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Book-A-Day 2018 #61: The Best American Comics 2013 edited by Jeff Smith

As you might be able to tell from the year in the post title, I’ve gotten more than a little lackadaisical about keeping up with this annual series of the best in comics created by North Americans. (I reviewed 2006 at the beginning of 2007, 2007 later in 2007, 2008 in 2008, 2009 in 2009, 2010 in 2011 after the next book was published, 2011 in 2012, 2012 in 2013,  2014 in 2014, and have so far missed 2015, 2016, and 2017. If it were still my job to keep up with things being published, I would probably be deeply ashamed of myself — but it hasn’t been for a decade now, so I’m not.)

But I’m still interested in good comics, as always. So here I finally am with the Jeff Smith-edited The Best American Comics 2013 , only four and a half years after it was published and six-and-a-half to seven-and-a-half years after the work in it originally appeared.

This is the point where one is supposed to say “better late than never,” but I don’t want to tempt anyone. “Best of” volumes always have a problem with age: even in the best of times, the beginning of the year they celebrate is about eighteen months before publication, and sometimes it can be even longer. The Best American Comics has an idiosyncratic September to August “year” to begin with, which makes it more convenient for their publishing schedule but can be confusing to someone trying to keep track of when things were published. (Although there’s no real reason to bother to do that, if you’re not running a media outlet or reprinting books for a living.)

Anyway, in this fine book are full stories and excerpts (more of the latter, as usual) from comics works originally published from September 1, 2011 through August 31, 2012 and made by people either currently resident in North America or “North American” (whatever that means). Translations would be OK as long as you’re French Quebecois or Mexican, I suppose, though I don’t recall seeing any of either in this series so far. (Too bad the old Yiddish publishing industry died out: it would be fun to see that in the modern comics world.)

The usual suspects are represented with the expected work: Alison Bechdel with an excerpt from Are You My Mother?, Craig Thompson with one from Habibi, Leela Corman with a bit from Unterzakhn, Eleanor Davis with “Nita Goes Home,” Derf Backderf with some pages from My Friend Dahmer, and stories from Laura Park, Kate Beaton (who also provides the cover), Gabrielle Bell, Vanessa Davis, and Paul Pope. There’s something of a tropism to cartoonists over teams, which is probably mostly a reflection of what the literary/artistic end of the comics world is like.

More obviously commercial work is represented, too, of various kinds: Faith Erin Hicks is here with an excerpt from Friends With Boys, Tony Puryear with a piece from Concrete Park (before it became a series, I think), and Terry Moore with some of Rachel Rising. All in all, there are 30 comics stories here from 33 creators, with Evan Dorkin showing up twice, as writer of a story with Jill Thompson and cartoonist of a collection of his “Fun” gag strips from Dork!

Some people you might expect are missing: the Hernandez Brothers, Dan Clowes, Peter Bagge, and Charles Burns are ones I thought of. But, without doing tedious research, I’m not sure what they published in that time period, if anything. And anyone interested in a book like this is going to know who they are to begin with — making room here for Sophie Goldstein and Sammy Harkham and Jeremy Sorese is probably better, if we’re making judgments like that.

As always, it’s a kaleidoscope of very different kinds of comics. I tend to check to see if the guest editor has tastes wide enough that there’s at least one story in the book that I don’t like or get at all — paradoxically, that’s what makes the best editors. Smith doesn’t manage to do that, which means either my tastes keep getting wider or they’re very in tune with his to begin with.

Any book in this series is worth reading, if you like comics and want a sampler of what’s good out there. I found 2013 a little less adventurous than some other years, but it’s always impossible to tell if that was the year or the editor. Libraries have a lot of these books; check ’em out there. It’s what I do, these days.

Reposted from The Antick Musings of G.B.H. Hornswoggler, Gent.

Batman & Mr. Freeze: Subzero Receives 20th Anniversary Edition

BURBANK, CA (March 1, 2018) – Warner Archive Collection (WAC) celebrates the 20th anniversary of Batman & Mr. Freeze: Sub-Zero with a remastered Blu-ray™ release of the award-winning animated film. Now available for preorders, Batman & Mr. Freeze: Sub-Zero will be available March 27, 2018 via wb.com/warnerarchive and your favorite online retailer.

To hail the arrival of Batman & Mr. Freeze: Sub-Zero on Blu-ray™, WAC will host an hour-long panel at WonderCon on Friday, March 23 at 1:00pm in Room 300B. Warner Archive Podcast hosts D.W. Ferranti & Matthew Patterson and some surprise guests will show remastered footage and discuss the film and the evolution of Mr. Freeze from a goofy villain into an endearing multi-dimensional character who just wants to find a cure for his dying wife.

