Author: Rick Marshall

John McCain Hates Dungeons & Dragons?

John McCain Hates Dungeons & Dragons?

A series of posts on the website for Republican presidential candidate John McCain has gamers up in arms, and has earned attention from some high-profile media outlets for the strange decision to target Dungeons & Dragons players, of all things.

In an August 1 post on the official McCain campaign website, spokesperson Michael Goldfarb said of a recent New York Times blog post:

… in their new role as bloggers, the paper’s editors seem to have all the intelligence and reason of the average Daily Kos diarist sitting at home in his mother’s basement and ranting into the ether between games of dungeons and dragons.

While this mention didn’t generate much commotion at the time, it was Goldfarb’s decision to negatively namecheck D&D a second time just a few weeks later — a day after the end of the popular gaming convention Gen Con — that had everyone (including online culture blog BoingBoing) wondering whether the McCain staffer has some longstanding issues with the popular role-playing game and its fans.

It may be typical of the pro-Obama Dungeons & Dragons crowd to disparage a fellow countryman’s memory of war from the comfort of mom’s basement, but most Americans have the humility and gratitude to respect and learn from the memories of men who suffered on behalf of others.

It sounds to me like someone could never find enough friends to form a party… or maybe he was never allowed to be Dungeon Master. Either way, I can’t help but raise an eyebrow at the decision to make an anti-D&D stance a theme in McCain’s presidential campaign.

Origin of Magneto in New Marvel Knights Series

Origin of Magneto in New Marvel Knights Series

I really enjoyed previous Marvel Knights projects Spider-Man: Reign and Silver Surfer: Requiem, as the pairing of writers, artists and subject matter of each miniseries seemed to really catch lightning in a bottle. I’m not sure that these series fit in with past titles falling under the "Marvel Knights" banner, but I know that they felt like a fresh look at both characters — and that’s saying a lot, given the saturation of Spider-Man and Silver Surfer stories the past few years.

I mention all of this because I can’t help but look forward to next month’s debut of X-Men: Magneto Testament #1, which pairs writer Greg Pak (World War Hulk) with artist Carmine Di Giandomenico, whose work I really enjoyed in Daredevil: Battlin’ Jack Murdock. The five-issue series promises to take a look at the early life of Magneto, and I’m itching to see if the MK crew can capture the same vibe of Reign and Requiem in this one.

Pak told Marvel.com, "Like so many classic Marvel characters, [Magneto] has to grapple with the typical problems of any scrawny outsider: family problems, schoolyard bullies, and first crushes…But every little conflict takes on a terrifying, new dimension as the scope and inexorable advance of the Nazi menace becomes clearer."

The first issue hits shelves September 10, and I’ve posted the Marko Djurdjevic cover to #1 here, with larger versions of the cover and pages posted after the jump.

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“Voltron” Film Moves Forward, “Robotech” in the Works?

“Voltron” Film Moves Forward, “Robotech” in the Works?

Variety reported earlier this week that the big-screen adaptation of the popular anime series Voltron: Defender of the Universe has been moved forward into the "turnaround" phase of production, bringing the project no one really expected to see in theaters closer to fruition. According to Variety, a Fox-based financing and production agency is looking to secure a moderate budget for the film, akin to a film like the recent adaptation of Frank Miler’s graphic novel 300.

The film’s producer, Mark Gordon Co., plans to attach a director within the next week to the script written by Justin Marks — a name which seems to be popping up on a long list of adaptations these days, Marks has also authored scripts for a film based on the DC superhero Green Arrow, as well as adapations of the He-Man cartoon and the Hack/Slash series published by Devil’s Due.

Marks’ take is described as a post-apocalyptic tale set in New York City and Mexico, where five survivors of an alien attack band together and end up piloting the five lion-shaped robots that combine and form the massive sword-wielding Voltron that helps battle Earth’s invaders.

Also of note is a mention at the end of the Variety article that Voltron was one of several "giant robot" stories optioned after the success of Transformers in theaters. Warner Bros. secured the rights to another 1980s anime series with a massive, loyal fanbase in North America, Robotech.

You can read a review of the Voltron: Defender of the Universe script over at The Latino Review, which gave Mark’s adaptation of the series amazingly high marks.

And just in case you’re feeling nostalgic, YouTube has the original opening from the 1980s Voltron series.

