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The Law Is A Ass #456: Supergirl Contracted Stupidity

The Law Is A Ass #453: Supergirl Contracted Stupidity

No, we don’t need the Wayback Machine, today, we can get by with the Halfback Machine. (Be glad it wasn’t the Nickelback Machine.)

The last time I wrote about a TV show it was The Wild Wild West, so I needed the Wayback Machine, because, while that show may not date back to when Adam was a pup, it does go back to when Eve was a rib. This time I’ve set my crosshairs on Supergirl, Season 5, Episode 1, “Event Horizon.” That was only a year or ago, so I can use a time machine that has short range and even shorter reach; my memory.

In “Event Horizon” we learned Lena Luthor had to raise capital for a new project so she sold her holdings in CatCo; the news conglomerate which employs Kara (Supergirl) Danvers, Jimmy Olsen, and the other Supergirl characters we care about; to Andrea Rojas, who took over as both owner and as editor-in-chief. Andrea wanted to convert CatCo from a hard news organization to one with more of a revenue-driven thrust. A Buzzfeedesque news network that would provide “water cooler news… that’s just fun to read and just as easy to digest. [because] Everything is about clicks.”

To say said change in editorial policy did not sit well with the Catco staff is more of an understatement than saying Leiningen had a slight ant infestation. (Hey, that’s a classic literature reference, I shouldn’t have to explain it to you.) The CatCo staff believed news should be as hard as well water before Culligan was manned and as probing as alien abductions. Indeed the entire room of CatCo’s top employees threatened to walk rather than go along with Andrea’s clickbait conversion. That’s when Andrea reminded them that they were, “all on a brand new three-year contract,” and that, if they walked, Andrea would enforce the contracts’ non-compete clause, so that none of them could work in the news media for the duration of those contacts.

That’s when my brain went TILT quicker than pinball machine in a temblor.

See what law school did to me? It taught me an analytical thinking process that I can’t turn off. Now, anytime I hear something even slightly related to the law such as “why Andrea had to remind the CatCo staff that they had new three-year contracts”, I start analyzing it to see whether it was logical or plausible or even remotely accurate— or was it the par-for-the-course legal nonsense that popular entertainment customarily palms off with all the dexterity of a third-rate magician palming a coin?

I wracked my brain, because law school wrecked my brain, trying to see if there was any way the CatCo staff could have all gotten new three-year contracts without them knowing about it.

Could Andrea have negotiated new contracts with them without their knowing about it? No. Contracts are a meeting of the minds. In employment contracts they meet when one mind agrees to give something – his or her services – in return for the other mind giving something – remuneration and benefits. It doesn’t take a legal scholar – lucky for me – to know that you can’t have a meeting of the minds, if one of the two sides of a contract doesn’t know a contract was even being negotiated.

Maybe the CatCo contracts had an option clause, like a team option in a baseball contract. One that allowed CatCo to renew a contract at its discretion for a term of service specified in the contract. No. Not logical.

Option clauses in sports exist because a team wants to retain the services of a player if he is still performing at a certain level or to be able to cut that player by not exercising the option, if the player’s skills have diminished. You don’t need option clauses in standard employment contracts. When the employees in question are still young enough that they can be played by performers who are still young enough to appeal to the desired 18-to-34 demographic of a network TV series, it’s not likely that their skills have diminished to the point that they couldn’t perform the standard duties of a standard employment contract. So an option clause wouldn’t be an option.

Could Lena Luthor have been negotiating new employment contracts with the CatCo employees while also, and at the same time, negotiating with Andrea to sell the company and the employees renewed their contracts without knowing CatCo was about to be acquired by a clickbait company? Possibly, but not likely.

Business acquisitions such as this one generally take a long time. Not just because all the executives of the company being acquired are all making sure their golden parachutes are in place but because the rights of the shareholders must also be considered.

