The Mix : What are people talking about today?

Cancelled Comic Convention Cavalcade? Count On It!

This may be the big one, folks. This may be the year that the San Diego Comic-Con gets cancelled.

You think I’m kidding?

The word came out from C2E2 this past weekend: People slated for Emerald City Comic Con Artist Alley in two weeks are publicly cancelling. A rumor that the whole dang con is cancelling is also doing the rounds.

Why? Because the first casualty from COVID-19 is from the Seattle area. There’s a cluster of people there who are already infected.

And neither the coronavirus nor the cancellations going to stop there.

The week after ECCC? ACE in Boston and Planet Comicon in Kansas City. Two weeks after that? Great Philadelphia, Big Apple and MoCCA.

And that just gets us to April.

Guests will cancel. The comics industry is filled with people who simply don’t have health insurance, and can’t risk the costs, the time out of work, or (obviously) their lives for the worst con-crud ever. Old-timers won’t even dare to leave their homes, nor should they. And all of this is before there are mandatory shutdowns by hotels, convention centers– even government order.

There’s no way to avoid it: if you’re expecting to go to any more conventions this year, you’d best be preparing alternate plans. If you’re expecting to make money at a show, you’d best be exploring mail order options or other sources of income.

I expect we’re going to start hearing about official cancellations of major conventions in ten days, possibly less.

How long will it go on? Hard to say, but if they’re talking the cancellation of events like the 2020 Tokyo Olympics this summer, you can’t believe that San Diego Comic-Con International isn’t going to be on the list to avoid like the– well, to avoid. At the very least, it’s not going to be nearly as international as in years past.

But that’s just the beginning of the troubles for the comics industry.

Are you going to be able to get to your local comic store on a regular basis? Is that store in a mall that’s in danger of quarantine? How many of those stores are getting books from overseas? (Assume anything from China will be an extra month late at minimum.) What happens if there are road closures? Travel restrictions between states?

And you’re going to have strange happenings. It just might be that Birds Of Prey is going to be the only comic book movie that is released to theaters directly this year– a number of people may check what’s at their local theater in two weeks and see the signs saying NO TIME TO DIE, and take the hint.

This is going to be a crazy year, folks. Be prepared. Keep checking CDC.gov. And for heaven’s sake, wash your hands for at least 20 seconds. You even know the length of time… it’s the time to sing this to yourself:

And no, we’re not sorry that song will be stuck in your head for the next year.

THE INFLUENCE FACTOR:  Dan DiDio, Andrew Rev, & Studio 54 Philosophy

THE INFLUENCE FACTOR: Dan DiDio, Andrew Rev, & Studio 54 Philosophy

“NO Bridge or Tunnel people.”

Steve Rubell, owner, Studio 54

That meant if you were not from Manhattan, you had little chance of ever getting into what is now known as the world’s most famous nightclub.

Studio 54.

Back then and even now, only the very rich or very poor live on the isle of Manhattan. I’m neither, although I’ve been poor and have had a bit of wealth.

Wealth, in this case, being able to afford a Manhattan residence. That by no means is a declaration of endless Benjamin’s. The thing about being from no money when you get some, you either blow it (done that) lose it (done that) or finally learn to make it work for you.

If you’re wondering what the difference between losing it and blowing it is, you’re blowing it.

(more…)

Brian Hibbs: Speculeeches vs. Actual Readers of Comics

There’s a return of an old pestilence upon the comics landscape. Brian Hibbs of Comix Experience is sounding the warning alarms. Reprinted with permission. —CM

Once again there is a speculator-driven comic coming out this week that forces us to limit sales or change our natural way of doing business.

This week it is YEAR OF THE VILLAIN: HELL ARISEN #3.

https://www.previewsworld.com/SiteImage/CatalogImage/STL145490?type=0

Here’s the thing: unlike last week’s BATMAN, where there were a good number of potential people-who-bought-earlier-issues-from-the-rack, my point-of-sale system shows me that virtually none of you bought copies of #1 or #2 from the shelf — this comic was a massive flop. And so, really, the only reason for most of the phone calls and such we’re getting is because we’ve got a bunch of greedy people trying to buy it from us for $4, and flip it for $40+.

I can’t countenance this as a retailer (seriously folks, we’re not suckers), and so I have to try to deflect you all. This week our plan is this: if you’re not already subbed for YOTV:HA (and you aren’t), THEN IN ORDER TO BUY #3, YOU HAVE TO BUY #1 & 2 ALONG WITH IT. We’re only interested in facilitating the reading of a story.

Let me go one step further: I’ve owned a comic book store since 1989, and I’ve worked comics retail since like ’85. I’ve heard this same record many many times before: In point of fact I’ve personally watched the comic book industry ALMOST BE DESTROYED MULTIPLE TIMES by speculators and greed — through the B&W boom, through the 90s spec crisis, and it’s happening again right now. People trying to “flip” comics are making it so PEOPLE WHO ONLY WANT TO READ THEM CAN’T DO SO.

It’s not right; and it’s certainly nothing I’m willing to participate in.

Please listen: if you are buying comics with the goal of flipping them for a greater price you are HURTING the comics medium, you are HURTING small businesses, you are HURTING creators and publishers….. and, more importantly, I DON’T WANT YOUR MONEY TO DO SO.

Seriously: Fuck the fuck off. Go shop somewhere else. You don’t like comics, you’re not good for comics, and your money is worthless to me because what I, and every other, comic book retailer needs are ONGOING READERS. Your spending $4 today is dwarfed by a regular stable purchaser spending that every single month. On the non-returnable comics that form the backbone of the Direct Market your ONE TIME purchase is genuinely HURTING comics and comics stores who then have a harder time figuring out how to serve their regulars. Your purchases are WEAKENING the market, and so you are not welcome in our doors.