Originally released as a direct-to-video film on March 17, 1998, Batman & Mr. Freeze: Sub-Zero will be released on Blu-ray™ in its original 4×3 Fullframe aspect ratio. The 67-minute film will be accompanied by several special features, including Art of Batman: Music Montage; Get the Picture: How to Draw Batman; the film’s theatrical trailer; and the Batman: The Animated Series/The Bew Batman Adventures/Batman Beyond “Mr. Freeze Saga” in chronological order – four episodes entitled “Heart of Ice,” “Deep Freeze,” “Cold Comfort” and “Meltdown.” The episodes will be presented in standard definition.

In Batman & Mr. Freeze: Sub-Zero, Batman faces his coolest case ever when Mr. Freeze returns to Gotham City and kidnaps Batgirl. While unraveling the mystery of Batgirl’s disappearance, Batman and Robin discover that she is part of Mr. Freeze’s frigid plan to save his dying wife – no matter what the cost. With time running out, Batman and Robin must find Gotham’s most cold-blooded villain and prevent him from putting Batgirl “on ice” forever.

Batman & Mr. Freeze: Sub-Zero is directed by Boyd Kirkland, who also helmed 21 episodes of Batman: The Animated Series as well as serving as a sequence director on Batman: Mask of the Phantasm. The script is written by Kirkland and Randy Rogel, who penned nine episodes of BTAS – but is probably best known for his prolific songwriting on Steven Spielberg Presents Animaniacs. Andrea Romano (of course) served as casting and dialogue director.

The film was honored as the Annie Award winner for Best Home Video/Animation.

The voice cast is led by Kevin Conroy, the preeminent voice of Batman, who went head-to-head with Michael Ansara (Guns of the Magnificent Seven, Harum Scarum) as he also reprised his BTAS role of Dr. Victor Fries/Mr. Freeze.

“Watching Michael Ansara portray the anguish and passion in Freeze’s love for Nora was beautiful,” recalls Conroy. “It was an acting lesson.”

Batman & Mr. Freeze: Sub-Zero also reunites key members of the Batman: The Animated Series cast, including Loren Lester (Robin/Dick Grayson), Efrem Zimbalist Jr. (Alfred), Robert Costanzo (Detective Harvey Bullock), Robert Hastings (Commissioner Gordon), Marilu Henner (Veronica Vreeland), Mari Devon (Summer Gleeson) and Liane Schirmer (Lt. Renee Montoya).

George Dzundza (The Deer Hunter, Law & Order), who voiced several characters in BTAS, joined the Batman & Mr. Freeze: Sub-Zero cast as Dr. Gregory Belson. The film also features Mary Kay Bergman in her first and only turn as Barbara Gordon/Batgirl, and Dean Jones (The Love Bug) as Dean Arbagast. The cast also includes Rahi Azizi as Koonak, Lauren Tom as Mariko, and veteran voice actors Frank Welker, Tress MacNeille, Townsend Coleman, Neil Ross, Randy Thompson and Ed Gilbert. Notable on-camera actors Brian George (Seinfeld) and Carl Lumbly (Alias, Justice League/Justice League Unlimited) also provide voices for the film.

REVIEW: Lady and the Tramp

The 1950s was an interesting era for Walt Disney as they moved further away from movies with humans as the protagonist to ones featuring anthropomorphic animals. Although work had begun a decade earlier, 1955’s Lady and the Tramp is one example and one of the more charming stories, if lacking in the wonder of earlier efforts.

We’re given the chance to revisit this now that Disney has made it their latest Signature Collection release, offering it in a Multi-Screen Edition (we used to call them Combo Packs so you get the Blu-ray, DVD, and Digital HD code).

You mention Lady and the Tramp and the iconic image of the two dogs sharing a romantic spaghetti dinner springs to mind, usually accompanied with snatches of the memorable soundtrack. The story is an old one, opposites attract as you can tell by the character names of Lady (Barbara Luddy) and Tramp (Larry Roberts). One is cared for by Jim and Darling Dear (Lee Millar and Peggy Lee), and the other is out on his own, making his way. They meet, as Lady escapes from cat lover Aunt Sarah (Verna Felton), runs into Tramp; sparks fly, and romance ensues.

There’s plenty in Disney’s fifteenth full-length animated feature to amuse kiddies and engage whole families. The music is good; the animation is fluid and energetic, superior to the more contemporary analog, Oliver and Company.

The 1080p/AVC-encoded video transfer is superb, one of the finest in their library. It is matched by the DTS-HD Master Audio 7.1 surround track. This is, essentially, the Diamond Edition repackaged with some new extras and others relocated for digital-only access.

New to the Signature Blu-ray:  Walt & His Dogs (8:27); Stories From Walt’s Office (6:02); How to Make a Meatball and Other Fun Facts About Lady and the Tramp (9:06); Song Selection (9:59), Sing-along versions of songs from the film include “Peace on Earth,” “What is a Baby/La La Lu,” “The Siamese Cat Song,” “Bella Notte,” and “He’s a Tramp” (also in Sing-Along Mode); and Classic Bonus Preview (0:48).

