The Mix : What are people talking about today?

300 @ 152 & counting

300 @ 152 & counting

Frank Miller’s 300 has turned into quite a little motion picture empire, grossing not only a portion of its audience but a whopping $152,000,000 worldwide in its first 10 days of release.

Of course, by "worldwide" we mean that portion of the world that’s showing the movie thus far. Most of the planet has yet to enjoy the experience. By the way, 300 is doing quite well in Greece.

Given a lengthy stay in theaters, openings in the rest of the world, and DVD sales later this year, Warner Bros. is expecting to see well over $300,000,000 in total grosses. Not bad for a flick that cost $65,000,000 to make.

Dark Horse is rushing another 80,000 copies of the original graphic novel to the bookstores.

Manga toilet paper

Manga toilet paper

There are those people in the American comics market and readership that says that the manga coming in from overseas is printed on cheap paper, the stories are incomprehensible, and they just keep churning out more and more of them so much that they’re clogging up the shelves.

This will not help matters:

TV Commentator and 4-panel manga artist Yakumi Tsuru (real name: Hatakeyama Hideki) announced on Friday that paper goods company Banbix will be selling toilet paper with his manga drawings and 4 panel comics printed on it. The toilet paper, called "Food Toipe", can be purchased in cases of 50 rolls from the Banbix website for 8,500 yen (approximately 80 US Dollars), and will be available as of March 2nd.

Yakumi Tsuru, who is also the self-proclaimed "biggest toilet paper collector in Japan", said in a statement that "Toilet paper is often confined to hidden places in the home. I made food the focus of the manga [on the toilet paper] when I thought about the paper sitting on the table instead of just in the bathroom."

And your parents thought you had a weird collection. If you want them (and can read Japanese) you can order them here — but really, you’re just flushing your money away.

(Via Fanboy.com. Hi, Mike!)

By the way, this isn’t the first time comics have been printed on toilet paper. An English-language Spider-Man vs. Hulk story appeared in this format about 20 years ago. We’re not aware of it being reprinted as of yet.

Buffy does Anna

Buffy does Anna

Well, we might not have Anna Nicole Smith to kick around any more, but that’s not going to stop NBC’s Law & Order: Criminal Intent from giving it the old college try. And they’re doing so with a very unusual cast.

Kristy Swanson, the original Buffy the Vampire Slayer, plays the ersatz Anna Nicole – a former stripper and widow of a billionaire whose son dies shortly before she does. Subtle, isn’t it?

It gets better. The episode also stars David Cross, of Arrested Development and The Colbert Report fame, as the wannabee father of the dead woman’s baby. And Peter Bogdanovich, noted director / historian / actor (The Sopranos) plays a publisher with ill-intent.

So what can L&O:CI do as a follow-up? Remember former NASA astronaut Lisa Nowak, of diapers-to-Florida fame? You know, Must-Pee-TV?

300 comic to screen

300 comic to screen

How John Rogers said that 300 was unfilmable is beyond me. Here Solace Cinema has shown how Frank Miller laid it all out for the filmmakers to follow in a handy Flickr slideshow.

And people say that inkers do nothing but trace. What does that make Zack Snyder?

MIKE GOLD: The kids ARE alright

MIKE GOLD: The kids ARE alright

There’s an ad campaign on radio right now demanding that all movies that show people smoking cigarettes be handed an R rating. This is based upon the perception that despite parents’ best and most consistent efforts, kids who see somebody smoking a cigarette in a motion picture will turn into hopeless addicts.

This is amusing, as the baby boomers that are making these noises represent the first generation to turn their backs on smoking. Of course, we baby boomers were raised on cigarette commercials, our teevee heroes smoked like chimneys, our movie stars didn’t need fogged up lenses to hide the wrinkle lines, and, oh yeah, our parents and our grandparents were complete tobacco fiends.

Virtually all of our finest movies would have to be reclassified as R-rated. Casablanca, Citizen Kane, the Marx Brothers movies … I think about 95% of the movies the American Film Institutes’ Top 100 list wouldn’t make the cut. I’m not sure about Snow White and the Seven Dwarfs – why do you think they called him Dopey?

So instead of actually raising our young with standards and values, it’s easier to simply have somebody else erase history for us. Forget about learning from our mistakes, let’s just stick our head in the sand and pass a law demanding everybody else does the same.

Here’s a fact. Parents want somebody else to raise their children for them. Offended? If I had said “Too many parents want somebody else to raise their children for them” would you still be offended? In the 1950s we looked at comic books said “somebody should stop kids from reading that.”  Then we heard rock music and said “somebody should stop kids from listening to that.” Then the villains became long hair, video games, rap music… it will never end.