When I opened in 1989, there were 24 comic book stores in San Francisco, and now there are (barely) 8 — that two-thirds went out of business largely because of these bullshit speculator games that hollowed out the actual readers market, despite the local economy BOOMING beyond all rationality in that time.

You suck. You destroy the thing you claim that you value. And Comix Experience simply won’t stand for it (nor have we, consistently, for the last thirty years!)

And more than that…. honestly? You’re an idiot. I sell comics for a living, and I watch these variant flash-in-the-pans and they NEVER (ever) hold their value. There are a small cartel of folks who are using public-facing apps, and trading back and forth between puppet accounts to MAKE IT LOOK like there’s demand for these comics featuring “Punchline”, but as a guy who has been selling this stuff for decades: this moment is 100% false and manufactured. We’ve yet to have a SINGLE reader show the slightest amount of non-fiduciary interest in the character, and any comic that “every knows is going to be worth money” never ever is a month or three after it drops.

Maybe “Punchline” will be an interesting character, with an involving storyline that leads to dynamic story-telling and tales for the ages. I sincerely hope so. But speculeechs driving up the price before anyone has ever read a single page of content is a massive red flag that “Punchline” will end up no better than “The Joker’s Daughter” (which was also white hot for about 45 days in 2013, and now no one would give you a dime for her eponymous comic)

Don’t be a sucker. Don’t help destroy what is left of the periodical comics market (idiot!) And don’t think you’re welcome in our stores. We’ve been there, we’ve done that, and we’ve had it proven again and again and again that you are the stone cold enemy of the Medium of comics.

Right now, you have a LOT of people trying to sucker and shake you down and get you to buy their comics because so many of them see a Hollywood Play, and are willing to use speculators and the worst excesses of the “Collector’s Market” to try and leverage that play. They too, are the enemy. Don’t fall for it! Don’t support them!

If you have any issue with any of this, take it up directly with me. I can always be reached at brian@comixexperience.com. Leave my staff out of it, please — this is a top-down statement.

-B

Brian Hibbs
Head Cheese, Comix Experience
San Francisco

Crisis on Earth Dan DiDio: How 5G was a crisis too far

DC’s REAL Doomsday Clock: Dan DiDio, 5G, and the End Of The Trinity

By now, you’ve probably heard that Dan DiDio is out as the co-publisher of DC Comics. Heidi covers a lot of it:

The departure of Dan DiDio as DC Co-Publisher on Friday was both long expected and shocking. His exit was rumored many many times over the years, and every contract renewal was a will he or won’t he suspense movie.

Originally at ComicsBeat.com

Rob Salkowitz over at ICV2 notes that this could be the first clear sign of some major changes in direction since DC’s parent company, Time Warner (now WarnerMedia), was acquired by AT&T last summer.

DiDio was something of a polarizing figure because of the direction of DC’s publishing strategy over the past few years. That has led to a lot of speculation about what was behind the sudden move, and whether it’s related to specific issues like DC’s impending “5G” initiative or some pent-up dissatisfaction within the company over his leadership.

Originally at ICV2

But what is/was 5G? Rather than that new wireless spectrum that’s being talked about for phones and wifi, DiDio had something else in mind:

The basic idea has been floating around since the middle of last year, and is seemingly yet another response to flagging sales. The idea was sort of to Ultimatize DC: all of the main heroes would be replaced by new younger versions, a tried and true comic book procedure which ends up giving you a great wave of cheers when the originals return AND new refreshing characters with youthful appeal.

Originally at ComicsBeat.com

Rob goes into detail about some of the financial issues behind this, focusing on AT&T’s purchase of WarnerMedia for $85 billion, doubling their debt to $170-odd billion, making them the most indebted publicly-traded company in the world by a factor of at least two, and about $70 billion in BBB-rated debt is coming due in the next 4-5 years, which must be repaid on schedule to maintain investment-grade status for its bonds.

But Rob missed the giant concrete block suspended over the wizard’s head…and the thread breaks in 13 years.

Because in 2033, unless there’s a big change in legislation… Superman enters the public domain.

Followed by Batman, Sandman, and the original Captain Marvel in 2034; Robin, the Flash, Green Lantern, Dr. Fate, Hourman, the Spectre, and Johnny Thunder in 2035; and Wonder Woman, Green Arrow, and Aquaman in 2036.

What percentage of the overall value of DC Comics is made up of those characters? 50%? 75%? 90%??? Whatever it is, it’s a lot. And it’s going to start going away very soon.

Now, DC won’t lose all of that value immediately. But there’s not going to be a lot preventing anyone from reprinting those stories, or making new stories from them. Or new movies and TV shows. Heck, there won’t be anything preventing Marvel from publishing Superman stories.

My take on 5G is that Dan was trying to get out from under by creating new characters that could still be held under copyright, holding on to value for the company going forward. And now that Dan’s gone… what are they going to do?

Tick-tock… tick-tock…

Visually Stunning 1917 Arrives on Disc March 24

Universal City, California, February 20, 2020 – 1917, the critically acclaimed, multi-award winning action spectacle including Academy Award® winner for Best Cinematography arrives on Digital March 10, 2020 and on 4K Ultra HD, Blu-rayTM and DVD March 24, 2020 from Universal Pictures Home Entertainment.  Hailed as “One of the most extraordinary cinematic achievements of the year” (JoBlo), the universally acclaimed film combines groundbreaking film making, memorable performances, and an unforgettable insight into the human experience against the shattering background of war. Additionally an Oscar® winner for Best Visual Effects and Best Sound Mixing, 1917 is “a new war movie classic” (NY Post).