The following extras carry over from the Diamond Edition:

Diane Disney Miller: Remembering Dad (7:51), Deleted Scenes (19:11); Never Recorded Song -“I’m Free as the Breeze” (1:26): A song Tramp sang that was cut prior to the final version of the film; Audio Commentary: Inside Walt’s Story Meetings.

The following Diamond Edition extras do not appear on the Signature disc, nor do they appear to be in the digital collection archive: Disc Introduction by Diane Disney Miller and Disney Second Screen.

The following extras are listed as digital-only on the Classic Bonus Preview supplement: Diane Disney Miller: Remembering Dad; Lady’s Pedigree: The Making of Lady and the Tramp; Finding Lady: The Art of the Storyboard; Never Recorded Song “I’m Free as the Breeze”; 1955 Original Theatrical Trailer; 1972 Reissue Trailer; 1986 Theatrical Reissue Trailer; PuppyPedia: Going to the Dogs; Deleted Scenes – Introduction of Boris, Waiting for Baby, Dog Show, Turning the Tables, The Arrival of Baby, Baby Arrives, Lady’s Sweater; and Original 1943 Storyboard Version of the Film.

This sixth release in the Signature series has nice elements, but if you have the Diamond Edition, you’re good. The film is a charmer and worth adding to your library in one form or another.

Ed Catto: Black Panther, back in the day…

I’m thrilled for the Black Panther’s cinematic success. Don’t fool yourself into thinking it’s just another a Marvel superhero movie that happens to be about an African superhero. This phenomenon is a great adventure and so much more. It includes the success of a positive message and of a black director and of a mostly black cast. Black Panther explores tough topics including, but not limited to, nationalism, isolationism, the black experience in the US, and the black experience internationally.

This movie quickly went from an event to a celebration. It’s a celebration for the African American Community. The Sunday New York Times had an opinion piece on how it’s a celebration for the Black Nerd Community.  On NPR, I’ve heard Jamie Broadnax, the insightful genius behind the Black Girl Nerds podcast, speak about what it means to her.  I’ve also read her comments in the New York Times Magazine. The Black Panther movie really is a win for all comic nerds, proving that the stuff they like, when done right, can traverse media to entertain and inspire people a global scale.

The opening weekend box office tallies verified that Black Panther is a big deal.  There’s one more success in all this. It’s a more personal, and smaller, celebration in comparison.  But I’m still elated and inspired by this particular one.

Right before going to the theater, I was remembering Jack Kirby’s second round of Black Panther adventures. The great artist Kirby co-created the Black Panther.  I’m a big fan of the man’s artwork, creativity and work ethic. But in 1977, when Kirby returned to Marvel Comics after a creatively explosive sojourn at the competition, one of the many projects he churned out was a new Black Panther comic series.

It was so disappointing to me. Oh, sure, the series was grand and boisterous, like any good adventure should be. But was just too silly and too goofy. I still cringe at the Black Musketeers, a thankfully forgotten concept. At that time, my little gang of comic book pals and I all thought is was absurd. A big part of the letdown was that we were comparing and contrasting this new Kirby comic to the previous Black Panther comic series. That one had blown our collective minds.


Let me set the stage. The Bronze Age version of Marvel’s Jungle Action debuted in 1972. Marvel used this comic to reprint old jungle comic stories like Tharn, The Magnificent, a second-rate jungle lord and two curvaceous jungle queens, Lorna and Jann.  These stories, from a simpler time, didn’t have much to do with the real Africa, or the real world, but they were as enjoyable as they were innocuous.  Through the lens of adulthood, their innocence is soured by the unintentional racism baked into many of the adventures.

After a short time, the old Tarzan knock-off reprints were gone and Jungle Action showcased new adventures of the Black Panther!  I knew that character. I liked that guy. I was excited for this change.

It seemed to me that, T’Challa, the Black Panther,  tended to crop up in other Marvel heroes’ comics. I remembered how he helped Captain America thrash some bad guys in issue #100, and how he seemed to be Daredevil’s buddy in an issue of The Avengers.

Jungle Action comics, now with Black Panther adventures, were something different.  They weren’t silly and they weren’t innocuous.  It was as if an unspoken covenant was forged between the writer and reader.  I could imagine the writer saying, “I’m going to take this very seriously, and work really, really hard on this story. If you come along for the ride, it’s gonna be a little more work, but I think it will be worth it.”

Every panel of these new Black Panther stories were overstuffed with glorious descriptions, insightful dialog and storytelling that bordered on poetry. There was a lot going on. There was a lot to remember. You had to pay attention to this one.  Each issue would take longer to read than other comics. I’d buy a stack of comics, but I  soon learned to save Jungle Action for last because I had to take my time with it.

