he is writing. As the cast of Buffy got older, and as the fans of the show aged along with them, Joss Whedon allowed the stories to become more complicated, to reflect the journey into adulthood that the characters, and the fans, were experiencing. Whedon also did this when he spun off Angel from Buffy The Vampire Slayer. Aiming for a more mature (read: adult) audience, the show nuanced both the main character and its perspective; there was less black-and-white, and a lot more grayness, especially as the show progressed through its five seasons. On Buffy having a soul equaled good, not having a soul equaled bad – but on Angel, having a soul didn’t necessarily make the vampire “good” – in fact, as the show progressed, Angel’s goodness became more and more a matter of degrees, became more “adultly” ambiguous. The support cast, Cordelia and Gunn and Wesley (especially Wesley!!) and the others also shifted from simple classifications to complex characterizations.
As a writer I have always been aware for whom I’m writing. I like to write for what the publishing industry calls “YA,” or the young adult market – teenagers and those in their early twenties. Certainly I have written my share of “dark” stories – in fact, that’s where my story inclinations tend to take me – but I’ve always tried to put something in there that indicates hope, even if it’s only a sliver of light, i.e., the characters have progressed to a better place. In what I think is my blackest tale (Lois Lane: When It Rains, God is Crying), a story of child abuse, abduction, and murder, and one in which there is no “happy ending,” Lois learned to let down the walls she had built around herself, learned to let her friends and family in. And in Catwoman: My Sister’s Keeper, Selena’s “sister,” the child prostitute Holly, is taken off the streets and into in locos parentis custody by Selena’s real sister.
But I’ve also written stories for younger people in which heroes have no feet of clay. One such story was “With Love, From Superman, a back-up in Action Comics Vol. 1, No. 566 (April, 1985). In the story, preteen Molly Richards wants Superman’s autograph and dreams that she is Supergirl and Lois Lane – until the real Superman shows up to give her a surprise.
Of course I get that the world has changed drastically even in the short time since Alix was a child. Today’s kids are inundated with 24-hour news and factoids on the television and on the web; even when their parents do their best to shield them, their children will still hear about something at school or at their friends’ houses – it just seeps into the zeitgeist. I get that the parents have to talk to their children about things that are ugly and scary and way too “grown-up” for them…
I just believe that it’s incredibly important to keep “once upon a time,” along with “truth, justice, and the American way,” in the mix, for as long as possible.
There’s plenty of time for the corruption of their values.
Relive All 22 Thrilling Episodes, Plus Get Level 7 Access with Newly De-Classified Bonus Features Available On Blu-ray and DVD. In Stores September 9, 2014
The mind-blowing saga that began in Marvel’s The Avengers continues in ABC’s action-packed series, Marvel’s Agents of S.H.I.E.L.D. — The Complete First Season.
In the wake of The Battle of New York, the world has changed forever. An extraordinary landscape of wonders has been revealed! In response, mysteriously resurrected Agent Phil Coulson assembles an elite team of skilled agents and operatives: Melinda May, Grant Ward, Leo Fitz, Jemma Simmons and new recruit/computer hacker Skye. Together, they investigate the new, the strange, and the unknown across the globe, protecting the ordinary from the extraordinary. But every answer unearths even more tantalizing questions that reverberate across the entire Marvel Cinematic Universe: Who is “The Clairvoyant”? What is Hydra’s sinister master plan; what dark secret lies behind Skye’s puzzling origins, and most importantly of all, who can be trusted?
Cast: Marvel’s Agents of S.H.I.E.L.D. stars Clark Gregg as Agent Phil Coulson, Chloe Bennet as Skye, Ming-Na Wen as Agent Melinda May, Brett Dalton as Agent Grand Ward, Iain De Caestecker as Agent Leo Fitz and Elizabeth Henstridge as Agent Jemma Simmons.
Bonus Features: Journey Into S.D.C.C. – Hop on the bus and share the thrill of a lifetime as the series makes its first ever appearance at San Diego Comic-Con, where the cast is welcomed with open arms by a sea of enthusiastic fans
Marvel Studios: Assembling A UniverseTV Special
5 Behind-The-Scenes Field Reports – Get exclusive access to the show’s classified sets for the making of some of your favorite episodes
“The Malibu Jump”
“Asgardian Bar Fight”
VFX Breakdowns – Explore the layers of effects in sequences with split-frame comparisons to the final version
Audio Commentaries with Filmmakers & Cast
Writers: Varies by Episodes Executive Producers: Joss Whedon (Marvel’s The Avengers, Buffy The Vampire Slayer), Maurissa Tancharoen (Dollhouse, Spartacus, Dr. Horrible’s Sing Along Blog), Jed Whedon (Dollhouse, Spartacus, Dr. Horrible’s Sing Along Blog), Jeffrey Bell (Angel, X-Files, Alias) and Jeph Loeb (Heroes, Lost, Smallville)
Release Date: September 9, 2014 Rating: TV PG Run Time: Approx. 946 minutes; 22 episodes Aspect Ratio: 1.78:1, 16×9 Widescreen Audio: Blu-ray: 5.1 DTS-HDMA, DVD: 5.1 Dolby Digital Languages: English Audio Subtitles: English SDH, Spanish, French
Actor Reggie Lee’s character in the NBC thriller GRIMM is going through a few changes, and he talks about how they affect not only him but the future of the show as well. Plus Fox renews a bunch of shows early and it seems everybody is playing AVENGERS ALLIANCE these days.
Everybody but me, that is. (Okay, I did love Shaun of the Dead.)
The first time I saw a zombie movie was way back when, and it was George Romero’s classic Night Of The Living Dead. Only I really didn’t see it because I was terrified and spent most of the time either cringing, with eyes closed, in my movie seat. Though it wasn’t the zombies themselves so much that scared me—it was the claustrophobic terror of being trapped with no way out that did me in.
It’s probably that experience that turned me off zombies forever. (Except for Shaun of the Dead).
Vampires? Love ‘em to death. My therapist would say that’s because Dracula and Angel and Spike represent the sexual fantasies that resonate with the underlying forbidden desires that lurk within my psyche. It doesn’t have anything to do with Frank Langella, David Boreanaz, or James Marsters.
Ghosts? The most popular theory professed by parapsychologists as to why people hang around after death is that he or she can’t let go of some relationship or need to right some great wrong. That’s gothically romantic. Especially since Patrick Swayze. Werewolves? Not so sexy or romantic. Okay, a million-zillion teenage girls on Team Jacob would argue with me. But they are sad souls—Seth Green’s Daniel “Oz” Osbourne in Buffy the Vampire Slayer, David Naughton’s David Kessler in An American Werewolf in London, and the saddest of them all, Lon Chaney, Jr’s. Larry Talbot in The Wolf Man—for whom I can cry and with whom I can vicariously suffer the vicious vagaries of life as a monster.
No, thanks. I’ll pass.
(Okay, except for Shaun of the Dead).
Tonight (last night as you read this) is the premiere of Resurrection on ABC, which is based on the novel The Returned by Jason Mott and is produced by Brad Pitt’s Plan B Entertainment. The Sundance Channel had immense success last fall with the French television series The Returned, which was an adaptation of Les Revenants, which in English means They Came Back and which is on the list that opened that column.