In 1917 at the height of the First World War, two young British soldiers, Schofield (MacKayand Blake (Chapman) are given a seemingly impossible mission. In a race against time, they must cross enemy territory and deliver a message that will stop a deadly attack on hundreds of soldiers—Blake’s own brother among them. 1917 comes to Digital, 4K Ultra HD, Blu-rayTM and DVD with bonus content showcasing the incredible craft and artistry behind the immersive feature, including a detailed look into the production design, how the film engineered a one shot, 360-degree format and interviews with the cast and crew.

In 1917, Academy Award®-winning director Sam Mendes (American Beauty, Spectre, Skyfall) brings his Golden Globe® and BAFTA award-winning directorial performance to a script co-written alongside Krysty Wilson-Cairns (“Penny Dreadful”). The film stars breakout actors George Mackay (Captain Fantastic, Pride, Sunshine on Leith) and Dean-Charles Chapman (HBO’s “Game of Thrones”). Accompanying Mackay and Chapman are standout performances by Mark Strong (Tinker Tailor, Kingsman, The Imitation Game), Andrew Scott (“Fleabag”, Sherlock, Spectre), Richard Madden (Netflix’s “The Bodyguard”, Rocketman, HBO’s “Game of Thrones”), Colin Firth (The King’s Speech, Kingsman, Bridget Jones) and Benedict Cumberbatch (Sherlock, Dr. Strange, The Imitation Game). The film was produced by Mendes, Pippa Harris (“Penny Dreadful”, “Call the Midwife”), Jayne-Ann Tenggren (SpectreExtremely Loud & Incredibly Close), Callum McDougall (Spectre, Skyfall, Casino Royale) and Brian Oliver (Rocketman, Black Swan).

BONUS FEATURES ON 4K ULTRA HD, BLU-RAYTM, DVD & DIGITAL:

  • The Weight of the World: Sam Mendes – Academy Award® winner Sam Mendes discusses his personal connection to World War 1.
  • Allied Forces: Making 1917 – Learn how the one shot, 360-degree format was executed and the pivotal role Academy Award® winner Roger Deakins served in bringing Sam Mendes’ vision to life.
  • The Music of 1917 – Composer Thomas Newman and filmmakers discuss the important role of the Academy Award®-nominated score.
  • In The Trenches – Go behind the scenes with the cast of 1917.
  • Recreating History – Filmmakers offer a detailed look at the production design challenges of recreating the First World War.
  • Feature Commentary with Director/Co-Writer Sam Mendes.
  • Feature Commentary with Director of Photography Roger Deakins.
1917 will be available on 4K Ultra HD combo pack, which includes 4K Ultra HD, Blu-ray, & Digital Code.

  • 4K Ultra HD is the ultimate movie watching experience. 4K Ultra HD features the combination of 4K resolution for four times sharper picture than HD, the color brilliance of High Dynamic Range (HDR) with immersive audio delivering a multidimensional sound experience.
    • 1917 4K Ultra HD is available with HDR10+™, providing a premium HDR picture quality. HDR10+ transforms your movie watching experience with incredible brightness and contrast for each scene, delivering brighter brights and deepest darks.
  • Blu-ray unleashes the power of your HDTV and is the best way to watch movies at home, featuring 6X the picture resolution of DVD, exclusive extras and theater-quality surround sound.
  • Digital lets fans watch movies anywhere on their favorite devices. Users can instantly stream or download.
  • The Movies Anywhere Digital App simplifies and enhances the digital movie collection and viewing experience by allowing consumers to access their favorite digital movies in one place when purchased or redeemed through participating digital retailers. Consumers can also redeem digital copy codes found in eligible Blu-rayTM and DVD disc packages from participating studios and stream or download them through Movies Anywhere.  Movies Anywhere is available only in the United States.
For artwork, please log onto our website at www.uphepublicity.com

Website: https://uni.pictures/1917
Trailer: http://uni.pictures/1917Trailer
Facebook: https://www.facebook.com/1917Film
Twitter: https://twitter.com/1917
Instagram: https://www.instagram.com/1917
#1917Movie

FILMMAKERS:
Directed By: Sam Mendes
Cast: George MacKay, Dean- Charles Chapman, Mark Strong, Andrew Scott, Richard Madden, with Colin Firth and Benedict Cumberbatch
Music By: Thomas Newman
Costume Designer: Jacqueline Durran, David Crossman
Editor: Lee Smith, ACE
Production Designer: Dennis Gassner
Director of Photography: Roger Deakins, ASC ESC
Produced By: Sam Mendes, Pippa Harris, Jayne-Ann Tenggren, Callum McDougall, Brian Oliver
Written By: Sam Mendes, Krysty Wilson-Cairns

TECHNICAL INFORMATION 4K:

Street Date: March 24, 2020
Selection Number: 61209848 (US) / 61210170 (CDN)
Layers:  BD-100
Aspect Ratio: Widescreen 16:9 2.39:1
Rating: R for violence, some disturbing images, and language.
Subtitles: English, French Canadian, Latin American Spanish
Video: 2160p UHD Dolby Vision/HDR10+/HDR 10
Languages/Sound: English (Dolby Atmos), French Canadian (Dolby Digital Plus 7.1), Latin American Spanish (Dolby Digital Plus 7.1)
Run Time: 1:59:00
TECHNICAL INFORMATION BLU-RAYTM:

Street Date: March 24, 2020
Selection Number: 61209847 (US) / 61210172 (CDN)
Layers:  BD-50
Aspect Ratio: Widescreen 16:9 2.39:1
Rating: R for violence, some disturbing images, and language.
Subtitles: English, French Canadian, Latin American Spanish
Languages/Sound: English (Dolby Atmos), French Canadian (Dolby Digital Plus 7.1), Latin American Spanish (Dolby Digital Plus 7.1)
Run Time: 1:59:00

TECHNICAL INFORMATION DVD:
Street Date: March 24, 2020
Selection Number: 61209846 (US) / 61210171 (CDN)
Layers: DVD 9
Aspect Ratio: Anamorphic Widescreen 16:9 2.39:1
Rating: R for violence, some disturbing images, and language.
Subtitles: English, French Canadian, Latin American Spanish
Languages/Sound: English (Dolby Digital 5.1), French Canadian (Dolby Digital 5.1), Latin American Spanish (Dolby Digital 5.1)
Run Time: 1:59:00

Michael Davis: What Happened, Part 2

In part one of this article, I asked what happened to that fun-loving silly bastard who lost his mind when he met Mickey Mouse at Disneyland?