It is very unlikely that a major entertainment company such as CatCo was a privately held corporation rather than a publicly traded corporation. Mostly because CatCo would need so much capital to operate that it would need to sell stock publicly to raise operating funds. You don’t think a company like CBS gets all its money from Flo’s audience appeal or those 2:00, 3:00, 4:00, and 5:00 a.m. infomercials, do you?

So, if we assume that CatCo is a publicly traded media conglomerate, Lena couldn’t just call up Andrea and say, “Buy my company, I need the cash.” No, she and Andrea would have to negotiate terms that would satisfy the minority shareholders sufficiently that they didn’t file some sort of lawsuit against the transaction. And those negotiations would have alerted the CatCo employees of the impending sale so that, rather than being sandbagged by it, they could have decided they didn’t want to work for Andrea and her type of news organization and not renewed their contracts.

Which left me with only one alternative. The CatCo employees all signed new contracts willingly and with full knowledge that CatCo was about to be sold to Andrea Rojas , then they all forgot what they had done. And if that’s the case, why did Andrea fight so hard to keep them? Seems to me that people that stupid aren’t capable of reading the news, let alone writing it.

REVIEW: Pennyworth: The Complete Second Season

REVIEW: Pennyworth: The Complete Second Season

It’s pretty impressive that Bruno Heller and Danny Cannon, who twisted Gotham into a funhouse mirror image of the comic book source material, got invited to do it a second time with their Epix series Pennyworth, purportedly the origins of Alfred. But which Alfred? And for which version of Batman?

Pennyworth: The Complete Second Season, with Covid-19 interruptions, finally arrived at the end of 2020 and is now available on a two-disc Blu-ray set from Warner Archive. You can decide for yourself if the series needed its connections to the Batman mythos, needed to exist at all or is entertaining. As with Gotham, the chaotic and uneven storytelling continues here in this weird, alternate reality of the world.

While it looks like the 1960s, the politics of England is decided more fascistic, and lots of secret organizations are having a secret war with the kingdom’s fate at stake.  In the first season, it was the SAS is battling the Raven Society for control of the country, with the good guys getting help from the No Name Society. We pick up a year later and everyone has received a promotion with the Ravens now the Raven Union and the No Names have taken a new title: the English League which sounds like a soccer club.

Alfred (Jack Bannon) has had father issues in print and onscreen, but here the stakes are higher with his father trying to kill the queen , forcing the son to kill the father. Already unsure of who he is and what he really wants, this act has rattled Alfred, who spends a lot of season two adrift. Things don’t get better when his lover Esme (Emma Corwin, now an Emmy nominated actress for her superior work on The Crown) is killed and he takes up with the wife (one-time Huntress Jessica De Gouw) of his former captain, Gulliver “Gully” Troy (James Purefoy). He, therefore, wants to flee the bleak London future and find the funds to emigrate to Gotham City.

Newly arrived from Gotham to work with the League are Thomas Wayne (Ben Aldridge) and Martha Kane (Emma Paetz), bringing us closer to the birth of the Dark Knight and Alfred becoming the noble butler. But first, they have to fight for seven episodes and what could have been entertaining Moonlighting banter, the awkward writing robs us of a good thread. By season’s end, they marry and, surprise, have a baby girl, not baby Bruce.

There’s a lot of aimless plotting going on as if they didn’t know they had eight episodes to work with and carefully plot everything out. By bringing in Thomas, Martha, and Lucius Fox (Simon Manyonda), too much bat-mythos is entering Pennyworth threatening to derail its ability to surprise us. Mostly, the big arc is dealing with Project Stormcloud, a “terror bomb” that smacks of the Scarecrow’s fear gas. It’s mostly Alfred and Dave Boy (Ryan Fletcher) versus Colonel John Salt (Edward Hogg) with the bickering Americans in the background.

As with the wretched Gotham, all sorts of storytelling possibilities are ignored in favor of frenetic pacing and lapses in story logic. In theory, a third season may happen and may find a new home at HBO Max, but no announcements have been made.

