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Marshall Rogers dies

Marshall Rogers dies

Marshall Rogers, the legendary artist of such diverse characters as Batman, Mr. Miracle,  Doctor Strange, the Silver Surfer,  and Green Lantern, died this weekend at the age of 57. Details have yet to be disclosed.

Marshall co-created and drew a veriety of creator-owned projects such as Detectives, Inc., Captain Quick and the Foozle, Scorpio Rose, and Coyote. He is best known for his collaborations with writer Steve Englehart. Marshall was also part of Neal Adams’ "Crusty Bunkers" crew at Continuity Studios.

A personal friend, I fondly remember Marshall telling me about the time he was working at Continuity Studios when the ceiling literally fell in. He was finishing a project for Neal, and did not want to leave his drawing table until it was finished. Folks had to work around him, as he wouldn’t budge. He was a great guy, with an awesome sense of humor and a broad smile to match.

Artwork copyright 2007 DC Comics. All Rights Reserved.

Mike Grell and Green Arrow invade Pittsburgh

Mike Grell and Green Arrow invade Pittsburgh

 

Our pal Mike Grell did this awesome history of Green Arrow montage for the cover of the Pittsburgh Comicon program book. Mike, along with ComicMixers Timothy Truman and yours truly (and about a thousand other guests, including Mike Oeming and George Pérez, will be appearing at the show, April 27th  through 29th at the Pittsburgh ExpoMart.

Mike has donated the painting and it will be auctioned off for the benefit of the Make-A-Wish Foundation. If you haven’t seen Mike Grell’s work as an auctioneer, you’ve been missing something.

By the way, this piece will also be used in the special features section of the upcoming Smallville season 6 DVD set – the season featuring Green Arrow, of course.

For more information on the Pittsburgh Comicon: http://www.pittsburghcomicon.com/

(Artwork copyright 2007 DC Comics. All Rights Reserved, so you better watch it!)

Tex Avery’s Droopy is coming

Tex Avery’s Droopy is coming

Many animation fans believe Tex Avery to be the greatest – and, arguably, wackiest – American cartoon director. On May 15, Droopy, his best-known creation, will be released on DVD in all his complete glory.

          

Tex Avery’s Droopy: The Complete Theatrical Collection will also contain the eight Droopy cartoons produced in letterbox ratio, which have been rarely seen on television. Many of the shorts feature the ultimate slick bad-guy Wolfie, another of Avery’s best-known creations. Episodes include Dumb-Hounded, The Shooting Of Dan McGoo, Wild And Woolfy, Northwest Hounded Police, Señor Droopy, Wags To Riches, Out-Foxed, The Chump Champ, Daredevil Droopy, Droopy’s Good Deed, Droopy’s Double Trouble, Caballero Droopy,  The Three Little Pups, Drag-A-Long Droopy, Homesteader Droopy, Dixieland Droopy, Deputy Droopy, Millionaire Droopy, Grin And Share It, Blackboard Jumble, One Droopy Knight, Sheep Wrecked, Mutts About Racing, and Droopy Leprechaun. Extras include Droopy and Friends: A Laugh Back and an ersatz gag reel.

Droopy’s more recent guest-appearances with Roger Rabbit and The Simpsons are not expected to find their way onto this Warner Bros. two-DVD box set; of course, they were tributes to Tex produced after his death.

It’s raining 300 men

It’s raining 300 men

Via Tom Galloway, we have this little display of… well… oh, just watch, it’s quick and dirty:

Words fail me.

MIKE GOLD: The secret Luddite?

MIKE GOLD: The secret Luddite?

Yesterday, I turned on my cell phone for the first time in about two weeks. I was at I-Con in Long Island New York and was waiting to meet up with some friends. I only turn on my cell when I’m out of town or at a convention, and the fact that I didn’t have to have it on in two weeks had made me happy.

First among my 19 voicemails was a message from Harlan Ellison, admonishing me for misspelling Edgar Allan Poe’s name in a ComicMix news story back when. He’s right, and I should have caught it. I’ve been a fan of Poe’s longer than anybody except maybe Jack Kirby. The problem is, when I’m under deadline pressure (and with the Internet that’s 24/7) I over rely upon my spellchecker. Sadly, those suckers ignore words that are misspelled into other real words. I let it do my thinking for me; my bad.

Mr. Ellison often refers to himself as a Luddite, disparaging our computer-communications society. I sympathize. Coincidentally, the very night before my wife and I had watched the first half of a Doctor Who serial, "The Mark of the Rani", which was set in 1811 at the birthplace of the British Luddite movement. They did a good job of disclosing the reasons behind the movement, except that I don’t think a pair of Gallefreyan Time Lords encouraged the Luddite movement.

For the history-challenged out there, the Luddites were members of a movement of English workers at the dawn of the Industrial Age who destroyed the machinery that they thought was taking their jobs. It is believed the media named the participants after Ned Lud, one of their ilk, although that might be apocryphal.