This happened…

Sadness happened.

Sadness killed that pain in the ass lovable (YEAH LOVABLE) bastard. The grief felt over the loss of my mother, the end of my marriage, and friendship with Denys Cowan. Sadness over my inability to shield people I care about from my (then) undiagnosed bipolar behavior. Sadness helped along by my (then) undiagnosed severe depression.

Anger happened.

Anger over the constant ridicule from the friends of my ex-wife who’s elitist posture pissed me off to no end. Yet, for the most part, I let it go, which made me angrier. The insult from Milestone.

The criminal (YES criminal) treatment from DC Comics. The two false racist arrests by LAPD. The seemingly purposeful attempts to distance me from my contributions as the lead creator of Static Shock.

“If you think Michael is the creator of Static just because his mom’s name is Jean. You should meet Dwayne’s cousin.”

Matt Wayne.

“Matt, if you think Dwayne is the sole creator of Static, you should meet my mother, Jean, my sister, Sharon, my father Robert, my childhood friends Wade and Richie, my cousin (yep cousin) Dee Dee…I could go on and on and on….”

Me

OR you could just peek at the creative bible Dwayne edited, BUT I WROTE.

Wait, I misspoke.

You can’t meet any of those people I named as characters I created.

They are all dead.

In the case of Sharon and Dee Dee murdered.

So I’m a wee bit ticked when people talk shit about the family who was the real-life models for those characters. I did that so my family would live on in some way.

NO ONE gets to rewrite that history.

Anger at a boldface horrible lie put on social media. A woman claiming I threatened her and felt she had to be escorted out of Comic-Con by her friends. She was preparing to write an in-depth ‘tell-all’ expose of my crimes against Gays and Black women, aka Me Too. She then recruited others to tell their ‘truth to power’ story.

There might be more, but all you need are two for a criminal conspiracy.

The unfortunate thing for those involved is you don’t have to commit the crime to be convicted of it. All you have to do is plan it and be stupid enough to put it on Twitter.

Here’s a tip for those who try to set me up. It can’t be done. I ALWAYS HAVE PROOF of where I am and what I’m doing and, most importantly, who I happen to be with.

Usually, I’d spend a few paragraphs examining the juicy piece of bullshit like this. Not this time. The rest of the article has a declaration that will NOT include those damning claims.

I’ll just say this: the claims made by that woman is laughable although not funny. I have proof she’s lying so strong that the VIDEO proof is the weakest of the evidence.


Sadness and anger, I brought on myself.

 

Yeah-I did. Even the failed attempts by DC’s former boss to discredit me sabotage my business. The stupid plot to cast me in the role of sexual predator hater of Gays and Black women, even those lies I’m responsible for.

I could have sought help earlier. I make no excuses, but I’m from a generation of Black men unless bleeding from a severe injury (sometimes not even then) don’t go to the doctor. I wrote article after article describing some of my I now know as systems and never gave it thought there was an issue.

Why am I responsible for those who hate my swagger so much they feel they have the right to try and destroy me? Lacking that, they hack my Facebook and tell the world I committed suicide. Why is that my responsibility?

My mother is why.

My mother was a remarkable woman. I’m sure most sons would say that about their mom, so I’ll tell you a bit about mine so you know I’m not whistling Dixie.

She took a horrible beating as punishment for me drawing (with a permanent black magic marker) all over the only TV set at the boarding house we were staying in.

I was 6 or 7, my sister, and I witnessed the entire thing. I knew it was my fault. We moved out of the boarding house, packing nothing going back to my grandmother’s house. We lived there when my mom broke up with my step-father. My step-father came over under the guise of reconciling. That subject was tabled when my mother was choked.

My step-father had beaten my mother there and promised to do it again. Putting herself back in harm’s way so her kids would be safe is standard procedure for any mother.

What makes my mom remarkable is what she did the day after the beating. I was a wreck, crying uncontrollably each time I thought about my mother trying to shield herself from her attacker. My mother came home after work, smiling through a swollen jaw, and presented me with an art set.

She knew. She knew the pain and anguish from the guilt I suffered. She knew how high the cost would be to my life if she didn’t act. But most of all, this remarkable soul knew her big mouth silly child found something he loved.

She knew I loved to draw. She gave me back my love with that art set because I’m sure I never would have drawn again.

That and about a zillion other reasons is why my mom is remarkable.


“Don’t back down when right do not let people dim your glow, Mike. Be yourself above all.”

My mother told me that in fourth grade, when bullied again in ninth grade when rejected by the High School of Art and Design and on what turned out to be her death bed.

Each time she said that to me, she was wiping tears from my eyes.

I am who I am. I don’t back down when I am right, and I’m always right.

That’s not bravado its truth. Every wrong done to me is retaliation against me, justly standing firm speaking truth to power. I can and have proved it.

No one cares.

Thus the anger bitterness and constant bitching.

Now, I see Micky Mouse as a guy in a suit when once I saw Mickey as another opportunity for a bit of fun.

I have to stop.

I gotta let it all go, or it will destroy me. It already consumes me at times my anger driving my blood pressure to deadly numbers

So I am letting it go after I state for the record a few things.