The 1080p high-definition transfer is perfectly fine with solid DTS-HD audio. The discs do not have any special features.

Fear The Walking Dead S6 Shambles to Disc Aug. 31

Fear The Walking Dead S6 Shambles to Disc Aug. 31

The survivors of the apocalypse are torn apart by the Pioneers when Season 6 of Fear The Walking Dead arrives on Blu-ray™ (plus Digital) and DVD August 31st from Lionsgate.

The survivors of the apocalypse are torn apart by the Pioneers when Season 6 of Fear The Walking Dead arrives on Blu-ray™ (plus Digital) and DVD August 31st from Lionsgate. Fear The Walking Dead Season 6 stars Alycia Debnam-Carey (The 100, Friend Request, Into the Storm), Colman Domingo (Euphoria, Ma Rainey’s Black Bottom, If Beale Street Could Talk), Lennie James (The Walking Dead, Save Me, Blade Runner 2049), Maggie Grace (Taken franchise, Lost, The Hurricane Heist), Austin Amelio (The Walking Dead, Everybody Wants Some!!, Mercy Black), Colby Minifie (The Boys, The Marvelous Mrs. Maisel, and Jessica Jones), and Karen David (Legacies, Once Upon a Time, and Ryan Hansen Solves Crimes on Television). Certified Fresh on Rotten Tomatoes, Fear The Walking Dead Season 6 Blu-ray™ (plus Digital) and DVD will be available for a price of $44.99 and $38.98, respectively.

BLU-RAY / DVD SPECIAL FEATURES
Audio Commentaries

OFFICIAL SYNOPSIS
After being torn apart by the Pioneers, Morgan’s (Lennie James) group is now dispersed across their far-reaching settlements, with life behind the Pioneers’ walls testing each of the group’s members in different ways — and forcing them to define who they really are in this new world. As Morgan’s bid to free the remaining members of the group grows bolder, Virginia’s (Colby Minifie) desperation to find her sister accelerates, as does her need to protect the settlements from the enemy forces outside…and within. With new alliances forming, relationships dissolving, loyalties switching, and everyone forced to take sides, “The End Is the Beginning” reveals its deepest meaning.

CAST
Alycia Debnam-Carey             The 100, Friend Request, Into the Storm
Colman Domingo                    Euphoria , Ma Rainey’s Black Bottom, If Beale Street Could Talk
Lennie James                         The Walking Dead and Save Me, Blade Runner 2049
Maggie Grace                         Taken franchise, Lost, The Hurricane Heist
Austin Amelio                         The Walking Dead, Everybody Wants Some!!, Mercy Black
Colby Minifie                          The Boys, The Marvelous Mrs. Maisel, and Jessica Jones
Karen David                            Legacies, Once Upon a Time, and Ryan Hansen Solves Crimes on Televisio

PROGRAM INFORMATION
Year of Production: 2020-2021
Title Copyright: Fear the Walking Dead © 2020 AMC Film Holdings LLC. Artwork and Supplementary Materials are ™, ® and © 2020–2021 AMC Network Entertainment LLC. Package Design © 2021 Lions Gate Entertainment Inc. All Rights Reserved.
Type: TV-on-DVD
Rating: TV-MA
Genre: Drama, Horror, Thriller
Closed-Captioned: N/A
Subtitles: Spanish, French, English SDH
Feature Run Time: 738 minutes
Blu-ray Format: 1080p High Definition 16×9 (1.78:1) Presentation
DVD Format: 16×9 (1.78:1) Presentation
Blu-ray Audio: English 5.1 TrueHD, French 2.0 Dolby Stereo, Spanish 2.0 Dolby Stereo
DVD Audio: English 5.1 Dolby Audio, French 2.0 Dolby Stereo, Spanish 2.0 Dolby Stereo

New Batman: The Long Halloween Part 2 Clip Showcases Sofia Falcone

New Batman: The Long Halloween Part 2 Clip Showcases Sofia Falcone

Sofia Falcone comes to her father’s aide in Gotham City, but Carmine Falcone already has new, unlikely partners to escalate his plans in an all-new clip from Batman: The Long Halloween, Part Two.