You can hardly blame them. The ruling classes always instill such fears in their workers as a means of keeping wages low and discipline high. There are always all sorts of odd ramifications to this philosophy – for example, our marijuana laws were imposed under the belief that they would deter Mexican immigration and take jobs away from the “common man.” If this sounds like our current immigration attitudes, well, that’s no coincidence.

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Zombies with good attitude

Zombies with good attitude

Zombie movies are nothing new. Nor are zombie movies with attitude. But there’s been a preview making the rounds of a movie about a bunch of zombie "eliminators" called Z•E•R•O, or Zombie Emergeny Response Operations for long. Possible another section of the Department of Homeland Security that isn’t being talked about.

Unlike most such pre-distribution movie previews, War of the Dead: Z•E•R•O is very character-based. We know there’s a lot of icky monsters around, but the preview focuses on Z•E•R•O and its team-members: a group of ick-fighters that are probably slightly too good for Reno 911 and certainly too good for their patronizing shrink.

What happens to War of the Dead: Z•E•R•O is up to the usual Hollywood forces, but the preview is fun and worth checking out. Kudos to creator / Executive producer Joe Sena and writer / director Michael Disario for jumping into the shark pool; we wish them the best of luck.

Check ’em out at warofthedead.com.

Comic books still rule the movies

Comic books still rule the movies

Comic books continue to lead Hollywood box office business as TMNT, based upon the comics books of the same letters beat out 300 $25,400,000 to a mere $20,500,000 in estimated weekend North American box office receipts.

It was the first weekend for the Turtles’ latest movie venture, and the third for the Frank Miller property. Thus far, 300 has earned nearly a quarter-billion dollars worldwide. Then again, box office totals in Iran are expected to be rather low.

Whereas both movies were released by Warner Bros., neither one is based upon a DC Comics property. DC is a unit of Warner Bros.

Next up: Spider-Man 3, in just a few weeks. ComicMix carried the link to the final movie trailer; scroll down and you’ll find it.

Carmine Infantino talks!

Carmine Infantino talks!

Jimmy Gimli gives us a first look for Free Comic Day, Carmine Infantino says there’s too much sex in comics, and the Isley Brothers riff on Bruce Willis — all this, plus validated parking in this edition of the ComicMix podcast.

Click here to listen:

GLENN HAUMAN: A personal plea from I-Con way

GLENN HAUMAN: A personal plea from I-Con way

Okay, it says that this is theoretically an opinion column, but really, this is all fact.

Friday night, while I was escorting a number of actresses from the annual Destinies Mystery Guest show at I-Con, we were forced to go through a crowd of LARPers to exit the building.

The smell was, shall we say, pungent. And that’s being polite. I’ve smelled better rotten meat and curdled milk. The comments between us after we could breathe again were savage.

Guys, I hate to have to say this, but clearly I must because some of you aren’t getting the message:

ATTRACTIVE WOMEN ARE LAUGHING AT YOU BECAUSE OF THE WAY YOU SMELL. FOR GOD’S SAKE, BATHE REGULARLY AND WASH YOUR LEOTARDS.

Feel free to support the cause by buying one of John Kovalic’s t-shirts here.

There will be longer posts about I-Con when we get a few more minutes. It’s a madhouse here.

Oh, and before I forget: ComicMix‘s Robert Greenberger will have a film preview panel tomorrow (Sunday) in Javitz at 1. It’s not on the program, but get there early anyway.

MATT RAUB: The Last Mimzy

MATT RAUB: The Last Mimzy

Greetings, movie geeks! Last we spoke, you were all on the receiving end of my 300 bash, and after a handful of death threats from the “Frank Miller is God Fan Club,” I’ve digressed. We’re moving on this week to a flick that I can relate to, in Robert Shaye’s The Last Mimzy.

Now for those of you who aren’t in the know on this latest adolescent epic, the premise is that a brother and sister come across a mysterious box on the beach. It’s explained to us that the box is from the future and is filled with all kinds of equally mysterious sci-fi gadgets, or as the kids so affectionately called them “toys.” Once they start to play with these toys, both the boy and girl begin to gain special powers. Now fans of the USA show The 4400 may be saying “hey, this sounds a little familiar.” And I agree with you. The concept of the future sending technology back in time to save the human existence does sound a bit familiar, but this is done entirely through the perspective of the two kids.

By doing the entire film through the point of view of our two tiny heroes, this flick brought me back to what it was like to be a geeky kid with superpowers given to me from the future… or something. The perspective stayed so far on course that we (the audience) begin to hate the parents of the main characters when they become frightened and angry with these new found “toys” and what they are doing to their children. This can best be described by remembering the point of view from a little movie from the 80s called E.T. Much like that film, we all felt like we were keeping the secret from kids’ parents as much as they were, and that was exciting.

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