DC Comics TWICE under the leadership of Paul…nope.

That would defeat the entire purpose. Everything I would write here I’ve written before. My fans (both of them) have seen that narrative from me many times.

I wish DC well, yes that includes Paul. No, there is no joke coming. I respect what he’s done in comics. How could I not? I defended him when he was called a racist. Paul’s not a racist. No Paul, no Milestone, PERIOD. I did something that soured him against me personally, and he reacted. That’s not racism that’s good old unethical  American resentment.

He has little or no respect for me.

That’s ok. I am no longer losing any sleep over him.

He’s welcome to think anything he wants.

Everyone can conceive whatever hated view of me they want.  However, if it comes to my attention, I’m being slandered, and my business is affected to paraphrase Bruno Mars; “I’m a dangerous man with some lawyers in my pocket.”

I’ve already let the Milestone slight go. A few months ago, I had an hour-long conversation with Reggie Hudlin, who offered me the lead in his next movie. It’s called ‘Missing.’

JOKE! I did have an hour plus call with Reggie and still consider him a friend. Hung out with Mr. Denys Tesla Cowan over Thanksgiving. The only person I haven’t reconnected with is Derek Dingle. That’s on him.

Like the old south, I am officially letting all the pain, and righteous anger go.

Also, like the old south, I will occasionally react badly. Unlike the old south, I’m only human.

JOKE!I’m told there are many humans in the south!

Everyone gets a pass, EXCEPT those who with malice and forethought tried to harm me in some way. That’s out of my hands. They will hear from me through legal channels. They get no more of my time on-line.

For better or worse, as long as my new meds and outlook are working for me, I’m back to being a lovable bastard.

It’s hard letting pain and anger go. I can now because I realize that it will kill me. I’ll be dead soon enough; I don’t need any more help. I miss the person I once was. I owe it to my beloved Jean and all those who love me to bring that guy back.

Besides, comics need the true Master Of The Universe.  He-Man? Close but no. I’m talking about me, man. Damn! I’m so witty!


NEXT WEEK: I dismantle an Entertainment Weekly opinion piece claim of what the greatest Romantic Comedy is and school them on their comics ‘coverage.’

REVIEW: Swamp Thing: The Complete Series

REVIEW: Swamp Thing: The Complete Series

Swamp Thing the Complete Series Available in Feb.I was just the right age for Swamp Thing when he shambled into comics back in the early 1970s. I had years of super-heroes committed to memory so I was primed for something different. Along came Len Wein and Bernie Wrightson’s creation and it dealt nicely with familiar horror tropes but with enough of a twist to feel different along with continuing characters and exquisite artwork.

The arrival of Swamp Thing on DC Universe was equally well-timed in that we’ve had plenty of super-hero films and live-action television so it was a welcome addition to their initial lineup. Then came the news that there was trouble on the set, the series order was cut, then canceled after one ten-episode season. We were left with plenty of unfulfilled potential.

For those who missed out on the show, Warner Home Entertainment has released Swamp Thing the Complete Series in a fine Blu-ray package. I need to stipulate that one of the executive producers and writers of the show is Mark Verheiden, a long time friend so I am biased. Where I am not biased is in saying this is incredibly superior to the Wes Craven films and USA series from the 1990s.

The show takes its cues from the Wein/Wrightson stories but has totally reimagined the characters and settings, adding in other characters from across the DC Universe. Let’s start with Alec Holland (Andy Bean) as a disgraced scientist having worked for Avery Sunderland (Will Patton), who is a cross between Lex Luthor and Huey Long in this version. He and his wife Maria (Virginia Madsen) still mourn the loss of their teen daughter, harboring blame on Abby Arcane (Crystal Reed), who left town as a result. She now works for the CDC but when things go wonky in Marais, Louisiana comes home to investigate.

We have Holland becoming the Swamp Thing (Derek Mears), who is horrified at his transformation and slow to learn his abilities. His is being hunted, though, by Holland, who recruits Jason Woodrue (Kevin Durand), who subsequently becomes the Floronic Man, and Lucilla Cable (Jenifer Beals), the local top cop, and her son, Matt (Henderson Wade).

As much as this a horror/supernatural show, it is told through the prism of a soap opera with various entanglements complicating motivations and subsequent actions. Sometimes this provides for interesting drama, and other times is a distraction. Additionally, Nimue Inwudu, a.k.a. Madame Xanadu (Jeryl Prescott) is underused and Daniel Cassidy/Blue Devil (Ian Ziering) feels tacked on and his role may have suffered from the truncated episode order. We even get the Phantom Stranger (Macon Blair), who needed more to do.

Len Wiseman, from the Underworld franchise, and James Wan are among the executive producers and each brings their own approach to the storytelling, so we have plenty of gory, horrific set-pieces. The swamp setting and small rural town are nicely depicted and the shadows help with the mood. As a result, the 1080 dpi transfer was vital in capturing the colors and shades, and they do a fine job here, so you avoid getting lost in the muck.

All ten episodes are included with no special features, which is a disappointment, but the series is well worth watching for fans. It’s also reassuring all is not lost as we saw Swamp Thing both before and after the Arrowverse’s Crisis on Infinite Earths. One can hope we get a chance to revisit Earth-19.

Watchmen Limited Series Set for June Home Video Release

BURBANK, CA (February 13, 2020) – Fans can dive even further into the alternate world that has captivated audiences since its debut when Warner Bros. Home Entertainment releases Watchmen: An HBO Limited Series on Blu-ray ($44.98 SRP US/ $49.99 SRP Canada) and DVD ($39.99 US SRP US / $44.98 SRP Canada) June 2, 2020. Featuring all nine riveting one-hour episodes – plus over 90 minutes of bonus content, including two never-before-seen special features exclusive to the Blu-ray and DVD. Created for television and executive produced by Damon Lindelof (Lost, The Leftovers), Watchmen drew 1.5 million Viewers in its series premiere, becoming the second-highest rated HBO original series debut of the past three years, only behind Big Little Lies. The show is also currently “certified fresh” with a 96% rating on Rotten Tomatoes.