The problem is, we have millions and millions of baby boomers who read comics and/or listened to rock who have grown up to be productive, or at least normal, citizens. Kinda fat, though. Maybe our parents should have spent their time bitching about Dr. Pepper and Froot Loops.

Parents, raise your children yourselves. Leave our history and our culture to fend for themselves; they do a great job without interference from lazy busybodies.

As for our children, well, they’ll make some mistakes. That’s their job. Be there to help them learn from those mistakes and remember, 99.5% of them will survive just like you did.

The Who said it best, and they said it 42 years ago: The Kids Are Alright.

Mike Gold is editor-in-chief of ComicMix.com. He watches a lot of old movies and he does not smoke. So there.

August denies Gyllenhall gab

August denies Gyllenhall gab

John August sets the record straight on his blog:  Jake Gyllenhall is not considering the lead role in the Captain Marvel project which August has been tapped to write.  He continues, "I can pretty much assure you he’s never heard of the project. And we’ve never discussed him. We’ve never seriously discussed anyone.

"After several months of meetings, casting has come up exactly zero times. There’s no casting list. If there were a list, Gyllenhaal’s name would probably be on it, but trust me: there is no list. There’s no start date, no release date, no movie whatsoever. There’s just a script to be written. Which I should probably get back to."  Aww no, baseless internet speculation is tons more fun than doing actual work!  On to the next trumped-up rumor, then: Emma Watson — in or out?

ComicMix week five

ComicMix week five

Time again for your one-stop shopping roundup of this week’s regular columns and podcasts!  Here are the columns:

And here are mellifluous Mike Raub‘s podcasts:

See below for the first regular Above and Beyond column from Glenn Hauman.  And don’t forget to check with us on weekends (and occasionally even during the week) for our special Opinion pieces and feature reports!

Advice from the pros

Advice from the pros

Not only are "the internets" a great place to find news (for instance, both CBR and Blog@Newsarama have the WizWorld LA scoops more than covered from the fan view, and Marv Wolfman from the pro view), but they’re invaluable as information tools if you know where to look.  One of the best places to read about life as a comic book professional is from the folks living it, who often have valuable words of wisdom to pass along to aspiring writers and artists.

Becky Cloonan talks about the world of Original English Language (OEL) graphic novels from manga companies, and compares how they’re put together here as opposed to the Japanese method.  A must-read for any artist planning on drawing that kind of a workload.

Stephanie McMillan examines how her own work is shifting from strictly editorial cartooning to a more strip-based focus, and how she tries to inject a more activist stance through the ideas she conveys with her writing and art.

And Colleen Doran conveys a couple of great cautionary tales about money — how little most professional writers really make, and the tendency so many creative people have toward throwing their money into get-rich-quick schemes.

GLENN HAUMAN: Literature of ethics, revisited

I’ve been kicking around these ideas around for a while but never codified them until Jim Henley wrote his famous blogposts and essay on the Literature of Ideas. Henley’s thesis boils down to “If science fiction is the literature of ideas, the superhero story is the literature of ethics. Or say, rather, it should be.”

Now for the backstory. This isn’t verbatim, but as I know and at least briefly worked with all the people here, I suspect it’s pretty close.

In the early 1970’s, the late great Julius Schwartz took over editorial duties on the Superman comics line from Mort Weisinger. Julie hired Dennis O’Neil to write the series, and O’Neil knocked Superman’s power levels down to about the level of his earliest appearances — no heat vision, no x-ray vision, no super-breath, no flying through space unaided, and so on. O’Neil was quoted saying that the reason for the change was that he found it difficult and/or uninteresting “to write about a character who could destroy distant galaxies by listening hard.”

O’Neil’s tenure on Superman lasted for about a year, and then the reins were handed over to Elliot S. Maggin. Elliot bumped Superman’s power levels back up to where they were, and approached writing Superman this way: if you have a character who can do anything, the only story avenues left to you are ethical ones. But in this area, there’s a lot of ground: “What was Superman’s relationship to his charges, the people of the Earth? To the authoritative functionaries of the rest of the Universe like the Guardians and, by extension, those who might be considered deities? What were the limits of Superman’s responsibilities? Were there differences between the real limits of his responsibilities and his perception of those responsibilities? What role did his heritage, both on Earth and among the stars, play in the determination of his actions? What long-term effects were coming about as a result of his intercession?”

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