Tom Cruise Considers “Sleeper” Adaptation

Tom Cruise Considers “Sleeper” Adaptation

The Hollywood Reporter recently indicated that Tom Cruise has taken a fancy to Ed Brubaker and Sean Phillips’ gritty superhero-noir series Sleeper, and seems inclined to set the adaptation project up at Warner Bros. with Sam Raimi tagged as producer. Cruise has been "loosely" attached to star in the big-screen version of the DC/Wildstorm title, which was one of the more adult-fare comics to come out of the publisher in recent years.

However, with all of the hub-bub surrounding the Warner Bros. adaptation of Watchmen these days, THR reports that the studio is being meticulous with its pursuit of the rights to Sleeper.

Even if Cruise opts not to do "Sleeper," his interest in the project is propelling it forward, despite complicated rights issues that must be sorted out. Raimi and Donen have long been fans of the book, and the project could have found homes at Sony and Regency if those issues hadn’t been so complex.

"Sleeper" takes place in the same publishing universe as other Wildstorm books, and integrally featured characters from the company’s flagship title "WildC.A.T.s" as well as characters from another book, "Gen 13."

Here’s an aspect of the story that’s also of note — apparently, Sleeper isn’t the only Wildstorm title being considered for adaptation:

Both "WildC.A.T.s" and "Gen 13" had been set up at different places around town and some of those deals were made before DC bought the imprint in 1999.

It’s a tangled web for sure, but of all the series being optioned lately, this one seems like an entirely viable story for the big screen. Although one has to wonder whether they’ll tone down the high level of violence and sexual themes in the story… and if so, will it still pack the punch that made it a favorite of so many readers (including myself)?

“Julius” Latest Graphic Novel Targeted For Film

“Julius” Latest Graphic Novel Targeted For Film

Variety is reporting that the Oni Press graphic novel Julius, written by Antony Johnston with art by Brett Weldele, is the latest project optioned for feature film treatment. According to the report, Mandalay Pictures has purchased the rights to Julius, with F. Gary Gray (Friday, Be Cool) named as director.

Mandalay prexy Cathy Schulman said that Gray "has a vision for this adaptation that will satirize obsessive consumerism while providing a thrilling ride for audiences."

Eric Gitter of Closed on Mondays Entertainment, the producing arm of Oni Press, will produce; Oni’s Peter Schwerin and Joe Nozemack exec produce. Schulman, David Zelon and Jonathan Krauss will oversee the project for Mandalay.

Confession time, folks: I’ve never even heard of Julius. However, with the rate at which projects are being released and optioned these days (with some projects optioned well before they’re released), this has become a far more frequent occurrence with me. Has anyone else out there read this one and/or feel inclined to comment on it?

“Punisher: War Zone” Buzz: Ratings and More…

“Punisher: War Zone” Buzz: Ratings and More…

It seems as if there’s as much chaos going on behind the scenes of the upcoming Punisher: War Zone film as a typical Frank Castle firefight these days. Earlier this year, various sites reported that the Lionsgate Studios project had its release date pushed back to December, but now that change appears to be just the tip of the iceberg when it comes to problems with the highly anticipated film.

Over on the website for the film’s director, Lexi Alexander, all references to Punisher have been deleted — including her praise for the ultra-violent "red band" trailer release that we linked to back in June. Beyond that, the Latino Review recently reported that the studio is pushing for a PG-13 rating for the film due to the success of the The Dark Knight, igniting a massive backlash among fans of the character, the trailer and, well… just about everything related to the project. Luckily, that rumor was later semi-squashed in a follow-up report on Latino Review.

Meanwhile, Heidi MacDonald points us to even more rumor-mill chatter about the film, its potential rating and whether Alexander still has a role in it.

So what’s the real story? No one really seems to know anymore — but everyone seems to have a source "close to the project" with an opinion.

Heck, my source tells me that they might scrap the project entirely and bring back Dolph Lundgren to play the character. After all, he did tell one of the villains in the 1989 Punisher film, "I’m Batman." Coincidence… or a return to the character almost a decade in the making?

Oh, and if you have a chance, be sure to check out the "Punisher vs. Punisher" video I came across on YouTube, comparing the 1989 and 2004 films.

Wildstorm’s “World’s End” Relaunch Examined

Wildstorm’s “World’s End” Relaunch Examined

Over at io9, the website’s resident comics expert Graeme McMillan has put together a nice analysis of the events leading up to the current "World’s End" relaunch of DC’s Wildstorm line. I was pleasantly surprised by the recent issues #1 of Wildcats and The Authority — mainly because I’ve been a fan of both these series for quite a while and been both terribly excited and subsequently disappointed by prior attempts at re-establishing the universe around each series.