Set in an alternate history where “superheroes” are treated as outlaws, Watchmen embraces the nostalgia of the original groundbreaking graphic novel of the same name, while attempting to break new ground of its own. Watchmen reunites Lindelof with Academy® and Emmy® Award-winning actress Regina King (The Leftovers, Southland, If Beale Street Could Talk) leading the cast as Angela Abar/Sister Night. The series also stars Emmy® Award winner Jean Smart (Legion, Dirty John), Don Johnson (Miami Vice), Tim Blake Nelson (O Brother, Where Art Thou?, Leaves of Grass), Hong Chau (Homecoming), Yahya Abdul-Mateen II (Aquaman), Andrew Howard (Bates Motel), Jacob Ming-Trent (Ray Donovan), Tom Mison (Sleepy Hollow), Sara Vickers (The Crown) and Dylan Schombing (Sharp Objects), with Academy Award® winner Louis Gossett Jr. (An Officer and a Gentleman), and Academy, Emmy® and Tony® Award winning actor Jeremy Irons (The Lion King, Reversal of Fortune).

Produced for HBO by White Rabbit in association with Warner Bros. Television, the series was created for television by Lindelof based on characters co-created for DC by Dave Gibbons.  The series is executive produced by Lindelof, Tom Spezialy, Nicole Kassell, Stephen Williams and Joseph E. Iberti.

“The critical accolades for Watchmen have not slowed down since the series premiere,” said Rosemary Markson, Senior Vice President Marketing, Warner Bros. Home Entertainment. “We are thrilled to release Watchmen: An HBO Limited Series on DVD and Blu-ray with even more exclusive new content for fans to enjoy.”

9 ONE-HOUR EPISODES

  1. It’s Summer and We’re Running Out of Ice
  2. Martial Feats of Comanche Horsemanship
  3. She Was Killed By Space Junk
  4. If You Don’t Like My Story, Write Your Own
  5. Little Fear of Lightning
  6. This Extraordinary Being
  7. An Almost Religious Awe
  8. A God Walks Into Abar
  9. See How They Fly

EXCLUSIVE BLU-RAY/DVD SPECIAL FEATURES

  • Hooded Justice
  • The Colossal King – Adrian Veidt

ADDITIONAL SPECIAL FEATURES

  • Watchmen: Unmasked
  • 2019 New York Comic Con
  • Watchmen: Masked and Dangerous
  • Watchmen S1: Trailer
  • Character Trailers: Sister Night, Blond Man and Looking Glass
  • Becoming Sister Night
  • Notes from the Watchmen graphic novel artist Dave Gibbons
  • Rorschach Featurette
  • Watchmen: Alternate History
  • It’s Raining Squids
  • Squid Shelter with Tim Blake Nelson
  • Andrij Parekh on Directing
  • Sadiqua Bynum runs, jumps and falls for Sister Night
  • Anatomy of a Fight Scene
  • Glimpses – The Visual Effects of Watchmen

DIGITAL

The first season of Watchmen is currently available to own on Digital. Digital purchase allows consumers to instantly stream and download to watch anywhere and anytime on their favorite devices. Digital movies and TV shows are available from various digital retailers including Amazon Prime Video, AppleTV, Google Play, Vudu and others. A Digital Code is also included in the U.S. with the purchase of specially marked Blu-ray discs for redemption and cloud storage.

BASICS

Street Date: June 2, 2020

Order Due Date: April 28, 2020

BD and DVD Presented in 16×9 widescreen format

Run Time: Approx. 522 minutes

Enhanced Content Run Time: Approx. 100 minutes

DVD

Price: $39.99 SRP US / $44.98 SRP Canada

DVD Audio: English (5.1)

DVD Subtitles: English, French and Latin Spanish

BLU-RAY

Price: $44.98 US / $49.99 SRP Canada

BD Audio: English (5.1)

BD Subtitles: English, French and Latin Spanish

Jumanji: The Next Level Finds its way Home in March

4427623_jumanji_nl_2019_4kuhd_outersleeve_frontleft-1-300x358-2687534CULVER CITY, CALIF. (February 11, 2020) – Return to the mysterious and sprawling world of Jumanji with Dwayne Johnson (Fast & Furious Presents: Hobbs & Shaw), Jack Black (Goosebumps), Kevin Hart (Ride Along) and Karen Gillan (Avengers: Endgame) when JUMANJI: THE NEXT LEVEL comes to Digital March 3 and 4K Ultra HDTM, Blu-ray and DVD March 17 from Sony Pictures Home Entertainment.

Helmed once again by Jumanji: Welcome to the Jungle director Jake Kasdan, JUMANJI: THE NEXT LEVEL, crossing over $700 million at the global box office, brings the fan-favorites back into the game, along with Jumanji newcomers Awkwafina (The Farewell), Rory McCann (TV’s “Game of Thrones”) with Danny Glover (Sorry to Bother You) and Danny DeVito (Dumbo).

JUMANJI: THE NEXT LEVEL catches up with Spencer (Alex Wolff), Fridge (Ser’Darius Blain), Martha (Morgan Turner) and Bethany (Madison Iseman) three years after their first adventure in Jumanji’s mystical video game world. When Spencer goes missing inside the game ahead of the group’s planned reunion from college, his friends, along with his grandfather (Danny DeVito) and his grandfather’s friend (Danny Glover), once again inhabit the avatars of Dr. Bravestone (Dwayne Johnson), “Mouse” Finbar (Kevin Hart), Professor Sheldon Oberon (Jack Black) and Ruby Roundhouse (Karen Gillan) to rescue him. As they return to Jumanji, they discover that nothing is as they expect. With more action and surprises, the players will have to brave parts unknown and unexplored, from the arid deserts to the snowy mountains, in order to escape.