Jungle Action’s abrupt change came about because the proofreader, Don McGregor, thought readers deserved better. Marvel promoted him to writer and he was off to the races. McGregor soon proved himself to be a superior writer who would go on to build a career with a long list of impressive accomplishments. Don is a romantic with passion for so many things in life. He’s a prince of a guy and one can find so much to admire about both his life and career.

Like so many comic characters, the Black Panther is a crazy quilt of various creators’ contributions over the years. The movie makers had the luxury of cherry picking the best parts and ignoring the rest. But it’s easy to see that so much of this movie is directly attributable to what Don McGregor, and his artistic collaborators, created. Make no mistake, the fingerprints of other talented creators are on screen. But for me, Black Panther seemed like a Don McGregor movie.

One of my favorite parts of this movies’ triumphant box office debut is the celebration of Don McGregor.  Life can be tough. But once in a while, a sweet guy who writes with passion gets his time in the spotlight so we can all pause to say, “Wow, thanks a lot.  You did a really good job.”  Here’s to Don McGregor.

I’m going to celebrate all the successes from Black Panther. And I’m going to keep going until Halloween. Any kids in Black Panther costumes get double treats!

The Law Is A Ass #428: Trial And Era With The Flash

It’s just like riding a bike. Once you’ve done it, doing it again is easy.

And what we’ve done, and are doing again, is “The Trial of The Flash.” Sorry, that should be the trial of Barry Allen as it wasn’t The Flash who was on trial for murder in the January 16th episode of The Flash, it was his secret identity Barry Allen. I’d think the old habits formed in columns of another era were dying hard but even the TV show called this episode “The Trial of The Flash.”

Anyway, The Flash – err, Barry Allen – was on trial for killing Reverse-Flash – I mean Clifford DeVoe; damn that muscle memory. Barry didn’t kill DeVoe. DeVoe, the super genius dubbed The Thinker, had transferred his mind into the body of a man named Dominic Lanse, because DeVoe’s own body was paralyzed and atrophying. DeVoe took his lifeless shell of a former body to Barry Allen’s apartment, stabbed it with one of Barry’s knives, and arranged for the police to find Barry standing over the body. Presto, Barry was framed better than Dogs Playing Poker.

Barry’s defense attorney Cecille Horton decided that the best way to beat the murder rap was to reveal to the world that Barry was The Flash…

Damn it! You’d think that after thirty years my fingers wouldn’t automatically write about the events of that old “The Trial of The Flash.”

Oh wait. Cecille wanted to do that in the current “The Trial of The Flash,” too. She decided the only way for Barry to beat the case would be for him to testify, which would require revealing his secret identity. No logical arguments such as, Barry is an expert forensic scientist for the police, so would he plan a crime so clumsy that all the evidence pointed to him. Or, if Barry had actually knifed DeVoe to death, why wasn’t there any blood on him when the police found him? Nope, nothing like that could be tried. Or tried. Only revealing Barry’s secret identity so he could testify could save him.

Problem was, Barry didn’t want to reveal his secret identity. He said if his Rogue’s Gallery learned his secret identity then all his family and friends would be in danger of reprisal from said Rogues.

Uh, Barry, you and your father-in-law, Joe West, are police officers who have openly worked with Team Flash in the past. I think you and Joe are already targets. Cecille, who’s engaged to Joe, used to be a prosecutor. So we can kind of reprise the reprisal for her. And your wife, Iris West-Allen, is a crime reporter who probably already has an enemies list as formidable as Richard Nixon’s. As for your other friends – the super heroes Vibe, Killer Frost, and Elongated Man, the Rogues already hate them, too. But they can kind of take care of themselves.

The point I’m making is that your family and friends already have targets on them. So not revealing your secret identity isn’t really protecting them all that much.

Moreover, at this point who in Central City doesn’t know the Flash’s secret identity? He and his team routinely use their street names while in costume. Their attitude toward preserving Flash’s identity is about as cavalier as a Cleveland sporting goods store in January. And even if there are some members of the general public who don’t know Flash’s identity; which of his Rogue’s Gallery doesn’t know it? Girder knows it. Pied Piper knows it. As does Plastique, Captain Cold, Reverse-Flash, Zoom, Weather Wizard, Savitar, Heat Wave, Abra Kadabra, Clifford DeVoe, and Gorilla Grodd. Did I leave any out? Probably.

So, again, Barry not revealing his secret identity? Not so helpful in the whole protecting-your-family-and-friends department.

The prosecution called Marlize DeVoe, the “widow” of Clifford DeVoe, as a witness. When Cecille cross-examined her, she used some photos that Joe Allen and Ralph (The Elongated Man) Dibny took of her in lip lock with Dominic Lanse. (Remember, her husband’s mind was in Dominic’s body, so she was actually kissing her husband.) Cecille suggested that maybe she and her husband weren’t so much in love and she and her new lover were tired of waiting for her husband to die so killed him.