Produced by Warner Bros. Animation and DC, the feature-length animated Batman: The Long Halloween, Part Two will be distributed by Warner Bros. Home Entertainment on Digital starting July 27, and on Blu-ray beginning August 10. 

A new Falcone arrives in Gotham City as Sofia Falcone , daughter of mob boss Carmine “the Roman” Falcone, comes to her father’s aide – only to discover Carmine is recruiting a new breed of criminal to help with his plan. Laila Berzins (Genshin Impact) and Titus Welliver (Bosch) voice Sofia and Carmine, respectively. Produced by Warner Bros. Animation, DC and Warner Bros. Home Entertainment, the all-new feature-length Batman: The Long Halloween, Part Two arrives on Digital starting July 27, 2021, and Blu-ray on August 10, 2021. 

The Complete Peanuts, 1955-1956 by Charles M. Schulz

This is, as far as I can tell, the last of the books collecting Charles M. Schulz’s Peanuts comic strips that I’ve never written anything about here. I read the hardcover soon after it came out in 2005, just before this blog existed, but did mention the 1957-58 volume early the next year . (I believe all of my other Peanuts posts can be found through a post on the first book from 2016 and from a 2017 post on the final odds-and-sods volume that collected the odd bits of string from the whole history of the strip.)

So I have thrown around a lot of words about Peanuts over the past decade and a half. And not just me: Schulz is one of the towering masters of the form, so plenty of other people have been pontificating about his work (mostly positively, I think; is there anyone who hates Schulz?). There’s no dearth of discussion of the ol’ round-headed kid, is what I’m saying. You don’t actually need me here to say anything about this book.

But I am here, and I did just read The Complete Peanuts, 1955-1956 . And it’s…just fine, actually.

This is a middle period: any strip that runs for a really long time will have at least one of those, where it was one thing, and will someday become something slightly different, but right now is just running its gag every day, trying some small tweaks as it goes and starting to speciate. In the mid to late ’50s, Peanuts was as general as it was ever going to be: the kids basically were kids, doing kid things in a kid world, and occasionally even seemed to be specific ages (just old enough for school, generally).

So the initial shock had worn off. Charlie Brown had settled down into a sad sack rather than a trickster, but all of the ritualized humiliations were still gathering. This book sees him lose kites to trees, but not gloating trees. Lucy pulls away a football maybe once. The whole baseball team loses, but it’s not all on his head yet. He was the central kid in a world of kids, in that imagined green and glorious ’50s suburbia full of other kids just like himself. Franklin was still a good decade off; even Peppermint Pattie wouldn’t appear for a while – these are all the white kids in the relatively nice neighborhood, for all Original Pattie teases Charlie Brown about the relative poverty of his barber father.

The kids tease each other in kid ways and do goofy kid things. Sometimes surrealistically, as comics can: Linus can blow square balloons. But mostly naturalistically. Pig Pen gets more page-time here, and is still as one-note as he was in the previous book.

On the other side, Snoopy is getting odder, more specific and less realistic. He doesn’t have thought balloons yet, but he clearly doesn’t think like a dog anymore. Not only does he think he’s people – lots of dogs think that – but he can convincingly act like people, more and more.

Peanuts would become magnificent in a few years. But strip comics rarely become magnificent immediately. (Counterexample: “‘ja think I’m a cowboy?”) Schulz was, at this point, writing a Zeitgeist strip, about the consensus best possible life in the best possible nation in the best possible moment in history, for an audience that loved to hear that. He was good at that, but he was better than that – you can see how he got better in later volumes of this series.

Reposted from The Antick Musings of G.B.H. Hornswoggler, Gent.