The bonus materials for JUMANJI: THE NEXT LEVEL include a gag reel, several behind-the-scenes featurettes, in-depth scene breakdowns, a brand new jingle and more! The 4K Ultra HD, Blu-ray, and DVD also include a fully interactive collectible map that employs Augmented Reality to bring Jumanji to life via smartphone. The experience provides up to ten minutes of gameplay and allows users to create their own 8-bit Avatar, navigate a series of mini-games and much more!

JUMANJI: THE NEXT LEVEL has a runtime of approximately 123 minutes and is rated PG-13 for adventure action, suggestive content and some language. The IMAX® Enhanced 4K Ultra HDTM edition features digitally remastered content presented with High Dynamic Range and DTS:X® audio for a more immersive at-home entertainment experience.

BLU-RAY AND DIGITAL BONUS MATERIALS:

  • Gag Reel
  • “Rhys Darby Wants To Jingle”: How do you top Jack Black and Nick Jonas’s unforgettable theme song for the first one?  Everyone’s favorite Non-Player Character, Rhys Darby is ready to take it to the next, next level.
  • “Body Swapping: Snapping Into Character”: “In the latest Jumanji adventure, the avatar roles are turned on their heads with new characters and hilarious performances.”
  • “Back Together: Reuniting the Cast”: Dwayne Johnson, Kevin Hart, Karen Gillan and Jack Black are back and better than ever as they share their excitement to reunite.
  • “Level Up: Making Jumanji: The Next Level”: From breathtaking scenery, wild adventure, new characters and more- go behind the scenes with the cast and crew as they take Jumanji to the Next Level.
  • “Scene Breakdown: Ostrich Chase”: Jump in your dune buggy and go inside the epic ostrich chase scene as the filmmakers and visual effects team breakdown the creation of this memorable scene.
  • “Scene Breakdown: Mandrill Bridges”: Moving rope bridges, giant mandrills and incredible stunt work make the mandrills attack one of the most adrenaline pack parts of this film.  In this scene breakdown, see how they pulled it off.
  •  “Awkwafina Cat Burglar”: To prepare for her roles as a pickpocket, Ming Fleetwood, superstar Awkwafina got a little too method behind the scenes.
  • “NPC Confessions: Jurgen The Brutal”: Being the bad guy isn’t all glory.  Jurgen The Brutal gets real in this candid confessional.
  • “Grow Up:” Danny DeVito and Danny Glover help Dwayne Johnson and Kevin Hart get in touch with their inner grumpy old men.
  • “Telenovela”: Kevin Hart gets lost in translation in this melodramatic promo.
  • “VFX Pre-Vis: Zeppelin Battle”: Compare the detail of the visual effects pre-visualization reel and the final picture breakdown of the thrilling Zeppelin battle.
  • “VFX Pre-Vis: Ostrich Chase”: Track the progression from pre-visualization to finished scene in a side by side comparison of the ostrich chase.
  • AR GAME: The 4K UHD, Blu-ray, and DVD include a collectible map that is fully interactive, employing Augmented Reality to bring Jumanji to life through a smartphone, allowing users to create their own 8-bit Avatar, navigate a series of mini-games and much more!

DVD BONUS MATERIALS:

  • “Body Swapping: Snapping Into Character”
  • “Back Together: Reuniting the Cast”
  • “Level Up: Making Jumanji: The Next Level”

Michael Davis: What Happened…?

I own a rare Japanese GI Joe figure which I was lucky enough to have signed by Don Levine GI Joes’s main creator. No idea what it’s worth but I know it’s pretty pricey— but I’d never sell it. Nor would I sell my prized Captain Action or any of the toys action figures or dolls I once collected.

I say once because the thrill of tracking down something I once had as a kid has left me.

That sucks.

There’s a huge TV in almost every room of my home and my studio. Each room has a gaming system hooked up in it. I have not played a video game in perhaps four years.

That really sucks.

It’s been twenty years or so since I went into the dealers area at Comic-Con. There was a time when I’d drop a ton of cash at SDCC and not think about it twice. Suffering from insomnia, I’d often make late evening runs to Target. I’d come back with all sort of stuff, mostly superhero related, and spend the wee hours of the night setting them up.

I mentioned dolls earlier and I meant dolls. I have a sizable collection of Barbie’s. Yeah, I’m a six foot two inch Black man from the hood and I once collected Barbie. I no longer do that either.

That may be the biggest suck of all. Laugh if you will but, “Hey, would you like to come to my home and see my Barbie collection” beats wanna play Call of Duty with the ladies each and every time fanboy.

What happened? Why have I stopped playing with toys?

  1. One day I looked at my Barbie’s and realized I’m not Gay so I stopped.
  2. My girlfriend and my wife sat me down for an intervention. They convinced this was not a good look for a middle aged Black man.
  3. I grew up.
  4. All of the above.
  5. None of the above

The answer is E none of those things are the reason.

The answer is that fun-loving silly bastard who lost his mind when he met Mickey Mouse at Disneyland is gone. “IT’S MICKEY MOUSE! F*******K!!!” I screamed like a little girl when I saw Mickey walking towards me during my first visit to Disneyland. I was there with Denys Cowan who had invited me along. This was a trip for Denys’ young son Miles he told me to come along because I’d love Disneyland.

I didn’t.

I was NOT impressed. The Happiest Place on Earth my ass. I was bored out of my mind until Mickey rolled up.