Which is one of the worst ways to introduce that evidence. Why? Because it gave Marlize an immediate chance to explain the pictures. She said her husband was dying of ALS and she met Dominic, whose father died of the same disease, in an ALS support group. Her husband could see their mutual attraction so he encouraged Marlize to go to Dominic for the things he could no longer give her. It won the jury back to Marlize’s side.

The better way to introduce the evidence is spring it in the defense case-in-chief. Sure Marlize could try to explain it away. But she wouldn’t be able to do that until the state’s rebuttal case which would be hours – or days – later. Any bad feelings the jury might have gotten from the picture would sit in them for those hours — or days – and take root. So maybe, the jury wouldn’t buy into Marlize’s explanation quite so easily. That way, the closing argument of “We only have her word that she had her husband’s blessing. Maybe she and Dominic were tired of waiting for Clifford DeVoe to die and decided to do something about it,” would have had more effect.

And, for that matter, did anyone think to check out Marlize’s story? Did Dominic’s father really die of ALS? We know they didn’t meet in a support group, so why not check into his father’s death. If Dominic’s father did die of ALS – and what are the odds of that? – nothing’s changed. But if he didn’t, then Marlize committed perjury and the jury would have discounted most everything she said. To answer my own question, no one bothered to check Marlize’s story. So there’s some good criminal defense work.

And…

Yes, “and.” It’s happened again. I’ve run out of column before running out of material. Only this time it isn’t muscle memory causing me to re-type something I wrote back in 1983. This time it’s happening now. Seems that no matter what century I’m in, I’m fated to write endlessly about “The Trial of The Flash.”

LEGO® DC Super Hero Girls: Super-Villain High Arrives in May

BURBANK, CA (February 20, 2018) – Everyone’s favorite female Super Heroes are left to deal with a new rival when a mysterious high school pops up in the all-new animated film, LEGO® DC Super Hero Girls: Super-Villain High. Produced by Warner Bros. Animation, DC Entertainment and The LEGO Group, the film – a continuation in the worldwide DC Super Hero Girls franchise phenomenon – will be distributed by Warner Bros. Home Entertainment (WBHE) May 1, 2018 on Digital ($19.99 SRP), and on May 15, 2018 on DVD ($19.98 SRP).

After a mysterious school opens across the street, the students of Super Hero High find themselves up against a new threat. Now, Wonder Woman, Supergirl, Batgirl and the rest of the DC Super Hero Girls not only have to worry about the well-being of their grades, but the safety and security of friends, family and the rest of civilization. The girls must figure out how to put a stop to this evil, new cross-town rival and save the world once again!

The LEGO® DC Super Hero Girls voice cast returns its core cast with Grey Griffin (Wonder Woman), Tara Strong (Harley Quinn/Poison Ivy), Anais Fairweather (Supergirl), Teala Dunn (Bumblebee), Stephanie Sheh (Katana), and Ashlyn Selich (Batgirl). The cast also includes Yvette Nicole Brown (Amanda Waller), Greg Cipes (Beast Boy), Romi Dames (Lena Luthor), John DiMaggio (Gorilla Grodd, Wildcat), Josh Keaton (The Flash), Khary Payton (Cyborg) and Meredith Salenger (Lashina).

Elsa Garagarza (Star Wars: Forces of Destiny) directs LEGO® DC Super Hero Girls: Super-Villain High from a script by Jeremy Adams (Justice League Action, LEGO® Scooby-Doo!). Rick Morales (LEGO® Scooby-Doo! Haunted Hollywood) serves as producer, with Sam Register (Teen Titans Go!), Jill Wilfert (The LEGO® Movie, The LEGO® Batman Movie) and Robert Fewkes (LEGO® Frozen Northern Lights) serving as executive producers.

From Warner Bros. Consumer Products and DC Entertainment, the DC Super Hero Girls universe encourages young girls and kids to explore their own powers and strengths through original content, including all-new films, webisodes and TV specials. The franchise offers young fans inspiration and encourages teamwork, friendship and empowerment. DC Super Hero Girls: Super-Villain High will connect with fans throughout the world through the brand’s vast digital content networks, including LEGO.com, DCSuperHeroGirls.com, the DCSHG App, YouTube Channel and Instagram, as well as a global licensing and merchandising program.

“We’re thrilled to release a second LEGO® DC Super Hero Girls film that’s fun for young girls to view and enjoy,” said Mary Ellen Thomas, Warner Bros. Home Entertainment Vice President, Family & Animation Marketing. “LEGO toys rank #1 amongst Children ages 6-11, allowing these films to resonate with children.”