The new Wildstorm status quo places its superheroes in a world ravaged by events that they share much of the blame for, and this dynamic provides the opportunity for stories that have always been relegated to one-shot or "What If?" status elsewhere. So, I guess you can color me intrigued.

Here, McMillan provides a quick assessment of recent Wildstorm history:

This isn’t the first time that the Wildstorm line has gone all out for change; in 2003, their Coup D’Tat series had the Authority depose the US Government and set themselves up as dictators of the United States, before they realized that they couldn’t be bothered with all the paperwork. But with fans still hurting about 2006’s failed Worldstorm relaunch (which died when Grant Morrison’s core two series Wildcats and The Authority disappeared after one and two issues, respectively), will even the end of the world get them interested in checking out the series again?

Like McMillan, I’m impressed with the decision to change the Wildstorm Universe so dramatically — and I’m also hoping there isn’t a deus ex machina in the works at this point. For more on the new Wildstorm U and some thoughts from creators on why it was necessary, head over to io9.

Final Crisis and the Supergirl Cover Critique

Final Crisis and the Supergirl Cover Critique

Over at The Beat, Heidi MacDonald ignited quite the debate (to the tune of more than 50 comments, last I checked) when she posted a cover image from the third issue of Final Crisis, featuring a midriff-and-miniskirt Supergirl looking very uncertain about something, and headlined "Math is hard."

The post has prompted readers to weigh in on everything from Barbie dolls and Olympic uniforms to what the popularity of the post might mean for the industry and its fans. In fact, there’s all sorts of meta-analysis going on over there, folks — so if that’s your thing, hop on over and check it out.

Here are some of my favorite comments from the thread, though:

stan p. Says:

hey Beat—do you really find this cover problematic as opposed to, say, the grotesquely ultra-violent KICK ASS, which you promote below with none of your snark? just curious how this works with you…

Kate Willaert Says:

“not half as hard as superheroing with an exposed midriff.”

I’d say, not half as hard as superheroing in a skirt, when one of your main powers is flight. ;-)

Lea Hernandez Says:

Will you guys be quiet? Can’t you see the nice girl is ordering pizza using Wonder Woman’s invisible phone? She’ll never decide on a crust with all the racket around here.

Head over to The Beat to add your own thoughts to the discussion… IF YOU DARE!

Random Video: “Batman Begins” Keyski Fighting Demo

Random Video: “Batman Begins” Keyski Fighting Demo

While this video was posted a year ago, I’m fairly certain I’m not the only one who didn’t pick up on it until now. It’s a short promotional clip featuring the Keysi Fighting Method used in the current Batman film franchise by ol’ Dark Knight himself.

From what I gather around the ‘Tubes, KFM is a fairly controversial fighting style, with many arguing that it doesn’t hold up off the movie set. All I know for sure is that it looks pretty dangerous in this clip, and I’m not sure I want to test its "usefulness" in any way, shape or form.

In fact, I’m content just checking out this video:

 

 

“Harry Potter and the Half-Blood Prince” Release Delayed

“Harry Potter and the Half-Blood Prince” Release Delayed

ICv2 reports that Warner Bros. has pushed back the release of the sixth film in the Harry Potter franchise, Harry Potter and the Half-Blood Prince, due to fallout from the recent Writers Guild strike. Instead of being released on November 21, 2008, the next Harry Potter film will appear in theaters on July 17, 2009. The move is the result of the studio not having any "tentpole" blockbusters scheduled for release during the all-important summer season, as such films’ production would have normally begun during the time period in which the strike occurred.

Harry Potter fans can take heart, however, as it’s also reported that the move shouldn’t have any effect whatsoever on the release of subsequent films in the series.

The shift of The Half-Blood Prince will have no effect on the scheduling of the next Potter film, Harry Potter and the Deathly Hallows, which will be released in two parts, the first of which will debut in the fall of 2010 followed by the eighth and final Harry Potter film in the summer of 2011.

 

Two of the previous five Harry Potter films have opened during the summer, but the young magician’s rabid fan base will flock to the theaters in any season, which has allowed Warners to schedule the films effectively during either the summer or the winter holiday season.

More on the other films that Half-Blood Prince will now be competing with, as well as the moves made by other studios in the wake of this announcement, can be found over at ICv2.

In case you missed the recently released trailer for Harry Potter and the Half-Blood Prince, Cinematical has a nice version of it posted on their website.