Mickey looked with disbelief. This was something new to Mr. Mouse: a grown man so freaking out over him. I was acting like a kid and could care less who saw me. THIS was Cloud 9.

YEAH I know it’s a man in a freakin suit I didn’t care.

It was nighttime and Mickey was on his way to clock out. A few kids had come over once gone he turned to me and I felt so special.

Suit man I know.

“Hey can I tell you a joke?” Mickey said. WTF?? Mickey doesn’t talk at Disneyland or anywhere he only speaks on film not in person. This freaking RAT just RUINED my good time.

NAH! Just kidding! I felt even more special!!!

Suit I KNOW

“YES! Tell me a joke, Mickey!”

I swear this is true and you can ask Denys Cowan. First Mickey pleaded PLEASE don’t tell anyone because he could get fired. When he heard my F bomb he figured I’d appreciate this joke:

Mickey Mouse is in divorce court and the judge is shaking his head.

“Mr. Mouse, you cannot use insanity as a plea in a divorce case.”

Mickey looked at the judge and said; “I didn’t say she was insane, I SAID SHE WAS F**K**G GOOFY!”

Mickey Mouse told me that joke at Disneyland, I cried I was laughing so hard.

I’m still crying but not because of any joke.

This article started as a rant. Gucci is selling Mickey Mouse tee shirts for $650. You can find a much better designed one for $14.99 at Macys. To be fair, Gucci’s logo is on their shirt so that easily justifies the $635.01 extra. To be even fairer, Gucci has Mickey Mouse tees WITH the Gucci logo that goes for $20 bucks.

What the difference? The only difference I see is the $20 dollar shirts feature a dumb as dirt looking Mickey. I’m not kidding. But fear not; for $650.00 you can have a cool looking Mickey.

That lighthearted description is far from my original fire and brimstone class warfare damn those elitist bastards who make poor kids think they need $200 sneakers to be cool article I wrote.

That article has been done for a while. I hope I never run it. It’s bitter cold and utterly depressing.

Like its author.

Once my writing was upbeat comical and downright silly. “How To Meet Girls” was a tongue in cheek fanboy guide to getting a girlfriend. I listed ways fanboys could improve their zero chances to 1 or perhaps 2 out of 100. It was a standard article running a few hundred words. The next week my follow up article for fangirls, “How To Meet Guys,” was exactly one sentence. “Be a girl.”

That may not be the sentence that printed in Comics Buyers Guide where it printed. I reread a bunch of different drafts and I’m unsure which one ran.

Boy, did I like myself back then. I cracked myself up daily, not caring if anyone else got the joke. I thought it was funny so I was satisfied. One column was “Is You Stupid?” The first sentence stated it was slang used in the Black Community but I was confident some knucklehead would comment on my grammar regardless if they read that I’d written “Is You Stupid?” on purpose.

Much to my surprise no one commented.

LIKE HELL THEY DID-ANT. Yep, there was someone that stupid. Yes, DID-ANT is how I meant to write that and you’re supposed to channel a Black girl from the hood when you read it.

“OH NO YOU DID-ANT!”

Yep. It’s like that…and that’s the way it is.

I once wrote an entire article using Dragon Dictate. The damn near $200 version that I paid for. So, I guess I is stupid two. I didn’t correct one misspelling I’d spent hours “teaching” that piece of crap program how to interpret my voice and was done correcting it. I’d say; “My name is Michael Davis, I’m the Master Of The Universe.” Dragon Dictate would write; “My nanny is Michael Avis I masturbate first.” That may or may not be true but it’s not what I dictated.

I’d write silly “what ifs?” Like what if Marvel Superheroes existed in the real world and did real world dumb stuff that’s so popular today? Like Speed Dating? The following is from Brokeback Marvel:

Johnny Storm is seated across from a pretty blond with short hair.

“Hi, I’m Johnny Storm.”

“Hello, I’m Paris Hilton. So Johnny, what do you do?’

“I’m a member of the Fantastic Four.”

“That a rock group? Oh wow! Do you have a CD out?? Do you know Justin Timberlake?”

”It’s not a rock group. We fight crime.”

“You a cop?”

“No.”

“Oh God, you’re a security guard??”

“No. I’m a super hero.”

“That a kind of sandwich?”

“No, we defend the earth from super villains.”

“Oh, really?”

“Yes. Really.”

“That pays a lot?”

“No, I do it for free. Hey where you going?”

“I don’t date men without a job. You have a trust fund or something?”

“No.”

“Your daddy rich?”

“No.”

“Then why on earth should I go out with you?”

“Flame on!”

“Wow…that’s hot.”

I said it was silly, didn’t I? That article got me a very nice letter from a very big star.

Fun Fact: There are some who think I drop names for one or two reasons.

  1. I’m Bragging, or,
  2. I’m full of shit.

I’m neither but remember those points.

The following is an excerpt from: “What about me? What about my needs?”

There is a TV show called Me or the Dog. I think it’s on Animal Planet. This show is about how dogs run the lives of people. There was a woman on one of these shows who actually said she preferred her dogs to her husband and son. She said if given a choice between her family and the dogs she would put the family out of the home before the dogs. I think she thinks she’s a dog. Well if she thinks she’s a dog then I will address this in a way she would understand.

That bitch is crazy.

 

See? Silly but fun! I once wrote funny stuff almost every week. That didn’t stop me from writing about serious subjects many of which touched a nerve in some. Two articles got me death threats. Yep, Death threats.

But enough about my fans! I was going to list one more excerpt from my absolute favorite silly article but I couldn’t decide what to pull from it so here:

https://www.comicmix.com/2008/01/24/the-worst-tv-show-ever-part-1-by-michael-davis/

All that merriment begs the question; what happened to that fun-loving silly bastard who lost his mind when he met Micky Mouse at Disneyland?

This happened…

End Part 1