SPECIAL FEATURES

  • Six Animated Shorts
    • Crazed and Confused
    • Need for Speed
    • Showdown
    • Trading Places
    • Wonder Waitress
    • Bodybuilding

BASICS

Street Date: May 15, 2018
Run Time:  approximately 78 minutes
DVD Audio – English
DVD Price: $19.98 SRP
HD EST Price: $19.99 SRP
SD EST Price: $14.99 SRP

A Clip from LEGO DC Super Heroes: The Flash

In LEGO DC Super Heroes: The Flash, Reverse-Flash manipulates the Speed Force to put The Flash into a time loop that forces him to relive the same day over and over again – with progressively disastrous results, including losing his powers and being fired by the Justice League. The Flash must find a way to restore time to its original path and finally apprehend his worst enemy before all is lost for The Flash … and the world!

Along the route, The Flash encounters numerous new characters being introduced to the popular DC Super Heroes series, including The Atom; B’dg, a squirrel-esque Green Lantern; a pair of legendary super pets in Ace the Bat-Hound and Krypto the Super-Dog, Batman and Superman’s faithful canine pals; as well as Aquaman’s trusted seahorse, Storm.

Produced by Warner Bros. Animation, DC Entertainment and the LEGO Group, LEGO DC Super Heroes: The Flash is currently available from Warner Bros. Home Entertainment on Digital. WBHE will distribute the film on March 13, 2016 on Blu-rayTM Combo Pack and DVD.

Star Wars: The Last Jedi Brings the Force Home in March

BURBANK, Calif. (February 20, 2018) — Lucasfilm’s Star Wars: The Last Jedi—the next action-packed chapter of the Star Wars saga— Earned critical acclaim and the No. 1 spot atop 2017’s list of highest-grossing films. The visually stunning film welcomes the return of original characters, including Luke Skywalker, Princess Leia, Chewbacca, Yoda, R2-D2 and C-3PO and further explores the deepening journey of the saga’s new members, Rey, Finn, Poe, and Kylo Ren. Now families can bring home the movie digitally in HD and 4K Ultra HD™ and via Movies Anywhere on March 13, two weeks before the 4K Ultra HD™ Blu-ray, and Blu-ray™ disc on March 27.  This release also marks Disney’s first title available on 4K Ultra HD Blu-ray disc in both Dolby Vision™ HDR and Dolby Atmos® immersive audio, delivering consumers a transformative viewing experience.

Director Rian Johnson takes fans on an intimate journey into the creation of Star Wars: The Last Jedi in a feature-length documentary, explaining his unique interpretation of the Force, detailing the painstaking process of creating Snoke, and deconstructing action-packed scenes from the film such as the epic space battle and the final confrontation. Johnson also reveals two exclusive scenes, featuring Andy Serkis as Snoke prior to his digital makeover, as well as 14 never-before-seen deleted scenes, in addition to his audio commentary.

Bonus features include*:

  • The Director and the Jedi – Go deep behind the scenes with writer-director Rian Johnson on an intimate and personal journey through the production of the movie—and experience what it’s like to helm a global franchise and cultural phenomenon.
  • Balance of the Force – Explore the mythology of the Force and why Rian Johnson chose to interpret its role in such a unique way.
  • Scene Breakdowns
    • Lighting the Spark: Creating the Space Battle – Get a close-up look at the epic space battle, from the sounds that help propel the action, through the practical and visual effects, to the characters who bring it all to life.
    • Snoke and Mirrors – Motion capture and Star Wars collide as the filmmakers take us through the detailed process of creating the movie’s malevolent master villain.
    • Showdown on Crait – Break down everything that went into creating the stunning world seen in the movie’s final confrontation, including the interplay between real-word locations and visual effects, reimagining the walkers, designing the crystal foxes, and much more.
  • Andy Serkis Live! (One Night Only) – Writer-director Rian Johnson presents two exclusive sequences from the movie featuring Andy Serkis’ riveting, raw on-set performance before his digital makeover into Snoke.
  • Deleted Scenes – With an introduction and optional commentary by writer-director Rian Johnson.
  • Audio Commentary – View the movie with in-depth feature audio commentary by writer-director Rian Johnson.

* Digital bonus offerings may vary by retailer.

Star Wars: The Last Jedi is packaged several ways to ensure fans get the most out of their in-home viewing experience. The Multiscreen Edition (formerly the Blu-ray Combo Pack) includes Blu-ray, and a Digital copy, giving viewers the flexibility to watch the film on different devices. Those with 4K Ultra HD capability may opt for a 4K UHD Collector’s Edition, including 4K Ultra HD disc with Dolby Vision and Dolby Atmos, Blu-ray disc, and a digital copy (where available). Dolby Vision delivers greater brightness and contrast, as well as a fuller palette of rich colors. Dolby Atmos places and moves audio anywhere in the room, including overhead. Together on 4K Ultra HD Blu-ray disc, viewers will practically feel the Force in their own home.