Guillermo del Toro Shares First Minutes of Epic Tales of Arcadia Finale Film Trollhunters: Rise of the Titans

Guillermo del Toro Shares First Minutes of Epic Tales of Arcadia Finale Film Trollhunters: Rise of the Titans

Academy Award®-winning filmmaker and executive producer of the multiple Emmy® Award-winning Tales of Arcadia series Guillermo del Toro, shared the first few minutes of Trollhunters: Rise of the Titans, the epic feature film finale of the saga premiering July 21 on Netflix globally.

In the clip, as Douxie (Colin O’Donoghue) attempts to hide Nari (Angel Lin) from the evil Bellroc (Kay Bess) and Skrael (Piotr Michael), a war between magic and mankind is unleashed.

Following the events of the Tales of Arcadia trilogy , the heroes of Arcadia from the hit series Trollhunters, 3Below, and Wizards must band together in their most epic adventure yet to protect humanity from the evil Arcane Order, who wield their dark and uncontrollable magic to summon ancient titans that threaten to destroy the world. On the surface, Arcadia appears to be a slice of timeless Americana, but it is no ordinary town. It lies at the center of magical and mystical lines that make it a nexus for many battles among otherworldly creatures including trolls, aliens and wizards. 

Since 2016 del Toro and his creative team have built a rich and emotional narrative while continually advancing the shows’ technical achievements. 

“We always hoped these three series could culminate with a massive ‘all-stars’ reunion,” del Toro says. “We wanted the feature to improve and expand but to also deliver more scope, more spectacle … more emotion, too. We are very proud of the Tales of Arcadia and extremely eager to deliver this spectacular finale.” The cast of Trollhunters: Rise of the Titans includes Kelsey Grammer, Nick Offerman, Emile Hirsch, Diego Luna, Colin O’Donoghue, Tatiana Maslany, Lexi Medrano, Alfred Molina, and Steven Yeun among others. 

Directors: Johane Matte, Francisco Ruiz Velasco, Andrew L. Schmidt
Writers:  Guillermo del Toro, Marc Guggenheim, Dan Hageman, Kevin Hageman
Executive Producers: Guillermo del Toro, Marc Guggenheim, Chad Hammes, Dan Hageman, Kevin Hageman
Voice Cast: Emile Hirsch, Colin O’Donoghue, Lexi Medrano, Charlie Saxton, Kelsey Grammer, Alfred Molina, Steven Yeun, Nick Frost, Diego Luna, Tatiana Maslany, Cole Sand, Nick Offerman,  Fred Tatasciore, Brian Blessed, Kay Bess, Piotr Michael, James Hong, Tom Kenny, Angel Lin, Amy Landecker, Jonathan Hyde, Bebe Wood, Laraine Newman, Grey Griffin, Cheryl Hines

A Gift for a Ghost by Borja Gonzalez

I’ve tagged this book fantasy, but that’s overstating it. This graphic novel has two storylines, in two different times – 1856 and 2016, in the same place, wherever that is – and the first scene has a mysterious character appearing in 1856.

I probably shouldn’t say more than that. But that character’s appearance is the fantasy element. It’s not otherwise a fantasy story. I say that in case it helps calibrate expectations.

That’s A Gift for a Ghost , the first full-length comics story by Spanish cartoonist Borja Gonzalez. This edition was translated by Lee Douglas. The character I alluded to is the ghost.

Well, maybe. That’s one way of interpreting it. There are many ways to give a gift to a ghost.

Teresa is the oddball sister in an aristocratic family in 1856, the one not named after a flower. She’s coming up on her debut, but would much rather write Poe-influenced poetry and spend time in her own head than practice her piano and brush up the other skills that will get her a proper husband. She likes to sneak out to walk in the quiet at night; she meets what looks like a talking skeleton in the first scene. Her story is about what happens next in her life: what her family demands and expects , or what she actually wants, if she can figure out what that is.

In 2016, there are three girls – probably about the same age Teresa was in 1856, sixteen to seventeen. Gloria, Laura, and Cristina. They hang out, wander around, try to figure out life. They’re forming a punk band, the Black Holes, and one of the girls is writing songs – they squabble about that, maybe, a bit. Their story is about secrets and their interactions: there’s less at stake, maybe. 