DISC SPECIFICATIONS:

FEATURE RUN TIME: Approximately 152 min.
RATING: PG-13 in U.S.; PG in CE; PG in CF
ASPECT RATIO: 2.39:1
AUDIO:
4K UHD (US): English 7.14 Dolby Atmos; English 7.1 Dolby Audio™; English 2.0 Descriptive Audio, Spanish 7.1 Dolby Audio
4K UHD (Canada): English 7.1.4 Dolby Atmos; English 7.1 Dolby Audio; English 2.0 Descriptive Audio, French 7.1 Dolby Audio
Blu-ray: English 7.1 DTS-HDMA, English 2.0 Descriptive Audio, French and Spanish 5.1 Dolby Audio Language Tracks
DVD: English 5.1 Dolby Audio, English 2.0 Descriptive Audio, French and Spanish 5.1 Dolby Audio Language Tracks
Digital 4K UHD: English Dolby Atmos (where available), English 7.1 Dolby Audio (where available), English, French & Spanish 5.1 Dolby Audio, English 2.0 Descriptive Audio (where available)
Digital HD: English, French & Spanish 5.1 Dolby Audio, English 2.0 Descriptive Audio (where available)
SUBTITLES:
UHD / BD: English SDH, French & Spanish
DVD: English SDH, French & Spanish
Digital: English SDH, English Closed Caption, French & Spanish (where available)

ABOUT STAR WARS: THE LAST JEDI:

In Lucasfilm’s Star Wars: The Last Jedi, the Skywalker saga continues as the heroes of The Force Awakens join the galactic legends in an epic adventure that unlocks age-old mysteries of the Force and shocking revelations of the past.

The film stars Mark Hamill, Carrie Fisher, Adam Driver, Daisy Ridley, John Boyega, Oscar Isaac, Lupita Nyong’o, Andy Serkis, Domhnall Gleeson, Anthony Daniels, Gwendoline Christie, Kelly Marie Tran, Laura Dern with Frank Oz, and Benicio Del Toro.    Star Wars: The Last Jedi is written and directed by Rian Johnson and produced by Kathleen Kennedy and Ram Bergman. J.J. Abrams, Tom Karnowski and Jason McGatlin are the executive producers.

Batman Ninja Reimagines the Dark Knight Anime Style

BURBANK, CA (February 13, 2018) – Prepare to witness the Dark Knight, alongside many of his most famed allies and infamous foes, in an eye-popping anime display you’ve never seen before when Warner Bros. Japan, DC Entertainment and Warner Bros. Home Entertainment present Batman Ninja. The all-new, feature-length animated film arrives on Digital starting April 24, 2018, and Blu-ray™ Steelbook ($29.98 SRP), Blu-ray™ Combo Pack ($24.98 SRP) and DVD ($19.98 SRP) on May 8, 2018. Order due date is April 3, 2018.

The film will be available in 4K UHD for Digital only in a release planned for Summer 2018.

Batman Ninja is rated PG-13 for sequences of violence and action, and for some suggestive material.

Batman Ninja takes a journey across the ages as Gorilla Grodd’s time displacement machine transports many of Batman’s worst enemies to feudal Japan – along with the Dark Knight and a few of his allies. The villains take over the forms of the feudal lords that rule the divided land, with the Joker taking the lead among the warring factions. As his traditional high-tech weaponry is exhausted almost immediately, Batman must rely on his intellect and his allies – including Catwoman and the extended Bat-family – to restore order to the land, and return to present-day Gotham City.

The visually stunning Batman Ninja is the creative result of a trio of anime’s finest filmmakers: director Jumpei Mizusaki (Opening animation of JoJo’s Bizarre Adventure), writer Kazuki Nakashima (Gurren Lagann), and character designer Takashi Okazaki (Afro Samurai) produced the original movie with Warner Bros. Japan. The script was then reinterpreted and rewritten for English-language distribution by award-winning screenwriters Leo Chu and Eric Garcia (Supah Ninjas, Afro Samurai). Benjamin Melniker and Michael Uslan are Executive Producers.

Roger Craig Smith (Batman: Arkham Origins) and Tony Hale (Veep, Arrested Development) lead an impressive cast as the voices of Batman and the Joker, respectively. Grey Griffin (Scooby-Doo franchise) and Tara Strong (Batman: The Killing Joke) supply the voices of the antagonist & protagonist’s closest allies – Catwoman and Harley Quinn, respectively – while Fred Tatasciore (Family Guy) provides the gruff-yet-sophisticated tones of Gorilla Grodd, a villain who must team with Batman to achieve his own personal agenda. Other voice actors include Bat-family members Yuri Lowenthal (Ben 10: Omniverse) as Robin, Adam Croasdell (Reign) as Nightwing and Alfred, and Will Friedle (Boy Meets World) as Red Robin, and the Rogue’s gallery also features Tom Kenny (SpongeBob SquarePants) as Penguin and Eric Bauza (The Adventures of Puss in Boots) as Two-Face. Doing double duty is Tatasciore as Deathstroke, Strong as Poison Ivy, and Friedle as Red Hood.

Batman Ninja is an absolute feast for the senses, a stunning spectacle of anime wrapped around a thrill ride of a Batman story,” said Mary Ellen Thomas, Warner Bros. Home Entertainment Vice President, Family & Animation Marketing. “Our partners at Warner Bros. Japan have conjured an impressive addition to the Dark Knight’s canon of entertainment, taking Batman and his friends and foes in an altogether new direction. We can’t wait for fans to see this film.”

Batman Ninja Enhanced Content

Blu-ray Steelbook, Blu-ray Combo Pack and Digital

“East / West Batman” (Featurette) – Batman meets the anime medium, as this documentary looks into some of the Western tropes and archetypes, meshed into the world of feudal Japan.  East meets West, swords, samurai and giant robots, all playing into the clash between Batman and his Rogues gallery.

“Batman: Made in Japan” (Featurette) – To make a special film about Batman requires just the right artist to bring the mix of style and energy that is unmistakably anime.  The filmmakers discuss the Japanese character models, influences and design that create a fusion experience into this hyper real world.

“New York Comic Con Presents Batman Ninja” – Meet the talented filmmakers behind Batman Ninja as they discuss their inspirations and challenges in bringing an anime version of Batman to life during a panel discussion unveiling Batman Ninja during New York Comic Con 2017.

BASICS

Street Date: May 8, 2018
Order Due Date: April 3, 2018
Run Time:  85 minutes
DVD Price: $19.98 SRP
Blu-ray Combo Price: $24.98 SRP
Steelbook Blu-ray Combo Price: $29.98 SRP
Languages: English Audio and Japanese Audio

Book-A-Day 2018 #54: Lucky Penny by Ananth Hirsh and Yuko Ota

To be a sad sack, a character has to be sad. If she’s just as put-upon by life, but has a chipper attitude the whole time, she turns into something else. I’m not sure if we have a name for that something else, but maybe we can start calling her a Lucky Penny.

Penny Brighton would be a Manic Pixie Dream Girl if she were a supporting character in someone else’s story, but Lucky Penny is her story, so she’s just manic. She’s also a mess, but it’s not entirely clear how much of that is her fault. In a fictional universe, luck can be a real thing that molds lives, and maybe Penny is just cursed to fail every single luck roll.

Her book is Lucky Penny; it’s a comedy in graphic novel form — not quite a romantic comedy, closer to a comedy of errors. It’s by writer Ananth Hirsh and cartoonist Yuko Ota, who work together regularly and also appear to be a couple.

It opens with Penny, who is somewhere in her twenties but not precisely an adult, losing her clothing-retail job and her apartment in the same day. (The apartment should have been a longer-term issue, since her roommate Helen is moving away to get married, but I get the sense that Penny doesn’t make “plans” the way other people do.) So, since her judgment and adult skills are so good, she moves into Helen’s vacated storage unit (cheap!) and cajoles Helen into getting her a job at the family-owned laundromat, where she will be bossed by Helen’s kid brother David. (I can just barely believe in a laundromat that has one person working there full-time, to watch it, but two at once? That doesn’t seem right. What do you do working in a laundromat?)

Penny is energetic and lackadaisical and would be happy-go-lucky if she consistently was lucky or had more things to be happy about. But either her own lack of adult skills or the weight of the universe continually throws obstacles in her way — luckily for her and us, this is a comedy, so they’re funny obstacles. She does fail to plan for a lot of things — how will she stay warm in that unheated storage unit? how will she handle showers and other bodily needs living there? what kind of security does a roll-up door provide when you’re inside it? is she saving up to get an actual apartment? does she go shopping for food ever, or just live on her own manic pixie energy? — but, again, this is a comedy, so I should just relax.

And it is funny. Penny is a Weeble — she gets bounced around, but nothing in this particular fictional universe can actually knock her down. This is not the story of how she learns adult skills and finds a sensible apartment that she can afford, and starts taking night classes in double-entry accounting to get her foot on the ladder of success. It is the story of how she meets a cute guy at the community center, tries to scam him to get free shows, and ends up dating him in the end. Oh, and saves him from her evil boss’s plot of destruction, because Lucky Penny makes a hard left turn into another, but equally silly, genre at the end.

This is not a book to take seriously. Penny is a world-class goofball, and her world has strong goofball tendencies to begin with. And that ending genre-switch comes totally out of nowhere. But it is funny and amusing: Hirsh’s dialogue and captions are smart, and Ota is a fine cartoonist of moods and manic energy.

Reposted from The Antick Musings of G.B.H. Hornswoggler, Gent.