The two stories – they are both quiet, subdued stories, for all the teenage angst in both of them – intertwine, in ways that one would not expect across a hundred and sixty years. Gift is subtle and will not make itself obvious: if you’re looking for something flashy and obvious, you will not enjoy it.

Gonzalez’s art is equally subdued and quiet: he draws all of these young women (and all of the characters are young women) without faces. Does that make them unknowable? Or just distanced that much father, so the reader has to spend more energy to figure them out? That will for each reader to decide.

I found this book deep and resonant; I don’t think I got all it had to give, but I got enough to want to see what Gonzalez does next.

Reposted from The Antick Musings of G.B.H. Hornswoggler, Gent.

Who are… the Phenomenons?

Who are… the Phenomenons?

New times call for new heroes. And a time in which society’s been buried under a crushing financial crisis? Such a world needs heroes more than most. This is the world of a new prose anthology series known as Phenomenons.

“I remember the early days of Marvel Comics and how exciting it was to see the Avengers watch an appearance of the Fantastic Four on TV , or contact Doc Strange for advice,” says Michael Jan Friedman, the NY Times bestselling author and comic book writer who hatched the idea for Phenomenons. “Or at DC, how cool it was to see Superman and Batman go at the same problem from different angles. You got the sense that these heroes—and villains—all operated in the same frame of reference, and somehow that made it seem more real.

“Our heroes will be doing the same thing. Half the fun will be seeing them join forces, rub elbows, and get in each other’s way,” says Friedman. “It’s an aspect of the project that’s got us all jazzed. Writing is, after all, a solitary business in many cases, and this gives us a chance to interact with and be inspired by the imaginations of our fellow writers.”

For Phenomenons: Every Human Creature, Friedman has gathered a crew of contributors from every corner of the speculative fiction field, including writers who will be familiar to consumers of comic books, television, and movies.

The complete list of writers includes ComicMix contributors Robert Greenberger, Glenn Hauman, Paul Kupperberg, and Aaron Rosenberg, along with Ilsa J. Bick, Michael A. Burstein, Russ Colchamiro, Peter David, Keith R.A. DeCandido, Mary Fan, Dan Hernandez, Heather Hutsell, Ron Marz, Hildy Silverman, Geoff Thorne, Marie Vibbert, and, of course, Friedman himself.

One of the rewards he offers his backers is the opportunity to become a character in one of the book’s stories. “Imagine being named in a story by one of your favorite writers,” says Friedman. “That’s a perk you can’t get off the rack in a bookstore.”

The Kickstarter campaign for Phenomenons: Every Human Creature is seeking $8000 in funding. It ends Sunday, July 18th, at 7:00 PM EDT.

A Quiet Place Part II Streams Tomorrow, on Disc July 27

A Quiet Place Part II Streams Tomorrow, on Disc July 27

HOLLYWOOD, Calif.  – Hailed by critics and audiences alike and Certified Fresh by Rotten Tomatoes®, John Krasinski’s “exhilarating” (Sean O’Connell, Cinemablend), and “nerve-shredding” (Tim Grierson, Screen International) thriller A QUIET PLACE: PART II debuts on Digital July 13, 2021 and on 4K Ultra HD Combo Pack, Blu-ray and DVD July 27 from Paramount Home Entertainment.  Plus, fans can experience the whole Abbott family saga with the 2-Movie Collection, available to buy exclusively on Digital or Blu-ray with bonus content on both films.*

The A QUIET PLACE: PART II 4K Ultra HD Combo Pack, Blu-ray and Digital* releases boast exclusive special features that take viewers deeper into the world originated in the global smash hit A Quiet Place.  Follow Krasinski on the set of the new film as he details the cast and crew’s incredible work in a video Director’s Diary; uncover the secrets of the monstrous invaders; dig into the two-film character arc of daughter Regan; watch a breakdown of the unforgettable marina scene; and delve into the extraordinary visual effects and sound design.

The 4K Ultra HD and Blu-ray Discs also boast a Dolby Atmos® soundtrack remixed specifically for the home to place and move audio anywhere in the room, including overhead, and the 4K Ultra HD disc features Dolby Vision high dynamic range (HDR), which delivers greater brightness and contrast, as well as a fuller palette of rich colors.**

A Quiet Place: Part II Synopsis
Following the deadly events at home, the Abbott family (Emily Blunt, Millicent Simmonds, Noah Jupe) must now face the terrors of the outside world as they continue their fight for survival in silence. Forced to venture into the unknown, they quickly realize that the creatures that hunt by sound are not the only threats that lurk beyond the sand path in this “gripping , edge-of-your-seat thriller” (Scott Mantz, BFCA) written and directed by John Krasinski.
 
A Quiet Place 2-Movie Collection Synopsis
If they hear you, they hunt you! Silence is survival in these two terrifyingly suspenseful thrillers. Follow the Abbott family (Emily Blunt, John Krasinski, Millicent Simmonds, Noah Jupe) as they face the terror of mysterious creatures that hunt by sound.
 
A QUIET PLACE: PART II 4K Ultra HD Combo Pack
Fans can enjoy the ultimate viewing experience with the 4K Ultra HD Combo Pack, which includes an Ultra HD Disc with Dolby Vision and Dolby Atmos and a Blu-ray Disc™ with Dolby Atmos.  The Combo Pack includes access to a Digital copy of the film and the following:
4K Ultra HD

  • Feature film in 4K Ultra HD

Blu-ray

  • Feature film in high definition
  • Director’s Diary: Filming with John Krasinski
  • Pulling Back the Curtain
  • Regan’s Journey
  • Surviving the Marina
  • Detectable Disturbance: Visual Effects and Sound Design

A QUIET PLACE: PART II Blu-ray
The A QUIET PLACE Blu-ray is presented in 1080p high definition with Dolby Atmos. The Blu-ray includes access to a Digital copy of the film as well as the bonus content detailed above. 

A QUIET PLACE DVD
The DVD includes the feature film in standard definition.

New Snake Eyes Featurettes

New Snake Eyes Featurettes

Paramount Pictures has released two new looks at the forthcoming Snake Eyes film, which opens July 23 and already has co-creator Larry Hama’s seal of approval.

OFFICIAL SYNOPSIS

Snake Eyes: G.I. Joe Origins stars Henry Golding as Snake Eyes, a tenacious loner who is welcomed into an ancient Japanese clan called the Arashikage after saving the life of their heir apparent. Upon arrival in Japan, the Arashikage teach Snake Eyes the ways of the ninja warrior while also providing something he’s been longing for: a home. But, when secrets from his past are revealed, Snake Eyes’ honor and allegiance will be tested – even if that means losing the trust of those closest to him. Based on the iconic G.I. Joe character, Snake Eyes: G.I. Joe Origins also stars Andrew Koji as Storm Shadow, Úrsula Corberó as Baroness, Samara Weaving as Scarlett, Haruka Abe as Akiko, Tahehiro Hira as Kenta and Iko Uwais as Hard Master.

DIRECTED BY

Robert Schwentke

EXECUTIVE PRODUCED BY

David Ellison, Dana Goldberg, Don Granger, Jeff G. Waxman, Greg Mooradian 

PRODUCED BY

Brian Goldner, Erik Howsam, p.g.a., Lorenzo di Bonaventura, p.g.a.

BASED ON

Hasbro’s G.I. JOE® Characters

STORY BY

Evan Spiliotopoulos

SCREENPLAY BY

Evan Spiliotopoulos and Anna Waterhouse & Joe Shrapnel

STARRING

Henry Golding , Andrew Koji, Úrsula Corberó, Samara Weaving, Haruka Abe, Takehiro Hira, Peter Mensah with Iko Uwais